TarLung Release New Album Beyond the Black Pyramid

Posted in Whathaveyou on June 15th, 2017 by JJ Koczan

tarlung

There are some for whom the deathly growls that permeate TarLung‘s second full-length, Beyond the Black Pyramid, will simply be too much. That’s fine. I don’t think a band takes on a sound like theirs anyway if mass-accessibility is a huge concern. The record, which is the follow-up to the Vienna, Austria, trio’s 2014 self-titled debut (review here) and the 2016 self-produced Void EP, is out now via Black Bow Records and can be streamed in its entirety through the band’s page on Bandcamp, where the CD version is also available.

If you heard the first record, the new one is a noteworthy progression in sound from the Southern-style sludge previously on offer, more atmospheric and richer on the whole in terms of tone. As someone who digs the occasional blend of fuzz and gurgle, it’s kind of hard not to be charmed by what TarLung are doing. Again, I know it’s not for everyone, but it’s a good time from where I sit.

The PR wire has more info:

tarlung-beyond-the-black-pyramid

TARLUNG (Austria) – ‘Beyond The Black Pyramid’

Dense and suffocating, TARLUNG’s music crawls along ponderously, squeezing the life out of its listeners. This kind of expression in sludge is rarely done but ends up being most satisfying. The riffs command the direction, as within the mire of the deafening sludge you have catchy hooks and memorable tunes. Influences from closely related genres such as death metal and even stoner doom coalesce to form their monolithic sound. This is the band’s latest full length album and it lays waste to everything else they’ve done before. Listen to one of the heaviest albums in this style and quiver under its might.

Track list:
1. It Waits In The Dark 01:50
2. Dying Of The Light 08:16
3. Mud Town 06:27
4. Kings And Graves 09:47
5. The Prime Of Your Existence 10:56
6. Resignation 04:02
7. Born Dead 09:13
8. Beyond The Black Pyramid 07:29
9. Karma 08:21

Line up:
Rotten – Guitars
Marian Waibl – Drums
Phillip “Five” Seiler – Guitars and Vocals

Artwork – Alex Eckman Lawn (DEFEATED SANITY, MARUTA, KREIG, ZEALOTRY)

https://www.facebook.com/tarlungband
https://tarlung.bandcamp.com/
http://www.blackbowrecords.com/

TarLung, Beyond the Black Pyramid (2017)

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The Obelisk Radio Adds: High Brian, Arduini/Balich, Audion, Grey Gallows, Smoke Mountain

Posted in Radio on June 13th, 2017 by JJ Koczan

the obelisk radio cavum

If you’re a regular denizen of The Obelisk Radio, you’ve probably already guessed by the massively expanded playlist that we’re back on the main server at this point. It’s been months on the backup, and while anyone is still reading, let me just say out loud how much I owe to the hard work Slevin has put into the back end of making this thing happen. From a huge file-recovery operation to yesterday turning the thing back on after I moved a bunch of files and screwed it up yet again, the dude is just unbelievable. Seriously. This site is coming up on nine years old, and Slevin has made it happen every step of the way from a technical standpoint. I am in awe of his prowess and generosity of spirit.

So now that we’re back up and running at full capacity, the only thing to do is to keep building it going forward. And here we are.

The Obelisk Radio adds for June 13, 2017:

High Brian, Hi Brain

high-brian-hi-brain

Though they start out with the post-Queens of the Stone Age shuffle of “Liquid Sweet,” the crux of Austrian rockers High Brian‘s playfully titled debut long-player, Hi Brain, lies in classic psychedelia, unafraid to directly make a Beatles reference or two in “Aquanautic Smoke” or name a track after Jefferson Airplane‘s Surrealistic Pillow. That song, “Surrealistic Pillow,” turns out to be one of Hi Brain‘s catchiest, but hooks about throughout the nodding “All but Certainty” and the later, Stubb-style raucousness of the pair “The Conversion” and “Blood Money” as well, while centerpiece “All the Other Faces” and the aforementioned “Aquanautic Smoke” engage effects-laden drift and poised fluidity, resulting in an overarching sense of within-genre aesthetic variety that moves easily throughout the vinyl-ready 44-minute offering. They close with the molten roll of “Time,” their longest cut at 5:52 and a bolder melodic take, as if to signal a potential direction of their growth on their way out. There are plenty of encouraging signs before they get there, certainly, but hey, one more never hurt. An impressive introduction to a project that one hopes continues to develop and expand its approach.

High Brian website

Stone Free Records website

Mountain Range Creative Factory

 

Arduini/Balich, Dawn of Ages

ARDUINI BALICH DAWN OF AGES

Words like “powerhouse” are invented for releases like Arduini/Balich‘s Dawn of Ages. The Cruz del Sur release brings together Fates Warning guitarist Victor Arduini (who also produced) and Argus vocalist Brian “Butch” Balich, and while I’ll confess that on first listen I went right to their cover of Sabbath‘s “After All (The Dead)” — fucking righteous; and there aren’t a lot of people I’d trust to take on that song or anything from the Dio era — extended pieces like “Beyond the Barricade” (17:27) and “The Wraith” (13:44) offer listeners a deep push into a heavy metal that’s progressive, powerful and doomed all at the same time, executed with a clarity and a purpose that shimmers with class and just the right balance of patience and aggression. Rest easy, traveler, for you are in the hands of masters. Rounded out by drummer Chris Judge, Arduini/Balich is what happens when heavy metal goes right, and from the doomly unfolding of opener “The Fallen” through the 2LP’s three concluding covers of Beau Brummels‘ “Wolf of Velvet Fortune,” Uriah Heep‘s “Sunrise” and the already noted Dehumanizer highlight, there isn’t one moment where they relinquish their hold on either their craft or their audience’s attention. It’s the kind of outing that might cause a last-minute revision to best-of-the-year-so-far list, to say the least of it. Not to be greedy, but I’ll take a follow-up as soon as possible. Thanks.

Arduini/Balich on Thee Facebooks

Cruz del Sur Music website

 

Audión, La Historia de Abraham

audion-la-historia-de-abraham

If the driving Motörhead-onic thrust of the title-track to Audión‘s La Historia de Abraham rings familiar, it might be because the rhythm section of the Buenos Aires trio consists of bassist Gonzalo Villagra (also vocals) and drummer Walter Broide (also backing vocals), both formerly of Los Natas. Honestly, that pedigree would probably be enough for me to get on board with the 10-track/49-minute self-released full-length, but then you get into the roll and drift of the subsequent “Llegaron Sordos” and the fluid cascade of “Colmillo Blanco,” and guitarist Dizzy Espeche makes his presence felt tonally and vocally throughout to add a new personality to whatever familiar aspects might persist. “Lesbotrans” dives into a ’70s-style swing and the blown-out “Diablo vs. Dios” follows it with the age-old question of what might happen if The Who went garage punk, but there’s flourish of psychedelia on the interlude “Para Rosita” before “El Carancho” and “Queruzalem” round out with some of La Historia de Abraham‘s weightiest impacts. I think it’s fair to say Audión have some tinge of Los Natas‘ style to them, but their first outing shows them working toward building something new from that as well, and that makes their arrival all the more welcome.

Audion on Thee Facebooks

Audion on Bandcamp

 

Grey Gallows, Underlord

grey-gallows-underlord

Not that it isn’t plenty malevolent on its surface, but there’s an even more extreme threat lurking beneath “Underlord,” the nine-minute opener, titular and longest track (immediate points) on the debut full-length from Phoenix, Arizona’s Grey Gallows. It doesn’t take long for that sense of extremity to manifest in a blackened sensibility that pervades both in the riffs of a song like “Belladonna” — the middle cut of the five included — or the overarching spaciousness that finds its way into the grime-coated “West of Hell,” which follows. With a depth of guitar worthy of filling one’s lungs, “West of Hell” churns in a manner faster and somewhat sludgier than the alternately nodding and atmospheric “Priestess” showed the Opoponax Records outing to be earlier, six-stringers Joe Distic and Cat weaving noted lines and crunch riffs around each other for seven densely grooved minutes amid low-end push from bassist Lee, adaptable and creative drumming from Shane and Zue Byrd‘s vocals, which hit in form no less distorted in the back half of “Priestess” than they are punker drawled in closer “Buzzard Dust.” Nasty. Nasty, nasty, nasty. That’s basically what the math works out to on the 35-minute outing, but it’s worth noting that even on their first album, Grey Gallows demonstrate a ready willingness to balance various stylistic impulses off each other in such a way that’s only going to make their sound richer as they proceed. Richer, and even nastier. So be it.

Grey Gallows on Thee Facebooks

Opoponax Records webstore

 

Smoke Mountain, Smoke Mountain

smoke-mountain-smoke-mountain

The first EP from this Floridian three-piece does precisely what it’s supposed to do: introduces a newcomer band with three unpretentious tracks of dirt-fuzz riffing. The immediate vibe of opener “Demon” is early Acid King as the vocals follow the riff in classic stonery fashion, but the three songs get longer as they go and “Violent Night” proves immediately more spacious en route to the eponymous march of “Smoke Mountain.” What would probably be called a demo in a prior age, Smoke Mountain‘s Smoke Mountain makes its primary impression tonally but shows potential in its songwriting as well, and as a quick sampling of what the band are getting up to in their first stages, there’s little more one could reasonably ask of it, particularly as “Smoke Mountain” hammers home its chorus in a balance of clean vocal melody and absolutely filthy guitar, bass and drum crash. That duality, should they maintain it as they move forward into whatever might come next, can only serve them well. One to keep an eye on.

Smoke Mountain on Thee Facebooks

Smoke Mountain on Bandcamp

 

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Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

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Succopuss Premiere “Back in Hell” Video; Self-Titled EP out March 31

Posted in Bootleg Theater on March 24th, 2017 by JJ Koczan

succopuss

It starts out innocently enough — easy taps on the ride cymbal, a smoky, bluesy, Mark Lanegan-style vocal delivery — smooth in its inclusion of sax, in its tone and overall execution. But the song is called “Back in Hell,” so you you know trouble’s not far off, and indeed, Vienna duo Succopuss raise a bit of it before they’re through. The song comes from their upcoming StoneFree Records self-titled EP, set to release March 31 as a limited four-song 10″ vinyl. Heavy blues is the foundation but not necessarily the limit of what vocalist/guitarist Tobias Paul and drummer Krystof Hümer bring to bear in the track, and from the classic reefer-in-the-dancehall feel of the transition to the chorus to the deceptively thick guitar push that serves as payoff, “Back in Hell” plays cleverly around notions of sonic heft throughout its six-plus minutes.

As to how “Back in Hell” might stand in line with its companion cuts “Succopuss,” “Death Groove” and “Black Flash,” I don’t know as I haven’t heard the full release, but “Black Flash” and maybe the eponymous opener (though it was spelled differently) could also be found on the band’s 2013 debut full-length, Austrian Power Kush, albeit in much rawer form. Much rawer. Like garage rock. Maybe that vibe shows up in the Succopuss EP as well, but “Back in Hell” plays it with a cooler and more patient head on the whole and a fuller sound, and so makes a fitting introduction if you, like me, are taking on the band for the first time with the new offering. Likewise, the video by Christian Fischer is pastoral in its vibe emphasizing a visual flow that feeds off the energy of the song while engaging its own narrative.

If you think you might be able to dig it — and if you do, you just might — you can check out the clip for “Back in Hell” below. More info, preorder links for Succopuss‘ Succopuss EP, and other whatnot follow beneath, courtesy of the PR wire.

Hope you enjoy:

Succopuss, “Back in Hell” official video

Video-Premiere for the first Single “Back In Hell” of their upcoming EP shot by Filmmaker CHRISTIAN FISCHER.

Succopuss is the name of a rock and roll, stoner, blues duo based in Vienna, founded after Tobias Paul (vocals, guitar) and Krystof Hümer (drums) met each other at a nightclub in their hometown 2013, one dressed up as a sailorman and the other as Nick Cave. Tobias’ 24-year-old voice sounding more like he had already lived decades of rock and roll lifestyle, complementary to Krystof’s drumming, a rhythmic eardrum stimulating penetration.

Their notorious live performances, with jam passages often resulting in more or less obvious acoustic sexual innuendos, are a damage of space and time, causing the crowd flashbacks to a more analog era, when psychedelics were taken before breakfast.

They recorded their “Succopuss EP” which will be released soon as a limited 10″ Vinyl Version (Black/Mint)

Tracklisting:
Succopuss
Death Groove
Back In Hell
Black Flesh

Pre-Order for Succopuss 10” is available now and comes in a tasty limited edition via StoneFree Records, Artwork done by KVSH:
Limited to 300 Pieces – 10″ Black Vinyl 33rpm
Limited to 200 Pieces – 10″ Mint Vinyl 33rpm

Pre-Order:
http://www.stonefree.co.at/succopuss10inch.html
https://succopuss.bandcamp.com/album/succopuss-succopuss-10

Release set to 31st of March 2017

Succopuss is:
Krystof Hümer – drums, percussions
Tobias Paul – vocals, guitar

Succopuss on Thee Facebooks

Succopuss on Bandcamp

Succopuss at StoneFree Records

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Lowrider to Headline Lake on Fire 2016

Posted in Whathaveyou on April 29th, 2016 by JJ Koczan

Today, Austrian festival Lake on Fire 2016 announces its second headliner will be Swedish heavy rockers Lowrider. It’s been a minute or two since the reformed four-piece were last heard from, and though they’ve been teasing the prospect of new recordings and new material for a while now, concrete word of a release to follow-up their landmark 2000 debut, Ode to Io, has yet to surface. They join Uncle Acid and the Deadbeats at the top of the two-night bill for the fest, which takes place in Waldhausen at a lakeside campsite and is already sold out. Because it’s lakeside riffing, and I don’t think I’ve ever met anybody who doesn’t think that’s an awesome idea. I know I do. Frankly, the fest should be sold out on principle alone.

But hey, if you want an extra dose of awesome, Lowrider will most certainly provide that. Wonder if they’ll play new material.

From the PR wire:

lowrider

You guys are expecting something rare n’ heavy – allright, look no further! For the very first time here in Austria, please welcome a mighty bulldozer named Lowrider! One of the early European Stoner Rock pioneers will arrive at the floating stage for a very special fly-in show! So much heavy riffage!

THANK YOU/THANK YOU/THANK YOU
UnfUCKIN’believeable! You guys must be kidding! The festival is sold out again, but what – in 90 seconds??? Seriously? Looking forward to see you crazy dudes and dudettes in August!

We are very sorry for those who haven’t got their tickets. Believe us, we have never been prepared for a demand like that! We would love to give everyone access to the Lake on Fire, but our capacities are limited and it was always our intention to keep the festival’s familiar and homely atmosphere!

However, as we had a lot of advance payment purchases with 10 days allowed for payment, we will keep you updated, in case some ticket orders will get cancelled again!

Lake on Fire Festival returns for its 5th anniversary on 05-06.08 2016

LINE UP:
Uncle Acid and the deadbeats (UK)
Causa Sui (DK)
Gomer Pyle (NL)
The Flying Eyes (US)
Savanah (AT)

https://www.facebook.com/lowriderrock/
https://www.facebook.com/LOF.festival/
https://www.facebook.com/events/528023717362620/
http://www.lakeonfirefestival.com/

Lowrider, Live at Hellfest 2014

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Lake on Fire 2016: Causa Sui, Gomer Pyle and Savanah Added to Lineup

Posted in Whathaveyou on February 10th, 2016 by JJ Koczan

Austria’s Lake on Fire festival marks its fifth anniversary with Lake on Fire 2016 this Aug. 5-6. Held at a gorgeous lakeside campground in Waldhausen, it looks to be a pretty amazing setting for some dead-on heavy. With the proceeds from each year donated to charity, this year began its lineup announcements with Uncle Acid and the Deadbeats and The Flying Eyes and continues this week with Causa Sui, a Gomer Pyle reunion and Savanah. Last year’s bill had 14 acts, so it seems fair to expect Lake on Fire 2016 isn’t quite halfway there in terms of its final roster of bands, but as you can see, they’re doing just fine as it is.

There’s a video of clips from last year’s fest, and if you look at some of the photos from their website as well, it seems like a stunning way to enjoy some rock and roll:

lake on fire 2016 burning

Lake on Fire Festival returns for its 5th anniversary on 05-06.08 2016

LINE UP:
Uncle Acid and the deadbeats (UK)
Causa Sui (DK)
Gomer Pyle (NL)
The Flying Eyes (US)
Savanah (AT)

As promised we start the week with the latest killer additions to the LOF line up!

Get psyched for CAUSA SUI / GOMER PYLE / SAVANAH!

Causa Sui – band page (DK/Heavy Psych)
During the last years this band only played a very few shows, therefore we are beyond stoked that we can offer you this rare occasion at LOF2016. In our opinion this band shares the European throne with the almighty Colour Haze when it comes to Psychedelic Rock! A new record will be released as well!

Gomer Pyle (NL/Stoner Psychedelic)
A very special one for us, as Gomer Pyle was one of the first bands which introduced us to the mesmerizing world of Stoner & Psych Rock back in the days. Unfortunately, they disbanded five years ago, however, the guys will start their engine again for a high anticipated reunion show at LOF2016.

Savanah(AUT/Stoner Rock)
One of the most promising Austrian acts of the last years. Their recent EP “Deep Shades” gained very good reviews all over Europe and the band’s aggressive style of Stoner/Psych and Doom will be perfect enough to shake the floating stage to the ground.

https://www.facebook.com/LOF.festival/
https://www.facebook.com/events/528023717362620/
http://www.lakeonfirefestival.com/

Lake on Fire 2015, Impressions from the Festival

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Quarterly Review: Steve Von Till, Devil Worhsipper, Dr. Crazy, Linie, The Heavy Minds, Against the Grain, Angel Eyes, Baron, Creedsmen Arise, Deadly Sin (Sloth)

Posted in Reviews on September 28th, 2015 by JJ Koczan

the-obelisk-quarterly-review-fall-2015

Truth be told, I’ve been looking forward to this Quarterly Review since the last one ended. Not necessarily since it clears the deck on reviews to be done — it doesn’t — but just because I feel like in any given week there’s so much more that I want to get to than I’m usually able to fit into posting that it’s been good to be able to say, “Well I’ll do another Quarterly Review and include it there.” Accordingly, there are some sizable releases here, today and over the next four days as well.

If you’re unfamiliar with the project, the idea is over the course of this week, I’ll be reviewing 50 different releases — full albums, EPs, demos, comps, splits, vinyl, tape, CD, digital, etc. Most of them have come out since the last Quarterly Review, which went up early in July, but some are still slated for Oct. or Nov. issue dates. Best to mix it up. My hope is that within this barrage of info, art and music, you’re able to find something that stands out to you and that you enjoy deeply. I know I’ll find a few by the time we’re done on Friday.

Fall 2015 Quarterly Review #1-10:

Steve Von Till, A Life unto Itself

steve von till a life unto itself

A new Steve Von Till solo outing isn’t a minor happening in any circumstances, but A Life unto Itself reads more like a life event than an album. As ever, the Neurosis guitarist/vocalist puts a full emotional breadth into his material, and as it’s his first record in seven years since 2008’s A Grave is a Grim Horse, there’s plenty to say. Sometimes minimal, sometimes arranged, sometimes both, the seven tracks feature little of the psychedelic influence Von Till brought to his Harvestman project, but use lap steel, strings, electrics, acoustics, keys and of course his meditative, gravelly voice to convey a broad spectrum nonetheless, and cuts like “Chasing Ghosts,” “In Your Wings” and the centerpiece “Night of the Moon” (which actually does veer into the ethereal, in its way) are all the more memorable for it. The richness of “A Language of Blood” and the spaciousness of the drone-meets-sea-shanty closer “Known but Not Named” only underscore how far Von Till is able to range, and how satisfying the results can be when he does.

Steve Von Till on Thee Facebooks

Steve Von Till at Neurot Recordings

Devil Worhsipper, Devil Worhsipper

devil worshipper devil worshipper

Bizarro vibes pervade Devil Worshipper’s debut LP, Devil Worshipper, what may or may not be a one-man project from Jeff Kahn (ex-Hideous Corpse, Skeleton of God; spelled here as Jevf Kon), mixed by Tad Doyle and released on Holy Mountain. Based in Seattle (that we do know), the project wields molten tones and slow groove to classic underground metal, heavy psych and bleary moods to hit into oddly cinematic moodiness on “Ash Brume” and even nod at Celtic Frost from a long ways away on closer “Lurker (Death).” Most of the drums are programmed, save for “New Spirit World Order,” “Ash Brume” and “Lurker,” but either way, they only add to the weirdness of the chanting layered vocals of “New Spirit World Order,” and just when it seems like eight-minute second track “Chemrails” will have been as far out as Devil Worshipper gets, side B’s “Desert Grave” takes hold for a five-minute dirge that turns out to be one of the record’s most satisfying rolls, reminiscent of something Rob Crow might’ve done with Goblin Cock on downers. Unexpected and living well in its own space, the album manages to be anchored by its lead guitar work without seeming anchored at all.

Devil Worshpper on Thee Facebooks

Devil Worshipper at Holy Mountain

Dr. Crazy, 1,000 Guitars

dr crazy 1000 guitars

So, how many guitars on London trio Dr. Crazy’s 13-minute/four-song EP, 1,000 Guitars? Two, I think. The side-project of Groan vocalist Andreas “Mazzereth” Maslen and Chris West, formerly the drummer of Trippy Wicked and Stubb who here plays guitar and bass while Groan’s former guitarist Mike Pilat handles drums, make a bid for the possibility of playing live in bringing in Pilat to fill the role formerly occupied remotely by Tony Reed of Mos Generator on their 2014 debut EP, Demon Lady. Whether that happens will remain to be seen, but they affirm their ‘80s glam leanings on “Bikini Woman” and keep the message simple on opener “Hands off My Rock and Roll” while “1,000 Guitars” makes the most of guest lead work from Stubb’s Jack Dickinson – he’s the second guitar, alongside West – and yet another infectious Mazzereth-led hook, and well, “Mistress of Business” starts out by asking the titular lady to pull down her pants, so, you know, genius-level satire ensues.

Dr. Crazy on Thee Facebooks

Dr. Crazy on Bandcamp

Linie, What We Make Our Demons Do

linie what we make our demons do

An aggressive core lies beneath the progressivism of German five-piece Linie (actually written as ?inie) on their debut full-length, What We Make Our Demons Do, but the material holds a sense of atmosphere as well. Vocalist/guitarist Jörn is very much at the fore of post-intro opener “Blood on Your Arms,” but as the crux of the album plays out on the chug-happy “Lake of Fire” and “No Ideal,” Linie showcase a wider breadth and bring together elements of post-hardcore à la Fugazi, darker heavy rock and purposefully brooding metal. Comprised of Jörn, guitarist/vocalist Alex, bassist/vocalist Ralph, drummer/vocalist Alex and keyboardist Iggi, the band impress on their first offering with not only how assured they seem of their aesthetic, but the expansive manner in which they present it. Their songwriting is varied in approach but unified in mood and while I don’t know what has them so pissed off on a cut like “Inability,” there’s no question whether they’re putting that anger to good use.

Linie on Thee Facebooks

Linie on Bandcamp

The Heavy Minds, Treasure Coast

the heavy minds treasure coast

Austrian trio The Heavy Minds make their full-length debut on Stone Free with Treasure Coast, a seven-cut LP that fuzzes up ‘70s swing without going the full-Graveyard in retro vibe. “You’ve Seen it Coming” seems to nod at Radio Moscow, but a more overarching vibe seems to share ideology with Baltimore three-piece The Flying Eyes, the classic rock sensibilities given natural presentation through a nonetheless modern feel in the tracks. The bass tone of Tobias (who also plays guitar at points) alone makes Treasure Coast worth hunting down, but doesn’t prove to be the limit of what the young outfit have to offer, drummer Christoph swinging fluidly throughout “Diamonds of Love” in a manner that foreshadows the emergent roll of “Seven Remains.” That song is part of a closing duo with “Fire in My Veins,” which boasts a satisfying bluesy howl from guitarist Lukas, rounding out Treasure Coast with an organic openness that suits the band well.

The Heavy Minds on Thee Facebooks

Stone Free

Against the Grain, Road Warriors

against the grain road warriors

Momentum is key when it comes to Road Warriors, the new full-length from Detroit four-piece Against the Grain. They amass plenty of it as they thrust into the 12-track/38-minute rager of an outing, but there are changes to be had in tempo if not necessarily intent. Comprised of bassist/vocalist Chris Nowak, guitarist/vocalist Kyle Davis, guitarist Nick Bellomo and drummer Rob Nowak, the band actually seems more comfortable on fifth-gear cuts like “’Til We Die,” “What Happened,” the first half of “Afraid of Nothing” or the furious “Run for Your Life” than they do in the middle-ground of “Guillotine” and “Night Time,” but slowing down on “Sirens” and “Eyes” allows them to flex a more melodic muscle, and that winds up enriching the album in subtle and interesting ways. If you want a clue as to the perspective from which they’re working, they start with “Here to Stay” and end with “Nothing Left to Lose.” Everything between feels suitably driven by that mission statement.

Against the Grain on Thee Facebooks

Against the Grain on Bandcamp

Angel Eyes, Things Have Learnt to Walk that Ought to Crawl

angel-eyes-things-have-learnt-to-walk-that-ought-to-crawl

With the ‘t’ and the ‘ought’ in its title, Angel Eyes’ posthumous third full-length, Things Have Learnt to Walk that Ought to Crawl, brims with oddly rural threat. Like the things are people. The Chicago outfit unfold two gargantuan cascades of atmosludge on “Part I” (15:54) and “Part II” (19:18), pushing their final recording to toward and beyond recommended minimums and maximums as regards intensity. They called it quits in 2011, so to have the record surface four years later and be as blindsidingly cohesive as it is actually makes it kind of a bummer, since it won’t have a follow-up, but the work Angel Eyes are doing across these two tracks – “Part I” getting fully blown-out before shifting into the quiet opening of “Part II” – justifies the time it’s taken for it to be released. They were signed to The Mylene Sheath, but Things is an independent, digital-only outing for the time being, though its structure and cover feel ripe for vinyl. Who knows what the future might bring.

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Angel Eyes on Bandcamp

Baron, Torpor

baron torpor

Textured, hypnotic and downright gorgeous in its psychedelic melancholy, Baron’s Torpor is a record that a select few will treasure deeply and fail to understand the problem as to why the rest of the planet isn’t just as hooked. A thoroughly British eight-track full-length – their second, I believe, but first for SvartTorpor creates and captures spaces simultaneously on organ-infused pieces like “Mark Maker,” executing complex transitions fluidly and feeding into an overarching ambience that, by the time they get around to the eight-minute “Stry,” is genuinely affecting in mood and beautifully engrossing. The Brighton/Nottingham four-piece fuzz out a bit on “Deeper Align,” but the truth is that Torpor has much more to offer than a single genre encapsulates and those that miss it do so to their own detriment. I mean that. Its patience, its poise and its scope make Torpor an utter joy of progressive flourish and atmosphere with a feel that is entirely its own. I could go on.

Baron on Thee Facebooks

Baron at Svart Records

Creedsmen Arise, Temple

creedsmen arise temple

So get this. For their first EP, Swedish trio Creedsmen Arise – guitarist Emil, drummer Simon and bassist Gustaf (since replaced by Jonte) – have taken it upon themselves to pen a sequel to Sleep’s Dopesmoker that, “tells the story about what happened centuries after the Dopesmoker Caravan and it’s [sic] Weedians reached their destination.” Admirably ballsy terrain for the three-piece to tread their first time out. It’s like, “Oh hey, here’s my first novel – it’s Moby Dick from the whale’s perspective.” The three tracks of the Temple EP are fittingly schooled in Iommic studies, but the band almost undercuts itself because they don’t just sound like Sleep. They have their own style. Yeah, it’s riffy stoner metal, but it’s not like they’re doing an Al Cisneros impression on vocals, so while the concept is derived directly, the sound doesn’t necessarily completely follow suit. Between the 10-minute opening title- and longest-track (immediate points), “Herbal Burial” and “Circle of Clergymen,” Creedsmen Arise make perhaps a more individualized statement than they intended, but it’s one that bodes well.

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Creedsmen Arise on Bandcamp

Deadly Sin (Sloth), Demo Discography

deadly sin (sloth) demo discography

Nola’s cool and all, but when it comes to the nastiest, most misanthropic, fucked-up sludge, choosy moms choose Ohio, and Deadly Sin (Sloth) are a potent example of why. Their Demo Discography tape revels in its disconcerting extremity and seems to grind regardless of whether the Xenia, OH, trio are actually playing fast. Comprised of Jay Snyder, Wilhelm Princeton and Kyle Hughes, Deadly Sin (Sloth) cake themselves in mud that will be familiar to anyone who’s witnessed Fistula on a bender or Sloth at their most pill-popping, but do so with sub-lo-fi threat on the tape and are so clearly intentional in their effort to put the listener off that one could hardly call their demos anything but a victory. Will not be for everyone, but of course that’s the idea. This kind of viciousness is a litmus test that would do justice to any basement show, maddening in its nod and mean well beyond the point of reason.

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Deadly Sin (Sloth) on Bandcamp

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Pastor Premiere Title-Track of Debut LP Evoke; Album out Aug. 17

Posted in audiObelisk on July 17th, 2015 by JJ Koczan

pastor-(Photo-by-Thomas-Shellraiser)-cropped

Austrian four-piece Pastor will make their full-length debut one month from today — that’s Aug. 17, if you don’t feel like checking the calendar — with Evoke, pressed in an edition of 500 LPs by Who Can You Trust? Records with cover art by the esteemed Adam Burke. A quick-running 29 minutes, the album nonetheless finds plenty of time to nestle itself into a classically-minded groove, the Vienna outfit putting together seven tracks that toe the line betwixt ’70s boogie and what would later become doom, managing to bring to mind a retro spirit — you might say they evoke it — without delving as far as some into retro fetishism. In addition, a punkish snottiness in side B’s “Moving On” adds a sense of attitude to go with the prevalent swing in the rhythm section of bassist Georg drummer Alex, which is a major factor throughout and puts Pastor in line with the likes of Denmark’s Demon Head in an up and coming push of Pentagram-influenced heaviness.

Vocalist/guitarist Arik and guitarist Shardik take forward position as the riffs lead the charge on the opening chug of “Voodoo,” but immediately the bass and drums play a key role in setting the heavy course and opening into the more rushing verse, weighted, swinging and talking of demons and things from “the other side.” A roll familiar in some aspects pastor evokeensues, but Pastor bring a sense of presence to the material as well, and that thread continues to develop as “Voodoo” feeds into “Drowning Thoughts,” the songs feeling open despite a defined structure thanks in no small part to that rhythmic surefootedness. The story was much the same with their 2014 single, Wayfaring Stranger/The Oath (review here), which Who Can You Trust? also released, but of course the vibe of a full-length is different. “Wolf Vein” nods at the chug of “Hand of Doom” before shifting into a dual-guitar shuffle, replete with wah, soaked in vibe, and “Wicked Whispers” closes out side A with a proto-metallic gallop that finds Arik going a little guttural in his delivery in order to further the doomed feel.

“Moving On” kicks the second, shorter half of Evoke into immediate groove, marked out by fluid leads, the prior-noted punker edge, and a particularly memorable course of starts and stops, while “Devil’s Reef” pushes through early shuffle toward a slowdown in its second half that provides the foundation for a bluesy last-minute solo, the lyrics earlier in the track urging the listener to “be forewarned” in a well placed dogwhistle reference for the also-converted. And with “Evoke” itself, everything gets tied together, but a darkened swing still moves, and Arik pushes his vocals past the breaking point in delivering the title-line over winding Iommic riffery. Traditional in its overall approach, the album nonetheless carries a fresh feel in its stylized restlessness, and as Pastor‘s debut long-player, it finds them utterly cognizant of where they want to be as a band and the kind of ambience they want their material to… well, you know what I’m going to say.

Today I have the pleasure of hosting opener “Voodoo” as a track premiere to herald the album’s arrival one month from today. Evoke is available now to preorder from Who Can You Trust?, and Pastor will tour in Europe with Black Wizard beginning in Sept. A quote from Alex on the album’s making, the tour dates, the preorder link and more info follow the song on the player below.

Please enjoy:

RELEASE DATE: August 17th

Released in an edition of 500 copies on black vinyl.

“Evoke is basically a collection of our heaviest riffs we jammed in our rehearsal room and it’s raw,” explains drummer Alex. “It was recorded without a click track because let’s be honest, life won’t play to a steady beat either. We also didn’t do any of the usual post production fancy stuff because that’s just not us. Some of them songs were written in a hellish atmosphere, during the summer and some of them during the frosty days of a Vienna winter. I think you can hear that difference on the album pretty well. We entered the mighty halls of Elephant West Studios, with lady Sabina Sloth on the throne, chugged down some beers and just played all together in one room. We are more than excited about the result and the artwork, which was crafted by none other than Adam Burke. So sit back and turn your speakers all the way up until your whole neighborhood joins you for a drink. Enjoy the sounds of Evoke.”

“Evoke” track list:
SIDE A
A1 VOODOO
A2 DROWNING THOUGHTS
A3 WOLF VEIN
A4 WICKED WHISPERS
SIDE B
B1 MOVING ON
B2 DEVILS REEF
B3 EVOKE

Pastor Euro tour with Black Wizard:
Thu – 10.09 AUT – Graz @ Club Volt
Fri – 11.09 AUT – Linz @ Ann And Pat
Sat – 12.09 AUT – Innsbruck @ Prometheus
Sun – 13.09 – TBA
Mon – 14.09 – TBA
Tue – 15.09 AUT – Vienna @ Arena Beisl
Wed – 16.09 GER – Berlin @ Cortina Bob
Thu – 17.09 – TBA
Fri – 18.09 – TBA
Sat – 19.09 GER – Erfurt @ Cafe Tiko
Sun – 20.09 – TBA
Mon – 21.09 – TBA
Tue – 22.09 GER – Essen @ Panic Room
Wed – 23.09 – TBA
Thu – 24.09 SWI – Geneva @ L’Usine
Fri – 25.09 SWI – Olten @ Coq D’Or
Sat – 26.09 BEL – Arlon @ L’Entrepot
Sun – 27.09 BEL – Kortrijk @ The Pits
Sun – 27.09 BEL – Antwerp @ Music City
Mon – 28.09 – TBA
Tue – 29.09 ITA – Bologna @ Freak Out
Wed – 30.09 ITA – Bibione (VE) @ Beach Invaders Music Bar
Thu – 01.10 SLO – Ljubljana @ Channel Zero
Fri – 02.10 SLO – Ilirska Bistrica @ MKNZ
Sat – 03.10 ITA – Trieste @ Tetris Club

Pastor is:
Arik – vox/guitar
Shardik – guitar
Georg – bass
Alex – drums

Evoke Preorders

Pastor on Thee Facebooks

Pastor on Bandcamp

Who Can You Trust? Records BigCartel Store

Who Can You Trust? Records on Thee Facebooks

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