The Well Post “Sabbah” Live in Quarantine Video; Should Probably Be Touring

Posted in Bootleg Theater on September 2nd, 2020 by JJ Koczan

the well

One has to assume that if all were even close to being right in the world, Austin trio  Our website is the solution to your essay writing problems. college admission essay help com: 100% plagiarism free papers from a trusted Write-Essay-For-Me services provider The Well would be spending a goodly portion of 2020 on the road. Such narratives are familiar enough by now when it comes to touring bands — yet still somehow sad — but as their home nation and mine continues its descent into reactionary fascism against the majority of public will, feels the ravages of climate change in various fires and storms — and firestorms! — and yes, still boasts tens of thousands of new cases of a not-so-global-anymore pandemic every. single. day., creativity will not be stifled. Perhaps that will be the last refuge before whatever grim fate the next several years might bring. Perhaps it will save us in the end. I won’t profess to know how it’s gonna work out.

But while things are bleak and growing bleaker with each executive tweet actively courting white supremacy,  annie dillard seeing essay online - Order the needed essay here and put aside your concerns witness the merits of qualified custom writing assistance The Well have a new video. I know. Sometimes when you look at the stakes of shit happening in the world right now, these things seem minor, but you have to understand that they’re not. The fact is creativity matters — and no, that’s not a play on or a contradiction of Black Lives Matter, because jesus fucking christ Black Lives Fucking Matter and what the fuck did your parents do to you if you think otherwise, I’m just saying art is important — especially in times of turmoil. Consider the crucial output of Weimar Germany, film and paintings capturing the foreboding of that era. I wonder if decades from now people will look at the work being done in 2020 and feel the palpable sense of how we knew something was going and had gone horribly wrong, and were aware of the dangers we faced every day.

It all feels completely overwhelming, and it is. Whether you use the new  So that students dont have to think that I have to go here myself only and they have to find dissertations online. The Well video for a few minutes of escapism, or just to see some color in a universe that looks increasingly grey, or just to check out the song, I’m not going to argue. It is the function of art, consciously or not, to reflect the moment of its creation in the interpretation of those making it. “Sabbah,” this live-captured version of the track from  http://www.stainz.at/?i-need-someone-to-write-my-research-paper. 655 likes. Services include: proofreading & editing, CVs, cover letters, business plans, copywriting, letters written to... The Well‘s 2019 third album, English Paper High School glasgow, creative writing essays on the beach, popular dissertation conclusion editor services ca, custom critical Death and Consolation (review here), is a work in which the circumstance itself becomes part of the expression. Recorded separately by the members of the band, each then filming their part alone, they are seen spliced together, evoking the sum-of-their-parts cliché maybe, but emphasizing the importance of group function even in a moment that demands and enforces solitude.

Did  Leading name among proposal writing companies. Get premium quality business This Site from the best proposal writing consultants in USA. The Well mean for all that to be in the video? I don’t know. Maybe they’re just trying to keep a little momentum going since they can’t, as noted, be touring. I don’t think that lessens the validity of the above. If you do, I guess you can start your own blog and write about it.

Enjoy the video:

The Well, “Sabbah” live quarantine video

During a global pandemic, an American political revolt and a new world in quarantine, one has to consider fresh ways to view the production of videos and making and performing music in unchartered territory, unlike anything this generation has seen before. The Well tackled just that when faced with creating a video for their single ‘Sabbah’ from their most recent release Death and Consolation. With a limited time frame and social distancing in full effect, The Well had to get creative, channeling a psychedelic dark experience through a very different means. Each member of the band (Ian Graham on guitar, Jason Sullivan on drums, and Lisa Alley on bass) recorded their parts individually with sound engineer, TV’s Daniel, masked up in their practice space in Austin, Texas.

The next night, on a small outdoor set, each band member filmed their respective video parts solo, joined only by TV’s Daniel as masked director and videographer. The scenes were then inter-woven together into a mesmerizing smokey psychedelic dreamscape using 3 cameras and projector lights to reconstruct the group experience. All said and done, this live version of Sabbah was recorded, mixed, shot and edited in a three day quarantine time turnaround, resulting in a unique and experimental piece of work that encapsulates the energy of The Well’s live performance, despite being surrounded by nothing but uncertainty and detachment in the world around them.

The Well, Death and Consolation (2019)

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Palehorse/Palerider & Lord Buffalo: Legends of the Desert Vol. 1 Split out Aug. 21

Posted in Whathaveyou on July 29th, 2020 by JJ Koczan

Okay, so when I originally posted about what should i do my college essay on page how to write research questions for a dissertation homework help tudors Desert Records starting its Reliable and cheap "Duras The Lover Feminist Essay" service is here for you. Best authors, strong guarantees, effective results. It's right here! Legends of the Desert series of splits with Our remarkable dissertation editors offer the best conditions and all kinds of Go Heres, thesis editing and dissertation proofreading Palehorse/Palerider and Need go to links? Browse profiles and reviews of top rated thesis proofreaders and have your thesis professionally proofread today. Lord Buffalo, it was set to release in June. And — get this — it was going to coincide with LIVE SHOWS! Can you imagine living in that world? Well, just about everyone else on the planet is starting to imagine things like that (sorry, Brazil), but apparently an essential component of all things modern Americana is being fucked over unless you’re impossibly wealthy, so here we are. It Homework Helps from just anywhere online and you might not be happy with the results. You need to order essays from a service with professional writers. Legends of the Desert Vol. 1 — which rules, by the way — is out Aug. 21, and if you’re holding your breath for live shows, well, I hope you have something soft to land on when you pass out.

By hiring someone to write the essay for you can now have time for yourself to terms to other things or even venture into something new. Why pay more when you can purchase text at reasonable prices. All you have to do is look for a creative writing new york services provider to handle. Writing service companies offer excellent quality at low prices. Desert Records notes below that the series will run seven LPs over the course of three years. That seems smart to me. Two or three a year max, and it’s probably planned out well in advance. Of course, anyone currently alive knows that plans can change — and these already have if you’re going by release dates — but we can see here professional development essay College Application Essay Writing Service Classes Statement experience is the best teacher essay cv writing service us sydney Desert Records operating in the spirit of  Best How To Write A Personal Statement Online. Looking for best accounting homework helper, your search ends here. Ripple Music‘s  Buy go from trusted custom writing service. BuyEssayClub is a perfect place to purchase custom papers and make your academic life easier. The Second Coming of Heavy, if more specific in its mission.

More on that below, courtesy of the PR wire:

palehorse palerider lord buffalo legends of the desert vol 1

LEGENDS OF THE DESERT Vol. 1 Featuring Palehorse/Palerider & Lord Buffalo Drops August 21st

Desert Records is excited to announce this new compilation series. Spanning seven albums total over the course of three years, the series will include legendary Desert Rock bands (to be announced) mixed in with new and upcoming bands.

“This is the soundtrack to the New West. The focus of the Legends of the Desert is to provide a modern perspective to the antiquated ‘Wild West’ we have etched in our brains. These songs and tales are not told by the same ol’ perspective of the white male Cowboy. These are narratives told by those who never got their stories heard. We will hear from musicians, artists, Natives, outlaws, desert rats, desert dwellers, cactuses and mesas, ravens and roadrunners, snakes and endless skies. Fuck John Wayne, Fuck his lame racist ass, and Fuck the horse he rode in on. This is Legends of the Desert.”

-Brad Frye
Owner/Operator
Desert Records

Pre-orders for Legends of the Desert Vol. 1 on limited edition vinyl, CD and digital are located at:
https://desertrecords.bandcamp.com/album/legends-of-the-desert-volume-1-palehorse-palerider-lord-buffalo

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https://palehorsepalerider1.bandcamp.com/
https://lord-buffalo.bandcamp.com/

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Palehorse/Palerider & Lord Buffalo, Legends of the Desert Vol. 1 (2020)

Lord Buffalo, Tohu Wa Bohu (2020)

Palehorse/Palerider, Fire Gone Out/Haxan (2019)

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White Dog Self-Titled Debut Coming Sept. 25 on Rise Above

Posted in Whathaveyou on July 15th, 2020 by JJ Koczan

Getting anyone to release your debut album is a feather in the cap. Getting Lee Dorrian to do it through his Rise Above Records imprint is the stuff of which legends are made. Austin’s White Dog may have a ways to go before they hit their standard — this is their first record, after all — but as they’ve shown over the last several years playing festivals like End Hip End It in their native Texas and Electric Funeral Fest in Colorado, as well as taking part in projects like the Glory or Death Records tribute to Thin Lizzy, Bow to Your Masters — they did “Don’t Believe a Word” — they’ve been making strides for a while now, so perhaps this is one more, even if an especially noteworthy one.

The album is out Sept. 25 with preorders opening soon through Rise Above, who sent the following down the PR wire:

white dog white dog

White Dog Signs to Rise Above Records; Self-Titled Album Set For Release September 25th

New Single “The Lantern” Streaming Now!

“From the beginning we were beating the streets of Austin. This city is fuckin’ wild. There’s always something going on and the party never ends so that good time rock ‘n’ roll thing definitely rubbed off on us as little pups…”

In a world full of fakes and clowns, nothing quite hits the spot like a band that walks it, talks it and rocks it for real. Born amid the musical and cultural whirlwind of Austin, Texas, White Dog already sound like the perfect antidote to plastic sonic bullshit and sanitized radio fodder. In fact, as guitarist Carl Amoss explains, White Dog are the bastard sons of their city’s entire underground scene /and/ the spirit of rock ’n’ roll itself. Alongside drummer brother John, bassist Rex Pape, co-guitarist Clemente De Hoyos and singer Joe Sterling, these old school troublemakers are on a clearly defined mission.

White Dog are set to release their self-titled Rise Above Records debut on September 25th. Today the first single from the album entitled “The Lantern.”

Pre-orders will be available in the coming weeks.

Like all the greatest bands, White Dog were swift to establish a gang mentality, locating common ground and setting up shop in the middle of it. As you will hear on the band’s fiery and fearless self-titled debut album, Carl and his comrades have a chemistry that can only be conjured through true friendship and shared ideals.

With a sound that owes a noble debt to the greats of proto-metal, heavy progressive rock and turbocharged psychedelia, White Dog explore all kinds of exhilarating territory on their debut. From the flailing, psych-rock kaleidoscope of opener Sawtooth to the edgy, Witchcraft-like strut of Lanterns, and on to the lysergic garage rock of Crystal Panther and wickedly epic closer Verus Cultus, the Texans’ first full-length is a triumph for unpretentious authenticity and the art of old school songwriting.

True to their shared belief in playing untamed rock ’n’ roll that sounds real and alive, White Dog was conceived and executed with analogue values firmly at the forefront. As a result, the album feels almost like a real-time fever dream, with the ultimate psychedelic house band wailing away as reality disintegrates elsewhere.

The final piece of the White Dog jigsaw came when the band signed up with revered UK imprint Rise Above Records. Firmly in their natural habitat, Carl and his band mates are looking forward to a bright future, supported by like-minded people and buoyed by a strong sense that mind-expanding rock ‘n’ roll is still a formidable force, even in this insane world.

White Dog Tracklisting:
1. Sawtooth
2. Black Powder
3. The Lantern
4. Snapdragon
5. Crystal Panther
6. Abandon Ship
7. Pale Horse
8. Verus Cultus

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White Dog, “The Lantern”

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Monte Luna Release Mind Control Broadcast EP Today

Posted in Whathaveyou on July 3rd, 2020 by JJ Koczan

monte luna

Well yes, that’s quite heavy. Quite fucking heavy indeed, Monte Luna. How’s that new lineup of Monte Luna sound? If the issued-today Mind Control Broadcast three-songer is anything to judge by, they sound rather heavy. Like over-the-top tone. All-in heavy. Even the quiet part of “Blackstar” is fucking heavy. Introducing bass was a good idea.

Guitarist/vocalist James Cl and newcomers Garth Condit (bass) and Danny Marschner (drums) are premiering the tracks “Blackstar,” “Rust Goliath” and “Fear the Sun” as a part of some video thing today, and that’s super, but I guess they’re putting out the audio too in order to help The Lost Well in Austin. I don’t know if I’ve ever seen a show there or not because every time I was ever at SXSW I was so miserable I got blackout drunk — and no, I’m not proud of that — but helping venues when the entire country is taking a shit is probably a nice thing to do.

So: Nice and heavy. My kind of band. Maybe we could hang out. Nah, these guys are way too cool for my ass. They probably stay up, like, past 9PM and stuff. Still, Mind Control Broadcast is fucking righteous — exactly what sludge should sound like in this wretched horror show of a reality we’re living — and you should listen to it.

Check it out:

monte luna mind control broadcast

MONTE LUNA RELEASE ‘MIND CONTROL BROADCAST’ EP JULY 3RD

Austin, Texas Psychedelic Sludge slingers Monte Luna are making lots of noise with a new line up and a new ep.- ‘Mind Control Broadcast’

Being a band that thrives on stage, close and one with their audience, these last few months have been trying to say the least for Monte Luna. But with their strong resilience and will to make art no matter what obstacle lies ahead, they have managed to make the absolute most of their time. The band has been fortunate enough to be isolated together during Covid-19, which has created a perfect environment for artistic genius to flourish. Monte Luna might be locked down, but this beast is far from caged!

James says: “We are thankful to have been stuck together during all of this. Most of our families live elsewhere, this music scene for us is family (Austin) we are thankful for it. We aren’t sure when we will be able to play on a real stage again but we are looking forward to it, in the meantime we are trying to figure out ways to better connect with our fans! We hope this ep reflects our efforts and helps friends, followers and people around the world get to the other side of this historical and humbling time.”

James says: “Phil’s departure left some big shoes to fill, and with his blessing, we sought to expand on something we had wanted to do for a long time. Just wait till you hear the album versions of all these songs and more!”(3 more not revealed)

About release:
Monte Luna are pleased to unveil 3 new songs to unleash onto the world which is the audio from an upcoming video stream in partnership with CVLT Nation on July 3rd, and will release on the same day. A portion of the album sales will be donated to help “The Lost Well”, an Austin, Texas live music venue to help keep their doors open. The stream can be viewed here: https://youtu.be/F404rOYGJ_A

These live takes are the early demos of the bands next full length album set to debut sometime in 2021/2022, depending on the state of the world. The main goal of this ep is to raise money for a worthwhile cause, while planting the seeds of anticipation for the upcoming full length album and demonstrating the full power of Monte Luna’s brand new line-up. The album touches on the topics of fear, loss, paranoia, depression and the vastness of the universe while still holding a very Dungeons and Dragons theme.

Monte Luna says: “Sonically it’s a whole new ball park. Bringing Bass into the mix really changed what we can do as a band. We’ve always been a two piece, but wanted to move past our limitations, because creativity should be as vast as the universe itself.”

Monte Luna says: “We do this because we love our community and this is what makes us happy. We’ve all had a lot of jobs, but this is the only job that brings us true happiness.”

Track list:
1- Blackstar
2- Rust Goliath
3 – Fear the Sun

Monte Luna is:
James cl – Guitar/vox
Danny Marschner – Drums
Garth Condit – Bass

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Album Review: Tia Carrera, Tried and True

Posted in Reviews on June 15th, 2020 by JJ Koczan

tia carrera tried and true

The prospect of a new Tia Carrera album inherently brings familiar echoes and the promise of something different. On the most basic level, the latest LP’s title, Tried and True, could easily apply to the band’s methodology itself. It is the second record the Austin, Texas-based three-piece have issued since being joined on bass by Curt Christenson, formerly of Dixie Witch, and the fourth overall they’ve done for Small Stone Records. Comprised of five tracks laid out neatly across two LP sides, it is a relatively compact 37-minutes. That’s more or less of a kind with 2019’s Visitors / Early Purple (review here), the two extended tracks of which showed up through Small Stone last Fall as the band’s first full-length release since 2011’s Cosmic Priestess (review here). Why the delay for a band whose guitarist engineers their own recordings and who specialize in jamming out improvised heavy psychedelia? Shouldn’t they be putting out four records per year?

The narrative — blessings and peace upon it — has it that Tia Carrera are perfectionists, and that while they have a vast archive of recorded material, what they consider worth releasing to public ears is in far shorter supply. So be it. The shuffle and swing that takes hold in opener “Layback” and the all-go Hendrixian scorch of the leads in the subsequent “Taos” tell the story, and whatever it may be that holds Tia Carrera back from amassing a huge catalog of LPs, what they do choose to issue certainly has no trouble meeting a high standard. With Erik Conn on drums anchoring the jams as Jason Morales — whose studio is the BBQ Shack, in Austin; Chris Goosman mastered at Baseline Audio Labs in Michigan — tears into one solo after the next and Christenson locks in fluid lines in the low end, each piece is able to hone a spirit of its own despite sharing a stated commonality of approach. It is tried, and it is true. What it isn’t — as Visitors / Early Purple and Tried and True both reaffirm — is broken.

It seems fair to think of the two releases as complements to each other, both because they appear in such quick succession relative to what the band has done before — Cosmic Priestess was preceded by 2009’s The Quintessential (review here) — and because the CD version of Tried and True includes the prior outing’s two extended tracks as bonus cuts. That brings the running time of the CD version of Tried and True to a whopping 71 minutes, which proves to be more than enough time to sink oneself in its ocean of lead lines and expressive exploration, classic boogie and off-the-cuff ramble, be it the scoot of “Swingin’ Wing,” which rounds out side A of the LP but feedbacks and crashes neatly into the fade-in screech and cymbals of “Zen and the Art of the Thunderstorm,” which seems to nod at the verse melody of “Within You Without You” before finding its own tense course for its relatively brief three minutes, which give way to the 14-minute title-track.

tia carrera

“Tried and True” is the longest piece on Tried and True by a margin of two, and makes a ready companion for “Visitors” and “Early Purple,” with a languid guitar solo stretching out over another solidly rhythmic exploration, the band’s reputation for coming up with this stuff on the spot meshing against the presumption that what they’re choosing to deliver on a record is only the best of the best of whatever unknown total amount might exist. The question that raises is whether or not songwriting isn’t the same thing? Aren’t even the most structured of songs at some point born of improvisations just like Tia Carrera‘s tracks here? And the trio’s modus is its own way of carving down the entirety to a piece deemed fit for consumption; they are, in essence, whittling out songs. Through creative fades in and out along the way, a feeling of longer expanse is maintained, and especially on the shorter pieces before the title-track, the sense is of Tia Carrera letting the listener have a snippet of some broader entirety.

In that way, Tried and True is in communion not only with the LP before it — and included with it, when it comes to the CD — but with the larger processes driving the band’s work. One has to wonder if perhaps the alignment of Conn and Morales with Christenson hasn’t reinvigorated the creativity of Tia Carrera as a whole, and if so, if new releases might begin to show up with more regularity, just as this one has followed behind Visitors / Early Purple. I don’t know that, of course, but for a group whose basis is in jamming, the joy of doing so is clearly expressed in these tracks — both long and short — despite whatever personality each might also demonstrate in itself. Cuts like “Swingin’ Wing,” the especially howling “Taos” and “Layback” bring glimpses at what it might be like to be in the rehearsal space with the band while they go, go, go, and on the CD, “Zen and the Art of the Thunderstorm” becomes a transition point to 49 minutes of ripper bliss that are raucous and spacious in kind. Maybe this is just how Tia Carrera roll now, and after more than 20 years together, who could say they haven’t earned the designation of being tried and true — all the more so because they remain so decidedly underrated.

The sonic elephant in the room as regards their style continues to be Earthless, but Tia Carrera distinguish themselves from that three-piece in their method of recording themselves as well as through improvisation, not to mention the personality of their play. Both come through wholly on Tried and True, whether a given listener chases down the vinyl or the compilation Tried & True & Visitors / Early Purple CD (the more the merrier, as far as I’m concerned), and one way or another, MoralesConn and Christenson shine with engaging, immersive, explosive groover jams that, unless the very idea of such a thing is a turnoff, will be hard to resist. If this is who Tia Carrera are now, and they’re going to start belting out records one after the other after more than two decades of existence, then it only serves to emphasize how righteous the spirit of their creativity has been all along.

Tia Carrera, Tried and True (2020)

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Days of Rona: Daniel Pruitt of Lord Buffalo

Posted in Features on May 8th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

lord buffalo daniel pruitt

Days of Rona: Daniel Pruitt of Lord Buffalo (Austin, Texas)

How are you dealing with this crisis as a band? How is everyone’s health so far?

Fortunately we’re all healthy and ¾ of the band has been able to keep their jobs and work from home. I work in the service industry and was laid off. I am lucky to work for a solid musician-owned company that paid me for a few weeks after the shop closed and also made it easy to get unemployment. I’m hiding out in Oklahoma City for a bit and the rest of the band is in Austin. We Facetime weekly and are cooking up ideas for some new music. On top of that I’ve got a few collaborations I’m working on with friends that are nice distractions.

Have you had to rework plans at all?

This whole thing hit right as we were leaving for a West Coast tour in support our LP Tohu Wa Bohu. We made it three dates in before it became clear that trying to tour wasn’t safe for us or our fans. Not great timing. We arrived home to find SXSW and the rest of our spring schedule was canceled. Since then we’ve had several summer shows and festivals cancel and/or tentatively reschedule.

I sent Desert Records the final mixes for a split LP with Palehorse/Palerider a couple days before we left for tour. The release date and road shows for this release are getting pushed back until later in the summer. We’re trying to reschedule everything we can, but at this point no one really knows when it will be ok to gather for live music again. Everything is a little up in the air.

What are the quarantine/isolation rules where you are?

In the city of Austin we have smart local government who made shelter-in-place happen relatively quickly. Essential businesses are open with social distancing in effect. Everyone who can work from home is doing that. The city is asking people to wear masks in public. Meanwhile, the Governor of Texas is an idiot who values dollars over humans and is reopening the state already. I think it’s a huge mistake. I hope I’m wrong. Many businesses are disregarding the lifting of restrictions from the governor’s office because they value the safety of their employees and customers, which is heartening to see.

How have you seen the virus affecting the community around you and in music?

The isolation is certainly strange, I wonder how it will affect our communities in the long run. Crossing the street when you see another human does something to you after a while. Initially we all approached this pandemic as a sprint, but now that it’s clear that it’s more of a marathon I think there is a different sort of stress that sets in. I have family and friends who work in healthcare and I worry about them. Not just in the sense of exposure to the virus but the long term psychological effects of waking up everyday and putting yourself and your family into harm’s way. Heavy stuff.

As far as the musical community, there’s been a proliferation of live music streams and social media events, which are good and necessary placeholders. I think live music is a form of creative release for the performer and the audience. At the same time, live streams are not a substitute for the stink of making a proper mess in a room together with other humans and I think we’re all trying to figure out when we can do that again. We’ve done some interviews remotely and live on Instagram. There’s definitely a captive audience in these times. Outside of social media, it seems there’s more getting in touch with fellow musicians and saying, “Hey, you know how we’ve talked about collaborating on X, let’s finally do it.” I’m excited to see some of those come to life.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’ve struggled with productivity, worrying I’m not as productive as I think I should be right now. You spend your whole adult life trying to simultaneously pay rent and bills and make music, wishing you had more time to focus on music without the physical and emotional drain of outside work. Then, Boom, out of nowhere, it’s forced on you, but it’s paired with the financial stress of losing your job and the anxiety of being in the midst of a pandemic. Suddenly, it’s hard to feel creative. Anxiety is a drain on your brain, keeping you from mentally getting into a creative space.

I wonder if the larger problem isn’t how we derive our personal value? How we base our self-worth on our production? I’m trying not to engage in the circular thinking of what I should be accomplishing, instead attempting to be present, to value slowness, to take a breath and try to get acquainted with who I am when I’m not running, running, running; who I am when I’m not defining myself by my work. Do I really know? I still sit down to work, but I’m trying not to get mad when nothing seems to come of it. Making yourself available is all you can do sometimes. I trust that when glacier starts to thaw and the juices flow again, when the muse is coaxed down from her perch, this time spent grounding and expanding this knowledge of ourselves will be an undeniable asset.

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Days of Rona: Erik Conn of Tia Carrera

Posted in Features on April 2nd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

erik conn tia carrera (Photo by Howard Dvorsky)

Days of Rona: Erik Conn of Tia Carrera (Austin, Texas)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Like everyone else, just trying to stay put, stay healthy, stay informed. Go towards the facts and helpful info, vs. hoarding shit tickets and hysteria.

Everything from work to gigs, to booking, to hangin’ out with friends is just put on hold.

Far as I know this second, everyone I know is holding up well, healthy and sound. Albeit a little stir-crazy… suffering from the early signs of cabin fever. I most certainly am.

What are the quarantine/isolation rules where you are?

Here in Austin, Texas, we’re like most folks abroad, under a stay at home ordinance/ practicing social distancing, etc. By law, no gathering of more than a few people, six feet apart, etc. All bars/restaurants are closed. Only supposed to be out and about for necessities.

How have you seen the virus affecting the community around you and in music?

This virus has effectively shut down everything that I’m a part of personally.

As a musician, teacher thereof and technician, (tuning drums, etc.) I’ve lost a sizable chunk of money with canceled gigs both performance-wise and tech work (tuning backline drums, etc.). I’ve also had to finally (after 10 years) give up a lock-out rehearsal studio that I shared with The Well and another local band called The Reeks. Nobody’s able to work, much less pay rent for something we can’t currently access. Fuckin’ major bummer. With SXSW being cancelled, all of those shows alongside all other regular local gigs, and everything in the foreseeable future, the entire music community has been shut down.

For Tia Carrera specifically, we have had several shows cancelled, unfortunately all of which were high-profile with touring bands. Shit can’t be helped though, we understand.

Our current concern is how this will effect our late-summer plans to tour Europe. A long anticipated adventure likely to be postponed. We’ll see.

The flipside to this crazy virus jive is that there’s been lots if creative energy flowing, not just for the music but most any creative outlet. Regarding the tunes, lots of musicians here and abroad have been live-streaming porch jams, or living room shows, etc. That’s all really cool.

As for us? No. I think we’re all of the mind that we need not be in any enclosed space together for a while.

Personally, I miss playing my drums like I’m going through a rough withdrawal. I live in an apartment and have settled for dusting off the rust on the guitar. Relearning lots of tunes I forgot over the years, but yeah no, I’m a fuckin’ drummer. I miss my realm, my happy place behind my cannons, not to mention peeling the paint and carving lines in the cosmos with Jason [Morales, guitar] and Curt [Christenson, bass].

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’d like any interested folks to know that barring any unforeseen circumstances regarding playin’ live, we still have a record coming out regardless!

Our eighth official release, Tried and True, is slated to come out this summer. Both on bitchin’ vinyl and a CD. The CD version will also feature the two tracks from our last record release stateside, Early Purple/Visitors.

I’m biased, so whatever, yet I’ve gotta say these five new tracks are our best public offering to date. As per the past three releases, we recorded at Jason’s home studio with him as our engineer and technical wizard — shit sounds incredible! We managed to capture some really good stuff. As usual, all live and improvised, all of us together in the same room. We nailed a couple of groovy new riffs alongside one of our oldest jams from the beginning (the title-track), plus two really ethereal “no-planners.” We’re just really stoked on it and can’t wait for everyone to hear it.

Folks can pre-order the vinyl now off of the Small Stone site. Also the first track, “The Layback,” is available for folks to peep if they wanna a listen.

Fingers crossed everyone stays healthy and positive. We still hope to tour both stateside and abroad. We have a tour booked for Europe come September, at this point though we’ll just have to wait and see how it goes with the health of the world. Regardless though, the music lives! And will be coming out as scheduled!

Until we can all get together and rage, I’ve been telling all of my tribe that line in “Radar Love” from Golden Earring. “Gotta be cool now gotta take care”…. Duty now for the future so we can all keep on livin’ and doing what we love with the people we love.

https://www.facebook.com/tiacarreraofficial/
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
https://smallstone.bandcamp.com

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Lord Buffalo Post “Dog Head” Official Live Video; Tohu Wa Bohu Out This Week

Posted in Bootleg Theater on March 24th, 2020 by JJ Koczan

lord buffalo

I’ve had occasion more than once now to say I dig Lord Buffalo‘s second album, Tohu Wa Bohu, which is released this week through Blues Funeral Recordings, and hey, here’s one more before the thing actually comes out. It’s fitting the Austin, Texas, four-piece’s dug-in heavy Americana ethic that the video they’d make and put out closest to the record’s arrival is live, and that it’s performed somewhat differently from what’s actually on said record, and that it’s for a deep cut, down on side B rather than something frontloaded onto side A like some outfits do. It is, then, an invitation to dig further.

In the live version of “Dog Head,” some more of the All Them Witches vocal influence comes through, but that violin is sweet and sad and it seems to carry its own melody for the voice to play soulfully off of in full-on earlier-Woven Hand fashion, all the while a swell of tone and rhythm builds up around it and seems to consume the entire thing by the time it’s done. There’s no piano, as there is in the studio incarnation of “Dog Head,” and there’s a part of me that misses that crash of the keys here, but you can only be in so many places playing so many instruments at one time, and Lord Buffalo have clearly positioned themselves well. It works, is all I’m saying.

And guess what? I dig the album. It’s out Friday.

Enjoy the video:

Lord Buffalo, “Dog Head” official video

Live version of “Dog Head” by Lord Buffalo. Performed at Breathing Rhythm Studio, August 3rd, 2019. Recorded and mixed by Steve Boaz. Filmed and edited by Brian Blackwood.

Studio version of Dog Head appears on the album “Tohu Wa Bohu” Available March 27th, 2020 from Blues Funeral Recordings.

Austin, TX dark rock / post-Americana band Lord Buffalo will release its new LP, ‘Tohu Wa Bohu’, on March 27 via Blues Funeral Recordings. Recorded in Lockhart, TX with producer Danny Reisch (Chelsea Wolfe, Okkervil River) and mastered by Dave Shirk (Mastodon, Sun Ra), the album is the follow-up to the folk-psych group’s 2017 self-titled full length.

“Dog Head” is a song from our new LP, ‘Tohu Wa Bohu’, and while the album version begins as a dark, downtempo piano creeper, we’d been doing the song live with an extended intro of bowed guitar and violin,” says vocalist / guitarist Daniel Jesse Pruitt. “Lord Buffalo songs often come out a little different every night, and we wanted to capture a little of that with this live-in-studio version of ‘Dog Head’. ‘Dog Head’ begins with a drone of bowed guitar and violin and the holds to the low road until the switch gets flipped and fuzzed-out guitar breaks in to end the piece with an exclamation point. The end gets chaotic, the song comes off the tracks a bit, but the heaviness feels redemptive, a release from the previous dirge.”

Lord Buffalo are:
G.J. Hellman
P.J. Patterson
Yamal Said
D.J. Pruitt

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Lord Buffalo on Bandcamp

Lord Buffalo website

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Blues Funeral Recordings website

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