Review & Full Album Premiere: Duel, Live at the Electric Church

Posted in audiObelisk, Reviews on May 15th, 2018 by JJ Koczan

duel live at the electric church

[Click play above to stream Duel’s Live at the Electric Church in full. Album is out May 18 on Heavy Psych Sounds.]

On Cesar Chavez St. in Austin, Texas, far enough from the 6th St. epicenter of the hype machine known as SXSW, the weirdos seem to have made a haven called The Electric Church. On a given night, one might see an open mic/psych jam played out while video games are projected on the wall outside — they call it “Triptendo,” and rightly so — or local acts like Greenbeard, Amplified Heat or Peyote Coyote. I don’t know when Duel recorded Live at the Electric Church there, and I kind of like that. I’m sure somewhere on the CD or LP package there’s the date (digital promo) or I’m sure if you asked the band when they played that particular set, they wouldn’t keep it a secret, but I kind of like the thought of not knowing. If you’ve never been to Austin, it has traditionally been an enclave in Texas for artists, musicians, hippies and others who don’t fit the norm.

It’s cool to think that one might head up to a kind of off-the-path locale on the other side of the highway and find creativity flourishing in all its constantly misunderstood glory. Maybe Duel are on stage. The four-piece outfit have made themselves ambassadors of classic stoner rock, delivering the goods with ’70s flair, modern fuzz, and abundant hooks as they bounce and careen through deceptively memorable tracks. They’ve got two full-lengths out via Heavy Psych Sounds in 2016’s Fears of the Dead (review here) and 2017’s Witchbanger (review here), and with Live at the Electric Church, they show off the energy and the clear delivery that typifies the approach they’ve developed on tours of the US and Europe.

The set is a little over half an hour long and is comprised of six songs, four of which come from Fears of the Dead, with only “The Snake Queen” and the subsequent “Heart of the Sun” taken from Witchbanger. Likely that has more to do with the timing of when the show was taped than some aesthetic consideration or a preference for the band for their debut over their sophomore outing. That is, Witchbanger probably just hadn’t been out all that long when they played that gig, or the four/two split might just as easily be reversed. As it is, “The Snake Queen” and “Heart of the Sun” make up the middle third of the set, with the brash “This Old Crow” and the righteous hook of “Electricity” before and the Fears of the Dead title-track and longer closer “Locked Outside” after.

duel

Throughout, on new material and old, Duel‘s lineup of guitarist/vocalist Tom Frank, guitarist Jeff Henson, bassist/vocalist Shaun Avants and drummer JD Shadowz leave no question as to why they’d want to release this particular evening’s set as they not only sound dynamic in terms of speeding up or slowing down songs, but also in bringing different vibes through in their material, such as the transition from “Electricity” to the largely more subdued “Snake Queen,” which forsakes the all-go-all-destroy live ethic of some bands — nothing against it, especially for a shorter set — in favor of something richer on the whole. Captured by Crow Studios on a mobile recording unit, Live at the Electric Church is crisp and sharp sounding, but doesn’t lose its live edge in order to preserve its underlying melody or the aforementioned dynamic of approach. As with Duel on the whole, it finds a balance that works.

And if on this particular night they happened to play more cuts from the first album, so be it. I don’t think I’d trade the slow-roll-into-reignition of “Fears of the Dead” for much anyway. That song and the 8:49 “Locked Outside” are the longest two on Live at the Electric Church, and as on Fears of the Dead, much of the second half of the closer is given to a last instrumental push that after the shared vocals of Frank and Avants in the trippy midsection takes hold fluidly and moves with natural ease toward the eventual grand crescendo of the set as a whole. From the quick and straightforward bruiser “This Old Crow” at the start, it’s a pretty wide-ranging journey toward “Locked Outside,” but as Duel shuffle and boogie their way through, they leave a trail of hooks behind for the audience to follow, and from the whoops and shouts between the songs, it sounds like they succeeded in that.

I haven’t had the pleasure of watching Duel live and I’m quite sure that if I had I’d be speaking about Live at the Electric Church in a different way, but part of the purpose of live albums in the first place isn’t just to give ans something else to latch onto between studio releases, but to give those who haven’t seen the band yet a teaser of what they’ve been missing. As someone in the latter category, I can only say Live at the Electric Church succeeds there as well, showcasing both the songwriting prowess and the vitality of the band while holding to the brazen feel that the songs demand. Everything works. Band, songs, performance. If you’ve got experience with Duel‘s prior work or you want a 32-minute sampler of what they can do, Live at the Electric Church serves to inform and thrill in kind.

Duel on Thee Facebooks

Duel on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

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Destroyer of Light Announce Hopeless EP; New Track Posted; Touring West Coast

Posted in Whathaveyou on April 2nd, 2018 by JJ Koczan

destroyer of light

Last year, Texas four-piece Destroyer of Light hit a new level of misery entirely with their third long-player, Chamber of Horrors (review here). Seriously. Did you hear it? Don’t get me wrong, there’s a lot of doom out there these days, and a fair amount of it comes from the Lone Star state, but fucking hell, you want to talk about a band outdoing themselves, that’s exactly what happened with that record. All these guys have done is tour and kick ass. They’re like specialists.

Destroyer of Light have a new track posted now called “Nyx” that comes from their upcoming EP, Hopeless, which is out May 11 on their affiliated imprint, Heavy Friends Records. It’s nine minutes long, and the video’s cool, but if you have to put it on and switch to another tab or something because your life is just that busy — and hey, it may well be; if so, thanks for taking the time to check in — the important thing obviously is that you listen to the song, which once again is dead-on in its crawl and atmosphere. I swear this band would be bigger if their name didn’t make you think they were grindcore.

They’re not, by the way. Not grindcore.

To the PR wire:

destroyer of light hopeless

DESTROYER OF LIGHT: Texan Harbingers of Doom Return with Hopeless EP | West Coast Tour Kicks Off Next Month

Hopeless EP by Destroyer of Light is released on 11th May 2018 on Heavy Friends Records

From deep within the belly of the beast, Texan harbingers of doom Destroyer of Light rise in 2018 with the release of a brand-new EP and string of West Coast tour dates throughout North America.

Hopeless EP is the latest in the Austin-based quartet’s devastating canon and will get an official release on 11th May through Heavy Friends Records. Containing two, practically feature-length tracks which set out to fill the silence between the praise of last year’s Chamber of Horrors and the promise of their follow up full-length next year, the EP charts an ominous course into the heart of darkness which deals directly with depression, suicide and drug addiction. Reworking the grim theatricality and crushing, heavy metal dirges of their earlier recordings, death and destruction is very much the order of service but with a new and somewhat progressively charged life-force.

“With Hopeless, I wanted to focus more on my clean singing, and our song writing has become more melodic while still maintaining the heavy riffs,” explains guitarist/vocalist Steve Colca. “We don’t limit ourselves to what we write, and the direction you’ll hear on this EP is a taste of what’s to come in the future.”

Unmistakably influenced by the likes of Electric Wizard, Mercyful Fate, EYEHATEGOD, Sleep and Autopsy, along with countless literary and horror anthologies, this new EP signals a massive shift in potential and a development that will see the band step out of cavernous, dank basements and into psychedelic realms hitherto unknown. What’s more, on their way to that strange place, over the coming months the band takes to the road for an extensive West Coast tour (see tour info below) in support of Hopeless, which will be released on 11th May 2018 on Heavy Friends Records.

TOUR DATES:
20th April – El Paso, TX – Neon Rose
21st April – Albuquerque, NM – Sister Bar
22nd April – Denver, CO – Streets of London
23rd April – Boise, ID – High Note Cafe
24th April – Richland, WA – Emerald
25th April – Tacoma, WA – The Valley
26th April – Portland, OR – High Water Mark
27th April – Sacramento, CA – The Blue Lamp
28th April – San Francisco, CA – Thee Parkside
29th April – Pacifica, CA – Winter’s Tavern East
30th April – Los Angeles, CA – Five Star Bar
1st May – San Diego, CA – Til Two Club
2nd May – Tempe, AZ – Yucca Tap Room
3rd May – El Paso, TX – Rockin’ Cigar Bar
4th May – Odessa, TX – The Gabby Doo Saloon
5th May – San Antonio, TX – Faust Tavern
DESTROYER OF LIGHT:

Steve Colca – Guitar, Vocals
Nick Coffman – Bass
Keegan Kjeldsen – Guitar, Synth
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://www.twitter.com/DoLAustinDoom
http://destroyeroflight.bandcamp.com/

Destroyer of Light, “Nyx” official video

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Monte Luna Announce April/May Tour Dates; Vinyl Due in June

Posted in Whathaveyou on March 29th, 2018 by JJ Koczan

Preorders are up now for the double-vinyl edition of Monte Luna‘s 2017 self-titled debut (review here), which will be out at the end of June via Argonauta Records. The longform-working purveyors of sonic tectonics are set to hit the road before release day arrives however, and they’ll head out from their home base in Texas and mae their way up the East Coast and deep into Upstate New York — Ithaca, Rochester and Buffalo is a lot of ground to cover — before heading back to the Midwest to cap the run with gig at Black Circle Brewing in Indianapolis. Busy Spring, but cool to see these guys taking their riffs out to public ears. Something about their self-titled tells me it would be absolutely pummeling live.

Must be all that pummeling. Ha.

From the PR wire:

monte luna

MONTE LUNA – “Monte Luna” release date and U.S. tour

Austin Texas two-piece MONTE LUNA announce tour dates and vinyl release date of their highly acclaimed originally self produced album. It weaves the epic 72 minute concept album tale of a band of warriors trying to defeat Father Arbitor, a Necromancer who has destroyed their home.

Monte Luna “Monte Luna” will be re-released worldwide by ARGONAUTA Records and available from June 29th 2018 as a limited double vinyl, lilac opaque edition.

Mastered by Chris Fielding (CONAN), art by Eriko of MontDoom illustrations.

Preorders run now: http://bit.ly/2ERpZa1

MONTE LUNA US TOUR 2018:
Austin TX 4/6 – Worshiper Cabinet Showcase (At the Worshiper Shop)
San Antonio TX – 4/20 Limelight
Austin TX – 4/21 The Lost Well
Houston TX – 5/3 -Rudyards
Lafayette LA 5/4 -Freetown Boom Boom Room
Matiaire LA- 5/5 – Babylon
Birmingham AL 5/6 – The Nick Rocks
Athens GA 5/7 – Caledonia Lounge
Raleigh NC 5/8 – Slims
Richmond VA 5/9 – Wonderland
Baltimore MD – 5/10 – The Depot
Philadelphia PA 5/11 – Century
Danbury CT 5/12 – Billy Beans
Boston MA 5/13 – O’Briens
Ithaca NY 5/14 – Ithaca Ungerground
Rochester NY 5/15 – Rosen Krown
Buffalo NY 5/16 – Sugar City
Pittsburgh PA 5/17 – Gooski’s
Lafayette IN 5/18 – Jerilee’s Pub
Indianapolis IN 5/19 – Black Circle Brewing

Monte Luna is:
James Clark – Guitar, Vocals, Bass
Phil Hook – Drums, Noise, Groove

http://www.facebook.com/MonteLuna666/
https://monteluna666.bandcamp.com/
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/
https://twitter.com/argonautarex
https://www.instagram.com/argonautarecords/

Monte Luna, Monte Luna (2017)

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From Beyond Premiere “The Fall to Earth” from The Band From Beyond

Posted in audiObelisk, Reviews on March 2nd, 2018 by JJ Koczan

from beyond

Safe to say that the debut full-length from Austin, Texas, heavy rockers From Beyond has been a while in the making. Six years at least. The four-piece, who signed to Candlelight/Spinefarm last summer with word of getting the album out in the Fall, have set an April 20 release for what’s been dubbed The Band From Beyond with a clever sense of deceptiveness in that they are both actually called From Beyond and throughout the album they show an affinity for classic horror and sci-fi, and so the title works on that level as well, like some grainy black and white horror flick you end up watching in the middle of the night on a tube television during your formative years after everyone else has gone to bed, forever warping your young mind and REM patterns as you fall asleep on the couch with the flashing lights and screams peppering their way into your subconscious.

By the way, any band that starts calling out Coffin Joe titles — see “At Midnght” — is cool by me.

All told, The Band From Beyond teems with vibrancy at a vinyl-ready 42-minutes and 14 tracks, and while the band has put an obvious focus on getting the most out of individual songs — there are times where the record reads like a choose-your-adventure book as it moves from track to track, especially early on through direct-standout cuts like “The Fall to Earth,” “Blooming Sun” and “The Slip.” But intro pieces like “11:59,” which precedes the particularly Uncle Acidic (though one also gets shades of fellow Texans From Beyond The Band From BeyondVenomous Maximus) “At Midnight,” the opening “Invocation” that leads into “The Fall to Earth,” the acoustic “White Marble” ahead of the pre-outro finale “Black Mirror” — as well, of course, as the JohnCarpenter-horror-cinema synth that follows and rounds out on “Synthetic Skin Pt. 1,” mirroring the earlier “The Color into Space,” which complements and flows into “The Color out of Space, — and so on, serve a critical function in not only tying together with whichever cut they happen to lead into or out of, but also adding complexity to the some more straightforward arrangements from Rob (guitar, vocals, synth), Dave (guitar), Brooks (bass, vocals, synth) and Anthony (drums, vocals) and giving The Band From Beyond a more resonant full-album flow.

As the record careens through the Queens of the Stone Age-plus-synth-style “The Slip” or the later “Machine Gun,” which adds gang shouts to the mix, From Beyond‘s intentions toward sonic individualism become all the more palpable, and though they again seem to reference Uncle Acid on “Blooming Sun” (the repeated lyric “I’ll cut you down” arrives amid further QOTSA elements), taken in context of the larger riffing of “The Color out of Space,” the Nine Inch Nails-with-better-melody-style brooding early on “Lost Way” that leads to a largesse of chug and synth drama that foreshadows some of the the lumbering roll and Alice in Chainsian low-in-the-mouth vocals of “Black Mirror” later on, the album is varied through straightforward hooks like that of the desert rocking “Laura Palmer” but no less memorable or based around quality songcraft in “The Slip” or “The Fall to Earth,” which culls together various impulses between grunge, heavy rock and progressive doom in order to make the first of The Band From Beyond‘s crater-worthy impacts.

Though arrangements prove complex and diverse throughout as From Beyond work in a range of moods, styles and tempos, ultimately their debut album holds itself together with a surprising fluidity considering the amount of ground actually being covered. It’s hard to get a full sense of that in one track, whether it’s the melancholy heft that emerges in “Lost Way” or the pure thrust of “Machine Gun” or the flourish that the interludes bring to the surrounding material. I’m thrilled today to be able to host the premiere of “The Fall to Earth” ahead of the album’s release in April, and you’ll find the track below, followed by a quote from the band and more info from the PR wire.

Please enjoy:

From Beyond on “The Fall to Earth”:

I wrote “The Fall to Earth” on keys, with what was originally just the progression, and then the melody. I loved the way it felt to play, but when I plugged it into my Juno-106, it turned into something more than I could have expected. I wanted this song to be heavier than gravity. I think we achieved that in spades.

From Beyond are otherworldly and ominous. The music on their Candlelight debut lives up to the implications of the Texas band’s moniker. Sonically, the quartet-Rob [guitars, vocals, synthesizers], Dave [guitar, effects], Brooks [bass, synthesizers, vocals], and Anthony [drums, vocals]-gracefully resemble an orchestra of Kyuss, Soundgarden, and Rush, as if they were conducted by John Carpenter.

The band will release its full-length debut The Band From Beyond on April 20 via Candlelight Records.

On their debut, From Beyond wanted to do something that was steeped in psychedelic horror. They did so by fusing movie elements from the late ’60s and early ’70s. “Films like Simon King of the Witches, Psychomania, and the work of Coffin Joe come to mind. At the same time, I love the scores for Escape from New York and Halloween. I got really into that sparse and minimal approach to synthesis. I wanted to bring those elements to music inspired by Queens of the Stone Age, Sleep, and the writing of H.P. Lovecraft,” frontman Rob McCarthy explains.

In order to capture that combination, the band hunkered down in an Austin, Texas studio with The Sword bassist Bryan Richie in the producer’s chair. Over the course of seven days, they tracked the 14 songs comprising The Band From Beyond, utilizing everything from guitars to vintage analog synths and mellotron.

THE BAND FROM BEYOND TRACK LISTING:
1. Invocation
2. The Fall to Earth
3. Blooming Sun
4. The Slip
5. Lost Way
6. The Color Into Space
7. The Color Out of Space
8. 11:59
9. At Midnight
10. Laura
11. Machine Gun
12. White Marble
13. Black Mirror
14. Synthetic Skin Pt. 1

The Band From Beyond preorders

From Beyond on Thee Faceboks

From Beyond on Bandcamp

Spinefarm Records on The Facebooks

Spinefarm Records on Twitter

Spinefarm Records website

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Mark Deutrom to Reissue The Value of Decay April 6

Posted in Whathaveyou on February 21st, 2018 by JJ Koczan

mark deutrom

Originally released in 2011, The Value of Decay is the second reissue from Mark Deutrom to come down the line this year via Season of Mist. The first was 2001’s The Silent Treatment, his solo debut, so in essence we’re fast forwarding a decade. During that stretch, Deutrom had a couple self-presses out but so far as I can tell not an actual album under his own name, so that 10-year leap might actually put him at his second outing, which, you know, would make sense being the second reissue and all. Yeah, that’s me, doing the hard math. You’re welcome.

Of course, one still awaits word of Deutrom‘s next studio offering, which would follow 2013’s Brief Sensuality and Western Violence (review here), as well as news from his band Bellringer, whose 2016 debut full-length, Jettison (review here), was rife with weirdo joys, but presumably we’ll get there sooner or later. Plenty to chew on in the meantime.

The PR wire has info on The Value of Decay, which you can also stream at the bottom of this post:

mark deutrom the value of decay

MARK DEUTROM announces “The Value of Decay” reissue

MARK DEUTROM, former MELVINS bassist and prolific musician from Texas has announced the second in the series of reissues coming this year. The reissue, for ‘Value of Decay’ (2011) will be released worldwide on April 6 as an expanded edition featuring a bonus track. ‘The Value of Decay’ is available for pre-order here. The album is streaming here.

The cover art and track list for ‘The Value of Decay’ can be found below.

Track list:
1. From the Deepest Well
2. Darksider
3. Dim Candle
4. Au Printemps
5. Love Story Pt. 1
6. Making a Killing
7. Love Story Pt. 2
8. Buried in the Jewel
9. Victor’s Closet
10. Love Story Pt. 3
11. Cities of Gold
12. Blood Fairies
13. Perish the Thought
14. Curtains
15. Love Story Pt. 4
16. Empire Sands

MARK DEUTROM just released ‘The Silent Treatment’. The critically acclaimed album is available as an expanded edition, featuring artwork and a bonus track. ‘The Silent Treatment’ is available now at the Season of Mist E-Shop.

MARK DEUTROM will release his 6th solo album via Season of Mist. More information about this new album will be available in the weeks and months to come.

https://www.facebook.com/markdeutrom
https://www.instagram.com/markdeutrom/
http://www.markdeutrom.com/
http://smarturl.it/MDeutromSilent
https://shopusa.season-of-mist.com/band/mark-deutrom
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/

Mark Deutrom, The Value of Decay (2011/2018)

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Monte Luna Sign to Argonauta Records; Self-Titled Vinyl Coming this Summer

Posted in Whathaveyou on January 22nd, 2018 by JJ Koczan

monte luna

Considering how friggin’ massive it is, the decision to put Monte Luna‘s 2017 self-titled debut (review here) out on vinyl seems even more worth marking. The Austin, Texas, duo work largely in longform riffing throughout the record, proffering sprawling fare like the 17-minute chug-nodder “6,000 Year March” and the 14-minute “Nightmare Frontier” that immediately follows, grooves as big as its runtime. There’s something satisfying to putting on a platter and having an entire side of it consumed by a single track, and at 72-minutes long, there’s no doubt a 2LP version of Monte Luna‘s Monte Luna will have a couple of them at least, but I guess we’ll find out when we get closer to the release, set for this summer.

As a side note, or at least a diagonal one, not everything that Argonauta puts out winds up as an actual 12″, so it should be considered all the more of an endorsement for what Monte Luna are doing that their debut has been specifically designated as such. Just saying.

The PR wire makes it official:

monte luna self-titled

We are proud to announce that the Austin Texas two-piece MONTE LUNA will be joining Argonauta Records family!

Monte Luna is the brain child of James Clarke and Phil Hook. Formed in 2015, Monte Luna began devising a plan to take Texas and the U.S. by storm. During their debut 2016 EP “The Hound” (Self Released) Monte Luna was a three piece. Not long after that due to differences between the band Monte Luna trimmed the fat to become one of the finest duos this side of the pond. “I figured why have someone else do it (play bass) when I can do it myself, I’ll just run a bass and guitar rig.” – James. This technique of ABY pedal into a wall of doom has created the crushing tone you hear today.

Monte Luna’s full length album was released in September 2017 on Digital, CD and Tape formats and has been exceedingly well received by fans and critics alike. With stellar reviews from all sorts of media, it was only a matter of time this album would make its way to vinyl.

About the label deal: “We are beyond honored to join the Argonauta family. This is our first vinyl venture and we couldn’t be happier with them! Gero rules!”

Monte Luna’s self titled album will be re-released worldwide on vinyl Summer of 2018. The album weaves the epic 72 minute concept album tale of a band of warriors trying to defeat Father Arbitor, a Necromancer who has destroyed their home. Unfortunately for these brave warriors, things are not always as they seem, fear of the unknown has always been mans greatest burden. Is killing the Necromancer the right thing? Is it the means to an end? or has time kept them in an endless cycle of death and chaos for 6,000 years?

Monte Luna live:
Feb 10 Freetown Boom Boom Room Lafayette, LA
Feb 22 The Lost Well Austin, TX
Mar 08 Beerland Austin, TX

Monte Luna is:
James Clark – Guitar, Vocals, Bass
Phil Hook – Drums, Noise, Groove

http://www.facebook.com/MonteLuna666/
https://monteluna666.bandcamp.com/
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/
https://twitter.com/argonautarex
https://www.instagram.com/argonautarecords/

Monte Luna, Monte Luna (2017)

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Mark Deutrom to Reissue The Silent Treatment in February

Posted in Whathaveyou on December 13th, 2017 by JJ Koczan

Well, when Mark Deutrom signed to Season of Mist back toward the end of this summer, in addition to a forthcoming new album set for a tentative Fall 2018 release, there was some discussion of reissues in the works. I guess there’s no place to start like the beginning when it comes to that kind of thing, so off we go with a catalog revisit that by the time it arrives in February will look back 17 years to 2001’s The Silent Treatment, which was Deutrom‘s debut solo offering.

I’ll admit to having missed it the first time around, so as far as I’m concerned this is a cool chance to catch up to Deutrom‘s back catalog, and as someone who’s very much dug his recent work with Bellringer, that’s something I’ll look forward to. Feb. 9 is the release date, and Season of Mist is streaming the track “The Hobnail Paisley” ahead of that now. One can hear some shades of what Masters of Reality were doing around that time in some of the all-growed-up heavy/desert style, but of course Deutrom, even then, had a sonic personality of his own.

From the PR wire:

mark deutrom the silent treatment

MARK DEUTROM announce ‘The Silent Treatment’ reissues

MARK DEUTROM, the prolific musician from Texas and former MELVINS member has announced a reissue of his debut album ‘The Silent Treatment’. The critically acclaimed album will be reissued worldwide on February 9, 2018 as an expanded edition, featuring artwork and a bonus track. Pre-orders for the album are available now at the Season of Mist E-Shop.

MARK DEUTROM is streaming a track off the multi-faceted ‘The Silent Treatment’. The track, a blues-inspired rock song titled “The Hobnail Paisley” is streaming now, here.

The cover art and track list for ‘The Silent Treatment’ can be found below.
Track list
1. Toshiro Mifune
2. The Hobnail Paisley
3. El Morocco
4. One Thousand Delights
5. Chihuahua
6. Coffinmaker’s Complaint
7. Fat Hamlet
8. The Hottentot Venus
9. Borehole
10. Your Necklace
11. Revelator
12. A Catastrophe
13. Honey Drop
14. Gateau d’Amour
15. Van Diemen’s Land
16. Candlelight and Wisteria
17. OKC (Bonus Track)

MARK DEUTROM will release his 6th solo album via Season of Mist. More information about this new album will be available in the weeks and months to come.

https://www.facebook.com/markdeutrom
https://www.instagram.com/markdeutrom/
http://www.markdeutrom.com/
https://som.lnk.to/MarkDeutromSilentTreatment
https://shopusa.season-of-mist.com/band/mark-deutrom
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/

Mark Deutrom, “The Hobnail Paisley”

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Witchcryer Sign to Ripple Music; Cry Witch Due in January; Tour Dates Announced

Posted in Whathaveyou on October 9th, 2017 by JJ Koczan

witchcryer

Austin, Texas, doom rockers Witchcryer have signed a deal to release their debut album, Cry Witch, via Ripple Music on Jan. 19. To herald the full-length’s arrival in the New Year, the four-piece will head out on a Midwestern tour this month brandishing new material onstage and keeping significant company as they join forces with the likes of Astral MassAttalla and Bible of the Devil along the way. The shows are booked by Heavy Friends, and start on Friday, so if you find yourself in their path, keep an eye out.

Witchcryer’s three-song The Preying Kind – Demo MMXVI was released last year as their first outing and can be streamed below in full. The PR wire has more information and gets bonus points here for making a Pillcrusher reference. There’s a name I’ve not heard in a long, long time.

Dig:

witchcryer tour

Witchcryer sign to Ripple Music and Announce new album and “CRY WITCH” FALL 2017 MIDWEST U.S. TOUR

Ripple Music is proud to welcome WITCHCRYER? to their growing roster of the best heavy psych, stoner and doom bands on the planet. Witchcryer are a 4-piece old-school doom metal band as indebted to the heavy rock muscle of Black Sabbath, Deep Purple, Uriah Heep, and Blue Oyster Cult as their doom descendants Witchfinder General, Trouble, and St. Vitus. Their mix of influences puts emphasis on strong riffs, memorable hooks and dynamic strong structures.

Based in Austin, Texas, Witchcryer was created by guitarist Jason Muxlow during his time with Chicago doom band, Earthen Grave (Ripple Music). The band became his priority when he moved to Austin in early 2015 and began co-writing songs with drummer Javi Moctezuma. “The Preying Kind” demo was recorded and released after vocalist/lyricist, Suzy Bravo joined the band later that year.

With the final addition of San Antonio bassist Marilyn Monroe (Pillcrusher, ex-Las Cruces), Witchcryer played its first show in April 2016.

Now, Witchcryer joins with the force that is Ripple Music to release their debut album, “Cry Witch”, due to drop world-wide on January 19th. About their recent signing to Ripple, guitarist Jason Muxlow says, “Witchcryer is beyond stoked to be joining the Ripple family! We can’t wait to get “Cry Witch” out in the world and tear some people new eardrums.”

In support of the upcoming album, Witchcryer will hit the road with tour dates across the midwest.

WITCHCRYER “CRY WITCH” FALL 2017 MIDWEST U.S. TOUR
Friday October 13th San Angelo, TX, Deadhorse w/ Dezorah
Saturday October 14th Dallas, TX, Double Wide w/ Hint of Death & Orcanaut
Sunday October 15th Little Rock, AR, Sonic Temple TBA
Monday October 16th Louisville, KY, ighlands Tap Room w/ Potslammer
Tuesday October 17th Indianapolis, IN, Black Circle Brewing Co. w/ Astral Mass
Wednesday October 18th Madison, WI, The Frequency w/ Bob Log III & Roboman
Thursday October 19th Milwaukee, WI, Cactus Club w/ Galactic Hatchet & Attalla
Friday October 20th Hamtramck, MI, New Dodge Lounge w/ The Watchers, Iron Mountain, TBA
Saturday October 21st Chicago, IL, Livewire Lounge w/ Bible of the Devil, Arriver, & Reivers

https://www.facebook.com/witchcryer/
https://witchcryer.bandcamp.com/releases
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Witchcryer, The Preying Kind – Demo MMXVI (2016)

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