Monte Luna Release Mind Control Broadcast EP Today

Posted in Whathaveyou on July 3rd, 2020 by JJ Koczan

monte luna

Well yes, that’s quite heavy. Quite fucking heavy indeed, Dissertation Formatting. Welcome to Dissertation Formatting. I provide a personalized dissertation and http://www.rndincentives.com/essay-about-photography/ for graduate students. Monte Luna. How’s that new lineup of Introducing The Number One Business Plan Beauty Salon Service. At eWritingService.com, we pride ourselves in offering the highest quality research paper Monte Luna sound? If the issued-today Mail Woolworths Business Plan id info@singaporeassignmenthelp.com. Order your essays from us and get the highest grades for zero mistakes and plagiarism Mind Control Broadcast three-songer is anything to judge by, they sound rather heavy. Like over-the-top tone. All-in heavy. Even the quiet part of “Blackstar” is fucking heavy. Introducing bass was a good idea.

Guitarist/vocalist High-quality http://republicasdobrasil.com/morar/sample-business-plan-ppt/s by PhDs available 24/7 with same-day delivery option. Enago provides medical proofreading, scientific James Cl and newcomers Buy Argumentative Essay Service - How We Can Help You. Each writing prompt comes on four different paper types to http://www.bavaria-hausverwaltung.de/?descriptive-essays-on-school the Garth Condit (bass) and Parts To A Business Plan at our cheap college paper service. BuyEssaySafe.com provides professional academic writing help. Place an order and get your essay! Danny Marschner (drums) are premiering the tracks “Blackstar,” “Rust Goliath” and “Fear the Sun” as a part of some video thing today, and that’s super, but I guess they’re putting out the audio too in order to help Popart Studio is a digital agency which offers Essay Help Student Review Lesson One, SEO, SEM, SMM promotion, and branding services. Free analysis and consultation. The Lost Well in Austin. I don’t know if I’ve ever seen a show there or not because every time I was ever at Our marketing http://envsci.uprrp.edu/?essay-service-australias produce compelling sales messages that are throat-grabbing, gut-punching, persuasive and emotional for digital and print. SXSW I was so miserable I got blackout drunk — and no, I’m not proud of that — but helping venues when the entire country is taking a shit is probably a nice thing to do.

So: Nice and heavy. My kind of band. Maybe we could hang out. Nah, these guys are way too cool for my ass. They probably stay up, like, past 9PM and stuff. Still,  dissertation presentation Green Architecture Phd Thesis kanawha county schools homework help rules writing college admissions essay Mind Control Broadcast is fucking righteous — exactly what sludge should sound like in this wretched horror show of a reality we’re living — and you should listen to it.

Check it out:

monte luna mind control broadcast

MONTE LUNA RELEASE ‘MIND CONTROL BROADCAST’ EP JULY 3RD

Austin, Texas Psychedelic Sludge slingers Monte Luna are making lots of noise with a new line up and a new ep.- ‘Mind Control Broadcast’

Being a band that thrives on stage, close and one with their audience, these last few months have been trying to say the least for Monte Luna. But with their strong resilience and will to make art no matter what obstacle lies ahead, they have managed to make the absolute most of their time. The band has been fortunate enough to be isolated together during Covid-19, which has created a perfect environment for artistic genius to flourish. Monte Luna might be locked down, but this beast is far from caged!

James says: “We are thankful to have been stuck together during all of this. Most of our families live elsewhere, this music scene for us is family (Austin) we are thankful for it. We aren’t sure when we will be able to play on a real stage again but we are looking forward to it, in the meantime we are trying to figure out ways to better connect with our fans! We hope this ep reflects our efforts and helps friends, followers and people around the world get to the other side of this historical and humbling time.”

James says: “Phil’s departure left some big shoes to fill, and with his blessing, we sought to expand on something we had wanted to do for a long time. Just wait till you hear the album versions of all these songs and more!”(3 more not revealed)

About release:
Monte Luna are pleased to unveil 3 new songs to unleash onto the world which is the audio from an upcoming video stream in partnership with CVLT Nation on July 3rd, and will release on the same day. A portion of the album sales will be donated to help “The Lost Well”, an Austin, Texas live music venue to help keep their doors open. The stream can be viewed here: https://youtu.be/F404rOYGJ_A

These live takes are the early demos of the bands next full length album set to debut sometime in 2021/2022, depending on the state of the world. The main goal of this ep is to raise money for a worthwhile cause, while planting the seeds of anticipation for the upcoming full length album and demonstrating the full power of Monte Luna’s brand new line-up. The album touches on the topics of fear, loss, paranoia, depression and the vastness of the universe while still holding a very Dungeons and Dragons theme.

Monte Luna says: “Sonically it’s a whole new ball park. Bringing Bass into the mix really changed what we can do as a band. We’ve always been a two piece, but wanted to move past our limitations, because creativity should be as vast as the universe itself.”

Monte Luna says: “We do this because we love our community and this is what makes us happy. We’ve all had a lot of jobs, but this is the only job that brings us true happiness.”

Track list:
1- Blackstar
2- Rust Goliath
3 – Fear the Sun

Monte Luna is:
James cl – Guitar/vox
Danny Marschner – Drums
Garth Condit – Bass

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Album Review: Tia Carrera, Tried and True

Posted in Reviews on June 15th, 2020 by JJ Koczan

tia carrera tried and true

The prospect of a new read this - Cooperate with our writers to receive the excellent essay following the requirements If you need to know how to make a Tia Carrera album inherently brings familiar echoes and the promise of something different. On the most basic level, the latest LP’s title, The classic advice is and you have probably come across it already in order to buy essays online with less risk, Had to Science Research Report? Tried and True, could easily apply to the band’s methodology itself. It is the second record the Austin, Texas-based three-piece have issued since being joined on bass by This is a http://boca.vn/?paperboy-pay-rates by nanda_afriani in Browse > Politics & Current Affairs > Society > Ethnicity, Race & Gender Curt Christenson, formerly of Help Writing Dirty Texts. 5.9K likes. A place for Science Writers to talk about science writing. Dixie Witch, and the fourth overall they’ve done for dissertation explicative exemple Collegiate Online homework help work cited pages qualities of a good phd thesis Small Stone Records. Comprised of five tracks laid out neatly across two LP sides, it is a relatively compact 37-minutes. That’s more or less of a kind with 2019’s http://webtoys.cz/?help-with-essayss that make us proud of their work enable us to guarantee results that meet the expectations of both students and their teachers Visitors / Early Purple (review here), the two extended tracks of which showed up through Small Stone last Fall as the band’s first full-length release since 2011’s Cosmic Priestess (review here). Why the delay for a band whose guitarist engineers their own recordings and who specialize in jamming out improvised heavy psychedelia? Shouldn’t they be putting out four records per year?

The narrative — blessings and peace upon it — has it that Tia Carrera are perfectionists, and that while they have a vast archive of recorded material, what they consider worth releasing to public ears is in far shorter supply. So be it. The shuffle and swing that takes hold in opener “Layback” and the all-go Hendrixian scorch of the leads in the subsequent “Taos” tell the story, and whatever it may be that holds Tia Carrera back from amassing a huge catalog of LPs, what they do choose to issue certainly has no trouble meeting a high standard. With Erik Conn on drums anchoring the jams as Jason Morales — whose studio is the BBQ Shack, in Austin; Chris Goosman mastered at Baseline Audio Labs in Michigan — tears into one solo after the next and Christenson locks in fluid lines in the low end, each piece is able to hone a spirit of its own despite sharing a stated commonality of approach. It is tried, and it is true. What it isn’t — as Visitors / Early Purple and Tried and True both reaffirm — is broken.

It seems fair to think of the two releases as complements to each other, both because they appear in such quick succession relative to what the band has done before — Cosmic Priestess was preceded by 2009’s The Quintessential (review here) — and because the CD version of Tried and True includes the prior outing’s two extended tracks as bonus cuts. That brings the running time of the CD version of Tried and True to a whopping 71 minutes, which proves to be more than enough time to sink oneself in its ocean of lead lines and expressive exploration, classic boogie and off-the-cuff ramble, be it the scoot of “Swingin’ Wing,” which rounds out side A of the LP but feedbacks and crashes neatly into the fade-in screech and cymbals of “Zen and the Art of the Thunderstorm,” which seems to nod at the verse melody of “Within You Without You” before finding its own tense course for its relatively brief three minutes, which give way to the 14-minute title-track.

tia carrera

“Tried and True” is the longest piece on Tried and True by a margin of two, and makes a ready companion for “Visitors” and “Early Purple,” with a languid guitar solo stretching out over another solidly rhythmic exploration, the band’s reputation for coming up with this stuff on the spot meshing against the presumption that what they’re choosing to deliver on a record is only the best of the best of whatever unknown total amount might exist. The question that raises is whether or not songwriting isn’t the same thing? Aren’t even the most structured of songs at some point born of improvisations just like Tia Carrera‘s tracks here? And the trio’s modus is its own way of carving down the entirety to a piece deemed fit for consumption; they are, in essence, whittling out songs. Through creative fades in and out along the way, a feeling of longer expanse is maintained, and especially on the shorter pieces before the title-track, the sense is of Tia Carrera letting the listener have a snippet of some broader entirety.

In that way, Tried and True is in communion not only with the LP before it — and included with it, when it comes to the CD — but with the larger processes driving the band’s work. One has to wonder if perhaps the alignment of Conn and Morales with Christenson hasn’t reinvigorated the creativity of Tia Carrera as a whole, and if so, if new releases might begin to show up with more regularity, just as this one has followed behind Visitors / Early Purple. I don’t know that, of course, but for a group whose basis is in jamming, the joy of doing so is clearly expressed in these tracks — both long and short — despite whatever personality each might also demonstrate in itself. Cuts like “Swingin’ Wing,” the especially howling “Taos” and “Layback” bring glimpses at what it might be like to be in the rehearsal space with the band while they go, go, go, and on the CD, “Zen and the Art of the Thunderstorm” becomes a transition point to 49 minutes of ripper bliss that are raucous and spacious in kind. Maybe this is just how Tia Carrera roll now, and after more than 20 years together, who could say they haven’t earned the designation of being tried and true — all the more so because they remain so decidedly underrated.

The sonic elephant in the room as regards their style continues to be Earthless, but Tia Carrera distinguish themselves from that three-piece in their method of recording themselves as well as through improvisation, not to mention the personality of their play. Both come through wholly on Tried and True, whether a given listener chases down the vinyl or the compilation Tried & True & Visitors / Early Purple CD (the more the merrier, as far as I’m concerned), and one way or another, MoralesConn and Christenson shine with engaging, immersive, explosive groover jams that, unless the very idea of such a thing is a turnoff, will be hard to resist. If this is who Tia Carrera are now, and they’re going to start belting out records one after the other after more than two decades of existence, then it only serves to emphasize how righteous the spirit of their creativity has been all along.

Tia Carrera, Tried and True (2020)

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Days of Rona: Daniel Pruitt of Lord Buffalo

Posted in Features on May 8th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

lord buffalo daniel pruitt

Days of Rona: Daniel Pruitt of Lord Buffalo (Austin, Texas)

How are you dealing with this crisis as a band? How is everyone’s health so far?

Fortunately we’re all healthy and ¾ of the band has been able to keep their jobs and work from home. I work in the service industry and was laid off. I am lucky to work for a solid musician-owned company that paid me for a few weeks after the shop closed and also made it easy to get unemployment. I’m hiding out in Oklahoma City for a bit and the rest of the band is in Austin. We Facetime weekly and are cooking up ideas for some new music. On top of that I’ve got a few collaborations I’m working on with friends that are nice distractions.

Have you had to rework plans at all?

This whole thing hit right as we were leaving for a West Coast tour in support our LP Tohu Wa Bohu. We made it three dates in before it became clear that trying to tour wasn’t safe for us or our fans. Not great timing. We arrived home to find SXSW and the rest of our spring schedule was canceled. Since then we’ve had several summer shows and festivals cancel and/or tentatively reschedule.

I sent Desert Records the final mixes for a split LP with Palehorse/Palerider a couple days before we left for tour. The release date and road shows for this release are getting pushed back until later in the summer. We’re trying to reschedule everything we can, but at this point no one really knows when it will be ok to gather for live music again. Everything is a little up in the air.

What are the quarantine/isolation rules where you are?

In the city of Austin we have smart local government who made shelter-in-place happen relatively quickly. Essential businesses are open with social distancing in effect. Everyone who can work from home is doing that. The city is asking people to wear masks in public. Meanwhile, the Governor of Texas is an idiot who values dollars over humans and is reopening the state already. I think it’s a huge mistake. I hope I’m wrong. Many businesses are disregarding the lifting of restrictions from the governor’s office because they value the safety of their employees and customers, which is heartening to see.

How have you seen the virus affecting the community around you and in music?

The isolation is certainly strange, I wonder how it will affect our communities in the long run. Crossing the street when you see another human does something to you after a while. Initially we all approached this pandemic as a sprint, but now that it’s clear that it’s more of a marathon I think there is a different sort of stress that sets in. I have family and friends who work in healthcare and I worry about them. Not just in the sense of exposure to the virus but the long term psychological effects of waking up everyday and putting yourself and your family into harm’s way. Heavy stuff.

As far as the musical community, there’s been a proliferation of live music streams and social media events, which are good and necessary placeholders. I think live music is a form of creative release for the performer and the audience. At the same time, live streams are not a substitute for the stink of making a proper mess in a room together with other humans and I think we’re all trying to figure out when we can do that again. We’ve done some interviews remotely and live on Instagram. There’s definitely a captive audience in these times. Outside of social media, it seems there’s more getting in touch with fellow musicians and saying, “Hey, you know how we’ve talked about collaborating on X, let’s finally do it.” I’m excited to see some of those come to life.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’ve struggled with productivity, worrying I’m not as productive as I think I should be right now. You spend your whole adult life trying to simultaneously pay rent and bills and make music, wishing you had more time to focus on music without the physical and emotional drain of outside work. Then, Boom, out of nowhere, it’s forced on you, but it’s paired with the financial stress of losing your job and the anxiety of being in the midst of a pandemic. Suddenly, it’s hard to feel creative. Anxiety is a drain on your brain, keeping you from mentally getting into a creative space.

I wonder if the larger problem isn’t how we derive our personal value? How we base our self-worth on our production? I’m trying not to engage in the circular thinking of what I should be accomplishing, instead attempting to be present, to value slowness, to take a breath and try to get acquainted with who I am when I’m not running, running, running; who I am when I’m not defining myself by my work. Do I really know? I still sit down to work, but I’m trying not to get mad when nothing seems to come of it. Making yourself available is all you can do sometimes. I trust that when glacier starts to thaw and the juices flow again, when the muse is coaxed down from her perch, this time spent grounding and expanding this knowledge of ourselves will be an undeniable asset.

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Days of Rona: Erik Conn of Tia Carrera

Posted in Features on April 2nd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

erik conn tia carrera (Photo by Howard Dvorsky)

Days of Rona: Erik Conn of Tia Carrera (Austin, Texas)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Like everyone else, just trying to stay put, stay healthy, stay informed. Go towards the facts and helpful info, vs. hoarding shit tickets and hysteria.

Everything from work to gigs, to booking, to hangin’ out with friends is just put on hold.

Far as I know this second, everyone I know is holding up well, healthy and sound. Albeit a little stir-crazy… suffering from the early signs of cabin fever. I most certainly am.

What are the quarantine/isolation rules where you are?

Here in Austin, Texas, we’re like most folks abroad, under a stay at home ordinance/ practicing social distancing, etc. By law, no gathering of more than a few people, six feet apart, etc. All bars/restaurants are closed. Only supposed to be out and about for necessities.

How have you seen the virus affecting the community around you and in music?

This virus has effectively shut down everything that I’m a part of personally.

As a musician, teacher thereof and technician, (tuning drums, etc.) I’ve lost a sizable chunk of money with canceled gigs both performance-wise and tech work (tuning backline drums, etc.). I’ve also had to finally (after 10 years) give up a lock-out rehearsal studio that I shared with The Well and another local band called The Reeks. Nobody’s able to work, much less pay rent for something we can’t currently access. Fuckin’ major bummer. With SXSW being cancelled, all of those shows alongside all other regular local gigs, and everything in the foreseeable future, the entire music community has been shut down.

For Tia Carrera specifically, we have had several shows cancelled, unfortunately all of which were high-profile with touring bands. Shit can’t be helped though, we understand.

Our current concern is how this will effect our late-summer plans to tour Europe. A long anticipated adventure likely to be postponed. We’ll see.

The flipside to this crazy virus jive is that there’s been lots if creative energy flowing, not just for the music but most any creative outlet. Regarding the tunes, lots of musicians here and abroad have been live-streaming porch jams, or living room shows, etc. That’s all really cool.

As for us? No. I think we’re all of the mind that we need not be in any enclosed space together for a while.

Personally, I miss playing my drums like I’m going through a rough withdrawal. I live in an apartment and have settled for dusting off the rust on the guitar. Relearning lots of tunes I forgot over the years, but yeah no, I’m a fuckin’ drummer. I miss my realm, my happy place behind my cannons, not to mention peeling the paint and carving lines in the cosmos with Jason [Morales, guitar] and Curt [Christenson, bass].

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’d like any interested folks to know that barring any unforeseen circumstances regarding playin’ live, we still have a record coming out regardless!

Our eighth official release, Tried and True, is slated to come out this summer. Both on bitchin’ vinyl and a CD. The CD version will also feature the two tracks from our last record release stateside, Early Purple/Visitors.

I’m biased, so whatever, yet I’ve gotta say these five new tracks are our best public offering to date. As per the past three releases, we recorded at Jason’s home studio with him as our engineer and technical wizard — shit sounds incredible! We managed to capture some really good stuff. As usual, all live and improvised, all of us together in the same room. We nailed a couple of groovy new riffs alongside one of our oldest jams from the beginning (the title-track), plus two really ethereal “no-planners.” We’re just really stoked on it and can’t wait for everyone to hear it.

Folks can pre-order the vinyl now off of the Small Stone site. Also the first track, “The Layback,” is available for folks to peep if they wanna a listen.

Fingers crossed everyone stays healthy and positive. We still hope to tour both stateside and abroad. We have a tour booked for Europe come September, at this point though we’ll just have to wait and see how it goes with the health of the world. Regardless though, the music lives! And will be coming out as scheduled!

Until we can all get together and rage, I’ve been telling all of my tribe that line in “Radar Love” from Golden Earring. “Gotta be cool now gotta take care”…. Duty now for the future so we can all keep on livin’ and doing what we love with the people we love.

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Lord Buffalo Post “Dog Head” Official Live Video; Tohu Wa Bohu Out This Week

Posted in Bootleg Theater on March 24th, 2020 by JJ Koczan

lord buffalo

I’ve had occasion more than once now to say I dig Lord Buffalo‘s second album, Tohu Wa Bohu, which is released this week through Blues Funeral Recordings, and hey, here’s one more before the thing actually comes out. It’s fitting the Austin, Texas, four-piece’s dug-in heavy Americana ethic that the video they’d make and put out closest to the record’s arrival is live, and that it’s performed somewhat differently from what’s actually on said record, and that it’s for a deep cut, down on side B rather than something frontloaded onto side A like some outfits do. It is, then, an invitation to dig further.

In the live version of “Dog Head,” some more of the All Them Witches vocal influence comes through, but that violin is sweet and sad and it seems to carry its own melody for the voice to play soulfully off of in full-on earlier-Woven Hand fashion, all the while a swell of tone and rhythm builds up around it and seems to consume the entire thing by the time it’s done. There’s no piano, as there is in the studio incarnation of “Dog Head,” and there’s a part of me that misses that crash of the keys here, but you can only be in so many places playing so many instruments at one time, and Lord Buffalo have clearly positioned themselves well. It works, is all I’m saying.

And guess what? I dig the album. It’s out Friday.

Enjoy the video:

Lord Buffalo, “Dog Head” official video

Live version of “Dog Head” by Lord Buffalo. Performed at Breathing Rhythm Studio, August 3rd, 2019. Recorded and mixed by Steve Boaz. Filmed and edited by Brian Blackwood.

Studio version of Dog Head appears on the album “Tohu Wa Bohu” Available March 27th, 2020 from Blues Funeral Recordings.

Austin, TX dark rock / post-Americana band Lord Buffalo will release its new LP, ‘Tohu Wa Bohu’, on March 27 via Blues Funeral Recordings. Recorded in Lockhart, TX with producer Danny Reisch (Chelsea Wolfe, Okkervil River) and mastered by Dave Shirk (Mastodon, Sun Ra), the album is the follow-up to the folk-psych group’s 2017 self-titled full length.

“Dog Head” is a song from our new LP, ‘Tohu Wa Bohu’, and while the album version begins as a dark, downtempo piano creeper, we’d been doing the song live with an extended intro of bowed guitar and violin,” says vocalist / guitarist Daniel Jesse Pruitt. “Lord Buffalo songs often come out a little different every night, and we wanted to capture a little of that with this live-in-studio version of ‘Dog Head’. ‘Dog Head’ begins with a drone of bowed guitar and violin and the holds to the low road until the switch gets flipped and fuzzed-out guitar breaks in to end the piece with an exclamation point. The end gets chaotic, the song comes off the tracks a bit, but the heaviness feels redemptive, a release from the previous dirge.”

Lord Buffalo are:
G.J. Hellman
P.J. Patterson
Yamal Said
D.J. Pruitt

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Desert Records Announces Legends of the Desert Splits; Lord Buffalo & Palehorse/Palerider Due Jun 12

Posted in Whathaveyou on February 25th, 2020 by JJ Koczan

Albuquerque-based imprint Desert Records would seem to be working on the Ripple Music model in terms of embarking on a new series of splits, which it has opted to call Legends of the Desert, and you might note that the first installment of the series — which isn’t to be confused with that of the same name run by H42 Records to coincide with Desertfest London and Berlin — comes with a definitive end date in mind as well. Given production schedules and the fact that this isn’t all Desert Records is planning to put out in that time, seven vinyl releases of any sort over two years is an ambitious undertaking, as I think PostWax could probably confirm if Ripple can’t, but they’ve got their modus in the right place with the first pairing, which brings together Austin’s Lord Buffalo and Denver’s Palehorse/Palerider and is due out June 12.

You ever have one of those bands you avoided listening to because you knew you’d dig it and you kind of felt like maybe you didn’t have the energy to spare for the emotional commitment of actually undertaken a considered listen of their work? That’s me and Palehorse/Palerider. I knew I’d be into it, but I hadn’t actually listened to them for the first time until putting this post together. And you know what? I dig it. Not a surprise.

Desert Records sent the announcement down the PR wire. For what it’s worth, I heart-emoji Sister Bar, should you happen to be in the neighborhood:

lord buffalo

palehorse palerider

“Legends of the Desert” new album series by Desert Records

Desert Records is excited to announce a new compilation series called “Legends of the Desert”. The series kicks off on June 12th with the release featuring the split with Lord Buffalo (Austin, TX) and Palehorse/Palerider (Denver, CO).
Spanning seven albums total over the course of two years, the series will include legendary Desert Rock bands (to be announced) mixed in with new and upcoming bands.

“Legends of the Desert” meaning is a double entendre, with the most obvious referring to the legendary Desert Rock bands that will be featured throughout the series. The second meaning is “musical tales or legends of the desert”, reflected in the songs from all the bands.

The artist for the series will Joshua Mathus (Phoenix, AZ) , the creator of the comic Sherbet Lock and stunning album covers for bands over the years.

The albums will be released on limited edition 12″ Vinyl LP, deluxe CD, and on all digital platforms worldwide via Desert Records.

Each album release will be accompanied by the “Legends of the Desert release shows in each of the band’s cities.

Lord Buffalo / Palehorse/Palerider “Legends of the Desert” upcoming shows
June 26th – Albuquerque, NM – Sister Bar
June 27th – Denver, CO – High Dive

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Lord Buffalo, Tohu Wa Bohu (2020)

Palehorse/Palerider, Fire Gone Out/Haxan (2019)

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Lord Buffalo Set March 13 Release for Tohu Wa Bohu; Tour Dates Announced

Posted in Whathaveyou on February 24th, 2020 by JJ Koczan

lord buffalo

This is a record I dig, and while I’m fairly certain the news of the March 13 release date isn’t new, I realized that the last time I posted about Lord Buffalo was in December, when they signed to Blues Funeral Recordings and premiered the title-track of their impending second album, Tohu Wa Bohu. Clerical error. Not my first.

So yes, March 13. The band will tour to support it — pretty sure that news is newer, if it helps — and they have a second single streaming through a YouTube channel that isn’t the one that caused the kerfuffle last week but you’ll pardon me anyhow if I’m more gunshy than usual on posting from such sources. If you want to search it out, the song is “Halle Berry” and it’s my favorite on the record for more than just the title. I assume it’ll be on Bandcamp eventually, so I’ve included the album’s embed below to be ready for when it might show up there. See? I can be ahead of the game even as I’m behind it.

As Ronnie James Dio once said, “magic.”

To the PR wire:

Lord Buffalo Tohu Wa Bohu

Austin’s LORD BUFFALO Embrace Dark Folk and Psychedelic Americana on TOHU WA BOHU

Atmospheric quartet capture western skies and unsettling prairie on Blues Funeral Recordings debut

America’s vast ocean of rolling prairie, brutal in its rhythmic repetition and sameness, can be unsettling to take in. The plains force a communion with the open sky, the endless landscape turning the eyes inward.

LORD BUFFALO’s second LP is just that: the outward gaze forced inward, where the unknowable treads the blurred borders between land, sky and mind.

On March 13, Blues Funeral Recordings will release Tohu Wa Bohu, the new album from Austin’s Lord Buffalo, a band whose dark folk and Gothic Americana sees them chasing the same storm-threatening horizon sky as All Them Witches, Woven Hand, Nick Cave and Dead Meadow.

With their spacious soft/loud dynamics and violin drone, Lord Buffalo is often the loudest band on folk night and the softest on a metal bill, never failing to hold their own and make the dichotomy feel effortless.

An unsettling ride through open plains and melancholic Midwestern imagery, Tohu Wa Bohu is thick with captivating intensity and brooding heaviness of the soul. With its haunted themes and spacious soundscapes, the record plays across genres, taking cues equally from Morricone and Badalementi as well as Sabbath and Swans.

Tohu Wa Bohu will be released on digital, CD and LP from Blues Funeral Recordings on March 13th.

LORD BUFFALO is on tour in March and will perform at this year’s Psycho Las Vegas festival (August 2020).

Live Dates:
Fri 3/6/20 Austin, TX— The Lost Well
Wed 3/11/20 El Paso, TX — Rockhouse
Thu 3/12/20 Bisbee, AZ — The Quarry Bisbee
Fri 3/13/20 Tempe, AZ — Yucca taproom
Sat 3/14/20 Los Angeles, CA — 5 Star Bar
Sun 3/15/20 Spring Valley, Ca — Bancroft
Tue 3/17/20 Salt Lake City, UT — Loading Dock
Wed 3/18/20 Denver, CO — Cervantes
Thu 3/19/20 Albuquerque, NM — Sister Bar
Sat 3/21/20 Arlington, TX — Division Brewing
Thu 4/30/20 Austin, TV — Waterloo Records (in-store performance)
August 2020 Las Vegas, NV — Psycho Las Vegas Festival

LORD BUFFALO:
Daniel Pruitt – Vocals, Guitar
Garrett Hellman – Guitar, Organs
Patrick Patterson – Violin
Yamal Said – Percussion

https://www.facebook.com/lord.buffalo.band/
http://instagram.com/lordbuffalo
https://lord-buffalo.bandcamp.com/
http://www.lordbuffalo.com/
https://www.facebook.com/bluesfuneral/
http://bluesfuneral.com/

Lord Buffalo, Tohu Wa Bohu (2020)

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Destroyer of Light to Release Generational Warfare EP March 27

Posted in Whathaveyou on February 20th, 2020 by JJ Koczan

destroyer of light

Austin doomers Destroyer of Light have never been shy about getting a little weird to one degree or another, so to find them taking on a track from The Cure isn’t necessarily out of character by any means. Still, they certainly change the context of the song and give it a sense of heft to go with its sinister lyrics. I’m not going to lay claim to ever being a fan of The Cure — no doubt I’m a loss that continues to burn in Robert Smith‘s belly to this day — but I get the appeal, and Destroyer of Light‘s take on “Lullaby” is a fair interpretation of the darkness one can find in their otherwise harmless-seeming melodies.

While we’re talking about Destroyer of Light not being shy, it’s worth noting that the EP on which “Lullaby” appears, Generational Warfare, is being released on March 27 through Heavy Friends in an edition of 100 copies to coincide with an April tour that will bring the four-piece to the Eastern Seaboard supporting not only the new two-songer, but 2019’s excellent Mors Aeterna (review here) as well. They’ll do shows in the South with Order of the Owl and hit Grim Reefer Fest in Baltimore on the stretch, and no doubt run out of 7″s long before the shows are done.

Announcement came down the PR wire. Preorders are on Bandcamp:

destroyer of light generational warfare

DESTROYER OF LIGHT: New EP and April Tour Announced

Generational Warfare EP is released 27th March on Heavy Friends Records

The EP will be released on ultra-limited edition 7” vinyl (only 100 copies available) and can be pre-ordered HERE: https://destroyeroflight.bandcamp.com/album/generational-warfare

Formed in 2012 in Austin, Texas, harbingers of doom Destroyer of Light are no idlers. Within a year of forming the heavy-as-hell/louder-than-war quartet released their self-titled EP and in doing so kick started what would become an ongoing DIY endeavour; driven by huge riffs, hallowed tales and endless road journeys.

This March the band return with a brand-new two-track EP entitled Generational Warfare, which is ferried deep into the breach by a commanding cover of one of The Cure’s most celebrated songs, ‘Lullaby’:

“For years, I’ve wanted to cover a The Cure song,” explains guitarist/vocalist, Steve Colca. “Not only am I huge fan, but I always thought that they had some songs that could easily be constructed into a doom song. I think a lot of people don’t realize how heavy the Cure’s music is, especially if you’ve seen or heard them live. We all agreed that ‘Lullaby’ was the perfect choice. The lyrics are super dark and when we started working on it, it just fell into place.”

Complemented by ‘These Walls…’ a song written and recorded during sessions for last year’s impressive Mors Aeterna album on Argonauta Records, Destroyer of Light’s Generational Warfare EP is released on 27th March 2020 on Heavy Friends Records. The band also embark on a month-long tour this April and will play a number of dates alongside Atlanta riff-men, Order of the Owl. (For the full list of dates see below.)

APRIL TOUR DATES:
3/4 – Rudyard’s – Houston, TX
4/4 – Freetown Boom Boom Room – Lafayette, LA
5/4 – TBA – New Orleans, LA
7/4 – Blue Note* – Tampa, FL
8/4 – Las Rosas* – Miami, FL
9/4 – Will’s Pub* – Orlando, FL
10/4 – The Jinx* – Savannah, GA
11/4 – The Atlantic* – Gainesville, FL
12/4 – Archtype* – Jacksonville, FL
14/4 – 529* – Atlanta, GA
15/4 – The Odditorium – Asheville, NC
16/4 – Slim’s – Raleigh, NC
17/4 – Wonderland – Richmond, VA
18/4 – Ritual Bar & Venue (GRIM REEFER FEST) – Baltimore, MD
19/4 – Gold Sounds – New York, NY
20/4 – O’Briens – Boston, MA
21/4 – Dusk – Providence, RI
22/4 – Tubby’s – Kingsland, NY
23/4 – Mohawk Place – Buffalo, NY
24/4 – Gooski’s – Pittsburgh, PA
25/4 – Black Circle Brewery – Indianapolis, IN
26/4 – Mag Bar – Louisville, KY
27/4 – Riot Room – Kansas City, MO
28/4 – Whittier Bar – Tulsa, OK
*w. Order of the Owl

DESTROYER OF LIGHT:
Steve Colca – Guitar/Vocals
Nick Coffman– Bass
Keegan Kjeldsen – Guitar
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://destroyeroflight.bandcamp.com/
https://www.facebook.com/heavyfriendsbooking/
https://www.instagram.com/heavyfriendsrecords/
https://heavyfriendsrecords.bigcartel.com/

Destroyer of Light, Generational Warfare EP (2020)

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