At the end of last year, when I made my Top Five Records I Didn’t Hear in 2011 list, I said that hopefully I’d run into Pittsburgh trad doom merchants Argus at a show and be able to buy their second full-length, Boldly Stride the Doomed, from them directly. That very thing happened at Days of the Doomed II in Wisconsin, and I suddenly felt like a weight was lifted from my shoulders. Until I actually put the record on. Then the weight — the formidable tonnage of Argus‘ hyper-refined doomly classicism — was right back where it started and then some.
Every time I hit the short bass solo from Andy Ramage in “Wolves of Dusk,” I get a chill up my spine, and Boldly Stride the Doomed is filled with those little moments, flourishes here and there that stand out from the already strong performances. John Mucio and Erik Johnson‘s guitars are full of them, and Butch Balich proves on “The Ladder” alone why he’s one of the most underrated vocalists in doom, American or otherwise. The former Penance singer is a focal point throughout the 10 tracks, and rightly so, but the band behind him (and as regards the mix, the vocals are very much at the fore) more than stands up, whether its the guitar solos (who’s playing what is in the liner notes) or drummer Kevin Latchaw‘s footwork driving the rhythm of “Fading Silver Light.”
Piano adds grandeur to “42-7-29″ and the recent podcast inclusion “Pieces of Your Smile,” at well over 11 minutes, is epic metal without the pomposity. Trouble and Candlemass influences persist, but Argus is very quickly becoming their own band sonically, and it’s not just Balich, who proved his mettle long ago. It’s the whole band, working as a band, that makes Boldly Stride the Doomed land with such heavy feet. As madly catchy as cuts like “Devils, Devils” were from the first record, I wouldn’t trade “A Curse on the World” or “Durendal” for anything.
So yeah, lesson learned. Don’t let another Argus album slip when it comes down the line for review. Hopefully I get the chance to put that wisdom to good use before too long. Until then, if you haven’t heard the album yet, here’s “Durendal,” just because it happens to be the song I have on at the moment: