Arcadian Child Post “The March” Video

Posted in Bootleg Theater on February 27th, 2019 by JJ Koczan

arcadian child

Burgess Meredith, an actor known for his work in everything from the 1960s Batman show and The Twilight Zone to Rocky, only apparently ever directed one feature film on his own and it was the 1978 B-movie The Yin and Yang of Mr. Go. Needless to say, I’ve never seen it — and you probably haven’t either — but some footage from it appears in the new Arcadian Child video for “The March” from their late-2018 offering, Superfonica (review here), and at very least it does well there in helping set a mood. And mood is pretty crucial when it comes the Cyprus-based heavy psych rockers and their second full-length on Ripple-offshoot Rogue Wave Records, as the band conjures an overarching fluidity in their approach that draws songs together even as those like “The March” itself stand out with languid and engaging hooks.

Most records, I’m sad to say, get shelved once I review them, either figuratively or literally. I don’t listen to them again. No time. Tomorrow is another review (or two) and there’s just too much to go back, even to albums I dig. Superfonica came out on Nov. 23, at a time when most reviewer-types are either looking back on the year that was or looking ahead to the year that will be. Even so, Arcadian Child‘s work has continued to stand out, and I’ve got back to it more than a few times over the last couple months, even despite the ever-present onslaught of other offerings to be considered. It’s become one of those albums I reach for, and the wash that the band craft across its span makes it certainly welcome whenever I get the chance to put it on again. Which, incidentally now, and sure enough, the record’s holding up.

Enjoy “The March” below, then feel free to hit play on the Bandcamp embed at the bottom of the post with the whole record on it, because really, even if you know the record, I don’t think you’re going to regret spending the time.

Here’s to Burgess Meredith:

Arcadian Child, “The March” official video

From sophomore album “Superfonica,, Get it: https://arcadianchildband.bandcamp.com/
Out via Ripple Music and Rogue Wave Records

Produced by Andreas Trachonitis and Arcadian Child
Recorded and Mixed by Andreas Trachonitis
at studio eleven63 in Nicosia
Additional recordings by Mikaela Tsangari
Mastered by Yiannis Christodoulatos at sweetspot productions in Athens

Video edited by Iam Nothe
https://www.facebook.com/IamNotheMMXI/
Features scenes from “The Yin and the Yang of Mr. Go”, a film by Burgess Meredith (1978), “Messiah of Evil”, a film by Willard Huyck and Gloria Katz (1973) and various educational films.

Music by Arcadian Child
Lyrics by Panagiotis I.G

Arcadian Child, Superfonica (2018)

Arcadian Child on Thee Facebooks

Arcadian Child on Bandcamp

Arcadian Child on Spotify

Rogue Wave Records on Thee Facebooks

Rogue Wave Records BigCartel store

Ripple Music website

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Review & Track Premiere: Arcadian Child, Superfonica

Posted in audiObelisk, Reviews on November 16th, 2018 by JJ Koczan

arcadian child superfonica

[Click play above to stream the official premiere of ‘Bain Marie’ from Arcadian Child’s Superfonica. Album is out Nov. 23 on Rogue Wave/Ripple Music.]

The sense of drift is so graceful and the flow of the material is so natural that, in listening to Arcadian Child‘s Superfonica, I actually went and looked up the climate of Cyprus. Eight months of temperate summer on an island in the Eastern Mediterranean could hardly be a more fitting backdrop for the eight-track/38-minute offering — the band’s first new release for Rogue Wave Records/Ripple Music following a reissue of their 2017 debut, Afterglow (review here), earlier this year — which hones a peaceful spirit in songs like “Brothers” and the opening fuzz of “Bain Marie” while still retaining tonal presence and a sense of energy in the delivery. Leaving behind some of the Queens of the Stone Agery of their initial outing, the first-name-basis four-piece of Panagiotis, Andreas, Stathis and Christos find themselves nestled comfortably into a balance between spacey grunge rock and psychedelic impulses.

“She Flows” comes alive with a warm-toned push in its back half, but that’s not to say there’s stillness earlier in the song, or necessarily anywhere else on Superfonica that it’s not intended to be, as the Limassol-based outfit inject life even into their most minimalist spaces, as in the wide-open effects reaches of the penultimate “Before We Die” or the subdued, patient unfolding of closer “The March,” that follows, or even the midsection of the otherwise bouncing “Constellations” — arguably the most active piece on the record — which finds soft vocals half-whispering over like-minded guitar for a stretch that soon picks up again with a cue from the snare drum. The band cites The Black Angels as an influence and I’m not inclined to argue, as they seem to skirt the line between Dead Meadow-style shoegaze and ’90s alternative shove. Yet there’s a heavy rock root in their approach as well, and in a hidden treasure like “She Flows” on side B, which follows the 6:44 “Painting” (premiered here), they’re able to enact a heavier roll as they hold consistent with the mood of the album overall.

This is thanks in no small part to the vocals, which bring a steady humanity to what might otherwise be perceived as an otherworldly listen, but if one is mining Superfonica for highlights, it’s a relatively quick operation. The first three seconds of “Bain Marie” — and I suspect that’s how it got to open the record — tell the tale of one of the record’s greatest assets, and that’s the fuzz tone of the guitars. Arcadian Child prove adept at complementing the warm, inviting fuzz with airier, post-rock-style effects, and the vocals suit that well too, but while they don’t use riffs as an okay-we-have-a-riff-so-that’s-a-track-done kind of crutch in their songwriting, when they lock in around one, as on “Bain Marie” or the subsequent, relatively uptempo and hooky “Twist Your Spirit,” the bulk of “Constellations” or “She Flows,” the results are nothing but enticing. Again, though, that’s just one aspect of Arcadian Child‘s style, and the post-midpoint guitar meander of “Brothers” would have Gary Arce himself blushing, while the crash cymbal in “The March” is as much a highlight in its creation of a wash as anything done elsewhere by bass or guitar.

arcadian child

It’s a rare level of attention to sonic detail that makes Superfonica so ultimately effective. Their craft itself — the raw songwriting — is there as a foundation. And it’s absolutely necessary, since without it the more rocking side A salvo of “Bain Marie,” “Twist Your Spirit” and “Brothers” would fall flat en route to the expansion that takes place in “Constellations” as a preface to the more patient psychedelia that “Painting” unfurls at the outset of side B with “She Flows” as a quick touch to ground ahead of the stratospheric departure that is the capper duo “Before We Die” and “The March.” But the production, the arrangement of the tracklisting, and the vibe within the individual cuts themselves all work to feed into the central presentation of Superfonica as a cohesive entirety. It’s not just about this or that track, this or that chorus, this or that jam — but instead what these things can do in conversation with each other.

And I won’t take away either from what “Bain Marie” or “Brothers” or even “She Flows” does in terms of establishing a subtle underlying momentum to carry the audience through the material as a whole, but “Painting” and “The March” make a distinct impression as accomplishments of another degree. The former is the longest inclusion and an immediate high point in terms of its serene, oceanic motion to its apex, and it’s hypnotic enough to warrant multiple visits, but still finds itself on solid footing by its end, while “The March” is indeed something of a percussive showcase and in that it creates a tension that’s something of a standout from the rest of Superfonica, showing a restlessness that comes to a fervent head before it’s done and seems to speak to further exploration to follow on the part of the band as a whole. More power to it in that — forward potential is always welcome — but neither is the impact of “The March” on the record that precedes it to be overlooked. Like “Bain Marie” at the launch, it feels purposefully positioned as the finale, and it works no less efficiently to resonate the band’s intention for it.

Outwardly gorgeous, strident in its construction and with enough cast of adventure in sound that it not only takes a significant step from their debut but leads one to believe further such steps are to come on this path, Superfonica is the kind of record that speaks to the soul. It’s not a get-up-and-party, booze-your-face whatever record. It’s a good time, to be sure, but its motion is more wistful and quieter than it is brash, however active some parts might be, and the prevailing engagement is owed to Arcadian Child‘s ability to affect the mindset of their audience and so righteously convey the calmness that in no small part defines this material. Its details are there for those who want to hear them or are willing to go deeper, but even if you just put it on and find yourself following its easy, eight-month-summer fluidity, I don’t think you miss out. Not hearing it would be missing out.

Arcadian Child on Thee Facebooks

Arcadian Child on Bandcamp

Arcadian Child on Spotify

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Arcadian Child Set Nov. 23 Release for Superfonica

Posted in Whathaveyou on October 26th, 2018 by JJ Koczan

arcadian child

You might recall Cypriot psychedelic rockers Arcadian Child premiered ‘Painting’ in a visualizer here over the summer. Details at the time were pretty scarce for the follow-up to 2017’s Afterglow (review here), but a Nov. 23 release date has been set through Ripple Music offshoot Rougue Wave Records, and preorders are up now. I’m not saying I’ve heard it and it’s awesome or anything, but I’ve heard it and it’s awesome, so okay, yes, that is what I’m saying. You win this round.

Since I’d really like to drive that point home — the part about “awesome,” not about the part where you win, though you have my congratulations — “Painting” and the video for “She Flows” are both at the bottom of this post. The PR wire sent the artwork and track details for Superfonica accordingly:

arcadian child superfonica

Arcadian Child to Release New LP, ‘Superfonica’, November 23

Fast-Rising Neo-Psych Group Blends and Bends Genres to Create Singular Sound of its Own; New Songs “Painting” and “She Flows” Premiere

Greek neo-psych band Arcadian Child will release its new LP, Superfonica, on November 23 via Ripple Music / Rogue Wave Records. Hailing from Limassol, Cyprus, Arcadian Child formed in 2013 and soon made a name for itself via a cool and coherent sound that combines hypnotic psychedelia, stoner rock riffage, and indie rock groove. Potent and intoxicating, Arcadian Child delivers guitar-orientated psych rock blended with ambient elements, hallucinogenic patterns and kaleidoscopic, headphone-friendly swirl.

To advance the release of Superfonica, Arcadian Child has released the new singles, “Painting” and “She Flows”. “Painting” is released via a cool visualizer video and “She Flows” makes its debut via music video. Arcadian Child’s unapologetic references to music of earlier eras infused forge a transcendent maze of heady resonance and drones.

Superfonica is the follow-up to Arcadian Child’s celebrated 2017 debut, Afterglow, a record that immediately established the unit as a buzzworthy band to watch.

Arcadian Child’s beautiful songs lure you slowly and smoothly into a sort of soothing numbness; the group’s use of 60s/70s pop style progressive theatrics call up a web of guitars, keyboards, and drums that thunder and ooze at the same time, and the melodies walk steadily more than they lurch. Arcadian Child are masters at sounding simultaneously cool as a block of ice and hot as hellfire, but the unshakeable pop melodies are the real key to this album’s success.

Track listing:

1.) Bain Marie
2.) Twist Your Spirit
3.) Brothers
4.) Constellations
5.) Painting
6.) She Flows
7.) Before We Die
8.) The March

Pre-order Superfonica at this location.

https://www.facebook.com/arcadianchildband/
https://arcadianchildband.bandcamp.com/
https://www.facebook.com/Roguewaverecords/
http://roguewaverecords.bigcartel.com/

Arcadian Child, “Painting” official video

Arcadian Child, “She Flows” official video

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Arcadian Child Premiere “Painting” in New Video; Superfonica Coming Soon

Posted in Bootleg Theater on July 23rd, 2018 by JJ Koczan

arcadian child

True to form in classic psychedelia, the new Arcadian Child single doesn’t shy away from its poppier elements. “Painting,” which is the lead track from the band’s upcoming album, Superfonica, is the first taste of that follow-up to 2017’s debut, Afterglow (review here), which was picked up for release earlier this year by Ripple Music offshoot Rogue Wave Records, an imprint focused on exploring outside-the-box vibes in psych, classic heavy rock, and beyond. Arcadian Child fit that bill easily. Especially the part about “beyond.”

“Painting,” which is evocative unto its title — painting of what? painting with sound? a specific painting? etc. — begins with a peaceful stretch of guitar before introducing its arcadian child superfonicagentle and straightforward drum progression. There’s a tonal presence and resonance from the outset that builds along the song’s near-seven-minutes, and when the vocals arrive circa 1:50, the trance effect of the intro comes into focus smoothly with a shift into more weighted fare as the chorus takes hold. Melodically sound as was the debut, “Painting” nonetheless demonstrates growth in its patient rollout and its meld of accessibility with atmosphere. An airy guitar lead takes hold backed by subtle swirling noise prior to the next verse, passing the four-minute mark with headphone-ready volume swells in the background, a serene version of space rock unfolding not so different from what Quest for Fire might bring to bear, if a little less folk-infused in its rhythm.

It is a graceful execution that wraps with a last-minute push continuing to hold firm to the established vibe: nothing overdone, but nothing too perfect to pass the uncanny valley of believability. The accompanying visuals in the clip below are colorful enough to be appropriate, and only bolster the song’s soothing affect. I don’t know the exact release date for Superfonica as yet, but it’ll be worth keeping an eye out as we get closer, and news should be coming down the PR wire any minute. In the meantime, there’s some preliminary info about the impending record under the video below.

As always, I hope you enjoy:

Arcadian Child, “Painting” official video premiere

Psyched, potent and and intoxicating, Arcadian Child deliver resonating psychedelia blended with ambience, hallucinogenic patterns and cathartic eruptions. With sounds rivaling the squealing sirens of the Mediterranean up to the dark bellows of the West, Arcadian Child convey their psychedelic ritual in their jam-filled live shows where they spread their hypnotic vibrations. Their critically acclaimed debut, “Afterglow” came to light on the 29th of October, 2017 and received raving support from the growing neopsych audience.

“Painting” becomes the first release to see the light from Arcadian Child’s sophomore studio set “Superfonica” and represents a spiritual portraiture of human interaction and conflict. Arcadian Child’s unapologetic references to music of earlier eras infused in “Painting” forge a transcendent maze of heady resonance and drones.

Produced by Andreas Trachonitis and Arcadian Child
Recorded and Mixed by Andreas Trachonitis at studio eleven63 in Nicosia
Additional recordings by Mikaela Tsangari
Mastered by Yiannis Christodoulatos at sweetspot productions in Athens

Music by Arcadian Child
Lyrics by Panagiotis I.G
Additional vocals by Mikaela Tsangari

Album art by Iam Nothe. Video by Iam Nothe: https://www.facebook.com/IamNotheMMXI/

Arcadian Child on Thee Facebooks

Arcadian Child on Bandcamp

Arcadian Child on Spotify

Ripple Music website

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