Floor Interview with Anthony Vialon: Gathered in the Glare

Posted in Features on April 24th, 2014 by JJ Koczan

A little over four years ago, when Miami’s Floor reunited for a couple shows to coincide with the release of the 8CD box set, Below and Beyond, on Robotic Empire, I was fortunate enough to interview guitarist Anthony Vialon about the band’s getting back together for what seemed then to be a very limited run. Now, as they prepare to release their new album, Oblation (review here), next week on Season of Mist and embark a day later on a cross-country tour that will place them squarely on the other side of the line between a “reunion band” and a working one, it seemed only fitting to follow-up with Vialon about Floor‘s progress these last several years and how they got to where they are.

Because when they first booked three gigs back in 2010 in Florida and Georgia, the going impression — I think on the part of the band as much as fans — was that was it. Then the response they got was huge enough that it turned into a few more shows, and a tour, and then some more shows, and it kept rolling on until next thing you knew, they had been picked up by Season of Mist and streaming new material. It’s been a few years getting to this point, but for Floor — the trio of Vialon, guitarist/vocalist Steve Brooks (also of Torche) and drummer Henry Wilson (also of House of Lightning) — the progression seems to have been natural, one step taken at a time, building momentum as they might otherwise with a series of crushing bomb-string riffs.

Certainly that seems to be the method on Oblation. Set in the shadow of Floor‘s by-now-legend 2002 self-titled, what could’ve easily been a project doomed from the start — and not in the good way — has turned out to mark not only a successful return on the part of the band, but a creative evolution that gives a sense of where they left off and where they are now. Songs penned and constructed by Vialon, Wilson and Brooks like “Rocinante” and “War Party” call to mind the unabashed pop hooks of Floor‘s first run, while the eight-minute “Sign of Aeth” takes these elements to places they haven’t yet gone, so that Oblation isn’t nostalgic, but looking forward.

Doubtless a good part of Floor‘s legacy will remain linked to the self-titled, but in talking to Vialon yesterday, that only seemed like something for the trio to be proud of. Oblation releases in the EU and elsewhere tomorrow, April 25, and is out in North America next Tuesday, April 29. Floor begin their tour April 30 in Miami and will finish in Atlanta on June 1 (dates here). In the interview, Vialon discusses writing for the band again, the response the reunion has gotten these last few years, his affinity for Rush, and much more.

Enjoy the Q&A after the jump, and thanks for reading.

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