Death Alley, Superbia: How Hungry the Lions

Posted in Reviews on March 19th, 2018 by JJ Koczan

death alley superbia

Space punk, proto-metal, heavy progressive glam and enough hooks to get you from here to Alpha Centauri — it can only be the return of Amsterdam’s Death Alley, whose 2015 Tee Pee Records debut LP, Black Magick Boogieland (review here), was a lesson in the fine art of making “heavy” sound like a party you really want to go to. The four-piece toured consistently enough after the release that they wound up trading out their rhythm section — Sander Bus for Dennis Duijnhouwer on bass and the seems-to-be-everywhere-these-days Uno Bruniusson (also Black Salvation and Procession, ex-In Solitude) for Ming Boyer — a move that left vocalist Douwe Truijens and guitarist Oeds Beydals as the remaining founders. It is no small feat for a band to trade out half its lineup from one record to the next, but, now signed to Century Media, Death Alley‘s second collection, Superbia, shows they’ve done nothing but move forward as a result of the work they’ve put in the last three years.

With the creative percussiveness of Bruniusson propelling a telltale hook like “Feeding the Lions” and Bus adding low-end complement, Beydals and Truijens both absolutely shine in a number of contexts. Whether it’s the shimmer brought to the guitar in “Headlights in the Dark” or the rawer-but-still-melodic command of Truijens‘ vocals in the three-minute “Murder Your Dreams” (video premiere here), the pair find themselves in the forward position throughout the Pieter Kloos-helmed eight-track/50-minute effort, which is as powerful in its hooks as one could possibly hope on cuts like “The Chain,” “Feeding the Lions” and the aforementioned “Headlights in the Dark,” while retaining some experimentalist edge in the progressive melodies of the penultimate “Pilgrim” and a purposeful sense of exploration in extended opener “Daemon” (9:10) and closer “The Sewage” (11:37).

It’s nearly impossible to guess how much of any sonic shift has been brought on through personnel change as opposed to naturalist or purposeful growth of Death Alley‘s songwriting, but it’s palpable when one sits Superbia alongside anything prior in Death Alley‘s catalog, whether it’s last year’s Live at Roadburn (review here), which by its very nature would be more about capturing a raw performance, or Black Magick Boogieland, or their initial 2014 single, Over Under b/w Dead Man’s Bones (review here). Strength in songwriting remains firm and makes highlights of “Headlights in the Dark,” “Shake the Coil,” nine-minute opener “Daemon” and others, and the sense of energy that’s driven them since their beginning hasn’t diminished in the slightest, as “The Chain,” “Feeding the Lions” and “Murder Your Dreams” demonstrate plainly, but even on the latter track, which is as hard-edged as Death Alley get on Superbia, one can hear their focus has changed from raw impact to more deeper melodic arrangements and a deeper sense of atmosphere on the whole, as manifest in the lush chorus of “Pilgrim” and the all-consuming summary of “The Sewage” at the finale of the record — which finds Truijens singing about “psychic sewage”; about as clever a euphemism as I’ve heard for “shit for brains.”

death alley photo lupus lindemann

The central question is does it work, and the central answer is yes, but it means Death Alley are more complex in their intentions than even those who dug deep into Black Magick Boogieland‘s spacious closer, “Supernatural Predator,” might have suspected, because the purposeful sense they give from “Daemon” is that they’re not just picking up where they left off, but using their past as a launchpad to push even further out. That they get there is what ultimately makes Superbia such a success, never mind the band’s ability to tie together disparate ideas like the jammy build of “Daemon,” the straight-ahead thrust of “The Chain” and the near-gothic strum and keys of “Shake the Coil” — lest one forget that Pieter Kloos also produced fellow Netherlanders Dool, among many others — into one complete, flowing entirety. So not only are Death Alley more complex, but they’re more realized.

Given their time on the road, this isn’t necessarily surprising, but they’re also half a new band. Still, listen to the twisting first 40 seconds of “Pilgrim,” or the weirdo break that starts 5:10 into “Feeding the Lions,” or really every single second of “The Sewage,” which stomps and struts as much as it reaches into the cosmic ether — almost an answer to “Supernatural Predator,” but not quite aiming for the same goal. To wit, the progressive harmonies circa the three-minute mark are something I simply don’t think Death Alley would’ve attempted their last time out, and it’s worth noting that as they shift into the open midsection of the track via Bruniusson‘s crashes, residual noise and foreboding riffing from Beydals and Bus, it’s the guitar that comes to lead the charge through the “21st Century Schizoid Man”-esque chase, and into the jazzy movement that follows (though that’s not to take away from the snare work there, which is fantastic), and as “The Sewage” heads toward and past the eight-minute mark, it’s Beydals‘ solo that really seems to be doing the work of summarizing the album; extended, echoing, coated in effects, poised in a way but still delivered with vitality, it puts the emphasis on just how special a player he’s emerged here as being.

Truijens returns for repeated final lines and the closer more or less works its way toward a fading oblivion. To those who heard Black Magick Boogieland, no doubt Superbia will offer more than a few surprises, and it’s plain to see that was the band’s goal all along. What they’ve managed to do is put themselves on a trajectory of progression that’s both unexpected — not to say one didn’t anticipate evolution in their approach from their first to their second album, but there are a few genuine leaps here in Truijens‘ and Beydals‘ performances and in the depth of their craft overall — and richly satisfying, especially on well-earned repeat listens. If this growth was born of touring and the tumult the band has been through in the last couple years, they’ve emerged from same sounding stronger than ever and on their way to a maturity that one finds it easy to imagine will surprise even the band in terms of its breadth and sonic impact. When Death Alley gets where they’re going, watch your ass. Superbia is another crucial forward step along their way.

Death Alley, “Murder Your Dreams” official video premiere

Superbia preorder portal

Death Alley Tumblr

Death Alley on Thee Facebooks

Death Alley webstore

Death Alley website

Century Media website

Century Media on Thee Facebooks

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Death Alley Premiere “Murder Your Dreams” Video; Superbia Due March 23

Posted in Bootleg Theater on February 13th, 2018 by JJ Koczan

death alley

Amsterdam-based heavy rockers Death Alley will release their second album, Superbia, March 23 as their debut on Century Media. The eight-track outing is rife with a progressive feel even beyond what the band brought to their 2015 Tee Pee Records first long-player, Black Magick Boogieland (review here), and no, I’m not just talking about the King Crimson-style chase scenes tucked into 11-minute closer “The Sewage.” It’s the whole record. Even as the opening push of “Daemon” seems to pick up where “Supernatural Predator” from the preceding full-length left off, it does so bringing together different sides of Death Alley‘s sound — the melody and the danger — the raw earth thrust and the outer space presence.

The four-piece have undergone a few changes death alley superbiasince Black Magick Boogieland, and even since they released Live at Roadburn (review here), vocalist Douwe Truijens and guitarist Oeds Beydals bringing in bassist Sander Bus and drummer Uno Bruniusson as their new rhythm section. No doubt that switch in personnel had a hand in the corresponding sonic shift, as it invariably would, but as the band’s new single and video “Murder Your Dreams” showcases, it’s still very much the art of crafting memorable songs that’s at the heart of what Death Alley does. With that as firmly established as it is in “Murder Your Dreams” and throughout Superbia from whence it comes, Death Alley can pretty much go wherever they like stylistically. And they do.

I’ll have more on the album closer to the release itself, but I’m thrilled today to be able to premiere the video for “Murder Your Dreams,” which you’ll find below, followed by quotes from the band and from director Luuk BouwmanDeath Alley also have tour dates booked throughout the coming months and Superbia is available to preorder at the portal in the links at the bottom of the post. Can’t miss it.

Please enjoy:

Death Alley, “Murder Your Dreams” official video premiere

DEATH ALLEY – Murder Your Dreams (OFFICIAL VIDEO). Taken from the album “Superbia”, out March 23rd, 2018.

Death Alley on “Murder Your Dreams”:

“‘Murder Your Dreams’ shows a side of our musicality that was always there but never revealed itself in our music before. Just when we needed it, The Wipers came knocking and we crushed them to bits. A bittersweet taste of Superbia in its most compact form.”

Director Luuk Bouwman on the video:

“The video is based on chase and falling dreams — which I felt would fit well with the song. I remembered a great scene in the Nightmare on Elm Street series in which the characters are stuck in a loop. So I wanted to create a nightmare-like slapstick in which the protagonist is condemned to keep falling, eternally. I was already joking that it was an autobiographical story and as if it was an ominous prophecy, a day after finishing the video I fell really hard on a bridge because of black ice. I broke my arm, cheekbone and eye socket. So last week I was in surgery to reconstruct my face.”

Death Alley live:
23-03 (DE) Cologne – Jungle (release show)
24-03 (DE) Münster – Alterna Festival
30-03 (NL) Amsterdam – SkateCafe (release show)
31-03 (NL) Schijndel – Paaspop
13-04 (NL) Eindhoven – Stroomhuis
14-04 (NL) Groningen – LOLA
26-04 (NL) Den Haag – Life I Live
28-04 (NL) Rotterdam – V11
04-05 (DE) Berlin – Desertfest
06-05 (UK) London – Desertfest
08-05 (FR) Paris – Gibus*
09-05 (FR) Nantes – Feraullier*
10-05 (ES) San Sebastian – Dabadaba*
11-05 (ES) Barcelona – Upload*
12-05 (FR) Clermont Ferrand – Camille Claudel*
13-05 (CH) Olten – Coq D’Or*
15-05 (DE) Leipzig – NATO*
16-05 (DE) Nürnberg – Stereo*
17-05 (DE) Dortmund – FZW*
18-05 (DE) Lohr am Main – Umsonst und Drinnen Festival*
19-05 (DE) Lichtenfels – Paunchy Cats*
26-05 (NL) Raalte – Dauwpop
02-06 (NL) Nijmegen – Fortarock

Superbia preorder portal

Death Alley Tumblr/

Death Alley on Thee Facebooks

Death Alley webstore/

Death Alley website

Century Media website

Century Media on Thee Facebooks

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Death Alley Sign to Century Media; New Song Posted; On Tour Now

Posted in Whathaveyou on October 16th, 2017 by JJ Koczan

Heartfelt congratulations are in order for Amsterdam’s Death Alley. The four-piece, who issued their Live at Roadburn (review here) live album earlier in 2017 via Suburban Records and Tee Pee Records, have had a tumultuous year, including an unceremonious separation in April with bassist Dennis Duijnhouwer and the subsequent bringing-aboard of Sander Bus as his replacement as well as former In Solitude drummer Uno Bruniusson to join the remaining founding duo of guitarist Oeds Beydals and vocalist Douwe Truijens. The news this time is mind-blowingly good, however, as the band have signed to Century Media for the release of their next album.

Currently on tour with Kadavar, the veterans of Psycho Las Vegas 2016 — who also stopped by Brooklyn to play The Obelisk All-Dayer (video here) — released their debut, Black Magick Boogieland (review here), via Tee Pee in 2015, and aside from reaffirming once more that New York label’s tastemaker stature (let’s not forget the likes of Kadavar and Graveyard and Earthless, let alone High on Fire, are Tee Pee alums), their signing to Century Media represents the next step in an upward, forward trajectory that’s been blasting out ever since. An absolutely scorching live act, Death Alley blend space rock and heavy psych with motor-fueled charge in their studio material, and one can hear shades of both represented in the new track “The Sewage, Pt. 1,” which is streaming now at the bottom of this post.

Am I stoked at the prospect of a new Death Alley record tracked once again by Pieter Kloos (ex-35007, producer for MotorpsychoDoolBeaverMonomyth7Zuma7Celestial SeasonSpoiler, and so, so many others) at his The Void studio in Eindhoven? Well that’s kind of a stupid question. Yes I fucking am. Right onto the list of 2018’s most anticipated albums Death Alley‘s Century Media debut goes, where it will remain until I actually get to hear the thing and proclaim it one of the year’s best records (no pressure; ha). Won’t happen nearly soon enough, as far as I’m concerned.

Announcement from Century Media from the PR wire, Death Alley‘s current remaining tour dates, and of course that song stream follow here. Dig it:

death alley

DEATH ALLEY Sign Worldwide Deal with Century Media Records; Premiere New Song, “The Sewage”

Dutch destroyers DEATH ALLEY already raised attention with their debut album, “Black Magick Boogieland”, in 2015. The band, revolving around former The Devil’s Blood guitarist Oeds Beydals, singer Douwe Truijens, Swedish drummer Uno Bruniusson (ex-In Solitude) and latest addition Sander Bus on bass, mainline an unorthodox cross contamination of psychedelic hard rock and punk, played with excellent precision and power. The spirit of Bad Brains and King Crimson, Hawkwind and Poison Idea, and hints of The Stooges and Black Sabbath-worship form the fundament for DEATH ALLEY’s solid rock and roll presented with metal finesse and a pitch black psychedelic soul cherry on top.

Since their debut release, DEATH ALLEY have relentlessly toured the world. From the smallest underground venues to the bigger stages at festivals like Psycho Las Vegas, Hellfest in France, and multiple Desertfests, the band has been leaving a lasting impact with their energetic performance. Their show at the prestigious Roadburn Festival resulted in a critically acclaimed live album, released earlier this year.

The ink on their new deal with Century Media Records isn’t dry yet and they just left the Moon Studios where they recorded their sophomore album with producer Pieter Kloos (Motorpsycho, The Devil’s Blood, Dool, etc.). Right now, they are hitting the road again with their friends Kadavar with whom they release a very special tour split 7”.

“The Sewage” is also available as a digital single on all streaming and download platforms.

The band comments: “We’ve been sailing the sewage for quite a while now, and time has come to harvest the gold and offer it to you on a silver platter. We can spend much time and effort describing the feeling of the new music, the upcoming record, and the European tour with Kadavar, but that will always be just a faint shadow of showing it: so just come to the shows and blast the new song with volume at 11 – that’ll say more than the dozens of synonyms for ‘stoked’. Let us feast on it.”

DEATH ALLEY live:
KADAVAR / MANTAR / DEATH ALLEY
16.10.2017 Antwerpen (BE), Desert Fest
17.10.2017 Strassbourg (FR), La Laiterie Club
18.10.2017 Paris (FR), Le Trabendo
19.10.2017 Rennes (FR), L’Ubu
20.10.2017 Bordeaux (FR), La Krakatoa
21.10.2017 Madrid (ES), But
22.10.2017 Barcelona (ES), Bikini
24.10.2017 Lyon (FR), Feyzin
25.10.2017 Monthey (CH), Pont Rouge
26.10.2017 Aarau (CH), Kiff
27.10.2017 München (GER), Backstage
28.10.2017 Wien (AT), Flex
29.10.2017 Graz (AT), PPC
30.10.2017 Zagreb (CRO), Mocvara
01.11.2017 Budapest (HU), A38
02.11.2017 Warschau (POL), Progresja
03.11.2017 Krakau (POL), Kwadrat
04.11.2017 Prag (CZ), Nova Chmelnice
05.11.2017 Nürnberg (GER), Hirsch
07.11.2017 Amsterdam (NL), Paradiso Noord
08.11.2017 Hannover (GER), Capitol
09.11.2017 Copenhagen (DK), Pumpehuset
10.11.2017 Stockholm (SV), Debaser
11.11.2017 Oslo (NO), BLA
12.11.2017 Gothenburg (SV), Pustervik
13.11.2017 Deventer (NL), Burgerweeshuis
15.11.2017 Köln (GER), Stollwerck
16.11.2017 Wiesbaden (GER), Schlachthof
17.11.2017 Stuttgart (GER), LKA Longhorn
18.11.2017 Berlin (GER), Columbiahalle

DEATH ALLEY is:
Douwe Truijens – vocals
Oeds Beydals – guitar
Uno Bruniusson – drums
Sander Bus – bass

http://deathalleyband.tumblr.com/
https://www.facebook.com/deathalleyband
http://deathalley.bigcartel.com/
http://www.deathalley.nl/
http://smarturl.it/DeathAlleyTheSewage1
http://www.centurymedia.com/
https://www.facebook.com/centurymedia

Death Alley, “The Sewage, Pt. 1”

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Roadburn 2017 Trip, Pt. 8: Guess I’ll Go Live on the Internet

Posted in Features on April 24th, 2017 by JJ Koczan

weirdo canyon dispatch 2017

04.24.17 — 09.14 — Monday morning — Schiphol Airport Gate B15, Amsterdam

Yesterday, after the folding ritual was done for the last time for the 2017 Weirdo Canyon Dispatch, I sat for a bit in the office of the 013 by myself. I had put music on basically because it was quiet while Lee wrapped up putting stuff online and he’d gone to meet somebody, so I was on my own and it was even quieter. Sometimes you need a minute to process, or to breathe, or to do whatever it is you need to do to have your head right. That’s when I took the picture above. I knew it was going to be a long last day of Roadburn 2017, and that’s exactly what it turned out to be.

No regrets. Fond memories.

I was up before the alarm this morning. First time that’s ever happened in Tilburg for me following Roadburn. The alarm, by the way, was set for 05.45. A shuttle would be arriving at the hotel circa 06.30 to bring me to the airport. After packing and going to sleep circa 2AM, I was up between three and four and never got back to sleep. I read the recaps of what looked to have been a crappy baseball game. I checked the Times to see if the world was ending yet. I dicked around the way one does when one is just trying to eat minutes.

Speaking of eating, you should’ve seen me pouring and stirring the protein powder into my coffee on the line for the Lufthansa check-in here at Schiphol. Can’t imagine it was difficult for anyone to pick out who was the American in the crowd. With his little battery-powered stirrer like something he bought from a Sharper Image catalog circa 1991. Thing cost me $8 on Amazon. Worth every penny.

A couple Roadburn types around the airport this morning. I’m pretty sure I saw the bassist from Pallbearer going the other way while I was on the people-mover. Another dude in an Ulver t-shirt with his buddy who got the fest hoodie with the John Dyer Baizley cartoon tits on it. Sundry others.

windmillsIn about an hour, I’ll board this death-trap-looking-thing and go to Frankfurt, which if I’m not mistaken is the opposite of the direction in which I ultimately want to go. It was the same deal connecting in Toronto to come to Amsterdam in the first place. Because that’s the kind of sense Boston makes. World class, khed. Local fuckin’ sports.

I’ll hope to sleep on the plane — definitely the second if not the first — and when I land, I’ll magically have back the six hours of day I gave up so willingly last Tuesday to make the trip out. Before that happens, there are almost too many people I need to thank, so I’m going to try to do that.

First, The Patient Mrs. always. So much love. I’m so lucky. Also Walter Hoeijmakers, Becky Laverty, Lee Edwards and all involved with the Weirdo Canyon Dispatch: the amazing, humbling staff of writers that includes Sander van den Driesche, Andreas Kohl, José Carlos Santos, Kim Kelly, Guido Segers, Ben Handelman, Jamie Ludwig, Dom Lawson, Cheryl Carter and Peter van der Ploeg, the artists Cavum and Kim Holm, the photographers Paul Verhagen and Niels Vinck, as well as Jaimy, Gijs, Miranda, Rian and all behind the scene at the 013 venue. What a group we’ve assembled over the last four years. I frankly have no idea what I’ve done to earn a place among any of them except consistently fuck up. Like I say, humbling.

Thanks as well to Jens Wassmuth, Dante Torrieri, Falk-Hagen Bernshausen and all in the photo pit for their kindness and professionalism. I hadn’t shot anything in a while and it was easier to step back into that process knowing I was among the most pro-shop group of people one could ever hope to find.

I was pretty beat this year. Significantly so. I’ve got a lot on my mind. I’m about to lose my job. And there were times over the last few days where I felt like I was so out of it I wasn’t really doing justice to the experience. I tried my best. I really did. By yesterday I kind of felt like I had it right. I don’t know if I could’ve done a fifth day of Roadburn, but by the time yesterday came around I a little bit had my head back. Inclined to take what I can get.

Tomorrow will be Tuesday. I took the day off work. What’re they gonna do, fire me? I’ll make myself good coffee in the morning and a peanut butter protein shake for lunch, have a nice salad for dinner with The Patient Mrs., scritch the Little Dog Dio and get caght up on all the Obelisk stuff that’s fallen by the wayside while Tilburg happened. Lots of news to catch up on, and an interview for Wednesday and this and that. I might actually post some stuff tomorrow or I might just hold it all off. I’ve been social media-ing a lot and see the value in maybe taking a day and not. We’ll see how it plays out. I’m also going to shave my beard. Off. Gone. Done with it. Not much left by now anyway. I decided that in the van on the way to the airport this morning.

As I’ve done for the last however many years, each post in this series (minus the Hard Rock Hideout review) has derived its header title from the name of a song. They are as follows:

Trip Pt. 1: “Dos Soles” by Cavra. I got that record sent to me while I was at the airport in Boston.

Trip Pt. 2:: “Sanctuary” by Elder. A track from their new album that seemed fitting for having made it to Tilburg.

Day One Review: “Wound of the Warden” by SubRosa. Self-explanatory.

Day Two Review: “Death’s Dark Tomb” by Atala. I was arguably at my most ass-dragging and that seemed dark enough for the mood.

Day Three Review: “And Yet it Moves” by Slomatics. Like Roadburn itself, that song is so unbelievably heavy, and yet it proceeds along like the third day of a four-day fest.

Day Four Review: “God Particle” by The Doomsday Kingdom. I wanted to celebrate something rare, like this experience itself. That seemed to fit.

Trip Pt. 8: “Guess I’ll go Live on the Internet” by All Them Witches. It had been a minute since I put that record on. It’s always good for tired mornings. Plus the airport connection is absolute shit, so there’s an element of irony there too.

This will be the last post in the series, and before I bring it to an end, I want to say thank you one more time for reading. All the social media likes and shares and comments are awesome, but even just knowing that when something gets posted on this site someone might actually see it is validating beyond what I can tell you and so deeply, hugely appreciated. It’s been an interesting year and it’s going to continue to be one, but your support means a tremendous amount to me and I wouldn’t trade it for anything. So yes, thank you again. Thank you. Thank you. Thank you.

I’ll hope to talk soon.

All my best,
JJ Koczan

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Death Alley Part Ways with Bassist Dennis Duijnhouwer

Posted in Whathaveyou on April 5th, 2017 by JJ Koczan

Bummer news out of Amsterdam in that hard-driving motorpsych rockers Death Alley have announced a separation with bassist Dennis Duijnhouwer. The four-piece, who took part in last year’s The Obelisk All-Dayer (video here) in Brooklyn, recently released Live at Roadburn (review here) on Tee Pee and Suburban Records as the follow-up to their 2015 debut, Black Magick Boogieland (review here), capturing their 2016 “Death Alley and Friends” set (review here) at the venerable Netherlands-based festival. As of this post, Duijnhouwer, who was previously in cosmic doomers Mühr, has yet to comment one way or the other on the split, but anyone fortunate enough to have seen them at either of the above events, at Psycho Las Vegas or the litany of tour dates they’ve done in Europe and the US can tell you he was a significant presence on stage for the band.

In the Thee Facebooks post below, vocalist Douwe Truijens, guitarist Oeds Beydals and drummer Uno “Velcrow” Bruniusson make it official. Death Alley had shows this past weekend that were canceled and have more dates coming up throughout this month the fate of which is as yet unknown. They also recently announced a European tour this fall supporting German retro forerunners Kadavar. All live dates are included here, but I would assume plans are tentative at this point. That is, keep an eye out for more word on what’s actually happening and when.

Here’s what I know:

death alley roadburn 2016 (Photo by JJ Koczan)

As many of you may have noticed over the past few days, we have parted ways with Dennis on bass guitar. It is with much regret that it had to come to this situation, but it has become clear that a continuation would be particularly unhealthy for all involved, including the band as a whole. The challenges and pressures that come with being a band have to be borne by the group and all its individual members in order for it to function. Severe and persistent differences in dealing with those challenges and pressures, and differences in ideas of what should be done lead to stagnation. It is with undeniable gratitude for what we have achieved over the past years that we acknowledge we can’t continue with Dennis.

Although we know that many hearts (and some hearts in particular, including ours) are broken by this, and that every individual may react in his or her own way, we count on your support to pull through this.

Oeds
Douwe
Uno

P.s.: For the time being, we will keep you informed through our Facebook page only, since we don’t have control over our Instagram account.

Death Alley live:
Apr 07 OCCII Amsterdam, Netherlands
Apr 08 The Other Side Live Peer, Belgium
Apr 16 Bar Live / Le 301 Roubaix, France
Apr 17 La Scène Michelet Nantes, France
Apr 19 VOID Bordeaux, France
Apr 20 Bonberenea Tolosa, Spain
Apr 21 Funhouse Music Bar Madrid, Spain
Apr 22 Riff Ritual Fest Barcelona, Spain
Apr 24 Cluricaume Poitiers, France
Apr 27 Burgerweeshuis Deventer, Netherlands
Apr 27 De Schuit Katwijk Aan Zee, Netherlands
Apr 28 The Underworld Camden London, United Kingdom
Apr 29 Merleyn Nijmegen, Netherlands
Apr 30 Astra Kulturhaus Berlin, Germany
Jun 24 Pedro Pico Pop Raalte, Netherlands
Jul 07 MadNes Festival Nes, Netherlands
Jul 08 Dijkpop festival Medemblik, The Netherlands
Jul 21 Welcome to the Village Leeuwarden, Netherlands
Jul 23 Haltpop Assendelft, Netherlands
Aug 04 Krach am Bach Beelen, Germany
Aug 18 Nirwana Tuinfeest Lierop, Netherlands

Death Alley with Kadavar:
12.10. D Essen Zeche Carl
13.10. D Hamburg Markthalle
14.10. D Leipzig Conne island
15.10. B Antwerp Desert Fest
17.10. F Strasbourg La Laiterie Club
18.10. F Paris Le Trabendo
19.10. F Rennes L’Ubu
20.10. F Bordeaux La Krakatoa
21.10. E Madrid But
22.10. E Barcelona Bikini
24.10. F Lyon Feyzin
25.10. CH Monthey Pont Rouge
26.10. CH Aarau Kiff
27.10. D Munich Backstage
28.10. A Vienna Flex
29.10. A Graz PPC
30.10. HR Zagreb Mocvara
01.11. H Budapest A38
02.11. PL Warsaw Progresja
03.11. PL Krakow Kwadrat
04.11. CZ Prague Nová Chmelnice
05.11. D Nuremberg Hirsch
07.11. NL Amsterdam Paradiso Noord
08.11. D Hanover Capitol
09.11. DK Copenhagen Pumpehuset
10.11. S Stockholm Debaser
11.11. N Oslo Bla
12.11. S Gothenburg Pustervik
13.11. NL Deventer Burgerweeshuis
15.11. D Cologne Bürgerhaus Stollwerck
16.11. D Wiesbaden Schlachthof
17.11. D Stuttgart LKA Longhorn
18.11. D Berlin Columbiahalle

http://deathalleyband.tumblr.com/
https://www.facebook.com/deathalleyband
http://deathalley.bigcartel.com/
http://teepeerecords.com/

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Death Alley to Release Live at Roadburn 2016 Feb. 24; Preorder Available

Posted in Whathaveyou on December 15th, 2016 by JJ Koczan

death alley roadburn 2016 photo jj koczan

If you think preordering a live album is going a little overboard, you probably weren’t in the room when Death Alley played Roadburn 2016 this past April. On Feb. 24, the Amsterdam heavy rockers will issue their set from the Green Room, the second day of the fest (review here), for which they were joined by Ron van Herpen (Astrosoniq, ex-The Devil’s Blood, currently of ZooN) and Jevin de Groot (ex-Mühr) to fill out a six-piece lineup whose output from the stage was as massive and overwhelmingly immersive as fest organizer Walter Roadburn describes it in his liner notes below, which he posted via social media and which I snagged to put here as much for posterity as for the info and perspective they provide.

Death Alley were supporting and continue to support their 2015 Tee Pee Records debut, Black Magick Boogieland (review here), but I wouldn’t be surprised if they started to move further past it in the New Year. Already this past summer they had new material on-hand at The Obelisk All-Dayer in Brooklyn, which as it happens was captured on video by Frank Huang.

Covering the US and Europe, respectively, Tee Pee Records and Suburban Records are collaborating on the release. Whether you preorder or wait until February, don’t be a chump and miss out:

death alley live at roadburn 2016

Death Alley – Live at Roadburn 2016

Death Alley to release ‘Live at Roadburn 2016’ on February 24 via Suburban (Europe) and Tee Pee Records (USA).

We’ll be releasing our ‘Death Alley – Live at Roadburn’ early next year on Suburban Records & Tee Pee Records!

Pre-order Europe: http://hyperurl.co/DA-LAR-EU
Pre-order USA: http://hyperurl.co/DA-LAR-USA

Show dates include:
12 January 2017 – VERA, Groningen (Eurosonic festival)
4 March 2017 – Scumbash Festival, Rotterdam
9 March 2017 – EKKO, Utrecht (Death Alley6: Roadburn release show)
10 March 2017 – Neushoorn, Leeuwarden (Death Alley6: Roadburn release show)
31 March 2017 – Gebouw T, Bergen op Zoom
…and (many) more to be announced.

Liner notes by Walter Roadburn:

Sweet music can move you, captivate you, stop your motion, bring you to your knees, and make you cry. This all happened to me when Death Alley & Friends took it to the stage at Roadburn 2016 on Friday, April 15 – and that has all been captured on this record, Death Alley’s first ever live-album.

Normally, I don’t see that many bands at Roadburn, let alone a full show, because I’m too busy behind the scenes. Sometimes I allow myself to see a little bit, and it’s no secret that I love Death Alley, so I took the liberty to watch as much of their set as I could.

The moment I got in the Green Room, Death Alley floored me – their performance was magical. The entire audience were nodding their heads in unison, and it seemed to me that everything that Death Alley had envisaged over the past few years fell into to place that very moment.

It was such an emotive performance, particularly when they invited Astrosoniq-guitarist Ron van Herpen (formerly of The Devil’s Blood), and Mühr’s Jevin de Groot to join them. Meanwhile, I heard the production staff calling me in my headset, but instead of responding, I turned it off – nothing could keep me away from this, and I moved down the front to totally immerse myself in the amazing jams, imagining that those who saw the Allman Brothers Band, Grand Funk and Grateful Dead in the early 70s felt the very same.

Seeing Oeds and Ron (and Jevin too) trading those amazing solos, brought back so many memories about The Devil’s Blood, and for many in attendance, it seemed that Selim Lemouchi’s spirit loomed large over the Green Room – so many tears were shed, including from yours truly. But it was tears of joy as well, as I simply couldn’t believe how much Death Alley have matured since their incarnation, and they have become such an exciting band to watch.

I felt so immensely proud of them, but was also very moved that they played this pivitol set at Roadburn – it was such a personal highpoint of the 2016 festival for me. Dennis, Douwe, Ming and Oeds Beydals– thank you from the bottom of my heart for being part of Roadburn’s legacy, bringing out Ron and Jevin, and feeling so inspired by the festival. You guys inspire me so much as well, and that inspiration spurs me on with Roadburn.

Every time when I listen to the album, I will remember clearly the moment I looked Douwe straight in the eyes during the show. I won’t forget seeing so many people surrounding me being fully entranced by the show. For those listening to the album right now – I hope you feel equally inspired by Death Alley, as their music is all about communication, and feelin’ good – just as it should be! Please embrace this gift – it’s rare!

Walter/Roadburn, November 2016.

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Death Alley, “It’s On” live at The Obelisk All-Dayer

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The Obelisk All-Dayer Countdown: Death Alley Debut “Supernatural Predator” Live Video

Posted in Bootleg Theater, Features, The Obelisk Presents on August 9th, 2016 by JJ Koczan

the obelisk all-dayer

The Obelisk All-Dayer tickets

True, it hasn’t been all that long since Amsterdam full-charge rockers Death Alley posted up a new clip for the title-track of their most excellent 2015 Tee Pee Records debut, Black Magick Boogieland (review here). Their doing so prompted something of a rant on my part — well fucking justified, from where I sit — about how god damn awesome they are live and how anyone in the US lucky enough to see them for the first time doesn’t even know the kind of right-past-the-next-level-and-onto-the-level-after-that-one show they’re in for.

Naturally, in bringing them aboard for The Obelisk All-Dayer, Aug. 20 at Saint Vitus Bar in Brooklyn (tickets), it’s a sentiment by which I wholeheartedly stand.

All the better that as part of our countdown to The Obelisk All-Dayer, which is a mere 11 days away now, they should check in with a live video, as if to give any unsuspecting parties all the more reason to show up in-person. The clip is for “Supernatural Predator,” the epic and hypnotic space-infused closer from Black Magick Boogieland, and it was filmed this past June at Hellfest 2016 in Clisson, France.

Death Alley shared the Valley stage that day with Kadavar, Lecherous Gaze, Unsane and Puscifer, among others, and watching “Supernatural Predator,” it’s abundantly clear what a force they’ve become on stage. They come to The Obelisk All-Dayer to join forces with Mars Red Sky, Snail, Kings Destroy, Eye, Funeral Horse, King Buffalo and Heavy Temple as part of a short US tour that no doubt will spread their name farther than the cities they happen to be hitting along the way.

Thanks to the band for letting me host this premiere, and for playing in Brooklyn on the 20th as well. I can’t wait.

Enjoy:

Death Alley, “Supernatural Predator” live at Hellfest 2016

The Obelisk All-Dayer tickets

Death Alley on Thee Facebooks

Saint Vitus Bar website

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Death Alley Post Video for “Black Magick Boogieland”

Posted in Bootleg Theater, The Obelisk Presents on July 29th, 2016 by JJ Koczan

death alley

I feel like you don’t even know. Unless you’ve already seen Death Alley, I’m not sure it’s possible to fully appreciate the momentous occasion that their arrival in the US for their first shows on the North American continent represents. They come supporting their 2015 Tee Pee Records debut album, Black Magick Boogieland (review here), and having seen them twice at Roadburn, I can tell their live show is a righteous next step for classic heavy rock, as punk as it is metal and delivered with nigh-on-unmatched vitality that proves so completely essential to the good time the material winds up conveying. Also every now and then they get weird, and that’s awesome too.

That’s what “Black Magick Boogieland” is all about — bringing these pieces together. I could not, could not, could not be more thrilled to have Death Alley in the lineup as part of The Obelisk All-Dayer, Aug. 20 at Saint Vitus Bar in Brooklyn (JUST BUY YOUR FUCKING TICKETS ALREADY), and if the fact that they’re doing more dates besides — including Psycho Las Vegas — means more heads will catch on, then all the better. I cannot imagine being in the same building while they play and not being swallowed up by their energy. It’s going to be completely over the top in completely the best way possible. I fucking mean it.

They’ve got a new video for the aforementioned “Black Magick Boogieland” that you can dig into below. Clip info and tour itinerary follow:

Death Alley, “Black Magick Boogieland” official video

Video by: Boitelle & Grygierczyk Audio Visual Rock Productions

Title track from debut album Black Magick Boogieland. Out on Tee Pee records.

See you punks at one of these!
8/19 – Philadelphia – Kung Fu Necktie
8/20 – New York City – Saint Vitus (Obelisk Alldayer)
8/21 – New York City – Cake Shop
8/27 – Las Vegas – Hard Rock Hotel (Psycho Las Vegas festival)
8/31 – San Francisco – Elbow Room
9/01 – Los Angeles – Viper Room
9/02 – San Diego – Til Two Club
9/03 – San Diego – Til Two Club

The Obelisk All-Dayer tickets

Death Alley on Thee Facebooks

Death Alley BigCartel Store

Tee Pee Records website

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