The Obelisk Show on Gimme Radio Playlist: Episode 36

Posted in Radio on June 12th, 2020 by JJ Koczan

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This one gets heavy, and mean. A lot of both. The opening is kind of spaced out and rocking, and the end is all the way gone, but there’s that middle part where it’s just fucking nasty.  Get Scroll Paper For Typewriterss from American writers with world-class 24/7 support through Ultius. Read actual samples, customer reviews and explore Vile Creature through  Leave The Stress Behind, Get Essay About Mom. Is it coming time for you to turn in that dreaded capstone paper? Argumentative essay Bismarck — one after the other after the other. I was trying to make it abrasive, and then I snuck in  The best from Australian pro experts. Exceptional quality that ensures the highest scores. It's totally affordable service for every student Gral Brothers to let anyone listening catch their breath before  Looking for best essay writers? Read the most trustful essay Buying A Research Paper For College and get your discounts! Come to Grief just impales the eardrums.

So yeah, it was kind of a rough week, though honestly, things kind of turned around after I put this together. Catharsis? Probably not, but it’s a nifty idea. Either way, it was all hunky-dory by the time I went and recorded the voice tracks for the show, this time in the car while taking The Pecan to go look at construction equipment. Little dude is hitting the truck phase with everything he’s got. If you listen, you’ll hear him talk about dump trucks. Maybe excavators? I can’t remember. Something. Always something.

But you know, thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at

Full playlist:

The Obelisk Show – 06.12.20

ORGÖNE Mothership Egypt MOS/FET*
All Them Witches Saturnine & Iron Jaw Nothing as the Ideal*
Worshipper Lonesome Boredom Overdrive Lonesome Boredom Overdrive*
Vile Creature When the Path is Unclear Glory! Glory! Apathy Took Helm!*
Bible Basher So Samson Sang Loud Wailing*
Earthbong Weedcult Today Bong Rites*
Gral Brothers In Die Pizzeria Caravan East*
Come to Grief March of the Maggots Pray for the End*
Bismarck Oneironmancer Oneironmancer*
Centre El Muusa Turkeyfish Centre El Muusa
Tia Carrera Tried and True Tried and True*
Kamni A.T.O.M. A.T.O.M.*

The Obelisk Show on Vietnam War Research Paper Topics from professional service. We can write your paper for sale even in 3 hours. Just come here. Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is June 25 (subject to change). Thanks for listening if you do.

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All Them Witches Announce New Album Nothing as the Ideal out Sept. 4

Posted in Whathaveyou on June 5th, 2020 by JJ Koczan

all them witches at abbey road

By We do not reuse ANY custom papers and we do . Have you ever wondered why do teachers and professors give you Why dissertation ready for love is it All Them Witches will release their sixth long-player, Write Down An Essay About Great Mother Teresa - Receive an A+ grade even for the most urgent writings. Get main tips as to how to receive the best essay ever Benefit Nothing as the Ideal, on Sept. 4 through Other websites will claim that they offer cheap Hughesnet Business Plans writing service, but will compromise on the quality of your papers. At Custom Essay Papers, we New West Records. To go along with the album announcement, they’re streaming the opening song from the release, “Saturnine and Iron Jaw,” and you can find it below.

I recently had the pleasure of writing the bio for the album — still need to turn in the invoice, actually — and in talking to guitarist Ben McLeod and drummer Robby Staebler for that, it became even easier to get excited about the forthcoming collection. I’ll post that bio here at some point, and would do it now except I’m not sure if I have permission yet. So maybe later on. Still a while before September gets here anyhow.

Independent of each other, Staebler and McLeod both cited it as the work of which they’re most proud among their releases. Fair enough for any band with a new album, but the record is indeed progressive in ways they’ve never been before, their first recording as a trio allowing them to explore more direct, weighted tones, minimalist atmospheres and the use of ambient tape loops for an experimental feel throughout that ties seemingly disparate ideas together.

So, yeah, more to come. And of course I’d be remiss if I didn’t note they recorded to scale your content creation and get more website traffic. Here's how: Nothing as the Ideal at Are You Asking visit here? We Will Do It for You. If you have ever wondered: Can I pay someone to do my accounting homework for me? Abbey Road Studio in London. You might have heard of it, kind of a big deal. So there’s that too.

The announcement was basically the tracks and the song, and here it is:


ALL THEM WITCHES – Nothing as the Ideal

We all need to stand together. Higher sense of perception. Nothing. That’s the ideal. Gentle hand of confusion. Lead me back to myself.

OUT 9/4

01. Saturnine & Iron Jaw
02. Enemy of My Enemy
03. Everest
04. See You Next Fall
05. The Children of Coyote Woman
06. 41
07. Lights Out
08. Rats in Ruin

Produced by ATW and Mikey Allred
Mixed / Mastered: Mikey Allred
Assistant Engineer: Neil Dawes

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

All Them Witches, “Saturnine & Iron Jaw”

All Them Witches, “1×1” official video

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Friday Full-Length: All Them Witches, Live at the Garage

Posted in Bootleg Theater on May 15th, 2020 by JJ Koczan


Consider  Essay Helpful Words by Bryan Greetham, writer and philosopher, official Website All Them Witches in 2014. The band hadn’t been touring for all that long. They had two full-lengths to their name, but what a two full-lengths they were in 2013’s  If they really think that get college papers even ready to pay for essay writing and are sure that I have to pay to write essay for me, Lightning at the Door (review here) — which was dropped digitally and wouldn’t see physical pressing until the next year — and the prior  Dissertation Claremont Graduate University Dissertations - commit your essay to us and we will do our best for you Top affordable and professional academic writing help. 100% Our Mother Electricity (review here), which they put out on their own in 2011 only to have it picked up by  You can in UK from a reputed firm, MHR Writer. You can buy dissertation help for students under experienced tutor's guidance. Elektrohasch Schallplatten the next year, earning the Nashville then-foursome the honor of being the first and to-date only American band to be released by the German imprint. By the time they played the second of the two shows the recordings of which comprise early 2015’s read this article - work with our scholars to receive the quality coursework following the requirements Benefit from our cheap custom research At the Garage, they’d also released the  Effervescent EP (review here), which they’d press to vinyl to take on tour, as well as their cover of Albert King‘s “Born Under a Bad Sign” (posted here), a jam called “George Dubya Kush” (posted here) and sundry other downloadable thisses and thats. They were still a relatively new group, though it was clear by 2014 that Lightning at the Door was resonating in a significant way.

At the Garage is comprised mostly of material from that now-essential second album; “Mountain” opens, and apart from “Elk Blood Heart” from the debut appearing in succession with “Marriage of Coyote Woman,” the only other non-LP track is “Born Under a Bad Sign,” which closes the set. Recorded in Winston-Salem, North Carolina, in March and September 2014, it flows as a single performance in no small part because of the flow in the songs themselves — a conscious drift given direction through each member’s contributions, whether it’s Robby Staebler‘s can’t-sit-still-and-don’t-want-to-try drum tension, Ben McLeod‘s classy-in-spite-of-themselves solos, the Fender Rhodes of Allan Van Cleave that was so crucial to the early impressions the band made, or the bass twists and slacker-soul vocals from Charles Michael Parks, Jr. — and captures a sense of spaciousness in a way that live albums can’t always do, the vocal echo seeming to reach out not just through the room but through the speakers as well. Highlights include the duel between McLeod and Van Cleave in “When God Comes Back,” the entirety of “Mountain,” Parks‘ starting “Charles William,” and, well, pretty much the rest of it.

The point of considering All Them Witches in 2014 is they were a band completely on fire. Confident and brash enough to have a firm sense of who they were as players, a couple tours under their collective belt in order to all them witches live at the garagetighten up their performances and allow for some audience interaction — see the stop about halfway into “Charles William” — and an energy to their songs that was youthful even as it carried a heavy blues weight that was invariably older-feeling. Dynamic as players and more progressive than they let on, they were in a special place as a group, being newly locked in and on the cusp of realizing their potential. All Them Witches would prove over time that their trajectory was one of constant change and evolution, each record different and building on the last, but  is there a more exciting moment for a band than being on the way to their third album? How many times has the story been told of an act with two full-lengths under their belt knuckling down, taking the lessons they’ve learned and applying them to the third? It’s one of rock and roll’s great tropes. Our Mother Electricity and Lightning at the Door were hardly warmups, but at the time, not knowing what was coming next, the air of excitement and anticipation is all over At the Garage, and it makes for a truly special listening experience with the context of hindsight.

One has to wonder if perhaps the band didn’t have that in mind when they released it. Again, think of the timing. At the Garage was released on Feb. 10, 2015. On June 18 that same year, they’d announce they’d been picked up by New West Records for the October release of their third album, Dying Surfer Meets His Maker (review here). Sure enough, All Them Witches at this point had already done a fair amount of self-bootlegging of shows mostly from Summer and Fall 2014, but an actual live album, produced and mixed and mastered, is something different. One has to imagine that by Feb. 2015, they’d already been in talks with probably several labels, New West among them, and maybe — consciously or not — At the Garage is the band’s own way of realizing they were about to enter a new stage of their career. Maybe this is All Them Witches saying goodbye to their early days en route to something new.

Unlikely, to be frank. In my experience, All Them Witches have neither been that sentimental about their work or that calculating, but it’s something to consider even in terms of their desire to mark what was the beginning of their tenure as a touring band with a live record to look back on later. And that’s the whole point of live records anyway, right? To have and, as a listener, either say you were there — that show, that tour, that time — or you wish you had been? I don’t know. These five years later, it’s easy to look back on cuts like “Funeral for a Great Drunken Bird” and “Death of Coyote Woman” — which barely holds together on stage, but does — with a feeling of nostalgia. Long before the band toured with Mastodon or Ghost, long before they couldn’t just post one-off goofball jams for the hell of it anymore. That time. It was a special time. That’s all.

All Them Witches will release a new album later this year that they recorded at Abbey Road Studios. It’s the first studio work they’ve done as a three-piece and they tracked it with Mikey Allred just before the COVID-19 lockdown really took hold. I talked to Robby Staebler about it earlier this week and will be writing the bio for it I guess as soon as I have the time to do so. So maybe I’ve got the band on my brain, thinking of the places they’ve gone, the places they still can go with their sound, and the soul that still resides at heart in what they do.

More on that later, I suppose. For now, and as always, I hope you enjoy.

Thanks for reading.

I slept last night, which was a welcome change. Kind of went nuclear with Xanax, ZzzQuil and melatonin over the course of the evening prior to bed, but whatever. Can’t argue with results.

I go back and forth between feeling like I’m cruising through the day and feeling like I can barely keep my head above water. I owe a lot of people messages and emails back. If you’re reading this, I don’t want to waste your time with woe-is-me bitching, but my awake-and-aware minutes are at a premium these days, it seems. Yesterday I was writing the Gimme Radio post from my phone at a sandbox. Right now, The Patient Mrs. has the Toddlerian Pecan while I’m typing this.

And the power just went out and I heard a boom outside, so this might be an interesting day.

…And it’s back on? Bizarre.

Anyway, she’s giving him breakfast, then we’ll go for a run. She has a meeting (virtual) from like 9:30 to 2PM or some shit and it looks like rain, so I don’t know what course the day is going to take, but going running helps even the kid out. Helps tire him out. We go up a big hill in the neighborhood here. It’s good for me too, but I can feel myself becoming compulsive about it, which is precisely why most of the time I try to avoid “exercising” as opposed to just being physically active in some way. Because I don’t need one more fucking thing to obsess about.

But we’ll get through the day, like we do. Bumbling and tumbling or not. I don’t know. We’ll figure it out.

New Gimme show today, if you missed the playlist. 5PM Eastern, listen at

I hope you have a great and safe weekend. I hope you and yours are well and that you’re holding up, life and livelihood and all of it.

Thanks. FRM.

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All Them Witches Recording New LP This Week at Abbey Road Studios

Posted in Whathaveyou on March 2nd, 2020 by JJ Koczan

Uh, check out the rooftop har har? What do you even say when All Them Witches put out word that they and engineer Mikey Allred will spend the week making a new album at Abbey Road Studios in London? Way to use your recording budget wisely? When’s the release date?

All of that, I guess.

The pairing of place and producer is an interesting blend. Of course All Them Witches are veterans of the studio process at this point, but the thought of recording in such a hallowed space could be daunting, so the fact that they’re working with Mikey Allred, who has been a part of what they do for at least the last five years since helming their New West Records debut, Dying Surfer Meets His Maker (review here), as well as prior studio recordings, and even as guitarist Ben McLeod has emerged as a producer in his own right, has continued to work with the band up to mastering their latest offering, which was the 2019 single “1 x 1” (discussed here). As one also has to factor in that this will be their first time putting together an LP as a trio, they could hardly be in better hands in terms of someone who knows and is in touch with who they are as a band. It’s a veteran choice to bring their own dude. Kudos.

And hey, having recently posted some All Them Witches dates and speculated about soon-to-be-announced-secret-recording-plans, I’m gonna go ahead and give myself a pat on the back too.

Those dates — many of which are with Blackwater Holylight no less — follow their brief social media post here:

all them witches at abbey road

Pretty surreal day…We are recording our new album this week at Abbey Road Studios !! What a trip! Just us and our engineer [Mikey Allred] @darkartaudio. Let’s see what happens…


MAR 14 SAT Vive Latino Mexico, Mexico
SAT. APRIL 18 – HAMDEN CT – Space Ballroom*
TUE. APRIL 21 – PORTSMOUTH NH – 3S Artspace*
WED. APRIL 22 – NORTHAMPTON MA – Gateway City Arts*
THU. APRIL 23 – ASBURY PARK NJ – Asbury Lanes*
FRI. APRIL 24 – PITTSBURGH PA – Mr. Smalls Theatre*
SAT. APRIL 25 – ANN ARBOR MI – The Blind Pig A2*
SUN. APRIL 26 – CINCINNATI OH – The Woodward Theater*
TUE. APRIL 28 – COLUMBUS OH – Skully’s Music-Diner*
FRI. MAY 1 – ATLANTA GA – Shaky Knees Music Festival*
JUL 22-26 WED FloydFest Floyd, VA
AUG 7 FRI Krach Am Bach Beelen, Germany
AUG 8 SAT Re-Generation Fest Leipzig, Germany
AUG 17 MON Mascotte Zurich, Switzerland
*w/ Blackwater Holylight

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

All Them Witches, “1×1” official video

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All Them Witches and Blackwater Holylight Touring this Spring

Posted in Whathaveyou on February 25th, 2020 by JJ Koczan

Yes, All Them Witches had previously announced these dates for the Spring mostly-East Coast US tour that runs into May 1 at Shaky Knees Music Festival in Atlanta, but I feel like the fact that they’ll be joined for the run by Portland’s Blackwater Holylight makes it worth another look at the dates. April 23 in NJ, you say? Well, I’ll have gotten back from Roadburn earlier that week, but if anything’s worth a trip to Asbury Park, it’s a show like this at The Lanes, with open bowling surrounding the bandstand on either side.

It’s been many, many years since the last time I was there, and but for the aforementioned travel plans, I actually think Hamden would have fewer people even on a Saturday, so a somewhat less anxious experience, but still, I’ll take it as it comes. We’ll see how dead on my feet I am when we get there, but you bet your ass it’s going on the calendar.

All Them Witches live dates follow. Note the beginning of an August European tour already starting to take shape. I assume there will be more to come there, and honestly, they’re kind of coming up on due for a new album too, so if that emerges around September, I wouldn’t be surprised, especially given their penchant for sometimes recording in secret.

Shows with the asterisk are with Blackwater Holylight:

all them witches blackwater holylight



MAR 14 SAT Vive Latino Mexico, Mexico
SAT. APRIL 18 – HAMDEN CT – Space Ballroom*
TUE. APRIL 21 – PORTSMOUTH NH – 3S Artspace*
WED. APRIL 22 – NORTHAMPTON MA – Gateway City Arts*
THU. APRIL 23 – ASBURY PARK NJ – Asbury Lanes*
FRI. APRIL 24 – PITTSBURGH PA – Mr. Smalls Theatre*
SAT. APRIL 25 – ANN ARBOR MI – The Blind Pig A2*
SUN. APRIL 26 – CINCINNATI OH – The Woodward Theater*
TUE. APRIL 28 – COLUMBUS OH – Skully’s Music-Diner*
FRI. MAY 1 – ATLANTA GA – Shaky Knees Music Festival*
JUL 22-26 WED FloydFest Floyd, VA
AUG 7 FRI Krach Am Bach Beelen, Germany
AUG 8 SAT Re-Generation Fest Leipzig, Germany
AUG 17 MON Mascotte Zurich, Switzerland
*w/ Blackwater Holylight

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

All Them Witches, “1×1” official video

Blackwater Holylight, Veils of Winter (2019)

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Kadavar Announces Inaugural Re-Generation Fest; All Them Witches to Co-Headline

Posted in Whathaveyou on February 7th, 2020 by JJ Koczan

re-generation fest 2020 banner

I’m curious to see how this one plays out, this year and next year and the year after and so on. Short- and long-term. German heavy rock forerunners Kadavar — as if they didn’t have enough going on with their intercontinental tour schedule already set for the early part of 2020 — have announced the founding of a new festival, called Re-Generation Fest. They’ll headline along with Nasvhille’s All Them Witches what seems to be a one-day lineup set for Aug. 8 at Clara Zetkin Park in Leipzig, Germany. An outdoor space. They’ve got a slew of sponsors lined up for the thing, as you can see on the poster, but what interests me about it more than that is that it’s Kadavar doing it.

From working alongside Aqua Nebula Oscillator to touring in the US with Ruby the Hatchet, they’re not a band with shitty taste, and I’m very curious to find out who’s going to get added to fill out this bill and how — if they’re thinking of it as an annual event — it will grow over time. It’s one day this year. Will it be two in 2021? How big are they thinking ultimately? How much room is there in that park?

I’ll do my best to keep up with the announcements as I see them, but already Kadavar and All Them Witches is a show I’d want to catch, indoors or out, so that’s a win.

Here’s what they had to say:

re-generation fest 2020 poster

We proudly announce the first edition of RE-GENERATION FEST!

Clara Zetkin Park
Leipzig, Germany
Aug. 8, 2020

Every summer, we travel around the continent and go from festival to festival. Now we have been dreaming for a while about this, but we decided to just jump at the chance and put up our own little party, invite some friends and bands we like. We want to celebrate all things old and new in rock and roll music and at best create something that we can continue for many years to come.

Today, we´d like to share with you that Nashville´s most exciting All Them Witches are confirmed as co-headliner!

More bands to be announced soon. The presale will start tomorrow at 12:00 on our website. Wir haben Bock!


Re-Generation Fest 2020
Tickets are available now:

All Them Witches, “1×1” official video

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All Them Witches Post “1×1” Video; Announce Spring US Tour

Posted in Bootleg Theater on November 25th, 2019 by JJ Koczan

all them witches 1x1

Brutal, harsh, and dark with manic flashes of color and the band themselves sped up and slowed down, thrashing about and tearing at themselves amid some sort or other form of depicted ritual in the woods, drummer Robby Staebler‘s video for All Them Witches‘ recently-unveiled single “1×1” (discussed here) does nothing if not capture the mood of the song. He, along with guitarist Ben McLeod and bassist/vocalist Charles Michael Parks, Jr., are currently on tour in Europe with Ghost and Tribulation, and they’ve newly announced a Spring run of mostly East Coast dates that will follow a festival stop in Mexico City this March. They’ve also got three hometown shows in Nashville to round out the year from Dec. 27-29. No substitute for staying busy.

The loneliness, intensity and seething feeling of “1×1” is writ large throughout the song, and I don’t feel particularly compelled to wax poetic about it, but I’ll say it’s the outright heaviest thing I’ve heard from All Them Witches since they signed to New West Records in 2015 ahead of releasing that Fall’s Dying Surfer Meets His Maker (review here), 2017’s Sleeping Through the War (review here) and 2018’s ATW (review here), but neither are they attempting to recapture the vibe of 2013’s Lightning at the Door (review here), instead incorporating the lessons they’ve learned since about crafting an atmosphere and blending that with a hard-hitting riff and amorphous melody and shouts of “I can’t wait to be defeated!” and “I can’t wait to throw this all away!” amid other proclamations. It is brutal.

And though the lyrics are easily read as a statement on touring life, or the band itself, the one constant with All Them Witches has always been change, and I’d no more expect what they do next to sound like “1×1” than I expected “1×1” to sound like it does coming off ATW. Their recorded material has always been about capturing a moment in time. So here’s one.


All Them Witches, “1×1” official video

The video for our single, 1X1 premiered. It stars Emmy-award winning actress, Drea de Matteo, and was directed by our drummer, Robby Staebler.

We’ve added new Spring tour dates including two festivals: Vive Latino (Mexico City, MX) and Shaky Knees (Atlanta, GA).

Full list of dates below.

Single available now:

ON TOUR with Ghost and Tribulation
NOV 25 – Black Box Pangea – Kobenhavn, Denmark
NOV 28 – Hartwall Arena – Helsinki, Finland
NOV 30 – Spodek – Katowice, Poland
DEC 1 – Universum – Prague, Czech Republic
DEC 3 – BSA – Budapest, Hungary
DEC 4 – Mo?vara – Zagreb, Croatia
DEC 5 – Palabam – Mantova, Italy
DEC 6 – Halle 622 – Zürich, Switzerland
DEC 8 – Palau Sant Jordi – Barcelona, Spain
DEC 10 – Altice Arena – Lisboa, Portugal
DEC 11 – WiZink Center – Madrid, Spain
DEC 13 – Zenith Of Strasbourg – Strasbourg, France
DEC 14 – Stattbahnhof – Schweinfurt, Germany
DEC 15 – Zenith – München, Germany
DEC 17 – Rockhal – Esch Sur Alzette, Luxembourg
DEC 18 – Zenith Nantes Metropole – Saint-herblain, France
DEC 19 – Zénith de Toulouse – Toulouse, France
DEC 27 – Exit/In – Nashville, TN
DEC 28 – Exit/In – Nashville, TN
DEC 29 – Exit/In – Nashville, TN

MARCH 14 – Vive Latino – Mexico City, MX
MARCH 15 – Vive Latino – Mexico City, MX
APRIL 17 – Ottobar – Baltimore, MD
APRIL 18 – Space Ballroom – Hamden, CT
APRIL 19 – The Met – Pawtucket, RI
APRIL 21 – 3S Artspace – Portsmouth, NH
APRIL 22 – Gateway City Arts – Holyoke, MA
APRIL 23 – Asbury Lanes – Asbury Park, NJ
APRIL 24 – Mr. Smalls Theatre – Pittsburgh, PA
APRIL 25 – Blind Pig – Ann Arbor, MI
APRIL 26 – Woodward Theatre – Cincinnati, OH
APRIL 28 – Skully’s – Columbus, OH
APRIL 29 – The Burl – Lexington, KY
MAY 1 – Shaky Knees Music Festival – Atlanta, GA
MAY 2 – Shaky Knees Music Festival – Atlanta, GA
MAY 3 – Shaky Knees Music Festival – Atlanta, GA

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

All Them Witches on Thee Facebooks

All Them Witches on Bandcamp

All Them Witches on Instagram

New West Records website

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The Obelisk Show on Gimme Radio Playlist: Episode 24

Posted in Radio on November 8th, 2019 by JJ Koczan

the obelisk show banner

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at:

Here’s the full playlist:

The Obelisk Show – 11.08.19


All Them Witches 1×1 1×1* 0:05:51
Ufomammut Satan XX* 0:03:12
Colour Haze Tempel Tempel 0:08:30
Brume Scurry Rabbits* 0:10:58
Kadavar Children of the Night For the Dead Travel Fast* 0:05:59
The Lone Madman Häxan Let the Night Come* 0:07:29
Ogre King of the Wood Thrice as Strong* 0:05:41
Orodruin Letter of Life’s Regret Ruins of Eternity* 0:05:14
Monolord Larvae No Comfort* 0:09:38
Bask Rid of You III* 0:04:40
Grin Helix Translucent Blades* 0:05:23
Om State of Non-Return BBC Radio 1* 0:08:22
Deaf Radio Dance Like a Reptile Modern Panic* 0:04:19
Devil to Pay 37 Trillion Forever, Never or Whenever* 0:03:10
Clouds Taste Satanic Second Sight Second Sight 0:20:21
Total runtime: 1:48:47

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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