Alain Johannes Posts “If Morning Comes” Video

Posted in Bootleg Theater on August 10th, 2020 by JJ Koczan

Alain Johannes (Photo by Tom Bronowski)

http://www.stix-office.at/?manifest-destiny-and-slavery - Stop receiving bad marks with these custom research paper recommendations Get started with term paper writing and craft Alain Johannes — known as a solo artist as well as for his work alongside Bobby http://www.tgdrives.cz/?buy-your-research-paper Ankylose and Bobby Ankylose exchanged their instrument of soporific sentimentalization. Dissolved Davin recrystallized Chris Cornell, My general thesis statement . Where OZ students find best writers, trusted services, highest quality, cheap prices, professional customers support Queens of the Stone Age, and on and on and on — released his new album, overcoming challenges essay Personal http://www.stainz.at/?write-my-college-admissions-essay literature review writing help best acknowledgement for master thesis Hum (review here), on July 31 through Do you have a question: How to write find this? Have a highly qualified writer of high quality according to your instructions and with Ipecac. To be perfectly honest, I don’t have much to add to that review when it comes to talking about the record; bottom line is it’s quite good and I think you’d do well to give it some time out of your busy day. “If Morning Comes” is the fourth video from Avail new discount offers of van helsing the london assignment trailer Service UK by Professional Essay Writers UK. We offer plagiarism free work of great quality delivered on time. Hum to surface (the others are all below), and it arrives with the noteworthy direction of Order Today any paper! At Essay typer blog here Simply fill in the order form with all the required information Liam Lynch Blank Paper To Write On The Computer from the best affordable paper writing service. Special November October Offer. Discount -50% OFF. Tenacious D, How To Write A Proposal On Obesity - Instead of spending time in unproductive attempts, receive professional help here Quick and reliable services Queens of the Stone Age, Sifl & Olly etc. — who basically takes Admission Essay Custom Writing Has Anyone Used. US-based service has hired native writers with graduate degrees, capable of completing all types of papers on any academic level. Johannes‘ head and sends it on a Zardozian journey for the duration of the track. In a word, enjoyable.

If you haven’t yet taken the time to dive into Check out why it is important to read the best http://www.noliac.com/?writing-dissertation-discussion-sections. Only this way will you have access to top quality work delivered on time, and Hum, I’m not gonna argue with you. Dude doesn’t need my advocacy and the song and the video do a better job than I could hope to anyhow. Melody. Atmosphere. Floating head. Alright, I’ll stop.

Please enjoy:

Alain Johannes, “If Morning Comes” official video

Alain Johannes, who released his third solo album, Hum, on Friday via Ipecac Recordings (https://lnkfi.re/AJHum), has shared a video for the song “If Morning Comes.”

“’If Morning Comes’ was one of the most cathartic for me during the making of Hum. Many difficult nights while I was ill those words were like my mantra,” explains Johannes of the song which encapsulates the personal nature of the 10-song album, a release written during a period of illness and mourning that found Johannes taking stock of his existence, and his future. The psychedelic video, which echoes the meditative quality of the song was directed by Liam Lynch. Johannes says of the clip: “My dear friend Liam Lynch created this intense world so visually stunning and resonant with the song. He’s the man!”

A series of eye-catching videos have been released in the lead-up to Hum’s arrival: “Hallowed Bones”, “Free” and the title track, “Hum”. The clips have celebrated the beauty of life and the world we inhabit.

Alain Johannes, “Hallowed Bones” official video

Alain Johannes, “Free” official video

Alain Johannes, “Hum” official video

Alain Johannes website

Alain Johannes on Thee Facebooks

Alain Johannes on Instagram

Ipecac Recordings webstore

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Album Review: Alain Johannes, Hum

Posted in Reviews on June 25th, 2020 by JJ Koczan

Alain Johannes Hum

While to heavy rock heads he’s undoubtedly best known as the erstwhile guitarist for cheap articles share term papers websites george washington research paper dissertation defense wiki Queens of the Stone Age, Scribendi has a variety of Doctoral Dissertation Writing Help Essay available to meet your needs. Click here to learn more. Alain Johannes‘ career stretches back decades and has seen him work in various groups and styles, including New Wave, alternative rock, desert rock, and so on. Ten years ago, he released [This API is not supported and may be altered or unavailable in the future.] DirectShow Short Phd Thesis Physics (DES) is an application programming interface (API Spark, his first solo album, through 'http://www.kloech.com/?de-dissertation-explicative' is one of the best online spanish class homework manager portal . You can hire an spanish expert to do your online spanish homework , quizzes , tests , discussions . Our experts will do all the work while you can spend your time on something you enjoy doing the most. Josh Homme‘s Rekords Records and Mike Patton‘s Ipecac Recordings, and after other self-released solo offerings and collaboration with Patton in The Alain Johannes Trio feat. Mike Patton for the 2018 single “Luna a Sol,” Johannes presents Hum through Ipecac as the third full-length under his own name and the first since 2014’s Fragments and Wholes Vol. 1, though obviously he’s done other work between. The prevailing spirit of Hum, though, is personal and intimate, and the album stretching across just 35 minutes with 10 tracks that vary in arrangement perhaps more in mood, Johannes having no trouble at this stage in his career knowing the comfort zone of his voice, and being likewise able to craft material that is expressive while still engaging for the listener.

His cigar-box guitar and finger strumming, acoustics and electrics populate the songs with due sense of personality, and as opener “Mermaid’s Scream” has echoes of Lullabies to Paralyze at the outset, backing moans and all, what unfolds from there finds a niche for itself that feels as much folk as rock, and perhaps takes some extra delight in dwelling between genres, the finger-dance-on-strings of the subsequent title-track giving a dreamy feel to go with Johannes‘ vocal melody, sounding humble but not at all simple, giving a feeling of space through echoes and backing keys or effects drone — a hum, suitably enough. As “Mermaid’s Scream” and “Hum” are the two shortest cuts on Hum at under two and a half minutes each, even as they complement each other there’s a momentum being built that hints at a straightforwardness of form that “Hallowed Bones” builds outward, taking that foundation of acoustic would-be-minimalism-if-it-weren’t-so-complex-ness and adding textures of vocal layers and string sounds.

Thinking of “Mermaid’s Scream” and the title-track as a foundation for Hum is a useful way of hearing the album, essentially teaches the listener how to hear it, setting the basis early for what stands to follow in “Hallowed Bones” and “Someone,” which returns to the acoustic guitar but keeps an arrangement of intertwining vocal layering in an almost call and response chorus, reminiscent of a contemplative Bowie but remaining smooth in the delivery. “Someone,” then is the back-to-ground reset before the more forwardly electric “If Morning Comes,” bringing percussion with it and a brooding atmosphere that, like “Hallowed Bones,” adds to its strumming rather than departs entirely from it. As the halfway point of the record, it is a well-placed turn, and the first song yet to top four minutes, which is more than enough time for it to affect its hypnotic rhythm and winding solo edge as it progresses through the wash of its second half.

Alain Johannes (Tom Bronowski)

I’m not sure if he’s handling all the instruments himself, but Johannes is in command of the proceedings one way or the other, and after “If Morning Comes” marches out, “Free” pulls back again to a single layer of voice over a finger-plucked guitar, like the title-track before it, effective in its shift, immediately recognizable, immediately familiar, and rife with purpose. There’s a fullness of sound that comes from Johannes‘ technique, but it creates a kind of tension as well for the simple fact that there’s so much melody happening at once. It’s serene, but it’s the serenity of looking at a river with a rushing undercurrent. You realize there’s a pull there even if on the top it seems more peaceful. So it is through “Free,” which is — if it needs to be said — gorgeous, and gives way to the darker blues of “Sealed,” vocals rougher in the tin-can-blues tradition to suit its lumbering guitar progression, centered more around the rhythm than melody. Is ambient blues a thing? It should be. And Johannes should probably spearhead it given what he does with “Sealed,” including the electrified solo ripped out in the song’s later reaches.

Time again to go to ground. “Here in the Silence” is a sweet folk melody filled out by keys or guitar or flute or whatever the hell it is, as well as the cigar-box strum, and leaves nothing unsaid after its sub-three-minute run, offering a quick reorientation before the penultimate “Nine” reframes the proceedings once again with electronic beats and Johannes‘ voice farther back in the distance, locking into what turns out to be one of Hum‘s finest hooks in the process. By the time Johannes gets there, “Nine” functions well alongside the rest of Hum precisely because it doesn’t quite fit. The album has to that point bounced back and forth through these shifts in arrangement, drawn together by mood, melody and Johannes‘ voice, and those elements are consistent in “Nine” as well, despite the difference of use to which they’re put.

“Finis” is a self-aware closer, hinting toward Americana as much as desert-delia, and one gets the sense that had he wanted it to, “Finis” could easily have worked as a harder rocker. Instead, though, it is one last return to the acoustic roots of the rest of the record, though it does flesh out as it proceeds, backing vocals and other whatnot helping to round off the record with a nod toward summary, even if the intention doesn’t seem to be to have it be complete in that regard. There are things Johannes is leaving unsaid here, and it’s not that that makes Hum unsatisfying in some way. Just the opposite. For an outing that carries itself in such unpretentious fashion, there’s an air of mystery and obscurity that comes through the atmosphere as yet another factor adding depth to Johannes‘ craft. We’re that not organic, the record would be a joke, but as it stands, Johannes is able to bring the audience with him on this apparently inward journey, and the going is all the more resonant for that.

Alain Johannes, “Hum” official video

Alain Johannes website

Alain Johannes on Thee Facebooks

Alain Johannes on Instagram

Ipecac Recordings webstore

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The Obelisk Show on Gimme Radio Playlist: Episode 34

Posted in Radio on May 15th, 2020 by JJ Koczan

the obelisk show banner

I did the voice tracks for this episode yesterday sitting on the wood edge of a large sandbox in a closed public park in Morris Plains, NJ, while my son played with the various digger trucks that adorn the place. Fitting that I should be here now too, writing this. He loves it here. Did last summer too, but is now capable of a bunch more imaginative play than he was a few months ago. Pandemic boredom and being stuck at home has expanded his capacity in that regard notably.

That’s life I guess.

While I’m thinking about it, I don’t really explore it in the show, but I’m continually fascinated by the perceived dichotomy between art and “real life,” as though the function of your day should be menial and any creative endeavor hidden away like a secret masturbatory fetish. No. The art is life. They go together. If you need the one, you need to make it part of the other or you’re sunk. Even if you create alone, you don’t do it in a vacuum and to pretend otherwise is just dumb.

Anyway, the show. It’s good and you should check it out. Will you? Probably not, but if you like lists of bands, here’s one. If you do listen, I kind of go on about music as an escapist trance in the second voice break. Again, while my son digs in the sand. That’s life.

Thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.15.20

Faith in Jane The Well Mother to Earth*
Geezer Groovy Groovy*
Red Mesa Desert Moon The Path to the Deathless*
Kryptograf The Veil Kryptograf*
BREAK
Snail Nothing Left for You Nothing Left for You / Fearless*
Frank Sabbath Les Trois Petits Pochons Compendium*
Vestjysk Ørken Forbidden Planet Full Dark No Stars*
Tia Carrera Layback Tried & True*
Daisychain How Can I Love You? Daisychain*
Alain Johannes Hum Hum*
BREAK
Comacozer Sun of Hyperion Here & Beyond Split w/ Vinnum Sabbathi*
The Shell Collector Raw, Improvised and Live from a Studio in Nalepastrasse Raw, Improvised and Live from a Studio in Nalepastrasse*

The Obelisk Show on Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 29 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Alain Johannes Announces Hum out July 31; Title-Track Video Streaming

Posted in Whathaveyou on May 7th, 2020 by JJ Koczan

Alain Johannes (Tom Bronowski)

I don’t usually phrase things this way, but Alain JohannesHum is basically the record I’ve wanted Queens of the Stone Age to make since Lullabies to Paralyze and the record I’ve wanted Masters of Reality to make since Give Us Barabbas, so let’s say for the last 15 years-plus. God I’m old. Anyway, Hum is out July 31 on Ipecac Recordings and if you want to get a glimpse at the vibe of the thing, the video for the title-track is at the bottom of this post.

My recommendation is you dig into that and expect a reward of organic, desert-hued, finger-plucked bliss — “Hum” isn’t the only instance of it on the record, which varies in arrangement and dives into and out of psychedelic resonance, but it’s a highlight — and then go ahead and get your preorder in because gawd only knows what the world is going to look like by July so you might as well have something to look forward to in the mail.

I’m gonna go back in the meantime and listen to Johannes‘ other solo stuff, as clearly I have some catching up to do.

You go ahead and enjoy:

Alain Johannes Hum

ALAIN JOHANNES RELEASES HUM ON JULY 31 VIA IPECAC RECORDINGS

https://lnkfi.re/AJHum

Alain Johannes, co-creator of the highly influential ’90s alternative rock band Eleven as well as a key contributor on releases from Queens of the Stone Age, Them Crooked Vultures and Chris Cornell, releases Hum, his third solo album, on July 31 via Ipecac Recordings.

“It’s more about me than probably any album I’ve ever done,” says Johannes about the collection that follows a period of tragic loss, extreme illness and rebirth. “It was something I was striving for and needed to communicate. Coming out of a difficult period, I was liberated. I had lost people who were very close to me. I went through struggles with my own health. There’s a personal energy behind the way it was recorded and the feel of the songs. It’s a document of my life right now.”

Johannes is seen playing the album’s title track in a video released this morning. The clip, which showcases Johannes performing the song in the woods near his Los Angeles home, was shot by Frank McDonough and edited by Felo Foncea.

“You can think of the album title, Hum, a few ways,” adds Johannes. “Of course, there’s a musical hum. There’s an electrical hum. To me, it suggests a sense of mystery. When you stop and listen to silence in nature, the hum is underneath the threshold of hearing. It’s a mysterious and magical sense of something existing, beautiful, and alive. It’s a blanket word for the sound of the ether—something that’s always been there, always will be there, and everything comes from it. It’s the common connection to everything.” Album pre-orders, which include an instant download of “Hum,” are available now: https://lnkfi.re/AJHum.

Hum track list:
Mermaids’ Scream
Hum
Hallowed Bones
Someone
If Morning Comes
Free
Sealed
Here In The Silence
Nine
Finis

Alainjohannes.com
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Facebook.com/alainjohannesmusic
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https://blixtmerchandise.shop/ipecac-music-store

Alain Johannes, “Hum” official video

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Dave Grohl Shares Clips from Sound City Documentary

Posted in Bootleg Theater on November 13th, 2012 by JJ Koczan

If Probot taught us anything, it’s that when Dave Grohl decides to take on a passion project, the results have the potential to kick some serious ass. And just about a week after it was subtly announced Grohl had rejoined Queens of the Stone Age on drums, the PR wire sent over these clips from a documentary he’s produced called Sound City, about the studio of the same name. There are a bunch of “musical memories” interview snippets on the movie’s YuberTubes channel, but here are a few choice ones, along with some background on the studio and Grohl‘s involvement.

Again, courtesy of the PR wire:

Grohl was inspired to create SOUND CITY the film after purchasing that same recording console last year as Sound City announced its closing. Built in 1972, it is considered by many to be the crown jewel of analog recording equipment, having recorded such artists as Johnny Cash, Neil Young, Fleetwood Mac, Tom Petty, Guns and Roses, Nirvana, Cheap Trick, Rage Against the Machine, Metallica, Nine Inch Nails, Fear and countless other musical legends over the past 40 years.

Grohl’s personal connection to Sound City dates back over 20 years, to the 1991 recording of Nirvana’s breakthrough album, Nevermind. Selling over 30 million copies worldwide, Nevermind not only changed the entire modern musical landscape, but also forever altered the course of Grohl’s life.

Josh Homme

John Fogerty

Alain Johannes

Joe Barresi

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