Quarterly Review: The Atlas Moth, Across Tundras, The Wizards of Delight, Against the Grain, Our Solar System, Dommengang, Boss Keloid, Holy Smoke, Sabel, Blackwater Prophet

Posted in Reviews on April 4th, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

This is a crucial moment in any Quarterly Review. Today we hit the halfway point one way or the other. I still haven’t decided if this will be a 50- or 60-album edition; kind of playing it by ear, but either way, today’s a landmark in my mind in terms of how far to go vs. how far we’ve come. Uphill vs. downhill to some extent, but I don’t want to give the impression that I’m either half-assing it from here on out or that I don’t enjoy the challenge of reviewing 10 records in a day, one after the next, for (at least) five days in a row. I’ve always been a glutton for a bit of self-flagellation. Ha.

Alright, let’s dive in.

Quarterly Review #21-30:

The Atlas Moth, Coma Noir

the atlas moth coma noir

If one still wants to consider Chicago’s The Atlas Moth post-metal after hearing Coma Noir, at least do them the courtesy of emphasizing the “metal” part of that equation. For their debut on Prosthetic Records and fourth full-length overall, the five-piece worked with producer Sanford Parker to solidify a progressive metal sound that, whether in the harsh and weighted impact of the opening title-track or the later interplay between guitarists Stavros Giannopoulos and David Kush on screams and cleaner vocals in “Furious Gold,” seems to take cues from groups like a less manic Strapping Young Lad and a less watered-down Mastodon more than Isis or Neurosis. With prominent synth from Andrew Ragin (also guitar), and the solid roll from the rhythm section of bassist Alex Klein and drummer Mike Miczek, the band brings revitalized edge to “The Streets of Bombay,” and even on the slower, more atmospheric closer “Chloroform,” they’ve never sounded more lethal. It suits them.

The Atlas Moth on Thee Facebooks

Prosthetic Records webstore

 

Across Tundras, Tumbleweeds III

across tundras tumbleweeds iii

A collection of odds and ends from Across Tundras, the 10-track/52-minute Tumbleweeds III may or may not sate anyone hoping for a follow-up to 2013’s Electric Relics (review here), but it provides some curio fodder along the way to be sure, from raw opener “Final Breath over Venom Falls” to the acoustic-percussion jam “Bullet in the Butt” to the fuller roll of “Cold Ride” and later demos for “Spinning Through the Cosmic Dust,” “Hijo del Desierto,” “Stone Crazy Horse” and “The Stacked Plain,” which later became “Seasick Serenade” on Electric Relics, it’s at very least something for fans to dig into and a fascinating listen, as Across Tundras’ rambling sound is almost eerily suited to a home-recording vibe, as the “Stone Crazy Horse” demo, featuring vocalist Shannon Allie-Murphy along with frontman Tanner Olson, sounds all the more folksome as a result of its lack of production polish. Closing with Bob Dylan’s “The Ballad of Hollis Brown,” then, could hardly be more appropriate. Still waiting for a proper long-player to surface, but happy at this point to take what comes.

Across Tundras on Thee Facebooks

Across Tundras on Bandcamp

 

The Wizards of Delight, The Wizards of Delight

the wizards of delight the wizards of delight

Like a chicanery-laced dusty vinyl with a naked lady on the cover, The Wizards of Delight emerge from the London underground to solidly declare “We’ve got the rock ‘n’ rollz.” And yes, they spell it with a ‘z.’ The presence of frontman Andreas “Mazzereth” Maslen will be familiar to anyone who ever even briefly encountered Groan – dude makes an impression, to be sure – and the four tracks he and the surrounding five-piece of guitarists/backing vocalists Dan Green’s Myth and Lenny Ray, bassist/backing vocalist Eponymous, organist/backing vocalist Henry and drummer Reece bring is both funky and classically heavy, “Gypsy” referencing Dio Sabbath in the first line while “Mountain Woman” brings a heavy ‘70s shuffle to answer the way-un-P.C. “Shogun Messiah,” which seems to be working under the thesis that because it sounds like it’s from 40 years ago, they can get away with it. I’ll give them that the track is, to an unfortunate degree, catchy. As to the rest, give me the groove of “We Got the Rock ‘n’ Rollz” any day. It’s been a while since anyone so brazenly interpreted Mk. II Deep Purple and actually pulled it off.

The Wizards of Delight on Thee Facebooks

APF Records website

 

Against the Grain, Cheated Death

against the grain cheated death

Hard-touring Detroit heavy rockers Against the Grain are known for speed, and rightly so. When they burst into high gear, as on “Sacrifice,” “No Sleep,” “Last Chance,” “Rolling Stone,” “Enough’s Not Enough,” and “Jaded and Faded” from their latest offering and Ripple Music debut, Cheated Death. The follow-up to 2015’s Road Warriors (review here) sees them no less infectious in their live energy, but it’s hard to ignore the more versatile approach that seems to be growing in their sound, from the classic rocking “Smoke” to the near-centerpiece “Devils and Angels” which ballads-out its boozy regrets before entering into an effective mid-paced build that rounds out in choice dual-soloing. Likewise, though they open at a good clip with the title-track, closer “Into the Light” finds a middle ground between thrust and groove. The truth is Against the Grain have never been just about speed, but they’ve never so directly benefited from a dynamic approach as they do on Cheated Death either.

Against the Grain on Thee Facebooks

Ripple Music on Bandcamp

 

Our Solar System, Origins

our solar system origins

Immediate kudos to Stockholm-based psychedelic progressive explorers Our Solar System – aka Vårt Solsystem – for opening their third full-length for Beyond Beyond is Beyond, the five-track/41-minute Origins, with the side-consuming 21-minute “Vulkanen.” One could hardly ask for more effective immersion in the band’s world of patiently unfurled, languid psychedelia, and with the accompaniment of “Babalon Rising,” the jazz-prog tracklist centerpiece “En Bit Av Det Tredje Klotet,” the birdsong-laced “Naturligt Samspel” and the semi-freaked-out melodic wash of “Monte Verita” on side B, a full, rich, and mind-expanding cosmos is engaged, free of restriction even as it remains thoroughly lysergic, and adherent to no structural will so much as the will to adventure into the unknown, to find out where one progression leads. As regards the long- and short-form material on Origins, it leads far, far out, and if you don’t come out the other side wanting to own everything the band has ever released, you’re decidedly in the wrong.

Our Solar System on Thee Facebooks

Beyond Beyond is Beyond website

 

Dommengang, Love Jail

dommengang love jail

Once calling Brooklyn Home, Los Angeles trio Dommengang waste no time in getting down to the business of boogie on their second album for Thrill Jockey, Love Jail. Produced by Tim Green (The Fucking Champs), the 10-track/50-minute long-player has all the room for organ/guitar mashups, righteous West Coast vibes and easy-flowing classic heavy rock one could hope for, and in the opening salvo of “Pastel City,” “Lovely Place” and “Lone Pine,” the three-piece of guitarist Dan “Sig” Wilson, bassist Brian Markham, and drummer Adam Bulgasem reaffirm mellow bluesiness as well on the title-track and dig into ‘90s-style alt bliss on the penultimate “Color out of Space.” There’s a welcoming air throughout that holds steady regardless of tempo, and in heavier moments like the second half of “I’m out Mine,” the band resonates with fuzz and noisy elements that bring just enough danger to the proceedings to keep the listener riveted. Classy, but not too classy, in other words.

Dommengang on Thee Facebooks

Thrill Jockey Records website

 

Boss Keloid, Melted on the Inch

boss keloid melted on the inch

It would seem that Wigan, UK, outfit Boss Keloid — newly signed to Holy Roar Records for the release of their third LP, Melted on the Inch – internalized a few crucial lessons from their sophomore outing, 2016’s Herb Your Enthusiasm (review here). At six tracks and 40 minutes, Melted on the Inch is about 20 minutes shorter than its predecessor. Its title isn’t a weed pun. Its cover art conveys a work of dimensionality, and most importantly, the album itself turns to be precisely that. Taking a significant step toward a more progressive sound, Boss Keloid maintain the heft of their prior outing but base it around material that, frankly, is more complex and dynamic. I won’t say that “Tarku Shavel” and “Lokannok” are without their elements of self-indulgence, but neither should they be for the five-piece to do justice to the multifaceted nature of their purpose. They still roar when they want to, but Boss Keloid strike with breadth on Melted on the Inch as well as sheer impact.

Boss Keloid on Thee Facebooks

Holy Roar Records website

 

Holy Smoke, Pipe Dream

holy smoke pipe dream

After forming in 2015, Philadelphia’s exclamatory Holy Smoke! issued their first three-track release, It’s a Demo! (review here) the next year and showed marked stylistic promise in cuts like “Rinse and Repeat” and “Blue Dreams.” Both of those tracks, as it happens, stand at the opening of the band’s latest EP, the five-song Pipe Dream, and reaffirm the potential in the group. The opener (also the longest track once again; immediate points) is a tale of workaday redundancy, the very sort of monotony that the rest of the offering seems to leave behind in favor of post-grunge heavy rock, marked by the wah-bass on finale “Asch Backwards” and the brooding sensibility of the prior “Golden Retriever,” which surges in its midsection like a lost Alice in Chains demo only to end quiet once again, a departure from the linearity of centerpiece “Missing the Mark” just before. Less psychedelic than their initial impression conveyed, they seem to have undertaken the work of crafting their own sonic niche in Philly’s increasingly crowded scene, and there’s nothing on Pipe Dream to make one think it’s not a realistic possibility they’ll get there.

Holy Smoke on Thee Facebooks

Holy Smoke on Bandcamp

 

Sabel, Re-Generation

sabel re-generation

Sabel know what they want to be and then are that thing. Their third album, Re-Generation, arrives via Oak Island Records as six tracks of to-the-converted stonerism, and from opener/longest track (immediate points) “In the Walls of Eryx,” the Swedish trio do little more than ask their listeners to smell the smoke emanating from their speaker cabinets (oddly sweet), and hone walls of fuzz that each seem to be bigger than the last. There are some elements of earliest Electric Wizard at play in “Atlantean” or the sneering “Voodoo Woman,” but belters like “Interstellar Minddweller” and “Green Priestess” stave off their sounding overly derivative, and though at the end of Re-Generation’s 42-minute run, one might feel as though they need a shower, the record itself proves well worth the dive into the muck. The band would seem to have carved their own descriptor with the title of their self-released 2015 LP, Hard Doom, and that’s as good as anything I could come up with, so let’s roll with it. They seem to.

Sabel on Thee Facebooks

Oak Island Records on Thee Facebooks

 

Blackwater Prophet, As I Watch it Freeze

blackwater prophet as i watch it freeze

Cheers to Christian Peters of Samsara Blues Experiment for putting me onto Spokane, Washington’s Blackwater Prophet, who with the seven-track As I Watch it Freeze collect various tracks recorded between 2015 and 2017. Thus something of a compilation, the 40-minute outing wants nothing for overarching flow, “In My Passing Time” leading off with a mellow psych-blues spirit that only grows more classic-feeling through “House of Stone” and the gorgeously pastoral “The Swamp.” The band have two proper full-lengths out, and if they wanted to count As I Watch it Freeze as their third, I don’t think they’d find much argument, as centerpiece “Gold in the Palm” opens like a gateway leading to the increasingly resonant “Careworn Crow,” the fuzzy swing of “Eating the Sun” and finally, the title-track itself, which answers the acoustics of “The Swamp” earlier while adding flourish of volume-swelling and swirling electric guitar and late choral vocals that only make the proceedings seem all the more complete in their engagement.

Blackwater Prophet on Thee Facebooks

Blackwater Prophet on Bandcamp

 

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Against the Grain Release Cheated Death Feb. 9; New Song Streaming

Posted in Whathaveyou on January 22nd, 2018 by JJ Koczan

against the grain

Should you be surprised when the new track Against the Grain are streaming tears ass out of your speakers like it just robbed the place? No, probably not. At least not if you heard 2015’s Road Warriors (review here) or have gotten down the with Detroit four-piece’s speed-minded fare before. What is distinct about the title-cut from their upcoming long-player, Cheated Death — out Feb. 9 on Ripple — is the underlying groove that accompanies that head-spinning presentation. Over time, Against the Grain have worked both on the road and in the studio to build a steady foundation of quality songwriting for their blazing craft, and it would seem those efforts are continuing to pay off.

You can stream “Cheated Death” at the bottom of this post because, you know, the future, and check out the wide swath of touring Against the Grain will be doing to support the record. That’s kind of their thing. Can pretty much guarantee this won’t be the last run they do this year, either. They go and go and go. And fast.

From the PR wire:

Against the Grain Cheated Death

AGAINST THE GRAIN: Motor City Mad Men Cheat Death Next Month with Ripple Music

Cheated Death is released worldwide on 9th February 2018 on Ripple Music

Living up to the title of their newest record, Against the Grain have proven themselves to be true road warriors. Blazing a trail across the US with their brand of gear-shifting, balls-to-the-wall rock, incorporating all things heavy they practically defy categorization, seamlessly blurring the lines of punk, rock, doom and thrash.

After playing fifty shows in 2009 across their home state of Michigan, their self-titled debut (released that same year) garnered a serious local fan base. Introduced to touring life by Hellmouth and The Meatmen, with their intense live show nailed and energized fan base following in support close behind, Against The Grain quickly transformed into a fully-functioning road act.

Playing seventy-five dates in 2011, they followed their debut with 2012’s Motor City Speed Rock and a further hundred fifty dates in support. Their efforts caught the attention of Self-Destructo Records, who in 2013 released their third full-length Surrounded By Snakes to such acclaim that they rereleased it soon afterward on 10” vinyl. Maintaining a DIY tour ethic, the band has since built a national fan base while quenching their thirst for fast and heavy rock and roll, right across the land. With a combined total of seven hundred and fifty dates under their belts since their formation in 2011, the band has toured alongside an impressive assemblage of notable acts that include Nashville Pussy, Valient Thorr, Bongzilla, Atomic Bitchwax, Mos Generator, Anvil, Night Demon, Church of Misery, The Hookers, Beast in the Field, Lo-Pan and many more.

Against The Grain’s heavily anticipated forth full-length, Road Warriors, was released in the summer of 2015 and pushed them even further into the electrifying realms of rock, metal and punk world. But it’s their soon-to-be released album Cheated Death that’s going to truly push them over the edge. Released this February on the California-based record label Ripple Music – widely regarded as one of the world’s leading record labels for Heavy Rock, Stoner, Doom and Heavy Psych – you can rest assured that the mad men of Michigan are going to blaze a trial across the US, the world and your mind in 2018.

Cheated Death is released worldwide on 9th February 2018 on Ripple Music

Against The Grain:
Chris Nowak – Bass, Vocals
Rob Nowak – Drums
Nick Bellomo – Guitar
Kyle Davis – Guitar
2018 Tour Dates:

2/2 – Saginaw (MI) – Hamilton St. Pub
2/3 – Indianapolis (IN) – The Melody Inn
2/4 – Grand Rapids (MI) – Tip Top Deluxe (Matinee)
3/22 – Westland (MI) – The Token Lounge
3/23 – Newport (KY) – The Southgate House Revival
3/24 – Nashville (TN) – Exit/In
3/25 – Lexington (KY) – Cosmic Charlies
3/26 – Louisville (KY) – Highlands Tap Room
3/27 – St Louis (MO) – FUBAR
3/28 – Springfield (MO) – Outland Ballroom
3/29 – Wichita (KS) – The Elbow Room
3/30 – Denver (CO) – The Gothic Theatre
3/31 – Grand Junction (CO) – The Mesa Theatre
4/1 – Salt Lake City (UT) – Metro Music Hall
4/3 – Las Vegas (NV) – The Divebar
4/4 – San Diego (CA) – The Soda Bar
4/5 – Santa Ana (CA) – The Observatory
4/6 – Bakersfield (CA) – Pyrenees Cafe and Saloon
4/7 – San Jose (CA) – The Ritz
4/8 – Santa Cruz (CA) – The Catalyst
4/10 – Sacramento (CA) – The Blue Lamp
4/12 – Grants Pass (OR) – Rogue Theatre
4/13 – Portland (OR) – Dantes
4/14 – Seattle (WA) – El Corazon
4/15 – Spokane (WA) – The Pin!
4/16 – Whitefish (MT) – Remington Bar and Casino
4/17 – Bozeman (MT) – Bozeman Eagles Club and Ballroom
4/18 – Billings (MT) – The Pub Station
4/20 – Minneapolis (MN) – Lees Liquor Lounge
4/21 – Green Bay (WI) – The Lyric Room
4/22 – Chicago (IL) – Reggies Rock Club

https://www.facebook.com/Againstthegraindetroit/
https://www.instagram.com/againstthegraindetroit/
https://againstthegrain-atg.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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Against the Grain Post “Here to Stay” Video; Tour with Speedealer and Mothership Starts Tomorrow

Posted in Bootleg Theater on February 8th, 2017 by JJ Koczan

against the grain

Tomorrow night, Detroit bruisers Against the Grain head out on a tour alongside Mothership and the resurgent Speedealer. The heavy rockers continue to live up to the ethic set forth with 2015’s Road Warriors (review here), by doing more than simply putting in time on the road, instead seeming to take a step forward with each subsequent tour. Over the last two-plus years, they’ve been out with Lo-Pan, The Atomic Bitchwax, Bongzilla, Black Cobra and others. I’ve yet to hear a complaint from anyone who’s been fortunate enough to see them play.

Given the significant amount of touring, maybe it’s not such a surprise that Against the Grain‘s new video for “Here to Stay” — a funny claim for a band with so much “go” in their approach to be making — is made up of a lot of live footage. There are some other clips and stuff spliced in, but the bulk of the thing finds the four-piece kicking ass on stage, which by now is probably where they’re most at home in so doing. I’ve heard they’ve got new material on the way at some point this year — they were included last month in the most anticipated for 2017 list, if you missed it — and there can be little doubt that when it arrives, in whatever form it takes, the follow-up to Road Warriors will be yet another occasion for the band to get out on tour. Much to their credit, it doesn’t seem to take much to convince them.

You’ll find the live dates under the video player below for the Speedealer and Mothership tour. Note also that Against the Grain will be at Berserker Fest in Pontiac, Michigan, in April. One assumes there are more dates to follow as we head deeper into the year.

Enjoy:

Against the Grain, “Here to Stay” official video

Here’s our new music video for “Here To Stay”. Official video for “Here to Stay” off of 2015’s release “Road Warriors” available on Self Destructo/Failure Records.

See you on the road with Speedealer and Mothership!

Against the Grain live:

Southern Disruption tour w/ Speedealer and Mothership:
2/9 – Atlanta, GA – The Masquerade
2/10 – New Orleans, LA – Siberia
2/11- Birmingham, AL – The Nick
2/12 – Nashville, TN – The End
2/13 – Memphis, TN – Hi Tone Cafe
2/14 – Little Rock, AR – White Water Tavern
2/15 – Oklahoma City, OK – The Blue Note
2/16 – Austin, TX – The Sidewinder
2/17 – San Antonio, TX – Hi-tones
2/18 – Dallas, TX – Three Links
2/19 – Houston, TX – Fitzgeralds ( all ages, early show)

4/15 and 4/16 – Pontiac, MI – Crofoot – Berserker Fest

Against the Grain on Thee Facebooks

Against the Grain on YouTube

Against the Grain on Bandcamp

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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Speedealer, Mothership and Against the Grain Announce Southern US Tour

Posted in Whathaveyou on December 27th, 2016 by JJ Koczan

Dallas octane rockers Speedealer played a few gigs in November that they highlighted as a ‘return’ for the band, but they seem to have been doing shows for a while before that as well. Their last studio release was 2003’s Bleed, so one way or another, it’s probably fair to call anything they do a return. One recalls (vaguely and through a Shiner Bock-filtered haze) seeing them at SXSW in the mid-’00s — was it the tiki bar joint on Red River with JJ Paradise Players Club? — and being fairly blown out of the room, though to be fair, that was kind of how it went in Austin at the time. I haven’t seen word of a new record or anything, but even if they’re doing 10 days out to test the waters, they gotta have a reason. These things don’t happen by mistake, you know.

The two bands joining them on the run, as it happens, are both heralding new albums. In the case of fellow Texas trio Mothership, it’s the forthcoming High Strangeness (info here), which is out March 17 on Ripple Music. Less is publicly known at this point about Against the Grain‘s next full-length, but the Detroit-based speed rockers have at least announced their intentions toward a 2017 release. There’s plenty of year ahead, so let’s get there first and then we’ll see what comes.

Run has been tagged as the “Southern Disruption Tour 2017.” Poster and dates follow here, as seen on the social medias:

speedealer mothership against the grain

Speedealer w/ Mothership & Against the Grain:
Feb 9 – Atlanta, GA – The Masquerade.
Feb 10 – New Orleans, LA – The Siberia.
Feb 11 – Birmingham, AL – The Nick.
Feb 12 – Nashville, TN – The End.
Feb 13 – Memphis, TN – Hi Tone.
Feb 14 – Little Rock, AR – White Water Tavern (no speedealer).
Feb 15 – Oklahoma City, OK – The Blue Note (no Speedealer).
Feb 16 – Austin, TX – The Sidewinder.
Feb 17 – San Antonio, TX – Hi-Tones.
Feb 18 – Dallas, TX – Three Links.
Feb 19 – Houston, TX – FitZgeralds.

https://www.facebook.com/Speedealer-16197817734/
https://www.facebook.com/mothershipusa/
https://www.facebook.com/Againstthegraindetroit/

Speedealer, “Inventor of Evil”

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Heavy Metal Parking Lot 3: Two-Day SXSW Event Lineup Announced

Posted in Whathaveyou on January 14th, 2016 by JJ Koczan

The formidable likes of PentagramWeedeaterBongzillaBlack CobraKings DestroyLo-Pan, Mondo DragVenomous MaximusToday is the Day and many more will take part in Heavy Metal Parking Lot 3 this March in Austin, Texas, as part of SXSW. A two-day event clustered in the madness that is the Texan capitol that week, Heavy Metal Parking Lot 3 is set for March 18 and 19 at The Lost Well, just north of 7th St., and far enough off 6th that if you happen to be in town for SXSW, it’s an easily-enough justified walk (stumble) by the righteousness of those on the bill. You might as well just camp outside the venue to be sure you get back there on the second day.

Or, you know, fall asleep in the gutter, because that’s kind of how it goes at SXSW, or at least it was the last time I was there. Though you can’t deny the wide reach of Heavy Metal Parking Lot 3 in bringing in its headliners from around the Midwest and East and West Coasts, it’s worth pointing out the particular attention paid to supporting local acts, among them Texan outfits like Venomous Maximus — who reportedly have a new album coming this year — as well as BanquetSweat LodgeDestroyer of LightFrom Beyond and so on. Cheers to American Icon Presents for making sure all sides are represented.

Lineup follows here, in case you’d like to drool or book a flight or book me a flight, you know, whatever:

heavy metal parking lot 3 poster

HEAVY METAL PARKING LOT 3

Day 1 -Fri Mar 18
WEEDEATER ( Exclusive Performance )
BONGZILLA
Kings Destroy
Black Cobra
Author and Punisher
Today is the Day
Lord Dying
Lo Pan
Against the Grain
Widower
Slurr
Thunderkief

Day 2 – Sat Mar 19
PENTAGRAM ( Exclusive Performance)
Mondo Drag
Venomous Maximus
Sweat Lodge
The Blood Royale
Tower
Sabbath Crow

SPECIAL GUESTS
Destroyer of Light
Banquet
From Beyond
Greenbeard

Day 1 and Day 2 tickets Purchased Separately
Sponsored by American Icon Records (A.I.R)

https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-1-weedeater-bongzilla-tickets-20491750377
https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-2-pentagram-tickets-19813562900
https://www.facebook.com/events/430113890521968/
https://www.facebook.com/AmericanIconpresents/
https://www.facebook.com/AmericanIconRecords/

Pentagram, “When the Screams Come” live at A.I.R. Expo

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Bongzilla Announce US Tour with Black Cobra, Lo-Pan, Kings Destroy and Against the Grain

Posted in Whathaveyou on December 17th, 2015 by JJ Koczan

bongzilla (Photo by Patrick Baleydier)

Reunited Wisconsin sludgers Bongzilla will look to bring their reunion to another level in 2016. After already hitting the road hard this year, the trio are set to go coast-to-coast beginning at the end of February. In the support slots are Black Cobra, who’ll have a new record out by then (info here), and Lo-Pan, as well as Kings Destroy and Against the Grain, who will tradeoff circa SXSW.

It’s a formidable run in any case, and its finish right at the start of April makes me wonder if Bongzilla might have eyes toward Europe for shortly after, but either way, look for much more to come about what’s sure to be one of early 2016’s heaviest tours. Bongzilla will be out supporting a slew of reissues between Relapse Records and Hydro-Phonic Records, and while I’m interested to see if their reunion takes them back into the studio — you’d think it would almost have to, sooner or later — for now they seem to be keeping themselves plenty busy.

Poster and dates follow:

bongzilla tour

BONGZILLA, with support from Black Cobra, Lo-Pan, Kings Destroy and Against The Grain

2/26/2016, Madison WI, High Noon Saloon &
2/27/2016, Iowa City IA, Oasis &
2/28/2016, Fargo ND, Aquarium &
3/1/2016, Missoula MT, The Palace &
3/2/2016, Spokane WA, The Pin &
3/3/2016, Seattle WA, Highline &
3/4/2016, Vancouver BC, Rickshaw Theater &
3/5/2016, Bellingham WA, Shakedown &
3/6/2016, Portland OR, Star Theater &
3/7/2016, Sacramento CA, Starlite &
3/8/2016, San Francisco CA, Milk Bar &
3/9/2016, Santa Cruz CA, Catalyst &
3/10/2016, Los Angeles CA, Viper Room &
3/11/2016, San Diego CA, Brick By Brick &
3/12/2016, Mesa AZ, Club Red &
3/13/2016, Albuquerque NM, Sister Bar &
3/15/2016, Denver CO, Marquis Theatre &
3/16/2016, Kansas City MO, Riot Room &
3/17/2016, Ft. Worth TX, The Rail Club &
3/18/2016, Austin TX, SXSW,
3/19/2016, Austin TX, SXSW #
3/20/2016, Houston TX, Fitzgeralds #
3/22/2016, New Orleans LA, Siberia #
3/23/2016, Tampa FL, Orpheum #
3/24/2016, Miami FL, Churchills #
3/25/2016, Orlando FL, Wills Pub #
3/26/2016, Atlanta GA, The Earl #
3/27/2016, Asheville NC, Mothlight #
3/28/2016, Richmond VA, Strange Matter #
3/29/2016, Philadelphia PA, Kung Fu Necktie #
3/30/2016, Pittsburgh PA, Altar Bar #
3/31/2016, Hamden CT, Outer Space Ballroom #
4/1/2016, Brooklyn NY, Saint Vitus #
4/2/2016, Somerville MA, ONCE Ballroom #
4/3/2016, Pawtucket RI, The Met #
4/4/2016, Montreal QC, Foufounes Electriques #
4/5/2016, Toronto ON, Mod Club #
4/6/2016, Detroit MI, Loving Touch #
4/7/2016, Cleveland OH, Grog Shop #
4/8/2016, Chicago IL, Reggies #

Black Cobra and Lo-Pan on all dates
&= Against The Grain 2/26-3/7
#= Kings Destroy 3/19-4/8

https://www.facebook.com/Bongzilla/
http://www.relapse.com/bongzilla/
http://hydro-phonicrecords.com/home.html

Bongzilla, Live in Los Angeles 2015

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Quarterly Review: Steve Von Till, Devil Worhsipper, Dr. Crazy, Linie, The Heavy Minds, Against the Grain, Angel Eyes, Baron, Creedsmen Arise, Deadly Sin (Sloth)

Posted in Reviews on September 28th, 2015 by JJ Koczan

the-obelisk-quarterly-review-fall-2015

Truth be told, I’ve been looking forward to this Quarterly Review since the last one ended. Not necessarily since it clears the deck on reviews to be done — it doesn’t — but just because I feel like in any given week there’s so much more that I want to get to than I’m usually able to fit into posting that it’s been good to be able to say, “Well I’ll do another Quarterly Review and include it there.” Accordingly, there are some sizable releases here, today and over the next four days as well.

If you’re unfamiliar with the project, the idea is over the course of this week, I’ll be reviewing 50 different releases — full albums, EPs, demos, comps, splits, vinyl, tape, CD, digital, etc. Most of them have come out since the last Quarterly Review, which went up early in July, but some are still slated for Oct. or Nov. issue dates. Best to mix it up. My hope is that within this barrage of info, art and music, you’re able to find something that stands out to you and that you enjoy deeply. I know I’ll find a few by the time we’re done on Friday.

Fall 2015 Quarterly Review #1-10:

Steve Von Till, A Life unto Itself

steve von till a life unto itself

A new Steve Von Till solo outing isn’t a minor happening in any circumstances, but A Life unto Itself reads more like a life event than an album. As ever, the Neurosis guitarist/vocalist puts a full emotional breadth into his material, and as it’s his first record in seven years since 2008’s A Grave is a Grim Horse, there’s plenty to say. Sometimes minimal, sometimes arranged, sometimes both, the seven tracks feature little of the psychedelic influence Von Till brought to his Harvestman project, but use lap steel, strings, electrics, acoustics, keys and of course his meditative, gravelly voice to convey a broad spectrum nonetheless, and cuts like “Chasing Ghosts,” “In Your Wings” and the centerpiece “Night of the Moon” (which actually does veer into the ethereal, in its way) are all the more memorable for it. The richness of “A Language of Blood” and the spaciousness of the drone-meets-sea-shanty closer “Known but Not Named” only underscore how far Von Till is able to range, and how satisfying the results can be when he does.

Steve Von Till on Thee Facebooks

Steve Von Till at Neurot Recordings

Devil Worhsipper, Devil Worhsipper

devil worshipper devil worshipper

Bizarro vibes pervade Devil Worshipper’s debut LP, Devil Worshipper, what may or may not be a one-man project from Jeff Kahn (ex-Hideous Corpse, Skeleton of God; spelled here as Jevf Kon), mixed by Tad Doyle and released on Holy Mountain. Based in Seattle (that we do know), the project wields molten tones and slow groove to classic underground metal, heavy psych and bleary moods to hit into oddly cinematic moodiness on “Ash Brume” and even nod at Celtic Frost from a long ways away on closer “Lurker (Death).” Most of the drums are programmed, save for “New Spirit World Order,” “Ash Brume” and “Lurker,” but either way, they only add to the weirdness of the chanting layered vocals of “New Spirit World Order,” and just when it seems like eight-minute second track “Chemrails” will have been as far out as Devil Worshipper gets, side B’s “Desert Grave” takes hold for a five-minute dirge that turns out to be one of the record’s most satisfying rolls, reminiscent of something Rob Crow might’ve done with Goblin Cock on downers. Unexpected and living well in its own space, the album manages to be anchored by its lead guitar work without seeming anchored at all.

Devil Worshpper on Thee Facebooks

Devil Worshipper at Holy Mountain

Dr. Crazy, 1,000 Guitars

dr crazy 1000 guitars

So, how many guitars on London trio Dr. Crazy’s 13-minute/four-song EP, 1,000 Guitars? Two, I think. The side-project of Groan vocalist Andreas “Mazzereth” Maslen and Chris West, formerly the drummer of Trippy Wicked and Stubb who here plays guitar and bass while Groan’s former guitarist Mike Pilat handles drums, make a bid for the possibility of playing live in bringing in Pilat to fill the role formerly occupied remotely by Tony Reed of Mos Generator on their 2014 debut EP, Demon Lady. Whether that happens will remain to be seen, but they affirm their ‘80s glam leanings on “Bikini Woman” and keep the message simple on opener “Hands off My Rock and Roll” while “1,000 Guitars” makes the most of guest lead work from Stubb’s Jack Dickinson – he’s the second guitar, alongside West – and yet another infectious Mazzereth-led hook, and well, “Mistress of Business” starts out by asking the titular lady to pull down her pants, so, you know, genius-level satire ensues.

Dr. Crazy on Thee Facebooks

Dr. Crazy on Bandcamp

Linie, What We Make Our Demons Do

linie what we make our demons do

An aggressive core lies beneath the progressivism of German five-piece Linie (actually written as ?inie) on their debut full-length, What We Make Our Demons Do, but the material holds a sense of atmosphere as well. Vocalist/guitarist Jörn is very much at the fore of post-intro opener “Blood on Your Arms,” but as the crux of the album plays out on the chug-happy “Lake of Fire” and “No Ideal,” Linie showcase a wider breadth and bring together elements of post-hardcore à la Fugazi, darker heavy rock and purposefully brooding metal. Comprised of Jörn, guitarist/vocalist Alex, bassist/vocalist Ralph, drummer/vocalist Alex and keyboardist Iggi, the band impress on their first offering with not only how assured they seem of their aesthetic, but the expansive manner in which they present it. Their songwriting is varied in approach but unified in mood and while I don’t know what has them so pissed off on a cut like “Inability,” there’s no question whether they’re putting that anger to good use.

Linie on Thee Facebooks

Linie on Bandcamp

The Heavy Minds, Treasure Coast

the heavy minds treasure coast

Austrian trio The Heavy Minds make their full-length debut on Stone Free with Treasure Coast, a seven-cut LP that fuzzes up ‘70s swing without going the full-Graveyard in retro vibe. “You’ve Seen it Coming” seems to nod at Radio Moscow, but a more overarching vibe seems to share ideology with Baltimore three-piece The Flying Eyes, the classic rock sensibilities given natural presentation through a nonetheless modern feel in the tracks. The bass tone of Tobias (who also plays guitar at points) alone makes Treasure Coast worth hunting down, but doesn’t prove to be the limit of what the young outfit have to offer, drummer Christoph swinging fluidly throughout “Diamonds of Love” in a manner that foreshadows the emergent roll of “Seven Remains.” That song is part of a closing duo with “Fire in My Veins,” which boasts a satisfying bluesy howl from guitarist Lukas, rounding out Treasure Coast with an organic openness that suits the band well.

The Heavy Minds on Thee Facebooks

Stone Free

Against the Grain, Road Warriors

against the grain road warriors

Momentum is key when it comes to Road Warriors, the new full-length from Detroit four-piece Against the Grain. They amass plenty of it as they thrust into the 12-track/38-minute rager of an outing, but there are changes to be had in tempo if not necessarily intent. Comprised of bassist/vocalist Chris Nowak, guitarist/vocalist Kyle Davis, guitarist Nick Bellomo and drummer Rob Nowak, the band actually seems more comfortable on fifth-gear cuts like “’Til We Die,” “What Happened,” the first half of “Afraid of Nothing” or the furious “Run for Your Life” than they do in the middle-ground of “Guillotine” and “Night Time,” but slowing down on “Sirens” and “Eyes” allows them to flex a more melodic muscle, and that winds up enriching the album in subtle and interesting ways. If you want a clue as to the perspective from which they’re working, they start with “Here to Stay” and end with “Nothing Left to Lose.” Everything between feels suitably driven by that mission statement.

Against the Grain on Thee Facebooks

Against the Grain on Bandcamp

Angel Eyes, Things Have Learnt to Walk that Ought to Crawl

angel-eyes-things-have-learnt-to-walk-that-ought-to-crawl

With the ‘t’ and the ‘ought’ in its title, Angel Eyes’ posthumous third full-length, Things Have Learnt to Walk that Ought to Crawl, brims with oddly rural threat. Like the things are people. The Chicago outfit unfold two gargantuan cascades of atmosludge on “Part I” (15:54) and “Part II” (19:18), pushing their final recording to toward and beyond recommended minimums and maximums as regards intensity. They called it quits in 2011, so to have the record surface four years later and be as blindsidingly cohesive as it is actually makes it kind of a bummer, since it won’t have a follow-up, but the work Angel Eyes are doing across these two tracks – “Part I” getting fully blown-out before shifting into the quiet opening of “Part II” – justifies the time it’s taken for it to be released. They were signed to The Mylene Sheath, but Things is an independent, digital-only outing for the time being, though its structure and cover feel ripe for vinyl. Who knows what the future might bring.

Angel Eyes on Thee Facebooks

Angel Eyes on Bandcamp

Baron, Torpor

baron torpor

Textured, hypnotic and downright gorgeous in its psychedelic melancholy, Baron’s Torpor is a record that a select few will treasure deeply and fail to understand the problem as to why the rest of the planet isn’t just as hooked. A thoroughly British eight-track full-length – their second, I believe, but first for SvartTorpor creates and captures spaces simultaneously on organ-infused pieces like “Mark Maker,” executing complex transitions fluidly and feeding into an overarching ambience that, by the time they get around to the eight-minute “Stry,” is genuinely affecting in mood and beautifully engrossing. The Brighton/Nottingham four-piece fuzz out a bit on “Deeper Align,” but the truth is that Torpor has much more to offer than a single genre encapsulates and those that miss it do so to their own detriment. I mean that. Its patience, its poise and its scope make Torpor an utter joy of progressive flourish and atmosphere with a feel that is entirely its own. I could go on.

Baron on Thee Facebooks

Baron at Svart Records

Creedsmen Arise, Temple

creedsmen arise temple

So get this. For their first EP, Swedish trio Creedsmen Arise – guitarist Emil, drummer Simon and bassist Gustaf (since replaced by Jonte) – have taken it upon themselves to pen a sequel to Sleep’s Dopesmoker that, “tells the story about what happened centuries after the Dopesmoker Caravan and it’s [sic] Weedians reached their destination.” Admirably ballsy terrain for the three-piece to tread their first time out. It’s like, “Oh hey, here’s my first novel – it’s Moby Dick from the whale’s perspective.” The three tracks of the Temple EP are fittingly schooled in Iommic studies, but the band almost undercuts itself because they don’t just sound like Sleep. They have their own style. Yeah, it’s riffy stoner metal, but it’s not like they’re doing an Al Cisneros impression on vocals, so while the concept is derived directly, the sound doesn’t necessarily completely follow suit. Between the 10-minute opening title- and longest-track (immediate points), “Herbal Burial” and “Circle of Clergymen,” Creedsmen Arise make perhaps a more individualized statement than they intended, but it’s one that bodes well.

Creedsmen Arise on Thee Facebooks

Creedsmen Arise on Bandcamp

Deadly Sin (Sloth), Demo Discography

deadly sin (sloth) demo discography

Nola’s cool and all, but when it comes to the nastiest, most misanthropic, fucked-up sludge, choosy moms choose Ohio, and Deadly Sin (Sloth) are a potent example of why. Their Demo Discography tape revels in its disconcerting extremity and seems to grind regardless of whether the Xenia, OH, trio are actually playing fast. Comprised of Jay Snyder, Wilhelm Princeton and Kyle Hughes, Deadly Sin (Sloth) cake themselves in mud that will be familiar to anyone who’s witnessed Fistula on a bender or Sloth at their most pill-popping, but do so with sub-lo-fi threat on the tape and are so clearly intentional in their effort to put the listener off that one could hardly call their demos anything but a victory. Will not be for everyone, but of course that’s the idea. This kind of viciousness is a litmus test that would do justice to any basement show, maddening in its nod and mean well beyond the point of reason.

Deadly Sin (Sloth) on Thee Facebooks

Deadly Sin (Sloth) on Bandcamp

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