Acid King Announce Busse Woods 20th Anniversary Tour and Reissue

Posted in Whathaveyou on May 21st, 2019 by JJ Koczan

acid king

Fuck yes. Acid King. Playing Busse Woods. 20th anniversary. Reissue on RidingEasy Records. Fuzz. “Electric Machine.” The whole bit. What the hell is going to be better than that? Whatever else you had planned, can it. Get yourself to where you really need to be and nod yourself into oblivion. Seriously. This is going to be fucking incredible. Desert island record.

The reissue is out Aug. 30 with modified art and a new master, which is fine because it’s probably going to make it louder and that’ll be just great thank you kindly.

Is the show in your calendar yet? It should be. I just added it. Might have to trek down to Philly for two in a row… Hmm…

Looky looky:

Acid King busse woods tour poster

Acid King announce Busse Woods reissue on RidingEasy Records and 20th anniversary tour

San Francisco stoner-rock trio touring with support from Wizard Rifle and Warish

San Francisco trio Acid King announce the 20th Anniversary reissue of their 1999 sophomore album Busse Woods to be released on RidingEasy Records. The reissue is in conjunction with an extensive North American tour commemorating the landmark album. Please see dates below.

The tour features support from Wizard Rifle and RidingEasy label mates Warish.

Originally released via Frank Kozik’s groundbreaking Man’s Ruin Records in 1999, Busse Woods will be remastered, with updated artwork for release via RidingEasy Records.

Busse Woods will be available on LP, CD and download on August 30th, 2019 via RidingEasy Records.

ACID KING ‘BUSSE WOODS’ 20TH ANNIVERSARY TOUR 2019:
09/20 Portland, OR @ Star Theater – Hesh Fest *
09/21 Seattle, WA @ Highline *
09/23 Denver, CO @ Marquis Theater *
09/24 Omaha, NE @ Slowdown *
09/25 Chicago, IL @ Reggies *
09/26 Indianapolis, IN @ Black Circle *
09/27 Cleveland, OH @ Grog Shop *
09/28 Buffalo, NY @ Mohawk Place *
09/29 Boston, MA @ Sonia *
09/30 New York, NY @ Knitting Factory *
10/01 Philadelphia, PA @ Johnny Brenda’s *
10/02 Richmond, VA @ Richmond Music Hall *
10/03 Raleigh, NC @ Kings *
10/04 Asheville, NC @ Mothlight *
10/05 Atlanta, GA @ The 529 *
10/06 New Orleans, LA @ One Eye Jack’s *
10/07 Dallas, TX @ Gas Monkey *
10/09 Albuquerque, NM @ Sister *
10/10 Mesa, AZ @ Club Red *
10/11 Los Angeles, CA @ Satellite *
10/12 San Francisco, CA @ Chapel *

* w/ Wizard Rifle, Warish

Acid King is:
Lori S. – Guitar & Vocals
Rafa Martinez – Bass
Bil Bowman – Drums

www.facebook.com/AcidkingSF
https://www.instagram.com/acidkingrocks/
www.acidking.com
ridingeasyrecs.com
http://www.nanotear.com/
https://www.facebook.com/Nanotear/

Acid King, Busse Woods 20th anniversary tour video

Acid King, Busse Woods 2004 reissue

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Northwest Hesh Fest 2019 Lineup Announced with Acid King, Red Fang, Nebula and More

Posted in Whathaveyou on May 20th, 2019 by JJ Koczan

northwest hesh fest skull

That’s a pretty good bill, man. Seriously, who’s better than Acid King? Anyone? I just started watching the video at the bottom of this post and god damn, that band is awesome. You know 2019 is the 20th anniversary of Busse Woods and they’ve already announced some celebratory shows, but whenever you can see them, god damn, just go. And having them headline a night with Witch Mountain, Wizard Rifle and Warish (like a Nanotear showcase), with Nebula, Red Fang, Black Elk, Sasquatch, Holy Grove, Eagle Claw and American Sharks playing across the other two nights, the last night ending with the weirdness of putting Necrot and Fat Tony back to back? Well, yeah, like I said, that’s a pretty good bill. I won’t be there to see it, but if you are, I promise I’ll be jealous.

They’ve got tickets for sale now, and I don’t know how big these rooms are because they’re on the other end of the country, but I know that even looking at the list of bands I’m like, “Duh, I should go to that,” so I’d imagine even more people feel that way when, you know, it’s an actual possibility for them to do so.

Pray for the master:

northwest hesh fest poster

Northwest Hesh Fest 2019

Sep 19-21 – Star Theater Portland – Bossanova Ballroom – Dante’s

NORTHWEST HESH FEST 2019
Opening Party Sept. 19 at Bossanova Ballroom

RED FANG
BLACK ELK (Reunion)
AMERICAN SHARKS
https://www.eventbrite.com/e/red-fang-black-elk-american-sharks-northwest-heshfest-tickets-60316705891
(Opening Party TICKET w RED FANG )

Friday Sept 20 at Star Theater
ACID KING
WITCH MOUNTAIN
WIZARD RIFLE
WARISH
https://www.ticketweb.com/event/nw-hesh-fest-2019-feat-star-theater-tickets/9446285?pl=star (ACID KING Ticket)

Saturday Sept 21 at Star Theater & Dantes

FAT TONY
NECROT
NEBULA
SASQUATCH
EAGLE CLAW
HOLY GROVE

MANY MORE BANDS TBA!

NORTHWEST HESH FEST 2019 FEST PASS
https://www.eventbrite.com/e/northwest-hesh-fest-2019-friday-saturday-sept-20-21-tickets-53528655650

NOTE! FEST PASS is for FRIDAY & SATURDAY ONLY!
OPENING PARTY TICKETS w RED FANG Sold Separate

https://www.facebook.com/events/498976627248137/
https://www.facebook.com/NorthWestHeshFest/

Acid King, Life in Sacramento, CA, Sept. 6, 2018

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Stoned and Dusted Announces Full Lineup; Party in the Desert

Posted in Whathaveyou on February 19th, 2019 by JJ Koczan

stoned and dusted banner

There wasn’t really any doubt, but it’s nice to have confirmation that the lineup for Stoned and Dusted is awesome. So there you have Melvins, Fu Manchu, Brant Bjork, King Buffalo, Yawning Man, Acid King, Black Mountain, Lo-Pan, REZN, BigPig, Del-Toros, Sgt. Papers and, oh yeah, Radio Moscow for a bit of the ultra-boogie. I was having a conversation not so long ago with an artist who played last year and was talking about how the sound guy was indeed spaced way the hell out, so when you look at the poster and see “Sound Guy on Acid” listed above the Mad Alchemy Liquid Light Show, you should know they may be speaking literally. No doubt that will only add to the one-of-a-kind experience of the desert’s own heavy party.

The lineup speaks for itself, so I’ll spare you the get-there-if-you-can-get-there rant and just drop the ticket link here for your purchasing and travel planning. There’s also a Spotify playlist below that, while I imagine you’re well familiar with the bulk of these acts, is no less welcome for that, as far as I’m concerned.

Dig:

Stoned and Dusted 2019

The California Desert Wizards Association will hold its second annual members’ gathering on May 25 & 26th, 2019 in the Southern California Mojave Desert, USA.

Total radness on Memorial Day weekend!

On Saturday May 25th we are doing it up at Pappy & Harriet’s, our favorite desert roadhouse and one of the world’s coolest music venues. Get ready for an outside show under the desert skies with Melvins, Fu Manchu, Brant Bjork, REZN, (Big) Pig, and lights by the Mad Alchemy Liquid Light Show.

Our desert party is back and it’s going down on May 26th at a secret location near Joshua Tree, CA with Black Mountain, Acid King, Radio Moscow, Yawning Man (Official), King Buffalo, Lo-Pan, Sgt. Papers, Del-Toros, and the Mad Alchemy Liquid Light Show.
Limited tickets available, get yours now!

https://cdwa.ticketleap.com/2019-stoned-and-dusted

Poster by Branca Studio
photo by Sam Grant.

Big thanks to Pizza Del Perro Negro and TIMEWARP MUSIC!!

https://cdwa.ticketleap.com/2019-stoned-and-dusted/
https://www.facebook.com/StonedandDusted/
https://www.facebook.com/events/1053849404806774
https://www.instagram.com/stonedanddusted/
https://www.stonedanddusted.com/

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Acid King Announce Northeastern Shows in Philly and Brooklyn

Posted in Whathaveyou on July 10th, 2018 by JJ Koczan

Hell’s bells, I know you don’t need me to tell you to go see Acid King whenever you get the chance. You already know that. Still, isn’t it all the more worth reinforcing the point when the long-running San Fran trio are coming east for all of two — count ’em: one, two — shows at the end of this month? And sure, their dates at new hotspot The Kingsland and prior-established hotspot Kung Fu Necktie happen to coincide with the same two nights Sleep will be in Brooklyn, but seriously, what the hell? You go to one one night and the other the other. It’s called logistics. I’m not making this shit up.

Acid King, with the new, partially-not-new lineup of founding guitarist/vocalist Lori S., returning bassist Rafa Martinez (see also: Black Cobra‘s drum madness) and drummer Bil Bowman will also head out on a tour of the Southwest as the only not-all-caps band alongside Oregonian cosmic doom forerunners YOB and L.A. doomcrafters CHRCH, and while personally I think they should change their name to ACID KING for the duration, that tour is the stuff of legend either way. Enough that I just asked The Patient Mrs. if we could fly out to Albuquerque to see it. No. No, we can’t. Nice thought though.

One is also expecting an imminent European tour announcement from Acid King, who’ve already been confirmed for Desertfest Belgium, Keep it Low and the Up in Smoke festivals this Fall in Antwerp, Munich and Pratteln, Switzerland, respectively. Worth keeping an eye out, as always.

What’s so far confirmed follows here, snagged from social media:

acid king

Acid King East Coast Shows in July! Philadelphia and New York only.

07.27 Kung Fu Necktie Philadelphia PA w/ Green Meteor
https://www.facebook.com/events/203608440235832/

07.28 The Kingsland Brooklyn NY w/ Geezer, Devoidov
https://www.facebook.com/events/522575644805795/

Yob + Acid King + CHRCH announce West/SW tour this September !

Thu 9/6 Harlow’s – Sacramento
Fri 9/7 Catalyst – Santa Cruz
Sat 9/8 Pappy & Harriet’s
Sun 9/9 Teragram Ballroom – LA
Tuesday 9/11 Hi-Dive Denver *Acid King only *
Wed 9/12 Sister – ABQ
Thu 9/13 Club Red – Phoenix
Fri 9/14 Brick By Brick – SD
Sat 9/15 Oakland Metro

Acid King is:
Lori S. – Guitar & Vocals
Rafa Martinez – Bass
Bil Bowman – Drums

www.facebook.com/AcidkingSF
www.acidking.com

Acid King, Middle of Nowhere, Center of Everywhere (2015)

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Desertfest Belgium 2018 First Announcement: Acid King, YOB, John Garcia & Wo Fat Added

Posted in Whathaveyou on May 7th, 2018 by JJ Koczan

desertfest belgium 2018 banner

This past weekend the Desertfests in Berlin and London took place. The Spring Desertfests. The timing, then makes perfect sense for Desertfest Belgium 2018 to make its first lineup announcement for this October. One imagines Desertfest Athens 2018 won’t be far behind if it hasn’t already put word out. Either way, the Antwerp lineup is already a doozy, with four acts added any of whom coul serve as a headliner if the fest so desired: YOBAcid KingJohn Garcia and Wo Fat.

Garcia is of particular note here since it seems he’s got a new — or at least re-branded — band backing him. That seems to make it likely he’ll take on tracks from a variety of his projects over the last two-plus decades — HermanoSlo BurnKyussUnida, etc. — but I’m more curious to know if there will be original material as well, if John Garcia an the Band of Gold have been writing. Call me greedy. I like information.

Here’s some from the fest:

Last week we had a resounding start of this year’s event, with the Early Bird tickets selling out in less than 24 hours, and not a single name announced. We hear you loud and clear, people of Desertfest! And this is why we are excited to announce the FIRST NAMES confirmed for this year’s edition.

Few bands embody the spirit of Desertfest more than the mighty Yob: intense and heavy, yet full of love. It is only fitting that we invite them back after the release of their eighth studio album. Another scene legend that surprisingly has never played our fest before is John Garcia – so we decided to fix that. He’ll be playing the fest with his new outfit The Band of Gold.

One more name that needs no introduction is Acid King – who may or may not have new material ready by the time they reach our shores. And finally, we are glad to have Wo Fat returning to the festival, as their last passage was charged with emotion and passion.

So there we are – four names that just ooze awesomeness. And with that, we also start selling the REDUCED COMBI TICKETS, 3 days at the price of €95 which is an absolute steal. If you missed out on the Early Birds, don’t make the same mistake twice! This edition is gonna be red hot. In fact, we’d say it already is!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/364607267372737/
https://twitter.com/DesertfestBE

YOB, “The Screen”

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Keep it Low 2018: Colour Haze, Acid King, The Picturebooks, Sasquatch, Sundog & The Great Machine Confirmed

Posted in Whathaveyou on March 12th, 2018 by JJ Koczan

keep it low 2018 banner

If I can be completely honest for a moment, of all the European festivals that happen each Fall, none of them sets me to daydreaming quite like Keep it Low. Is it the fact that a headlining set from Colour Haze is pretty much guaranteed at this point? Well, that certainly doesn’t hurt. But in addition to that, it’s the vibe of the thing. Every year, fests start spewing out their lineups and try to outdo each other, and I have no doubt that 2018 won’t be any different. It’s a lot of fun, but Keep it Low tends to sidestep the hype in favor of a more laid back approach, and to me that speaks to the kind of vibe I’d like to check out on a cool October weekend in Munich. Acid King, Colour Haze and Sasquatch playing Keep it Low 2018? Pardon me while my mind wanders…

What follows here are actually the first two announcements from the festival via social medias. I put them together as one thing because, like with Up in Smoke the other day, I wasn’t getting Sound of Liberation‘s updates. Once again, that problem has hopefully been fixed at this point, so I should be able to keep up from here on out.

Emphasis on “should.”

Here’s the latest, anyhow:

keep it low 2018 poster

Keep it Low #6 – Oct. 19 & 20, 2018

The first three bands confirmed for Keep It Low – Festival 2018: Acid King, Sasquatch & The Great Machine! Regular Tickets are also now available! Grab yours quick (remember that Early Birds were gone in only 1 day!)

Acid King – Bathed in distortion and baptized in a plume of smoke, the Bay Area trio fronted by talented Lori S. is rocking the heavy scene for more than 2 decades and we are just thrilled to host them for our sixth edition of the festival.

Sasquatch – Californian Dudes are riffrockers to the core: mixing elements of 70s rock, metal and psychedelia…we’re all in for a hell of a party !

The Great Machine – Three piece heavy rock machine from Tel Aviv, Israel, known for their intense and straight forward live performances. Check them out, you won’t regret it!

Today, we’re thrilled to tell you that Colour Haze will be playing their yearly & exclusive Munich show at Keep It Low – Festival! The band has recently added a fourth bandmember (piano/organ/keys) and as usual you can expect an outstanding live set. We’re also stoked to welcome the amazing alternative-blues-rock duo The Picturebooks, and Munich-based heavy-blues outfit Sundog (who by the way will release their new EP “Where My Bones Lie” on March 17th at Feierwerk, you should check them)!

Last bunch of Keep It Low Hard Tickets: http://woolheads.com/shop-2/festivalmerchandise/keep-it-low-2-fays-festival-ticket-2018-early-bird

Keep It Low E-Tickets:
https://www.sol-tickets.com/produkte/24-tickets-keep-it-low-festival-feierwerk-area-muenchen-am-19-10-2018
http://www.eventim.de/tickets.html?affiliate=EVE&doc=artistPages%2Ftickets&fun=artist&action=tickets&erid=2131092&includeOnlybookable=true&xtmc=keep_it_low&xtnp=1&xtcr=1

https://www.facebook.com/keepitlowfestival/
https://www.facebook.com/events/300578407135232/
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/news

Colour Haze, Live at Keep it Low 2017

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Up in Smoke 2018: Acid King, John Garcia, Naxatras & Sasquatch Added

Posted in Whathaveyou on March 8th, 2018 by JJ Koczan

up in smoke 2018 header

It would seem that in the new social media algorithmic rich-white-people-claiming-to-reshape-paradigms-everyone-else-when-all-they’re-really-doing-is-ripping-everyone-off universe of social media, somewhere along the line I stopped getting updates from Sound of Liberation. As someone who actively enjoys keeping up with a host of European events throughout the Spring, Summer, Fall, and Winter, that’s a shitter to be sure. Already the lauded booking agency has started announcing lineups for two fall festivals: Up in Smoke 2018, held in Pratteln, Switzerland, and Keep it Low 2018, held in Munich, both in October. Needless to say, I’ve chased down the code like Neo in The Matrix or like whatever more up-to-date reference would apply and fixed the fucking problem for myself, social media overlords be damned.

Here’s me getting caught up with Up in Smoke 2018’s first four bands: Acid King, Naxatras, Sasquatch and John Garcia. Hell of a starting four, frankly, and of course there’s more to come. I wouldn’t actually put much stock in my technical prowess, but hopefully I should be able to do a better job keeping up from here on out.

An amalgam of the first and second announcements follows:

UP IN SMOKE 2018

Z7 I PRATTELN I OCT. 5TH-6TH 2018

Here we go, the 6th edition of UP in SMOKE indoor festival in Z7 is on its way! Our dear graphic designers from Elvisdead are bent over the desk and working like maniacs on our poster which we will be glad to introduce very soon!

But for now, as we know you want to hear fresh and crispy news, we are glad to lift the veil today of our first names:

– Acid King (USA). Bathed in distortion and baptized in a plume of smoke, the Bay Area trio fronted by talented Lori S. is rocking the heavy scene for more than 2 decades and we are just thrilled to host them for this edition of the festival.

– Naxatras (GR). Very much attached to the roots of psychedelia, paying tributes to masters like Pink Floyd & Hawkwind, while also praising Black Sabbath Doom lords, the trio is still forging very fresh tunes out of those influences and creating very sweet and fine music.

– John Garcia (USA). Yes, desert crooner and former Kyuss, Slo-Burn, Unida, Hermano, Vista Chino frontman John Garcia may rightfully be considered the ultimate incarnation of stoner rock! His first solo album and opus eponymous from 2014 was followed roughly three years later by “The Coyote Who Spoke In Tongues”, a comparatively relaxed and purely acoustic affair! He is now about to release a new one, and will be presenting it at Up In Smoke this year! We’re so looking forward to hearing his new tunes!

– Sasquatch (USA). Next, if we say “All is fair in Love and Doom”, you say ? SASQUATCH, right?! The trio, whose music has been featured on numbers of movies, games soundtracks is FUZZ! Those Californian Dudes are riffrockers to the core: mixing elements of 70s rock, metal and psychelia…we’re all in for a hell of a party!

Heavy-Rock-Doom-Psych-Stoner Indoor Festival. 2 Days of Volume Worshipping in Switzerlands best Rock Venue Z-7 in Pratteln (Basel).
2 big stages, 20+ bands and the chance for fans to sleep over in the venue. The festival is sold out since 2016, the 6th edition takes part on Oct 5th and 6th 2018.

Line Up 2018:
JOHN GARCIA / ACID KING / NAXATRAS / SASQUATCH

www.upinsmoke.de
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.sol-tickets.com/produkte

Acid King, Live in St. Petersburg, Russia, July 19, 2017

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Friday Full-Length: Acid King, III

Posted in Bootleg Theater on November 17th, 2017 by JJ Koczan

Acid King, III (2005)

And you’re welcome.

There are few joys in heavy rock as unfettered as a Lori S. riff. Some guitarists gallop. Some careen. Some cut steep angles. Some nod. And sometimes a Lori riff can sound like it’s being thrown down a flight of stairs in how it seems to tumble out of the speakers, but her perfect blend of tempo, timing, groove, construction, spaciousness, tone and the cyclical nature of her style gives her work in San Francisco’s Acid King an unparalleled molten feel. I won’t take anything away from her echoing vocals, Joey Osbourne‘s roll-ready drumming or what a succession of bassists from Peter Lucas to Dan Southwick to Brian Hill to Guy Pinhas to Rafa Martinez to Mark Lamb have brought to the group in terms of low end, but it is now and has always been the riffs that define Acid King, even dating back to their raw 1994 self-titled EP and 1995 debut album, Zoroaster.

That record would serve as the foundation on which in 1999 the band built a temple and named it Busse Woods (discussed here and here), which — as I seem to say every time I mention it at all — is one of the very best stoner rock albums of all time. It would be six years before the trio, which was then comprised of Lori, Pinhas (also known for his work in Goatsnake and The Obsessed) and Osbourne, issued a proper follow-up. No doubt the dissolution of Frank Kozik‘s by-now legendary imprint Man’s Ruin Records, which released Busse Woods and the subsequent 2001 split EP with Mystick Krewe of Clearlight, played into the delay, but in 2004, Small Stone Records reissued Busse Woods and in 2005, stepped in to offer III — Acid King‘s much-awaited and aptly-titled third full-length.

III was a Spring release, and I remember it seemed pretty close behind the Busse Woods reissue, which may have contributed to the impression that despite the stretch between the two (which seemed long at the time; ha) that the newer album was still operating in the shadow of its predecessor. Nonetheless, with years of hindsight to provide a looking-back lens now, III is an absolute masterwork of riffly meditation. From the fading-in fuzz that begins “2 Wheel Nation” and the unmitigated nod that follows through the patient execution of the singularly righteous “Heavy Load,” “Bad Vision” — which is precisely what I had in mind with the “down a flight of stairs” comment in the first paragraph above — the 12-minute centerpiece “War of the Mind,” the quicker “Into the Ground,” the hook reset of “On to Everafter” and the highlight drum wizardry in finale “Sunshine and Sorrow,” one would be hard-pressed to find a better way to spend 46 minutes of listening time when it comes to groove immersion. Across the entire span, Acid King demonstrate plainly the sheer unfuckwithability of their craft and the utter injustice that their name isn’t mentioned in the same breath as Sleep and Black Sabbath for their pivotal contributions to the form.

Yes, I mean that.

One would be remiss not to note the collaboration between the three-piece and producer Billy Anderson as essential to their overall sound. Anderson, who worked with the band on Zoroaster and Busse Woods as well before helming III, captures the depth of tone and character in Lori‘s guitar and seems to put it in just the right balance with the corresponding bass and drums. The effectiveness on “2 Wheel Nation” is immediate once the song starts — it’s a groove that leaves no one behind as it takes to the road on some souped-up space chopper — and with “Heavy Load” following, the launch salvo for III is unmistakable in its preached message of tonal supremacy, but neither is it void of atmosphere. The repetitions are hypnotic, and shortly, “Bad Vision” snaps the listener back to at least a semi-consciousness state, but while one generally thinks of Acid King as being straightforward in their intentions and sonic impression-making, it’s worth pointing out just how much room is being created by Lori‘s riffs, by the crash of Osbourne‘s cymbals and the thud of his toms, and by the plummeting bass tone with which Pinhas anchors the marching procession. This is reinforced as “War of the Mind” gives III its most gorgeous sprawl, setting itself in an open landscape that seems to stretch like some Western highway populated at dawn by mission-bound hippies in some lysergic American daydream. Even as the lyrics call outright for freedom, the instrumental fluidity behind them seems to find it and bring it wonderfully, glaringly to life.

Is is possible for a band to be so widely hailed and still be underrated? III, which in addition to being concurrent to the reissue of the album before it also arrived at a just-pre-social-media moment of generational shift, would argue yes. Though they toured steadily between, brought together their first two outings in 2006 as their The Early Years compilation, and oversaw reissues of both III and Busse Woods in the interim, a decade passed before Acid King released their fourth long-player in 2015. Aligned to Svart Records and comprised of Lori, Osbourne and Lamb, the triumphantly chanting Middle of Nowhere, Center of Everywhere (review here) brimmed with classic Acid King method and personality. With production by Anderson as well as Toshi Kasai, it found the band at their most world-conjuring to-date and marked a surge of international touring and general activity that continues to this day as Lori has revamped Acid King‘s lineup to bring back Martinez (who’s spent years on the road at this point as the drummer for the raging Black Cobra) on bass and new drummer Bil Bowman, replacing Osbourne in the band for the first time and leaving herself as the sole remaining founding member.

The inevitable shift in dynamic there could potentially mean a significant change in Acid King‘s overall chemistry, but with the band having taken six years between Busse Woods and III and 10 between III and Middle of Nowhere, Center of Everywhere, I’m not inclined to predict when their next LP will show up, what shape it will ultimately take, or who will be involved in its making. What matters is that as Acid King approach their 25th anniversary since getting together in 1993, they’ve perhaps never been so ripe for appreciation, and while their catalog over those years isn’t about to challenge Hawkwind in terms of its sheer numbers, each of their albums remains a landmark accomplishment at a level few bands could ever hope to reach.

As always, I hope you enjoy, and thanks for reading.

Yeah, closing out with Acid King is pretty much me doing myself a favor. After a week of being literally shit on, I kind of feel like I earned it as much as I ever consider myself as having “earned” anything. Either way, I decided pretty early on this week that III would do the job and it’s been a pleasure to dig into it over the last few days, go a little deeper in listening than I sometimes do with this stuff. I woke up early this morning to come downstairs and get started. Alarm went off at 4AM. My idea of a good time.

The Pecan continues to grow. Predictably, he’s become a baby of many names, among them “Rocketass” for his propensity to wait until I’ve got his diaper off to unleash fecal torrents. The Patient Mrs. and I gave him a bath last weekend in the kitchen sink and he also pissed on my Vitamix that I use to make the protein shakes that are now what I eat for dinner roughly six nights a week, so yeah. Took me a couple days to forgive that in theory, but the reality of the situation is I don’t even care anymore. He’s yet to produce anything that can’t be wiped off or put through the wash, etc.

I’m sure we’ll get there. I’m just saying we’re not there yet. In the meantime, lack of sleep? Diaper changing? Trying to get him to take a bottle? Whatever. These are good days. Fatigue is a small price to pay for that.

He’s three weeks old now, and The Patient Mrs. continues to be wonderful as a mother. Never a doubt she would be, but to actually see it manifest as reality is humbling and only further underscores how fortunate I am to exist in her presence, pretty much ever, let alone on the ongoing basis of our relationship, marriage and so on. Stupid lucky. The Pecan has been a little fussy the last couple days — Wonder Weeks says he’s on the verge of a sensory breakthrough, which should be fascinating — and she’s been running point all the way. I’ve cooked and cleaned and done that stuff, but to see her momming it up is fantastic. I love her so much I want to bash my brains in.

Next week is Thanksgiving here in the US — a holiday with a troubled historical foundation but probably my favorite in terms of how it brings loved ones together in a spirit of shared appreciation for each other. We’re getting together with my family and The Patient Mrs.’ family in Connecticut for dinner. I’m already anxious about being around that much food — hi, I have an eating disorder — but even if I end up bringing the blender and the protein powder south for the day, I think it’ll be a good time. I’m looking forward to it.

Not sure how it will affect the timing of posts, but here’s what’s in the notes for next week anyway, subject of course to change without notice:

Mon.: Snowy Dunes album review; Borracho announcement/track premiere.
Tue.: Low Orbit track premiere/review; Pillars video premiere.
Wed.: SubRosa Subdued track premiere. Fuck yes.
Thu.: Maybe a podcast? Don’t expect much, if anything.
Fri.: Maybe Frank Sabbath review. Depends where I’m at post-holiday.

There you have it, and there you have it.

I’ve started to put together the next Quarterly Review already for the end of next month/the beginning of January, as well as the best-of lists, so keep an eye out for all that stuff as we move into December, and we’ll have the best albums poll up as well come Dec. 1. Be ready. I want to make it the best one yet, and last year’s is going to be tough to top.

If you’re still reading, you’re great. Thank you.

Have an excellent, safe weekend, and please check out the forum and radio stream.

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