Keep it Low 2018: Colour Haze, Acid King, The Picturebooks, Sasquatch, Sundog & The Great Machine Confirmed

Posted in Whathaveyou on March 12th, 2018 by JJ Koczan

keep it low 2018 banner

If I can be completely honest for a moment, of all the European festivals that happen each Fall, none of them sets me to daydreaming quite like Keep it Low. Is it the fact that a headlining set from Colour Haze is pretty much guaranteed at this point? Well, that certainly doesn’t hurt. But in addition to that, it’s the vibe of the thing. Every year, fests start spewing out their lineups and try to outdo each other, and I have no doubt that 2018 won’t be any different. It’s a lot of fun, but Keep it Low tends to sidestep the hype in favor of a more laid back approach, and to me that speaks to the kind of vibe I’d like to check out on a cool October weekend in Munich. Acid King, Colour Haze and Sasquatch playing Keep it Low 2018? Pardon me while my mind wanders…

What follows here are actually the first two announcements from the festival via social medias. I put them together as one thing because, like with Up in Smoke the other day, I wasn’t getting Sound of Liberation‘s updates. Once again, that problem has hopefully been fixed at this point, so I should be able to keep up from here on out.

Emphasis on “should.”

Here’s the latest, anyhow:

keep it low 2018 poster

Keep it Low #6 – Oct. 19 & 20, 2018

The first three bands confirmed for Keep It Low – Festival 2018: Acid King, Sasquatch & The Great Machine! Regular Tickets are also now available! Grab yours quick (remember that Early Birds were gone in only 1 day!)

Acid King – Bathed in distortion and baptized in a plume of smoke, the Bay Area trio fronted by talented Lori S. is rocking the heavy scene for more than 2 decades and we are just thrilled to host them for our sixth edition of the festival.

Sasquatch – Californian Dudes are riffrockers to the core: mixing elements of 70s rock, metal and psychedelia…we’re all in for a hell of a party !

The Great Machine – Three piece heavy rock machine from Tel Aviv, Israel, known for their intense and straight forward live performances. Check them out, you won’t regret it!

Today, we’re thrilled to tell you that Colour Haze will be playing their yearly & exclusive Munich show at Keep It Low – Festival! The band has recently added a fourth bandmember (piano/organ/keys) and as usual you can expect an outstanding live set. We’re also stoked to welcome the amazing alternative-blues-rock duo The Picturebooks, and Munich-based heavy-blues outfit Sundog (who by the way will release their new EP “Where My Bones Lie” on March 17th at Feierwerk, you should check them)!

Last bunch of Keep It Low Hard Tickets:

Keep It Low E-Tickets:

Colour Haze, Live at Keep it Low 2017

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Up in Smoke 2018: Acid King, John Garcia, Naxatras & Sasquatch Added

Posted in Whathaveyou on March 8th, 2018 by JJ Koczan

up in smoke 2018 header

It would seem that in the new social media algorithmic rich-white-people-claiming-to-reshape-paradigms-everyone-else-when-all-they’re-really-doing-is-ripping-everyone-off universe of social media, somewhere along the line I stopped getting updates from Sound of Liberation. As someone who actively enjoys keeping up with a host of European events throughout the Spring, Summer, Fall, and Winter, that’s a shitter to be sure. Already the lauded booking agency has started announcing lineups for two fall festivals: Up in Smoke 2018, held in Pratteln, Switzerland, and Keep it Low 2018, held in Munich, both in October. Needless to say, I’ve chased down the code like Neo in The Matrix or like whatever more up-to-date reference would apply and fixed the fucking problem for myself, social media overlords be damned.

Here’s me getting caught up with Up in Smoke 2018’s first four bands: Acid King, Naxatras, Sasquatch and John Garcia. Hell of a starting four, frankly, and of course there’s more to come. I wouldn’t actually put much stock in my technical prowess, but hopefully I should be able to do a better job keeping up from here on out.

An amalgam of the first and second announcements follows:



Here we go, the 6th edition of UP in SMOKE indoor festival in Z7 is on its way! Our dear graphic designers from Elvisdead are bent over the desk and working like maniacs on our poster which we will be glad to introduce very soon!

But for now, as we know you want to hear fresh and crispy news, we are glad to lift the veil today of our first names:

– Acid King (USA). Bathed in distortion and baptized in a plume of smoke, the Bay Area trio fronted by talented Lori S. is rocking the heavy scene for more than 2 decades and we are just thrilled to host them for this edition of the festival.

– Naxatras (GR). Very much attached to the roots of psychedelia, paying tributes to masters like Pink Floyd & Hawkwind, while also praising Black Sabbath Doom lords, the trio is still forging very fresh tunes out of those influences and creating very sweet and fine music.

– John Garcia (USA). Yes, desert crooner and former Kyuss, Slo-Burn, Unida, Hermano, Vista Chino frontman John Garcia may rightfully be considered the ultimate incarnation of stoner rock! His first solo album and opus eponymous from 2014 was followed roughly three years later by “The Coyote Who Spoke In Tongues”, a comparatively relaxed and purely acoustic affair! He is now about to release a new one, and will be presenting it at Up In Smoke this year! We’re so looking forward to hearing his new tunes!

– Sasquatch (USA). Next, if we say “All is fair in Love and Doom”, you say ? SASQUATCH, right?! The trio, whose music has been featured on numbers of movies, games soundtracks is FUZZ! Those Californian Dudes are riffrockers to the core: mixing elements of 70s rock, metal and psychelia…we’re all in for a hell of a party!

Heavy-Rock-Doom-Psych-Stoner Indoor Festival. 2 Days of Volume Worshipping in Switzerlands best Rock Venue Z-7 in Pratteln (Basel).
2 big stages, 20+ bands and the chance for fans to sleep over in the venue. The festival is sold out since 2016, the 6th edition takes part on Oct 5th and 6th 2018.

Line Up 2018:

Acid King, Live in St. Petersburg, Russia, July 19, 2017

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Friday Full-Length: Acid King, III

Posted in Bootleg Theater on November 17th, 2017 by JJ Koczan

Acid King, III (2005)

And you’re welcome.

There are few joys in heavy rock as unfettered as a Lori S. riff. Some guitarists gallop. Some careen. Some cut steep angles. Some nod. And sometimes a Lori riff can sound like it’s being thrown down a flight of stairs in how it seems to tumble out of the speakers, but her perfect blend of tempo, timing, groove, construction, spaciousness, tone and the cyclical nature of her style gives her work in San Francisco’s Acid King an unparalleled molten feel. I won’t take anything away from her echoing vocals, Joey Osbourne‘s roll-ready drumming or what a succession of bassists from Peter Lucas to Dan Southwick to Brian Hill to Guy Pinhas to Rafa Martinez to Mark Lamb have brought to the group in terms of low end, but it is now and has always been the riffs that define Acid King, even dating back to their raw 1994 self-titled EP and 1995 debut album, Zoroaster.

That record would serve as the foundation on which in 1999 the band built a temple and named it Busse Woods (discussed here and here), which — as I seem to say every time I mention it at all — is one of the very best stoner rock albums of all time. It would be six years before the trio, which was then comprised of Lori, Pinhas (also known for his work in Goatsnake and The Obsessed) and Osbourne, issued a proper follow-up. No doubt the dissolution of Frank Kozik‘s by-now legendary imprint Man’s Ruin Records, which released Busse Woods and the subsequent 2001 split EP with Mystick Krewe of Clearlight, played into the delay, but in 2004, Small Stone Records reissued Busse Woods and in 2005, stepped in to offer III — Acid King‘s much-awaited and aptly-titled third full-length.

III was a Spring release, and I remember it seemed pretty close behind the Busse Woods reissue, which may have contributed to the impression that despite the stretch between the two (which seemed long at the time; ha) that the newer album was still operating in the shadow of its predecessor. Nonetheless, with years of hindsight to provide a looking-back lens now, III is an absolute masterwork of riffly meditation. From the fading-in fuzz that begins “2 Wheel Nation” and the unmitigated nod that follows through the patient execution of the singularly righteous “Heavy Load,” “Bad Vision” — which is precisely what I had in mind with the “down a flight of stairs” comment in the first paragraph above — the 12-minute centerpiece “War of the Mind,” the quicker “Into the Ground,” the hook reset of “On to Everafter” and the highlight drum wizardry in finale “Sunshine and Sorrow,” one would be hard-pressed to find a better way to spend 46 minutes of listening time when it comes to groove immersion. Across the entire span, Acid King demonstrate plainly the sheer unfuckwithability of their craft and the utter injustice that their name isn’t mentioned in the same breath as Sleep and Black Sabbath for their pivotal contributions to the form.

Yes, I mean that.

One would be remiss not to note the collaboration between the three-piece and producer Billy Anderson as essential to their overall sound. Anderson, who worked with the band on Zoroaster and Busse Woods as well before helming III, captures the depth of tone and character in Lori‘s guitar and seems to put it in just the right balance with the corresponding bass and drums. The effectiveness on “2 Wheel Nation” is immediate once the song starts — it’s a groove that leaves no one behind as it takes to the road on some souped-up space chopper — and with “Heavy Load” following, the launch salvo for III is unmistakable in its preached message of tonal supremacy, but neither is it void of atmosphere. The repetitions are hypnotic, and shortly, “Bad Vision” snaps the listener back to at least a semi-consciousness state, but while one generally thinks of Acid King as being straightforward in their intentions and sonic impression-making, it’s worth pointing out just how much room is being created by Lori‘s riffs, by the crash of Osbourne‘s cymbals and the thud of his toms, and by the plummeting bass tone with which Pinhas anchors the marching procession. This is reinforced as “War of the Mind” gives III its most gorgeous sprawl, setting itself in an open landscape that seems to stretch like some Western highway populated at dawn by mission-bound hippies in some lysergic American daydream. Even as the lyrics call outright for freedom, the instrumental fluidity behind them seems to find it and bring it wonderfully, glaringly to life.

Is is possible for a band to be so widely hailed and still be underrated? III, which in addition to being concurrent to the reissue of the album before it also arrived at a just-pre-social-media moment of generational shift, would argue yes. Though they toured steadily between, brought together their first two outings in 2006 as their The Early Years compilation, and oversaw reissues of both III and Busse Woods in the interim, a decade passed before Acid King released their fourth long-player in 2015. Aligned to Svart Records and comprised of Lori, Osbourne and Lamb, the triumphantly chanting Middle of Nowhere, Center of Everywhere (review here) brimmed with classic Acid King method and personality. With production by Anderson as well as Toshi Kasai, it found the band at their most world-conjuring to-date and marked a surge of international touring and general activity that continues to this day as Lori has revamped Acid King‘s lineup to bring back Martinez (who’s spent years on the road at this point as the drummer for the raging Black Cobra) on bass and new drummer Bil Bowman, replacing Osbourne in the band for the first time and leaving herself as the sole remaining founding member.

The inevitable shift in dynamic there could potentially mean a significant change in Acid King‘s overall chemistry, but with the band having taken six years between Busse Woods and III and 10 between III and Middle of Nowhere, Center of Everywhere, I’m not inclined to predict when their next LP will show up, what shape it will ultimately take, or who will be involved in its making. What matters is that as Acid King approach their 25th anniversary since getting together in 1993, they’ve perhaps never been so ripe for appreciation, and while their catalog over those years isn’t about to challenge Hawkwind in terms of its sheer numbers, each of their albums remains a landmark accomplishment at a level few bands could ever hope to reach.

As always, I hope you enjoy, and thanks for reading.

Yeah, closing out with Acid King is pretty much me doing myself a favor. After a week of being literally shit on, I kind of feel like I earned it as much as I ever consider myself as having “earned” anything. Either way, I decided pretty early on this week that III would do the job and it’s been a pleasure to dig into it over the last few days, go a little deeper in listening than I sometimes do with this stuff. I woke up early this morning to come downstairs and get started. Alarm went off at 4AM. My idea of a good time.

The Pecan continues to grow. Predictably, he’s become a baby of many names, among them “Rocketass” for his propensity to wait until I’ve got his diaper off to unleash fecal torrents. The Patient Mrs. and I gave him a bath last weekend in the kitchen sink and he also pissed on my Vitamix that I use to make the protein shakes that are now what I eat for dinner roughly six nights a week, so yeah. Took me a couple days to forgive that in theory, but the reality of the situation is I don’t even care anymore. He’s yet to produce anything that can’t be wiped off or put through the wash, etc.

I’m sure we’ll get there. I’m just saying we’re not there yet. In the meantime, lack of sleep? Diaper changing? Trying to get him to take a bottle? Whatever. These are good days. Fatigue is a small price to pay for that.

He’s three weeks old now, and The Patient Mrs. continues to be wonderful as a mother. Never a doubt she would be, but to actually see it manifest as reality is humbling and only further underscores how fortunate I am to exist in her presence, pretty much ever, let alone on the ongoing basis of our relationship, marriage and so on. Stupid lucky. The Pecan has been a little fussy the last couple days — Wonder Weeks says he’s on the verge of a sensory breakthrough, which should be fascinating — and she’s been running point all the way. I’ve cooked and cleaned and done that stuff, but to see her momming it up is fantastic. I love her so much I want to bash my brains in.

Next week is Thanksgiving here in the US — a holiday with a troubled historical foundation but probably my favorite in terms of how it brings loved ones together in a spirit of shared appreciation for each other. We’re getting together with my family and The Patient Mrs.’ family in Connecticut for dinner. I’m already anxious about being around that much food — hi, I have an eating disorder — but even if I end up bringing the blender and the protein powder south for the day, I think it’ll be a good time. I’m looking forward to it.

Not sure how it will affect the timing of posts, but here’s what’s in the notes for next week anyway, subject of course to change without notice:

Mon.: Snowy Dunes album review; Borracho announcement/track premiere.
Tue.: Low Orbit track premiere/review; Pillars video premiere.
Wed.: SubRosa Subdued track premiere. Fuck yes.
Thu.: Maybe a podcast? Don’t expect much, if anything.
Fri.: Maybe Frank Sabbath review. Depends where I’m at post-holiday.

There you have it, and there you have it.

I’ve started to put together the next Quarterly Review already for the end of next month/the beginning of January, as well as the best-of lists, so keep an eye out for all that stuff as we move into December, and we’ll have the best albums poll up as well come Dec. 1. Be ready. I want to make it the best one yet, and last year’s is going to be tough to top.

If you’re still reading, you’re great. Thank you.

Have an excellent, safe weekend, and please check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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End Hip End It: Acid King, Elder, Dead Meadow, Josefus & Many More to Play

Posted in Whathaveyou on August 14th, 2017 by JJ Koczan

I’m not gonna discount the notion of seeing the likes of Josefus sharing the stage with The Well and Doomstress, or of watching the almighty Acid King roll out their riffly triumphs next to Dead MeadowElderMothership and a megaslew of others, but I think the fact that if you buy a ticket for the second day of End Hip End It you get two slices of pizza speaks volumes to the vibe the Spring, Texas-based festival is going for, and that’s a vibe with which I think just about anybody can get down.

The lineup is varied from Funeral Horse and Switchblade Jesus to King Buffalo and Stone Machine Electric, but there’s a heaping representation of the fertile Texan underground here, and that’s likewise respectable. My understanding is they’ve run into some branding issues — I guess repeating any word in your fest name in Texas is verboten because you’re making fun of SXSW? seems to me SXSW could stand to be taken down a peg or two, but couldn’t we all? — and might rename the event for 2018, but whatever you call it, it looks like a good time to me.

Lineup, other info and ticket link follow:




DAY 1 will feature 25 bands in Old Town Spring, Texas. Preservation Park will have three stages of music as well as many interactive art projects thanks to the Generators Playground.

Stage 1
Dead meadow 12:00 – 1:00
The Bright Light Social Hour 10:40 – 11:20
Golden Dawn Arkestra 9:20 – 10:00
Bayonne 8:00 – 8:40
The deer 6:40 – 7:20
ROSE ETTE 4:00 – 4:40
VANILLA WHALE 3:00 – 3:40
pyreship 2:00 – 2:30

Stage 2
Acid King 11:20 – 12:00
ELDER 10:00 – 10:40
MOTHERSHIP 8:40 – 9:20
king buffalo 7:20 – 8:00
eagle claw 6:00 – 6:40
greenbeard 4:40 – 5:20
funeral horse 3:30 – 4:00
WARLUNG 1:30 – 2:00

Stage 3
John Evans Band 8:20 – 9:00
Flower Graves 7:10 – 7:50
The Cuckoos 6:10 – 6:50
Ancient Cat Society 5:10 – 5:50
The Mammoths 4:10 – 4:50
Mantra Love 3:10 – 3:50
Howard & the Nosebleeds 2:10 – 2:40

SUNDAY at Walter’s Downtown there will be two stages with 13 bands on rotation. Ticket purchasers will receive two drink tickets and two pizza slices!

the well
L.A. Witch
amplified heat
space villains*
white dog
crypt trip
stone machine electric
only beast
concrete heat

KIP Passes get you…
Entry to both days
backstage access
FREE T-shirt on Saturday
access to hammock hangout
one extra beer on Sunday

At End Hip End It you will find a tightly tucked 20 acre plot of land filled with green grass, craft breweries, interactive art projects, live music, beer tasting events, auctions for charities, Light shows, food trucks, VIP access, local vendors, and more. Interactive art projects will be hosted by Bao Pham of the Generators Playground.

Acid King, Live at Electric Funeral Fest, June 17, 2017

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Scorched Tundra VIII Announces Lineup with Acid King, Oxbow, The Atomic Bitchwax and More

Posted in Whathaveyou on June 27th, 2017 by JJ Koczan

In all places and in all things, I remain a sucker for a good bill. I’ll be elsewhere this same weekend, as The Obelisk is presenting the Emerald Haze festival in Dublin, Ireland (info here), and I’ve been fortunate enough to be invited over for that, but a good bill is a good bill, and if you happen to be in Chicago or can head that way, Scorched Tundra VIII has one to offer, with Acid King, The Atomic Bitchwax and Oxbow positioned as headliners across three nights from Sept. 1-3 at The Empty Bottle.

Those names are enough to grab attention, to be sure, but toss in the post-metallic breadth of Minsk, perpetual sludge scumbags FistulaPelican offshoot RLYR (only fair since it’s Chicago after all), and others, and yeah, it looks like a damn fine way to spend a couple of nights, provided your calendar doesn’t conflict.

Tickets are available now and you’ll find those links and more info below, courtesy of the fest:



Scorched Tundra is proud to announce the lineup for its eighth edition. The second installment of 2017 – taking place September 1-3 at The Empty Bottle in Chicago – will feature the showcases’ most diverse and extensive lineup to date.

Friday September 1st
The Atomic Bitchwax
Electric Hawk

Saturday September 2nd
Acid King

Sunday September 3rd
Behold! The Monolith

Tickets for each day can be purchased at the following links:

Friday September 1st:

Saturday September 2nd:

Sunday September 3rd:

Scorched Tundra’s mission is to give a new generation of talented artists a unique live platform in Chicago and Gothenburg. Scorched Tundra’s billing – based on sound not stature – creates a unique aural experience for the audience. “The forthcoming eighth edition was the most enjoyable to put together as the lineup is extremely eclectic and in many ways different from past iterations. All of these artists are newcomers to Scorched Tundra; they are very difficult to pigeonhole; and transcend categorization. Intimate, historic, and highly respected, The Empty Bottle in Chicago will once again play as a perfect host to this unique set of artists,” states organizer Alexi Front.

Scorched Tundra VIII marks the event’s much anticipated return to Chicago after last years two day sold out event. The third ever Scorched Tundra beer – brewed in collaboration with Pipeworks Brewing Company –an India Pale Ale dry hopped with Australian and American aromatic varietals – will be available at select bars and stores in Chicago in August and at the festival. Longtime Scorched Tundra collaborator Axel Widén created artwork for the beer label and festival poster. Seven other Pipeworks beers will be available as part of a tap takeover throughout Scorched Tundra VIII.

The Atomic Bitchwax, Live at Maryland Doom Fest 2017

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Acid King Announce European Tour Starting July 15

Posted in Whathaveyou on June 19th, 2017 by JJ Koczan

acid king

I’m not usually the type to call bands legends, but I’ll make an exception in the case of Acid King, because that’s how fucking awesome I think they are. The San Francisco three-piece have been very casually added to summer fests like SonicBlast Moledo 2017, Stoned from the Underground 2017, Red Smoke and Lake on Fire 2017 over the last couple months, and they’ve now announced the string of tour dates that will tie all of those appearances and others together. Running from July 15 through Aug. 12, and appropriately enough starting at one fest and ending at another, the stint features some significant back and forth — Germany to Poland to Germany? Germany to Italy to Belgium to Austria to Germany to Israel to Portugal? — but looks like it will be a killer time all the way around as the riff legends continue to support their 2015 album Middle of Nowhere, Center of Everywhere (review here), which remains a cause well worth heralding.

Note that Acid King have a new lineup, with bassist Rafa Martinez (also Black Cobra) and drummer Bil Bowman (also Hornss) stepping in for the longtime rhythm section of Mark Lamb and Joey Osbourne. Note also the appearance at The Black Heart in London. What I wouldn’t give to see Acid King in that venue. Hell, looking at this entire run has my newly-unemployed, baby-on-the-way ass daydreaming about following the band on the road for the duration and writing a book about the experience. That would be fun.

Look at these dates and see if you don’t agree:acid king tour poster

Acid King 2017 European Tour Dates Announced

Acid King live:
15.07 Erfurt DE Stoned from the Underground
16.07 Pleszew PL Red Smoke Festival
17.07 Hamburg DE Hafenklang
18.07 Helsinki FI Linja
19.07 St. Petersburg RU MOD
22.07 Oslo NO John Dee
24.07 Utrecht NL DB’s
25.07 Bristol UK Louisiana
26.07 Glasgow UK Audio
27.07 London UK The Black Heart
28.07 Tilburg NL Little Devil
29.07 Liege BE Le Hangar
30.07 Paris FR Glazart
31.07 Munich DE Backstage
01.08 Milan IT Magnolia
03.08 Siegen DE Vortex
04.08 Waarshoot BE Roadkill Festival
05.08 Waldhausen AT Lake on Fire Festival
07.08 Vienna AT Arena
08.08 Berlin DE Lide w/ Boris
09.08 Osnabrück DE Bastard Club
10.09 Tel Aviv IS Barby Club
12.08 Moledo PT SonicBlast Moledo

Acid King is:
Lori S. – Guitar & Vocals
Rafa Martinez – Bass
Bil Bowman – Drums

Acid King, Middle of Nowhere, Center of Everywhere (2015)

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Electric Funeral Fest 2017 Announces Schedule; Kicks off this Friday

Posted in Whathaveyou on June 12th, 2017 by JJ Koczan

This Friday in Denver marks the beginning of Electric Funeral Fest 2017. Kicking things off at 4:15PM will be West Coast boogie groovers Lords of Beacon House, followed immediately by High on the Mountain right across the street. I know these things because the festival has newly announced its full schedule for its two-day run, which features the likes of Slow Season, The Well, Sourvein, Goya, Oryx, headliners Acid King and Corky Laing’s Mountain, and many others. I’ve got kind of a whirlwind couple weeks coming up as it is, but if you were offering me a ticket and a flight, I’d have a hard time turning this one down. Looks like it’s going to be an incredible time for those fortunate enough to be there.

If that’s you, I hope you have a blast. Here’s the info:


DUST Presents: Electric Funeral Fest 2017

** 21+, All tickets are non-refundable **


The Joint by Cannabis Stage at 3 Kings Tavern
4:15 – 4:50 Lords of Beacon House
5:15 – 5:50 Oryx
6:15 – 6:50 Muscle Beach
7:15 – 7:50 Communion
8:15 – 8:50 Monarch
9:15 – 9:55 The Well
10:15 – 11:00 Slow Season
11:40 – 12:40 Corky Laing’s MOUNTAIN

Hi-Dive Denver
4:45 – 5:20 High on the Mountain
5:45 – 6:20 Smokey Mirror
6:45 – 7:20 Greenbeard
7:45 – 8:20 The Munsens
8:45 – 9:20 R.I.P.
9:40 – 10:20 Goya
10:40 – 11:25 Sourvein
-After Party-
12:50 – 1:30 Glitter Wizard

The Joint by Cannabis Stage at 3 Kings Tavern
4:15 – 4:50 Dizz Brew
5:15 – 5:50 Red Wizard
6:15 – 6:50 Feather Stone
7:15 – 7:50 Great Electric Quest
8:15 – 8:50 Barrows
9:15 – 9:55 The Heavy Eyes
10:15 – 11:00 Electric Citizen
11:40 – 12:40 ACID KING

Hi-Dive Denver
4:45 – 5:20 Urn
5:45 – 6:20 Jagged Mouth
6:45 – 7:20 Malahierba
7:45 – 8:20 Love Gang
8:45 – 9:20 Banquet
9:40 – 10:20 Cloud Catcher
10:40 – 11:25 Destroyer of Light
-After Party-
12:50 – 1:30 Crypt Trip

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

Corky Laung’s Mountain, “Theme from an Imaginary Western” Live

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SonicBlast Moledo 2017: Colour Haze, Acid King, Black Bombaim & Bar de Monjas Added

Posted in Whathaveyou on May 31st, 2017 by JJ Koczan


If you had a two-band festival, and those two bands were Colour Haze and Acid King — and that’s it — no one else — I’d still call it an awesome time. Accordingly, kudos to SonicBlast Moledo 2017 for signing up both acts and setting my mind immediately adrift on a daydreaming course of Portuguese wonders that could be had. Of course, Colour Haze and Acid King aren’t the only bands playing — see also Elder, Sasquatch, The Machine, Monolord, Death Alley, Blaak Heat, Orange Goblin, Kadavar, and so on — but yeah, that’s a special couple days right there when you can get those groups together. “Kudos” is probably an understatement.

The PR wire has the latest:

sonicblast moledo 2017 colour haze

SonicBlast Moledo 2017 | Haze of acid in sight!

With the dates settled for August 11th and 12th, the seventh edition of SonicBlast Moledo closes the two-day lineup with Colour Haze, Acid King, Black Bombaim, Stone Dead, It Was the Elf, Ana Paris and Bar de Monjas !

They’ll be joining the previously confirmed Orange Goblin, Kadavar, Elder, Sasquatch, Kikagaku Moyo/?????, Dead Witches, Monolord, The Machine, Yuri Gagarin, The Well, Death Alley, Blaak Heat, Toxic Shock, Löbo, Vinnum Sabbathi and Holy Mushroom!

Now heading to its seventh edition, the festival located at the small beach village of Moledo, North of Portugal, includes two stages (the smaller one with a pool), free camping (to ticket holders) right by the beach and an amazing ambient for any heavy rock, psych, doom or stoner fan.

Colour Haze

With more than twenty years on the road, almost twenty studio records and a relentless will to keep going, it’s more than comprehensible that Colour Haze are easily considered one of the highest exponents within the European Psychedelic Stoner culture. On their course, they count with innumerable presences throughout all Europe and also on USA, although, they never had the chance to debut on Lusitanian territory. Following the release of their newest full-length album “In Her Garden”, the German trio embraces themselves to descend upon Portuguese lands for the first time ever in their career, received with all the enthusiasm for this seventh edition of SonicBlast Moledo.

Acid King

Formed by the charismatic Lori S. during the year of 1993, Acid King are, without any doubt, one of the classic acts of the Stoner Doom’s genre. Their intense and powerful sound, turn them into one of the most influential band within this musical circuit, only having passed through Portugal once. On 2017, they make their debut on Moledo and we can only wait for a triumphant presence.

Bar de Monjas

The Mexican / German duo Bar de Monjas promises a thunderous discharge of agitated rhythms, always heavy and filled with fuzz. On the road since 2010, they already count with one full-length studio record, two EP’s and an amazing split, released in collaboration with the already confirmed Vinnum Sabbathi.

Black Bombaim

After being obliged to cancel their presence at the last edition, Black Bombaim are ready to return to Moledo to spread their contagious psychotropic Rock.

We also receive the fresh Rock n Roll of Stone Dead, as well as the energetic Stoner Metal of It was the Elf and the return of Ana Parisw ith their characteristic Stoner Rock force.

Tickets Price:
2nd pre-sale : 42€ | From 01/03/17 to 30/06/17
3rd pre-sale : 48€ | From 01/07/17 to 31/07/17
4th pre-sale: 55€ | From 01/08/17 to the event’s final

Colour Haze, In Her Garden (2017)

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