Desertfest Belgium 2018: High on Fire Headlining, The Devil and the Almighty Blues, The Well, Admiral Sir Cloudesley Shovell, The Oscillation, Dead Quiet and Frayle Join Lineup

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

The story here is pretty short: ‘Really good lineup gets better.’ The end.

I’m not sure what more one could reasonably as of Desertfest Belgium 2018 that it isn’t already delivering. I mean, seriously. Just look at the names. Festivals happen all the time in Europe — hell, for the last couple years there’s been one through just about each successive week in October, somewhere, in some country, usually with a lot of the same bands. But even with that factored in, how could you look at the names below and not know it’ll be something special?

Even just the circumstances of timing. So many of these bands will have or already have new records out, from High on Fire themselves to YOB, AncestorsThe SkullEagle Twin, CastleSonic WolvesDopethrone, on and on. To have all these groups come together at the same time can only be a win. You know they’ll be fired up, and even those who aren’t directly plying their wares on new records still have stuff recent enough or coming — or, like Acid King, a new lineup — so yeah. It looks absolutely unreal. If you get to go, I’m jealous.

Here’s the latest announcement:

desertfest belgium 2018 poster

HIGH ON FIRE HEADLINES DESERTFEST 2018

The Devil & The Almighty Blues, Oscillation & 4 more

And so the cat’s out of the bag, so to speak… High On Fire is headlining Desertfest 2018 and we couldn’t be more thrilled. In fact, you might call it a fever dream come true! Especially since the band recently announced their new album cum Lemmy tribute ‘Electric Messiah’ to be released just 1 week before the Fest, so we can expect a freshly hot live set.

But of course, the good news doesn’t stop there. We still have a hefty load of names to drop unto you, and we start with The Devil And The Almighty Blues. The Norsemen have made it their mission to follow all the strains of blues that run through the history of rock’n’roll, and we’re totally on board for their killer blues trip.

Replace the blues by the psych, and you could end up with The Oscillation. For ten years Demian Castellanos and his cohorts have made their mark with their unique brand of psychedelic rock that points to everything from krautrock to new wave disco, all drenched in that sweet sweet echo chamber feedback that you love.

Admiral Sir Cloudesley Shovell are on board once more with their time machine into a mythical past when hardrock was only just turning to doom, and denim bell-bottoms were not frowned upon in society. From that time they bring along The Well, another keeper of the flame that sparked many a toke in the bonehead freak era.

If you can take a slightly more epic take on the genre, Dead Quiet will fit the bill. Their ‘Grand Rites’ album from end of last year was certainly a trip in many exciting directions. And finally, make sure you don’t miss the unique sounds of Frayle, occult blues with a female lead that draws comparison to anything from Sleep to Portishead.

We’re nearing the finishing line, so all you casual Festers screaming for day tickets will soon get their fill. But of course, there’s nothing like getting the full 3-day fix! So if you can make it, there’s still some combi tickets left at a reduced price – although how long they’ll last, we can’t tell for sure!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/364607267372737/
https://twitter.com/DesertfestBE

High on Fire, “Electric Messiah” lyric video

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Elav Stoner Open Air 2018: Mars Red Sky, Samavayo, Belzebong, Papir and More Set to Play

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

Holy shit this looks like a good time. Don’t get me wrong, I post about a lot of festivals all over the place and often say the same, but if you’ve got two minutes and 45 seconds — and if you make it to the end of this run-on-ass sentence, let’s face it, you do — go ahead and check out the recap video at the bottom of this post of last year’s Elav Stoner Open Air in Bergamo, Italy. I know it’s edited together to look cool and I know rocking out in slow motion is universally awesome and blah blah blah, but even so, look at that space. Look at the vibe. Look how relaxed everything seems, everybody just having a good time, downing some beers and watching killer bands play. What the hell is life about if not that very thing?

That was the first edition of the festival, and it’s grown significantly since. Elav Stoner Open Air 2018 features Bergamo’s own beer aficionados Humulus in a returning role, and alongside them are the likes of Mars Red Sky, Samavayo, Sonic Wolves, Papir playing a special jam set and a regular set, Belzebong, Weedpecker, Da Captain Trips and more. Just absolutely killer. I don’t want to say “job well done” before it happens and jinx anything, but seriously, this looks like an incredible time. It’s free to get in if you can get there, and it’s three nights of killer shows back to back to back. I’m sorry I won’t get to see it, but I’ll look forward to the video after the fact.

Lineup info and links follow here, as seen on the social medias:

ELAV STONER OPEN AIR FESTIVAL 2018

13-14-15 September 2018

@ Birrificio Indipendente Elav (Comun nuovo – Bergamo, Italy)

\\\\ FREE ENTRY ////

LINE UP:

Gio 13 ::: Da Captain Trips + Sonic Wolves + Samavayo
Ven 14 ::: RAIKINAS + Papir (jam set) + Humulus + Mars Red Sky
Sab 15 ::: The Black Lodge + Dead Man’s Blues Fuckers + Weedpecker + Papir + BelzebonG

https://www.facebook.com/Elav-Stoner-Open-Air-1558381127592263/
https://www.facebook.com/events/390670014767206/
https://www.elavbrewery.com/it/birre-elav

Elav Stoner Open Air 2017 recap

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Sons of Alpha Centauri Post “Solar Storm” Video

Posted in Bootleg Theater on August 13th, 2018 by JJ Koczan

Sons of Alpha Centauri

So there’s this submarine. And it’s in a lake. And it’s huge. And the video starts out and there’s all this movement and driving and going through different scenes and where are we going I don’t know but it works really well with the riff so just roll with it and so on. Eventually, we get up to the lake. Maybe a pond? A relatively small-ish body of water. We get there and Sons of Alpha Centauri arrive and there’s no way they all came in the same car because there isn’t enough room for all their gear but whatever that’s not the point. All the while “Solar Storm” is playing and it’s got this crazy kind of tension to it and the band walk out to a spot by the water on what seems to be some pretty nice farmland.

It’s all in black and white until they start playing. And then like purple and orange lasers come out of their guitars and whatnot and start to hit the submarine like they’re rerouting power from the auxiliary systems to feed through the dilithium core — am I right? — and then the submarine shoots into space at what looks an awful lot like warp six. If I had to guess. And then the submarine careens through outer space like it’s the dude in 2001: A Space Odyssey for a while, it breaks through water and then the clip cuts back to the band, who pack up their gear — I still think it’s studio magic to think they fit two guitars, a bass, a full drum kit and themselves in that car, but maybe they’re Tetris pros — and split. The end.

Video of the year? Maybe.

“Solar Storm” comes from Sons of Alpha Centauri‘s new album, Continuum (review here), on H42 Records and Cobraside Distribution and it’s produced by Aaron Harris, who was in Isis when they were a band. Sons of Alpha Centauri recently shared stages with Yawning Man in the UK and have other stuff going on, but quite frankly I’ve delayed enough. You should just dig in here and enjoy:

Sons of Alpha Centauri, “Solar Storm” official video

The journey into instrumental progressive rockers SONS OF ALPHA CENTAURI’s new album “Continuum” progresses, as the video for “Solar Storm” lands today on all channels.
“Solar Storm is the cumulative blend of fast, slow, heavy, progressive styles of SOAC all encapsulated within a five minute adrenaline shot. Working with Simon Risbridger on this video was awesome as he completely understands our visual aesthetic and secluded introspective approach. We wanted the video to represent the different segments and styles within the track as part of the journey – it has been highly stylised with multiple references and subliminal messages. Embark the journey and embrace the storm!’ states SOAC bassist Nick Hannon.

The video starts a black and white fine art epic shot in and around the spiritual home of SOAC, Swale and the Isle of Sheppey and the story progresses into a cinematic visual feast of intergalactic travel through space and time. The introspective journey of ‘Solar Storm’ has been directed by long term collaborator Simon Risbridger who worked with Sons of Alpha Centauri on visuals including live performances with A Storm of Light.

SOAC IS
Marlon King – Guitars
Nick Hannon – Bass
Stevie B. – Drums
Blake – Textures

Sons of Alpha Centauri on Thee Facebooks

Sons of Alpha Centauri on Twitter

Sons of Alpha Centauri on Bandcamp

Sons of Alpha Centauri website

H42 Records website

Cobraside Distribution website

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Skraeckoedlan Announce New Album Eorþe for 2019 Release

Posted in Whathaveyou on August 13th, 2018 by JJ Koczan

skraeckoedlan (Photo Mats Ek)

Well how about that? I said a thing might happen and it’s happening. Are you impressed at my prescience? No? Yeah, me neither. Fact is, that when Swedish fuzzlifters Skraeckoedlan announced the 180g vinyl reissue of their first album, Äppelträdet (review here), on The Sign Records, it wasn’t such a huge leap to think a new full-length would follow sometime soon.

Their third, it follows behind 2015’s Sagor (review here) and has been given the title Eorþe. The word translates to ‘earth,’ which makes sense given that the ‘þ’ character roughly equates to a “th” sound (if I learned nothing else from Icelandic black metal, I learned that), and while it’s a pretty ambitious stage-setter in terms of scope, Skraeckoedlan have only grown increasingly progressive as time has gone on, so it’s likewise easy to imagine the planet is only a launching point for the ground the record will actually cover.

There’s a teaser clip playing now — or at least it’s playing after you click play — at the bottom of this post that gives a quick sampling of the fuzzy depth of tone the band brings to bear this time around for what, suitably enough, will be their debut on Fuzzorama Records. The label announcement follows, via the PR wire:

skraeckoedlan logo

SKRAECKOEDLAN announces new album!

Fuzzorama Records proudly presents, from the imaginarium of author Nils Håkansson: Eorþe. As the enlightened has predicted since the birth of the aeons, 2019 will set in motion events of cosmic proportions. Be they good or evil or beyond our understanding of intent, questions better asked of species to come, for dim lay the waters of tomorrow’s reflection. But take heart, the seas will part in the springtime, and that which was meant for the depths will reemerge anew.

This fuzzy masterpiece will be released early 2019!

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Tim Ångström – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, Eorþe teaser

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The Obelisk Presents: Earth Ship & Rising Fall German Tour

Posted in The Obelisk Presents on August 13th, 2018 by JJ Koczan

earth ship rising tour

Two underrated progressive and aggressive acts — that’s Berlin trio Earth Ship and the five-piece Rising from Copenhagen — will head out together this Fall on a five-date run through Germany for which I’m thrilled to have The Obelisk among the presenters. From Earth Ship‘s individualized approach to sludge rock and Rising‘s grown affinity for a prog-metal approach to doom, each band offers something different from the other, and yet they should still make for an excellent and complementary pairing. It may not be the longest tour ever, but it’s bound to give German crowds something different from everything else happening as we head toward the end of the year.

Both bands are coming off 2016 releases — Earth Ship released Hollowed through Napalm and Rising had Oceans into Their Graves out on Indisciplinarian — and by astounding coincidence, both band will have new albums out in October. I know! What are the chances? Anyway, I know not everyone who reads this either is in Germany now or is going to be there in November, but even if you’re elsewhere and you get to check out either Rising or Earth Ship on the Bandcamp players below and maybe dig something you haven’t hear before, that’s still a win as far as I’m concerned. Either way, this tour seems like it’s going to be something special with the two new albums hitting around the same time and both groups being so much on their own respective wavelength.

If you do get to a show, consider me jealous. The PR wire has more info on the impending records and more background on the bands. As well as the dates, which, you know, you definitely want in there.

Dig it:

EARTH SHIP ANNOUNCE TOUR DATES FOR THE FALL OF 2018!

WITH VERY SPECIAL GUESTS RISING!

Doom and sludge heavyweights EARTH SHIP have announced a bunch of German tour dates for the Fall of 2018! The Berlin-based trio has teamed up with Denmark’s RISING, both bands are set to release their brand new records this October and will introduce them live on stage.

Ever since their inception in 2010, EARTH SHIP have built their reputation in the vast field of the stoner, doom and sludge underground scene as one of the most relentless and heavy-hitting live bands out there. With their thunderous blend of sludgy riffs, bluesy leads, virulent vocals and a massive dose of both groove and humour, vocalist Jan Oberg, his wife Sabine (bass) and Sebastian Grimberg (drums) have taken EARTH SHIP to the stages of Desertfest, Stoned From The Underground or Pelagic Fest, and toured with bands like RED FANG, TORCHE, CROWBAR or VOIVOD.

After 3 albums on Pelagic, the band signed with Napalm Records for the release of their 4th and critically acclaimed studio album „Hollowed“ in 2016. But the alliance didn’t last long, and the band returned to the welcoming arms at Pelagic for album #5: Resonant Sun.

Resonant Sun will be released on October 5th, perfect in time for a German headline tour with support by very special guests Denmark’s RISING in November!

Epic metal five-piece RISING, formed in 2008, have just finished their fourth full-length album which will be released this October on Indisciplinarian. In 2016, the band released their third album ‘Oceans Into Their Graves’, which was followed by numerous shows all over Europe with bands alike Gold or Orm including festival appearances at such as Copenhell or Roskilde Festival. With their exciting mixture of all that is heavy, RISING own a very special trademark of modern metal sounds while retaining their unique blend of the 70’s and 80’s classic Heavy Metal with the heavier aspects of the more recent alternative and progressive variations of the genre. Their upcoming brand new record will showcase the band’s diversity, musical talent, live power and RISING’s best album to date!

Teaming up with EARTH SHIP to tour both hotly anticipated records will surely please all fans of the Sludge, Doom and Heavy Metal. „We’re happy to return to Germany to play shows in November with the great Earth Ship in support of our forthcoming album!“ RISING comments. „We have some of most persistent and dedicated supporters in Germany, and it always kinda feels like coming home when touring there, as we’re always met with love and open arms. So, expect a fiery set of both new and older tunes and a band going for the throat…or thereabouts. We can’t wait, see you all in November!“

Make sure to catch this heavy package live on the following dates, presented by ALL NOIR, LEGACY, METAL.DE and THE OBELISK:

13.11.18 Hamburg – Fundbureau
14.11.18 Osnabrück – Bastard Club
15.11.18 Köln – Sonic Ballroom
16.11.18 Dresden – Loco
17.11.18 Berlin – Cassiopeia ( + Grim van Doom, Blacksmoker, Praise The Plague )

www.facebook.com/wearetheearthship
www.facebook.com/risingdk

Earth Ship, Hollowed (2016)

Rising, Oceans into Their Graves (2016)

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Friday Full-Length: RPG, Full Time

Posted in Bootleg Theater on August 10th, 2018 by JJ Koczan

Some records are born and bred for shenanigans. Based out of Richmond, Virginia, the four-piece Southern heavy punkers RPG made their debut with 2004’s Full Time on Arclight Records, and with it they collected 13 tracks of straight-ahead anti-bullshit rowdiness, careening through boozy riffs and pub-fare vibes on their way to a seemingly inevitable crashout. Influences like The Stooges and MC5 go without saying, but their punk roots ran deeper than that. One imagines them at some point taking a stage alongside Zeke and absolutely leveling everything in their path, but RPG‘s Full Time isn’t just about speed, or a brash attitude. In two-minute cuts like “Clockin’ In” and the strutting “Crash Bam Boom” there are hooks that speak to a rock classicism that one finds manifest in bands like Roadsaw and The Brought Low. Come to think of it, how these guys didn’t wind up on Small Stone Records at the time is something of a mystery. Nothing against Arclight — they had some killer releases, including Amplified HeatCardinale and the first The Book of Knots record — but RPG would’ve been a more-than-decent fit as labelmates alongside the likes of Dixie Witch and The Glasspack, and it just never happened for whatever reason. Still, Full Time holds up remarkably well for the 14 years that have passed since its release, and whether it’s the opening shove of “Nazi Mindreader” or the unhinged workaday garage rock of “Untuck It,” the whole outing brims with an energy that’s almost too easy to read as a Friday-night tension blowoff; beers downed, riffs unleashed.

It’s the kind of party where, one way or another, somebody is losing their keys. Maybe they show up again, maybe they don’t. But screw it, that car was junk anyway, and when RPG kick into the start-stop tension of “Standstill Blues,” who’d want to go anywhere anyhow? Like all of the cuts surrounding on the 29-minute full-length — half-hour set put to tape; maybe a minute left to tune between songs if that’s your thing — “Standstill Blues” is short and sharp at about two and a half minutes. As it should, the shortest of the bunch, “Lose It” (1:27) — for which they also made a video — arrives as a burst of electroshock therapy next to the relative sprawl of the longest cut, “Paralyzed” (3:07), which takes a full 37 seconds before starting its first verse; an anomaly given much of what’s around it. Comprised of vocalist/guitarist Matt Conner, guitarist John Partin, drummer Mike Marunde and bassist Tony Brown (since replaced by Bunny Wells), the band hit the brakes a little bit on “Early ’72,” but “You Gotta Know” before it and “Ghetto Rose” after are ragers, the latter with a motor-ready tear-ass winding riff that’s here and gone before it even has time to show up on the radar gun. The rest of the record continues basically in form, somewhat malleable in tempo, but never veering from its rpg full timecentral purpose in the drunkard punkard, “Crash Bam Boom” capping with a blown-out insistence that’s a punch to the face even among its compatriot cuts, and “Can’t Get Any Sleep,” which boasts the line, “I cannot have the American dream/If I can’t get any sleep,” seems to say more than it even intends in terms of working class blues.

They cap with “20 Year Old Idiot,” which seems to compare whoever it’s about to an idiot 10 years their senior and judge them to be pretty much the same, and one last urge to motion in “Song of Evil,” as Conner‘s bullhorn-esque vocals and his scorching guitar lead seem to both be delivering the identical message — last call, folks. So be it. RPG have, by then, left the room with its ass thoroughly kicked — I imagine a basement venue somewhere in deep downtown Manhattan or, just maybe, The Continental with its shot specials and Bingo working the front door — and have made their point. Their rhythm and forward drive are straight out of classic punk, but their tones come from more of a heavy rock kind of place, like they grew up and decided to buy some better gear. Also to write songs. And whatever else Full Time does in leaving tire tracks across its listeners’ heads, it does have songs. The quality of RPG‘s material, of the guitar interplay between Conner and Partin, of not just the speed but the character of groove from Brown and Marunde, helps to keep it as relevant now as when it was released, if not more so, given the fact that, though a new audience generation has come up in the interim, that generation is now established in much the same way the prior one was by 2004 when RPG came along. I remember when Full Time first came out thinking it was a little more punk than I really wanted. I guess maybe I grew into it since then.

RPG put out long-players in 2008’s Worth the Weight and 2012’s High Loathsome, both of which had some longer songs — the opening track on the latter was over five minutes! — and a bit more of a stylistically dynamic approach, but that wasn’t really what Full Time was about. Full Time was and still is about getting in, smashing up the place, and getting back out again. There’s no pretense otherwise and there doesn’t need to be. It’s an exceptionally efficient delivery and for as much beer as the album seems to down, it’s remarkably clearheaded along its path. At least mostly. By their once-every-four-years pace, RPG are two years overdue for a fourth album and I’m not actually sure what their status is as their social medias hasn’t been updated since they celebrated their 15th anniversary with a Hardywood Park beer release in 2015 — the RPG IPA was a dark ale with 7 percent ABV that did pretty well in Beer Advocate — playing a show at the brewery in Richmond. If you were forcing me to guess what they’ve been up to since, I’d probably say, I don’t know, life? The kind of life that doesn’t require an update on Thee Facebooks?

Good for them, I suppose. Or hope. Either way, Full Time still holds up, and as always, I hope you enjoy.

Thanks for reading.

Rough week. Most of it was a blur, but a rough blur. The Patient Mrs., The Pecan, The Little Dog Dio and I left New Jersey yesterday afternoon to sit in traffic en route to Connecticut, and we won’t be back until at least probably Aug. 21. This coming week is Psycho Las Vegas and because the flight was booked super-early and I didn’t know we’d be staying in NJ basically the whole summer, I’m flying out of Boston. So we came here to stay for a couple days and then will head north in time for me to fly out on Thursday at like 6:40AM or whatever it is. Early. Not like I won’t be up, but still. That’s early for taking your shoes off at security and all that rigmarole.

Whatever. At the end of that process is Psycho Las Vegas, though I’ve no idea how to get from the airport to the hotel. I suck at that kind of thing. Planes land right on the strip now, right? “Uh, pilot? Please stop at the Hard Rock. Thanks.” Or maybe they have one of those buttons you push on the bus to request a stop. “Roll out the inflatable slide; this is where I get off.” I’ll sort it out. Or maybe I’ll get lost and wander off into the desert, never to be heard from again. If that happens, it’s been real.

Of course, with that massive festival ahead, that will dominate next week’s schedule, but there are news and videos and premieres and stuffs besides that need to get posted, so here’s a look at the subject-to-change-duh notes:

Mon.: Tour dates for Earth Ship & Rising presented by The Obelisk; Sons of Alpha Centauri video.
Tue.: Some review; Fuzz Forward video.
Wed.: Backwoods Payback video premiere/review; Son of the Morning video.
Thu: Spacetrucker album stream/review; Vision Éternel video.
Fri.: Psycho Las Vegas review
Sat.: Psycho Las Vegas review
Sun.: Psycho Las Vegas review
Mon.: Psycho Las Vegas review

Since I travel Monday, I’ll probably take Tuesday off if I can or use it to finish whatever I don’t of the review of Psycho Sunday. We’ll see. I’ll sort it all out. It’s my first time at Psycho, but hardly my first time covering a festival. I have no doubt it’ll be a good time and I’ll have plenty to say about it. Things like, “Vegas is a capitalist cesspool but golly I sure do like riffs and air conditioning!” Review over.

Well, it’s after six and the sun’s up, which means the baby will be soon as well, so I better punch out. I hope you have a great and safe weekend. If you’re going to Psycho, I’ll see you there — I’m the guy with the hippie pants and the cosmic backpack because I’m pushing 40 and just don’t care anymore about anything other than max comfort at any given time — and otherwise, I hope you enjoy the coverage if you get to check any of it out.

Thanks again for reading and please don’t forget the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Seven Nines and Tens to Release Satisfy the Faction 2008-2018 Cassette Box Set

Posted in Whathaveyou on August 10th, 2018 by JJ Koczan

seven nines and tens

I don’t have the stats on the average lifespan of the average band, so I don’t can’t give you facts and figures — and something in writing about Seven Nines and Tens makes me want to quote statistics; can’t explain it — but I know that if you’ve lasted a decade without pummeling each other or, more simply, breaking up, you’re probably doing something right, and that’s worth celebrating. In the case of the aforementioned Vancouver four-piece, they’re marking the occasion with a tape box set through Coup Sur Coup Records titled Satisfy the Faction 2008-2018, which brings together the four albums the band has produced in that time under the guidance of founding guitarist Dave Cotton onto two cassettes in limited, hand-dubbed edition. The colors are random — I guess whichever blanks are picked up out of the pile — and the tracks sound huge and will come with a download for even more short-release-type stuff, singles and all that. Kind of a cool niche thing to note the passing of an important milestone for the band.

And pretty noteworthy as well that it’s the first release Coup Sur Coup is doing for them. You know your label means it when they not only pick up your band, but decide to do a career-spanning compilation as the first outing and hand-press the tapes. That’s love, pure and simple.

Coup Sur Coup has the release out Oct. 10 with preorders up as of today. Label honcho Max Cayer posted the following at their Bandcamp, where the orders can be placed:

seven nines and tens satisfy the faction 2008-2018

Seven Nines & Tens “Satisfy the Faction 2008-2018”

Here are the first 10 years of recorded output from seminal Vancouver band Seven Nines and Tens all under one umbrella, in digital and a very well assembled double cassette box set, dubbed, packaged, designed and hand numbered with heart and passion directly at Coup Sur Coup’s HQ, in Castlegar, British Columbia, Canada.

The band, started out life as a wholly instrumental act which combined elements of post-rock, post-metal and math rock into a complex sonic chimera.

Their evolution, over time and with line up changes, showed a band scaling back the guitar acrobatics in favor of huge shoegaze-inspired, post-rock walls of sound.

“We started off really progressive,” Dave Cotton, the only constant member of the band, founder, and songwriter, says. “I got really into Post-Metal for a while, and now it’s like psych-shoegaze post-metal, post-hardcore, and a little bit of classic rock; a little bit of Pink Floyd in there.”

It’s a heavier-than-heaven groove that balances a daydream shimmer with a mammoth rhythm section, a gorgeous collision between cascading atmospheres and alternative rock riffage.

This is a huge release for Coup Sur Coup, with a lot of special meanings.

It’s CSC first release to be made from the new office location in the Selkirk mountains of British Columbia, and fittingly so, with a band from the Province. It’s also our first attempt at documenting the entire career of one band up to this moment in time, and are extremely honored that said band is 7,9’s & 10’s.

A perennial favorite of mine and arguably one of the best and interesting band in Canada right now. Let alone the world. I intend on trying my best to shine a light on a vital group of musician making one hell of an interesting racket, for anyone willing to think outside the box, or look in odd places for something new.

This is, I hope, the beginning of a long and fruitful collaboration, this collection of the first 10 years of recorded input being the first pillar in that relationship.

This very special deluxe double cassette box set will include:

-All four albums on two randomly selected coloured cassettes, totalling 120 minutes of music. (Singles releases are not included on the box set, but will be included in the massive download link provided with the box set)

-Dubbed 2 at a time, with great patience and care, at our HQ in B.C.

releases October 10, 2018

http://www.facebook.com/sevenninesandtens
http://www.sevenninesandtens.com/
https://sevenninesandtens.bandcamp.com/
https://sevenninesandtens.com/
https://www.facebook.com/coupsurcouprecords
http://www.instagram.com/coup_sur_coup_records
https://twitter.com/coup_sur
https://coupsurcoup.bandcamp.com/album/satisfy-the-faction

Seven Nines & Tens, Satisfy the Faction teaser

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High on Fire Announce US Tour; “Electric Messiah” Lyric Video Posted

Posted in Whathaveyou on August 10th, 2018 by JJ Koczan

high on fire

Science tells us that if you want to live right, you need to see High on Fire at least once per album cycle, preferably more. Only days removed from the announcement of their new album, Electric Messiah, being released Oct. 5 and posting the first single in the form of the title-track, the trio have returned with a vast swath of tour dates and a lyric video highlighting the Lemmy homage of that same song. This won’t be the last tour High on Fire announce, but it will be the first round of US dates they’ll do following Electric Messiah‘s release, and even apart from the thrashy company they’re keeping, that’s reason enough to show up. As if you needed it.

From the PR wire:

high on fire tour

HIGH ON FIRE ANNOUNCE NEW U.S. TOUR DATES WITH MUNICIPAL WASTE

“ELECTRIC MESSIAH” LYRIC VIDEO RELEASED

ALL NEW LP, ELECTRIC MESSIAH, DUE OCTOBER 5, 2018
PRE ORDERS AVAILABLE NOW

On the heels of announcing their first new LP in three years, Electric Messiah, HIGH ON FIRE has posted new headlining dates throughout the U.S. and Europe this fall.

The new tour dates will be co-headlined by MUNICIPAL WASTE with Toxic Holocaust and Haunt in support. The three-week trek will kick off in Dallas, TX at Canton Hill on 11/2/18, hitting both coasts before wrapping up in San Diego, CA on 11/25/18. Tickets are now on sale.

“Man it’s gonna get crazy every night!,” says drummer Des Kensel. “Legends will be made on this tour! For after party info contact Dave Witte @ (804) 555-1212.”

High On Fire has announced extensive touring to support the recently announced all-new LP. After a batch of European festival dates, the band will head back to the U.S. to perform at Psycho Las Vegas, The Muddy Roots Music Festival, and the highly anticipated Adult Swim Festival. The band will then head back to Europe for a co-headline run with Enslaved before kicking off the Municipal Waste dates mentioned above.

Just yesterday HIGH ON FIRE released a new single titled “Electric Messiah.” The new song serves as the title track off the band’s all-new LP, which will be released on October 5, 2018, via Entertainment One (eOne). A lyric video for the track is available today.

High on Fire live:
10/08 – BE Belgium, Ieperfest
11/08 – DE Sinzendorf, Void Fest
12/08 – HU Budapest, Durer Kert

8/17/2018 – Las Vegas, NV – Hard Rock Hotel & Casino (Psycho Fest)
9/1/2018 – Cookeville, TN – Muddy Roots Music Festival
9/2/2018 – Asheville, NC – The Orange Peel

w/ Enslaved
30/09 – U Bazyla Poznan PL
01/10 – Proxima Warsaw PL
02/10 – UT Connewitz Leipzig DE
03/10 – Kulturfabrik Esch LU
04/10 – Mezz Jupiler Zaal Breda NL

10/5/18 – Los Angeles, CA – Adult Swim Festival

08/10 – Academy 2 Manchester UK
09/10 – Tivoli Dublin EIRE
10/10 – Limelight 2 Belfast UK
12/10 – The Mill Birmingham UK
14/10 – SWX Bristol UK
15/10 – The Dome London UK
16/10 – La Machine Du Moulin Rouge Paris FR

w/ Municipal Waste
2-Nov-18 – Dallas @ Canton Hall
3-Nov-18 – Austin @ Mohawk
4-Nov-18 – New Orleans @ Southport Hall
6-Nov-18 – Tampa @ Orpheum Theatre
7-Nov-18 – Atlanta @ The Masquerade
9-Nov-18 – Washington @ Black Cat
11-Nov-18 – Brooklyn @ Warsaw
12-Nov-18 – Philadelphia @ Union Transfer
13-Nov-18 – Boston @ Paradise Rock Club
15-Nov-18 – Chicago @ Metro
17-Nov-18 – Denver @ The Oriental Theater
18-Nov-18 – Salt Lake City @ Metro Music Hall
20-Nov-18 – Portland @ Bossanova Ballroom
21-Nov-18 – Seattle @ Showbox at the Market
23-Nov-18 – Sacramento @ Ace Of Spades
24-Nov-18 – Berkeley @ The UC Theatre

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, “Electric Messiah” lyric video

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