Rhin Announce Southeastern Tour Dates

Posted in Whathaveyou on October 2nd, 2015 by H.P. Taskmaster

rhin (Photo by Brendan Fieldhouse)

Tonight, West Virginian punk-as-fuck-you trio Rhin play the Delmar Inn in Hagerstown, Maryland, with the esteemed likes of tech-sludge-gap-bridgers Moon Tooth and noise skin-peelers Godmaker. It’s going to be a well-hyphenated show, apparently. Fair enough. Musket Hawk also appear on the bill, and for Rhin, it’s something of a lead-in to their upcoming East Coast tour, or at least it’s a Southeast tour, or a kind of Virginia/Carolina/etc. tour. It’s a fucking tour. They’re going on it. It’ll be nasty.

Rhin released their second album, Bastard (review here), at the end of last year on Grimoire Records. Info for tonight’s show in Maryland follows, as well as the tour dates, which kick off next weekend:

rhin tour poster

As the autumn deepens, so too will its nights’ intensity. Join us as power dervish, MOON TOOTH descend upon Hagerstown, MD. Experience their controlled chaos of rock glory. Witness the full throttle rock metal crushing wonderment as GODMAKER burns through this night. Feel the grip of growling, ripping, marauders MUSKET HAWK. And, come experience the non stop, brutally of hell thrashers, RHIN. This night will be one for the books. Join us for the epic ticket! What say you? Will you look back in regret of missing this show? Remember: the next show you miss may be the last. It’s all the way live and this is all on one stage. $5 cover. 21+ only.

West Virginia punk assault Rhin (Grimoire records) will be hitting the road October 9th through the 17th. Ending in Morgantown at 123 with karma to burn and lo pan. Event information on their facebook page.

looking for help 10/16
10/9 opera house shepherdstown
10/10 80/20 norfolk
10/11 house show charolette, NC
10/12 slims raleigh
10/13 Odditorium asheville
10/14 crayola house harrisonburg va
10/15 empty glass charleston
*10/16 pittsburgh? somewhere usa?
10/17 123 morgantown

RHIN is a band from West Virginia featuring members of The Demon Beat, Black Blizzard, Bishops, and nonhealer.

RHIN is: Dominic Gianninato [Bass, Vocals], Tucker Riggleman [Guitar], and Ben Proudman [Drums].


Rhin, Bastard (2014)

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Eight Bells to Release Landless via Battleground Records

Posted in Whathaveyou on October 2nd, 2015 by H.P. Taskmaster

Portland-based psychedelic doomers Eight Bells are currently in the process of recording their second long-player with Billy Anderson — because why go anywhere else? — for an intended release early in 2016 on Battleground Records. The post-SubArachnoid Space project of Melynda Jackson made its debut with the immersive and far-ranging The Captain’s Daughter in 2013, which Anderson also produced, and in addition to marking a first appearance for new drummer Rae Amitay, what’s been dubbed Landless will find Eight Bells veterans of such respected West Coast festivals as Fall into Darkness and Hoverfest.

The PR wire checks in with “content,” because it knows you love “content.” It read the focus group report. To answer your next question, yes, I am at work right now. Fuck business everything:


EIGHT BELLS: Experimental Doom Trio To Release Sophomore Full-Length On Battleground Records; New Drummer Announced + 2016 Tour With Voivod Confirmed

Experimental doom trio, EIGHT BELLS, will release their sophomore full-length this Winter via Battleground Records. Titled Landless and featuring new recruit, Rae Amitay (Immortal Bird, Thrawsunblat) at the drum helm, the record is currently in its tracking stages under the watchful ear of legendary producer/engineer, Billy Anderson (Agalloch, Tragedy, Demon Lung, Ommadon, Brothers Of The Sonic Cloth et al) and offers a definitive evolution of EIGHT BELLS’ eclectic sound.

In conjunction with the release of Landless, EIGHT BELLS will serve as direct support to Voivod and Vektor on their Northeastern US Winter tour with dates to be announced in the coming weeks.

EIGHT BELLS was forged in 2010 by Melynda Jackson (SubArachnoid Space) and began as a songwriting collaboration with jazz-trained six-string bassist Haley Westeiner and drummer Chris Van Huffel. Based in Portland, Oregon, EIGHT BELLS explores dark sonic realms with a blackened dissonance combined with ethereal and haunting female vocals.

Landless is the follow-up to the band’s critically-lauded debut full-length, The Captain’s Daughter, recorded by Billy Anderson and issued in 2013 via Seventh Rule and on vinyl by The Flenser.

Landless will be released on vinyl/digital formats via Battleground Records in February 2016 and on tape via Tartarus Records with further info to be disclosed in the coming weeks.


Eight Bells, “Fate and Technology”

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Roadburn 2016 Tickets on Sale Today; Massive Lineup Update

Posted in Whathaveyou on October 2nd, 2015 by H.P. Taskmaster

At this point, you almost expect that sooner or later in the lineup-addition stage of any Roadburn, you’re going to have to throw your hands up in the air and say, “Fucking hell, Roadburn,” because the roster of bands has become that ridiculous and/or the scope of the thing has just become so overwhelmingly righteous that you’re pretty much left with no alternative beyond staring in awe. Seems early in the season for it, but that’s me, right now. Fucking hell, Roadburn.

Tickets are on sale today.

Before I get into how stoked I am on the Finnish takeover, let me say how awesome I think it is that Tau Cross will play — an exclusive, mind you — set on the same day as Amenra and Neurosis. Seems like maybe a similar feel that brought Enslaved into Wardruna into Skuggsja this year, the vibe building as the day goes on, leading to an inevitable apex that speaks to the whole and expands on it. I hold my breath and hope I get to go back, because that apex will be Neurosis celebrating their 30th anniversary in 2016.

Lee Dorrian adds Pentagram and Galley Beggar. Fucking a. Roadburn continues its affinity for creative black metal, adding Iceland’s Misþyrming as what seems like a particularly daring artist-in-residence. Fucking a. Swedes Hills and reactivated German psych-jammers Zone Six get added, and I start to feel like the universe is doing me favors.

AND THEN we get around to the Finnish takeover. Dark Buddha Rising still haunt from the last time they played Roadburn. Hexvessel were already announced, but I’m particularly stoked at the mere possibility I might get to catch MPHMr. Peter Hayden — again or see Atomikylä, whose blown-out blackened psych extremity seems to be a direct summary of a lot of what Roadburn is about these days. Very cool band that I think have thus far flown under a lot of people’s radar. Obviously not that of Roadburn 2016.

Like the headline says, it’s a massive update. Have at you:

Further additions to ROADBURN FESTIVAL ahead of ticket launch

TAU CROSS to play their first European show at Roadburn 2016

PENTAGRAM and GALLEY BEGGAR are the first bands confirmed for Lee Dorrian’s curation.

ROADBURN’S Artists in Residence are confirmed as Icelandic pioneers MISÞYRMING

Plus even more bands announced ahead of tickets going on sale today – October 2nd.

TAU CROSS, the veteran punk / metal collective, revolving around Amebix bassist/frontman Rob Miller, Voivod drummer Michel ‘Away’ Langevin, and members of cult crust outfit Misery, will be playing a one off show at Roadburn 2016, along with Neurosis and Amenra, on Saturday, April 16th at the 013 venue in Tilburg, The Netherlands.

“TAU CROSS are delighted to announce that we have been invited to play at the 2016 Roadburn Festival. This will be our only upcoming European show, we are all looking forward to playing at this very special event” – Rob Miller.

Having TAU CROSS on the main-stage is causing us joy of unbridled proportions. Miller and Langevin are not only mutual admirers and peers, but their bands have been a huge influence on all things Roadburn. With all of the seminal bands and great musicians taking part on Saturday, it’s guaranteed to be epic.

To find out more about TAU CROSS at Roadburn, click HERE

When Lee was asked to curate part of Roadburn 2016, there was an expectation of great things. And his first choices do not disappoint.
On his choice to add the legendary PENTAGRAM – who will perform a special “best of” set – to the line up, he comments:

“They have been one of my all time favourite bands since first hearing them back in the mid 80’s. I became an obsessive fan covering my old apartment with flyers and intensely collecting as many live tapes, videos, photo’s and whatever else I could get my hands on back then.
I’m am completely honoured that they agreed to accept my invitation to appear at my curated event, Rituals For the Blind Dead! This greatest hits performance will be a big party in celebration of the bands long and treasured career. With Victor back flying out those riffs like flaming balls of fire it’s going to be so relentless, I simply cannot wait.”

Dorrian’s second addition is London’s GALLEY BEGGAR. The six-piece acid folk troupe released their third album earlier this year – a record that is sure to feature in Roadburn’s album of the year lists. He comments:

“They are one of very few bands around today that understand the timeless beauty of acid-tinged folk-rock. In the true spirit of classic era Fairport, Trees, Spriguns, Mellow Candle and other contemporary kindred spirits their gentle, yet melancholic will act as the perfect refrain from all the dark, beastly heaviness surrounding the event.”

To find out more about PENTAGRAM click HERE, and GALLEY BEGGAR click HERE

Historically speaking, Roadburn’s Artist in Residence is usually an older, established act or musician, one who’s spent decades honing their skills and cultivating a worldwide reputation, but this year will be different. In 2016, Roadburn will welcome a new, young band that has exploded onto the international stage with the force of a neutron bomb, thanks to a crystal-clear, forward-thinking vision and the impeccable quality of their work.

During their residency, Misþyrming will play three shows at Roadburn.The first, Algleymi, (Thursday 14 April) will see the band debuting highly-anticipated new material. The second and most transcendent appearance is Úlfsmessa (Friday 15 April) Joined by the Icelandic black metal and black metal-influenced ritual drone bands Naðra, NYIÞ and Grafir, Misþyrming will present an intense, immersive collaborative performance, ten members strong, that will both reaffirm and redefine any devotee’s commitment to black metal supremacy. The final chapter of their residency will be Söngvar elds go óreiðu (Saturday 16 April) which will comprise a performance of their earth-shaking first album in its entirety.

To find out more about MISÞYRMING (with thanks to Kim Kelly and Noisey) at Roadburn, click HERE

With a clutch of such definitive and inventive bands all hailing from Finland, it’s no surprise that we’re giving over a corner of Roadburn to the amazing artists hailing from this beautiful country.

We recently announced HEXVESSEL to the Roadburn 2016 bill, but we’re now excited to announce a second show. They will be joined on Friday 15 April on stage at Roadburn by the archaic elementals of Arktau Eos for a one-off performance of a rite featuring music and themes from Hexvessel’s debut album Dawnbearer, and Arktau Eos’ debut Mirrorion (which celebrates its tenth anniversary). Arktau Eos will also perform their own set on Thursday 14 April.

To find out more about HEXVESSEL & ARKTAU EOS, click HERE.

The other Finnish bands taking over Roadburn 2016 are:
Dark, droning psych-lords DARK BUDDHA RISING on Friday 15 April.
Experimental black metal innovators ORANSSI PAZUZU on Thursday 14 April.
Psych drone purveyors feat. members of Dark Buddha Rising and Oranssi Pazuzu – ATOMIKYLÄ will perform at Roadburn on Saturday 16 April.
Again featuring members of Dark Buddha Rising and Oranssi Pazuzu, ABYSSION are a coarse mix of punk, black metal and even post punk, they play on Thursday 14 April.
Specialising in dramatically drawn out cosmic doom – MPH play on Sunday 17 April.

To find out more about the Finnish takeover click HERE

In addition to the above bands we have also confirmed:
Cinematic Italian doomers, ABYSMAL GRIEF – click HERE for more information
Fellow Italian’s EPITAPH – click HERE for more information.
Folk-tinged droners CRUMBLING GHOST – click HERE for more information.
Cosmic neo-krautrockers ZONE SIX – click HERE for more information.
Psychedelic Swedes HILLS – click HERE for more information.
Progressive black metallers TERZIJ DE HORDE – click HERE for more information.
Seven piece Texan metal horde – DEAD TO A DYING WORLD – click HERE for more information.

Tickets to Roadburn Festival 2016 will go on sale October 2 2015. Ticket sales will start at 21:00 CET (20:00 GMT | 22:00 Finland, Greece | 3pm East Coast USA | 12pm West Coast USA). Three-day tickets will be available for 165 Euros (excl. service fees); four-day tickets will cost 185 Euros (excl. service fees). Sunday-only tickets will cost 39 Euros (excl. service fees). Camping tickets are also available through Ticketmaster.

Additional information for people who wish to buy their tickets in person: Sounds in Tilburg will be open for you to purchase tickets in person from 18.30 – 20.30, and showing your Roadburn ticket at the door will get you entry to two Roadburn-approved gigs in the city that evening.

Click HERE for all the details.

Roadburn Festival takes place at the recently upgraded, state of the art 013 venue, Tilburg, The Netherlands, between 14 – 17 April 2016. The line up this year includes Neurosis (30th anniversary), Paradise Lost (performing Gothic in full), curation by Lee Dorrian, Amenra, The Skull, La Muerte, Of The Wand And The Moon, and Green Carnation.


Atomikylä, “Musta Kulta”

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Borderland Fuzz Fiesta 2016 Announces Initial Lineup; Funeral Horse, Waxy, Dandy Brown, Blaak Heat Shujaa, 3rd Ear Experience, Cloud Catcher and Fuzz Evil to Play

Posted in Whathaveyou on October 1st, 2015 by H.P. Taskmaster

As noted here in August, the 2016 Borderland Fuzz Fiesta will take place Feb. 26-27, expanding from one day to two, in Tucson, Arizona. It will be held at 191 Toole. Aside from seeing the return of the Mad Alchemy Liquid Light Show, the second installment of the heavy rock fest boasts a range of Southwestern styles, from the desert psych of Blaak Heat Shujaa — one wonders if their new album might be ready by then? — to the punked-up garage strangeness of Funeral HorseHermano‘s Dandy Brown will also make an appearance, and though the headliner and main support act(s) have yet to be unveiled, it already looks like a damn good time.

More to come as we get closer to the fest itself, still some five months out, but today brothers Wayne Rudell and Joseph Rudell announce the initial lineup and unveil the official poster by the latter’s own Ghost Town Graphics. The central theme? The desert. Makes me wonder in a big way who might be headlining this thing, since it’s looking pretty sandy even as it just gets going.

Dig it:

borderland fuzz fiesta 2016 replace

Borderland Fuzz Fiesta 2016 – First Announcements

We are excited about this year. We have brought in alot of bands I think fans of Stoner Rock, and Psych will love to see. We will have some more announcements in about a month or so for the support and headliners. We will also have info for limited early bird tickets and two day passes.

The flyer design was by Joseph Rudell with his company Ghost Town Graphics. People also might recognize his art from Ripple’s Second Coming of Heavy Series which GTG has been contracted to do the whole series.

Borderland Fuzz Fiesta 2016
Headliner TBA
Main Support TBA
Dandy Brown (Hermano)
Blaak Heat Shujaa
3rd Ear Experience
Cloud Catcher
Funeral Horse
Fuzz Evil

Mad Alchemy Liquid Light Show

More performance announcements to follow.


Waxy, Live at 420 Desert Jams

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Radar Men from the Moon: New Album Subversive I Out Now

Posted in Whathaveyou on October 1st, 2015 by H.P. Taskmaster

radar men from the moon

I’ll admit, I’m not really sure how we gar around to Subersive I being the third release from Netherlands-based instrumentalists Radar Men from the Moon. Their debut was 2011’s Intergalactic Dada and Space Trombones (review here). Then came 2012’s Echo Forever (review here), and after that was last year’s Strange Wave Galore (podcasted here). That puts Subversive I as number four, unless they’re counting the first one as a demo these days. Didn’t sound like a demo at the time, but I guess that kind of thing will happen.

Whatever number it is, Radar Men from the Moon‘s Subversive I is out now and available in a pressing of 500 total copies, most of which seem to be gone, from Fuzz Club Records. It will serve as the first in a series of three releases — presumably all titled Subversive — that, according to the PR wire, will explore a range of styles:

radar men from the moon subersive i

Radar Men From The Moon (Fuzz Club Records) release new LP “Subversive I”

On the border between an instrumental Psychedelic Rock quartet and a Dadaist collective open to contamination and to merging with other art-forms and musicians, Radar Men From The Moon is an Eindhoven-based outfit consisting of Glen Peeters, Jan-Titus Verkuijlen, Tony Lathouwers and Bram van Zuijlen.

“Subversive I” is their third release. They have been consolidating their fan-base over the last 4/5 years, thanks to a series of European tours and appearances at some of the most important Psych festivals, such as Freak Valley, Desertfest Berlin, Eindhoven Psych Lab, Roadburn, Yellowstock and (just a few days ago) Liverpool Psych Fest…

It is the first of a triptych of albums from a band that has set itself to conduct sonic experiments transcending the boundaries of any genre they explored so far (from Shoegaze to Psychedelia, from New Wave to Krautrock).

RMFTM – Subversive I is limited to 400 copies. 180 gram transparent purple vinyl.

RMFTM – Subversive I Deluxe edition is limited to 100 copies. 180g white vinyl with purple.


Radar Men from the Moon, “Deconstruction”

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Skuggsjá Sign to Season of Mist; Album Due Early 2016

Posted in Whathaveyou on September 30th, 2015 by H.P. Taskmaster


It was pretty clear as I stood and watched Skuggsjá‘s second performance ever at this year’s Roadburn back in April that the collaboration between Einar Selvik of Wardruna and Ivar Bjørnson of Enslaved was a genuinely special project. The experience of watching it proved likewise. I said at the time that I hoped the set would be released, as so many are, in the form of a Live at Roadburn offering, but failing that, I’ll take Skuggsjá signing to Season of Mist and releasing what seems to be a studio album instead. I mean, you know, that’s not exactly roughing it.

And by that I mean, it’s fantastic news that not only will Skuggsjá continue, but that it will begin an actual evolution as a band. The album — I don’t know how it could be anything but self-titled since it was the work from which the project took its name, but don’t quote me on that — will be out early in 2016, and it’s already jumped considerably toward the top of my most-anticipated list simply by existing.

Heads up on this one. You won’t want to miss it:

skuggsja logo white

SKUGGSJÁ signs to Season of Mist

Season of Mist are proud to announce the signing of Norway’s SKUGGSJÁ. The band, led by Ivar Bjørnson (ENSLAVED) and Einar Selvik (WARDRUNA), will release their debut album worldwide in early 2016.

SKUGGSJÁ was originally conceived as a commissioned musical work written by Bjørnson and Selvik. The arrangement was performed by ENSLAVED and WARDRUNA in commemoration of the 200th anniversary of the Norwegian constitution at the 2014 edition of Norway’s Eidsivablot festival.

The growing desire to present SKUGGSJÁ to a broader audience led Bjørnson and Selvik to headline Roadburn Festival 2015 and record a full album. Details regarding this debut release will be available soon.

Featuring a variety of Norway and Scandinavia’s oldest instruments, as well as poetry in Norse and Norwegian, SKUGGSJÁ tells the history of Norway and it’s people. SKUGGSJÁ is truly a fusion of Norway’s past and present both lyrically and musically.

Regarding the signing, SKUGGSJÁ comment:

“When we were asked to write a joined convert piece by the Eidsivablot festival for the 200th anniversary of the Norwegian constitution, we both immediately saw the outline of something massive and important.

Our performance confirmed that this project should live on, develop and thrive. During 2015 we have performed the piece once more at the Roadburn festival, and have also discreetly slipped in and out of studios around Norway to record what is to become our debut album.

We are extremely proud of what we will present on this album. It has been quite a journey already for the two of us, but this where it really begins. We have created something that is bigger than its individual parts. Now we are excited to see what the world make out of our creation!”

All things good,
Ivar & Einar

SKUGGSJÁ’s official line-up is:
Ivar Bjørnson (ENSLAVED): vocals, guitars, bass, keyboards
Einar Selvik (WARDRUNA): vocals, taglharpa, Kravik-lyre, goat-horn, birch-bark lure, bone-flute, percussion, electronics

The album will also feature contributions from the following musicians:
Grutle Kjellson (ENSLAVED): vocals
Lindy-Fay Hella (WARDRUNA): vocals
Eilif Gundersen: birch bark lure
Olav L. Mjelva: Harding fiddle
Cato Bekkevold (ENSLAVED): drums


Skuggsjá, Live at Roadburn 2015

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SunnO))) Announce New LP Kannon for Dec. 4 Release

Posted in Whathaveyou on September 30th, 2015 by H.P. Taskmaster

Well waves of dreams bear my heart for deliverance, it’s new SunnO)))! The lords of drone have hardly been inactive in the interim, what with the embarked-on live documentation project resulting in copious digital releases through Bandcamp, as well as collaborations with Ulver and Scott Walker, but Kannon will be their first standalone full-length since Monoliths and Dimensions (review here) was released in 2009. And if you didn’t hear that record, it was pretty much the sound of the universe being swallowed whole.

Kannon is out Dec. 4 on Southern Lord, which presumably was as close as they felt they could reasonably get to the darkest day of the year and still have it make sense to have a new album come out, and while art and audio are still forthcoming, the info on the making has come out via the PR wire, and you can find it below:

sunno (Photo by Peter Beste)

SUNN O))) To Release Brand New Studio Album, Kannon, Through Southern Lord In December

It comes with immense pleasure for Southern Lord Recordings to announce the advent of a new studio album from SUNN O))), Kannon, which will be officially released on December 4th, 2015.

Composed in the aftershadow of SUNN O)))’s most recent successes in immersive collaboration — the group having worked with Scott Walker on Soused, and Ulver on Terrestrials in 2013 and 2014 — and also from the broad and influential wake of their epitomic Monoliths & Dimensions, Kannon emerged both independently as a conceptual entity and with roots in the legacies of those projects, yet was fully realized years later in 2015. The album consists of three pieces of a triadic whole: “Kannon 1, 2 and 3.”

The album celebrates many SUNN O))) traditions; Kannon was recorded and mixed with SUNN O)))’s close colleague and co-producer Randall Dunn in Seattle, in Studio Litho, Aleph and Avast!, and the LP includes performances by long term allies and collaborators Attila Csihar, Oren Ambarchi, Rex Ritter, and Steve Moore to name a few. At the core, the composition centers around the dynamic and intense guitar and bass interplay of SUNN O)))’s founders: Stephen O’Malley & Greg Anderson.

It is possibly the most figurative album SUNN O))) has created, which is unusual as they usually dwell in layers of abstraction and subjectivity. On the other hand the album is the most outright “metal” in years, drawing personal associations and memories of cherished albums like Panzerfaust and Twilight Of The Gods again to the forefront of consciousness. Kannon is also very close to the cyclical character of mantra which the band has evolved into as a living creature, the enormity of intense sensate detail and manifestation of the live in concert element of SUNN O))), the organism that has flourished, metamorphosed and transcended tremendously over the past ten years.

The literal representation of Kannon is as an aspect of Buddha: specifically “goddess of mercy” or “Perceiving the Sounds (or Cries) of the World.” She is also sometimes commonly known as the Guanyin Bodhisattva (Chinese: ????) amongst a plurality of other forms. There is a rich lineage behind this idea tracing back through many Asian belief systems, with as many names and cultural personifications of the idea.

SUNN O))) commissioned critical theorist Aliza Shvartz to write text and liner notes around these ideas and topics. She also explores the relations and perceptions to their approach to these ideas via the metonym of music and SUNN O)))’s place/approach within the framework of music and metal overall. The band also enlisted Swiss designer/artist Angela LaFont Bollinger to create the cover artwork, an abstracted sculpture of vision of Kannon. French photographer Estelle Hanania captures portraits of the core trio (Csihar, Anderson, O’Malley) in the impressive and obscurant Emanuel Vingeland mausoleum in Oslo.

Kannon will be available on gatefold LP, CD and digital formats worldwide on December 4th, with a limited number of clear vinyl available on Black Friday RSD, Friday, November 27th.


SunnO))), Live at Royal Festival Hall, UK, 08.18.2015

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Jeremy Irons and the Ratgang Malibus Announce South American Tour Dates

Posted in Whathaveyou on September 30th, 2015 by H.P. Taskmaster

jeremy irons and the ratgang malibus

Swedish upstart heavy rockers Jeremy Irons and the Ratgang Malibus — whose name I’d been pronouncing like “mali-bus,” as though it had a bus at the end one might ride, but have come to discover it’s actually more like the plural of Malibu; learn something new all the time — have announced the dates and cities on and in which they’ll make their first South American tour this November and into December. The run includes shows in Argentina, Uruguay, as well as a warm-up gig in the band’s native Stockholm, and is presented by Abraxas Events, which is previously responsible for bringing the likes of Kadavar and Mars Red Sky to the South American continent.

Not by any means an inconsiderable track record. Looking at the schedule, I can’t help but notice that JIRM, as they’re abbreviated, have a span of four off-nights in a row as November moves into December. They play São Leopoldo on Nov. 29 and Florianópolis on Dec. 4. Now, that’s about a five-hour drive between cities, so maybe they’re taking off a couple days to see the sights, or maybe shows are going to be added as venues are confirmed for the already-announced dates. It seems like a long drive to think that they’ll truck all the way up to Rio de Janeiro and hit Estudio Superfuzz to do some recording, maybe a follow-up to last year’s right-on Spirit Knife (review here) on Small Stone, but also interesting to note that the whole tour winds up in that same city after Dec. 6.

I haven’t even heard hints of that, so don’t go telling people or something, I’m just thinking out loud that it would be another way for Jeremy Irons and the Ratgang Malibus to get the most out of their trip. Even if it doesn’t happen that they get new recordings out of it, I’m sure the tour will be badass.

Announcement follows, courtesy of Abraxas:

jeremy irons and the ratgang malibus south america tour banner

Abraxas apresenta: Jeremy Irons & the Ratgang Malibus South America Tour 2015

Venues, ticket information and further info will be updated.

20.11 Stockholm (S) warm-up gig
24.11 Buenos Aires (ARG)
25.11 Córdoba (ARG)
26.11 Montevideo (URY)
27.11 Porto Alegre (BRA)
28.11 Santa Maria (BRA)
29.11 São Leopoldo (BRA)
4.12 Florianópolis (BRA)
5.12 São Paolo (BRA)
6.12 Rio de Janeiro (BRA)

Provided by Statens Kulturråd.
Official Tour Poster by Mil


Jeremy Irons and the Ratgang Malibus, Spirit Knife (2014)

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