Roadburn 2020: David Eugene Edwards to Play Solo Acoustic Set; PH, Elizabeth Colour Wheel, The Flenser Showase & Much More Added

Posted in Whathaveyou on November 14th, 2019 by JJ Koczan

roadburn 2020 new banner

David Eugene Edwards. Solo. Acoustic. Every year I’ve been fortunate enough to go, there’s been one keeps-you-alive-until-April Roadburn set, from Saint Vitus with Wino in 2009 and Garcia Plays Kyuss in 2010 to Sleep playing Sleep’s Holy Mountain this year. There’s always one. At least. In 2020, for me, that’s David Eugene Edwards of Wovenhand and 16 Horsepower playing by himself on stage. Whatever else gets added, whoever else is playing, hell, even if Wovenhand end up playing, this is the one that got me. Well done, Roadburn 2020.

Also featured in this massive lineup addition are PH (whose announcement I wrote), Elizabeth Colour Wheel, familiar faces Primitive Man and a host of other, of course widely varied, incarnations of badassery. I’m not trying to take away from anyone else or anything like that, or anything that might still come by saying the above, you understand. Roadburn 2020’s already primed to push well beyond the common bounds of heavy. It was before this announcement, frankly. But from here on in, my schedule already has its circle, and whether we do the Weirdo Canyon Dispatch or not (every year I kind of wait for the shoe to drop on that like it’s something we’ve been getting away with for the last six editions), I’m there, and I don’t care who he’s up against or who’s on next on what stage. If I have to sleep in the gutter of Weirdo Canyon in order to be there, I’m not missing a minute of David Eugene Edwards‘ set. Period.

From the fest:

roadburn 2020 david eugene edwards

Roadburn 2020: new announcements, more curator picks, and a showcase!

– Less than 10% of 4 day tickets remain
– David Eugene Edwards joins Emma Ruth Rundle’s curated event
– James Kent picks a special collaboration for his curation
– The Flenser will present a label showcase

Less than 10% of 4-day tickets remain for Roadburn 2020, and single-day tickets will go on sale on December 10.

Artistic Director, Walter Hoeijmakers comments: “As we edge closer towards selling out Roadburn 2020, I am excited that we still have so much more to announce. This year we are putting an emphasis on the context and creativity of the artists we’re announcing and knowing that we have still more up our sleeves means I am delighted to see where Roadburn 2020 is heading.”

EMMA RUTH RUNDLE’S THE GILDED CAGE:

DAVID EUGENE EDWARDS
At Roadburn, David Eugene Edwards has graced us with his presence on two occasions as part of Wovenhand. Each performance pulsated with energy and elevated the sets to be highlights of each respective edition of the festival – in no small part due to David’s electrifying presence. We’re delighted to bring him back to Roadburn, this time as part of Emma Ruth Rundle’s curation, The Gilded Cage. David will perform an acoustic, solo set that promises to showcase the diversity of his delivery and the nuances of his craft. Emma comments:

“It’s been a secret wish to see DEE playing solo and delivering his songs in their most bare forms. This was the very first thing that came to mind when I was asked to co-curate Roadburn and it’s going to be a rare and precious jewel of a performance.”

JAMES KENT’S CURATION:
REGARDE LES HOMMES TOMBER
A product of the burgeoning French underground scene that has produced so much incredible music in the past few years, over the course of two records so far, Regarde Les Hommes Tomber have used scraps from the most sinister subgenres, from black metal to sludge to build up truly frightening epics. Always apocalyptic in feeling, emotional and ruthless in equal measures, drenched in religious imagery and references, and creating a sonic depiction of the fall of mankind… and its subsequent rising to replace the cruelty of the established gods. Not only will we be expecting all of this maelstrom of fiery feelings, but also a healthy measure of the unexpected as well, since Regarde Les Hommes Tomber will be playing their new not-quite-announced-yet album in its entirety.

HANGMAN’S CHAIR X REGARDE LES HOMMES TOMBER
Regarde Les Hommes Tomber will join forces with Hangman’s Chair for a collaboration at Roadburn 2020. Hellish, sludgy black metal will clash horns-first with cold, despondent doom, and the result will surely transcend even the most delirious of descriptions that we can come up with at this point. Originally commissioned by Red Bull, this unholy collaboration has occurred just once previously, in Paris. That performance lasted 45 minutes, but for Roadburn an additional 15 minutes of material will be debuted just for us.

PLEBEIAN GRANDSTAND
Plebeian Grandstand are a band that have morphed from a core of quite technical, hardcore charged metal to be the hulking beast of black metal fury we see before us today. The creative journey they have been on has led to an infusion of influences from outside the black metal sphere, resulting in nuance and depth that can sometimes be hard to find within the genre. On top of that, they eschew the cartoonish elements of extreme black metal – you’ll find no burning churches here – in favour of something rooted more firmly in reality. After all, what’s more nightmarish than the real world?

TRUE BODY
With a calculated sense of tension and just enough human touch to cut through their own cold post-punk atmospheres, Virginia’s True Body has built a following with their urgent and impassioned music. Instead of falling into melodramatic excess or disconnected affectations, the band manages to bring the best of each realm for something that leaves audiences rapt and thrilled. With this masterful take on such a beloved sound, we’re honored to announce that True Body will be performing at Roadburn 2020 as part of James Kent’s curation.

THE FLENSER SHOWCASE
In 2020, The Flenser will celebrate the tenth anniversary of the label’s first release. The San Francisco based label has been committed to releasing experimental, avant-garde music for a whole decade – which – naturally – has not escaped our notice here at Roadburn HQ. To celebrate this milestone and to acknowledge the impact that The Flenser has had on our record collections and the broader musical landscape we have invited several of the label’s current artists to perform at Roadburn 2020.

The Flenser label manager, Jonathan Tuite comments: “Roadburn is my absolute favorite festival in the world. The lineup is always diverse, the audience enthusiastic, and the curation is second to none. I can’t think of a more appropriate place for The Flenser to celebrate our ten years of existence.”

GILES COREY
For over ten years Dan Barrett has been cementing his role as a visionary in dark music history.Perhaps none of this work has resonated with more intimacy than Giles Corey, his acoustic guitar led, ghost noise-soaked songwriting vessel. While on paper an acoustic led-project sounds like a potentially low-key affair, Giles Corey is bursting with electric energy–recordings are awash in swirling organs, reverberating choirs, striking horns, and blown out drums. While Giles Corey has performed as a solo-act, Roadburn 2020 will mark the project’s first appearance as a full-band. Members of Have a Nice Life, including central figure Tim Macuga, will help bring the album’s haunted sounds to life: expect the stage and audience to be left in a scorched earth state of desolation.

ELIZABETH COLOUR WHEEL
“Otherworldly” is a description often applied to artists that evoke the ethereal, and whilst that is occasionally applicable to Elizabeth Colour Wheel, the otherworldliness they invoke is more to do with the fact that it’s not always clear if they really inhabit the same world as we do. Their debut album, Nocebo, laughs in the face of genre descriptors, forging a new path that may be tricky to describe but that offers a wildly enticing prospect.

DROWSE
Drowse is an outlet for Kyle Bates to explore his place in the world; his music echoes what he experiences on the varied paths of this internal-reflection. Sometimes those paths lead to extraordinary places – this year’s Light Mirror LP was inspired by an isolated trip to northern Iceland where he took up an artistic residency in 2018. The melancholic results are the sonic equivalent of a sliver of sunlight permeating an otherwise bleak and drizzly morning. The weight of Bates’ reflections is mighty, but it never quite succeeds in suffocating the shards of harmonious hope that glint in the winter sun.

MAMALEEK
Mamaleek have been unearthing truly uncategorizable sounds from the catacombs of black metal since 2008. Founded by two anonymous brothers, the Bay Area project has become known for both its wild experimentation and aesthetic cohesion. The use of left-field samples threads their discography together, with sound sources growing more bizarre with each release. The current lineup mixes childhood friends and total strangers. Their participation is an outgrowth of the core duo, an experiment in a live setting, using instruments and sounds that highlight experimentation and flout genre conventions. Who knows how long this iteration will last before the next metamorphosis.

MIDWIFE
As a multi-instrumentalist, Madeline Johnson AKA Midwife has sculpted a fuzzy take on experimental dream pop, drenched in melody and punctuated with distortion. Despite a central theme of “devastation” Midwife makes for nuanced and evocative easy listening that can’t help but feel like something of an audio honey trap. We’ll have to wait until April to find out exactly what lurks beneath the surface…

ALSO ANNOUNCED…

PRIMITIVE MAN
It is with great anticipation that we’re delighted to announce that Primitive Man will be playing twice at Roadburn. One set will be a business-as-usual, throat-ripping, bone crushing display of what makes them a must-watch band. And one set will be a run through of their 2017 album, Caustic. This is the kind of endurance test we relish – an audio pummelling so intense that there’s no way to come out the other side without a shift in our worldview.

LANKUM
When The Livelong Day – the latest offering from Dublin four piece, Lankum – passed over our desks, our ears pricked up and we knew we had to invite them to Roadburn next year. It’s not uncommon to find us feeling effusive about noise, drone and ambient projects in the Roadburn world, but it’s a much rarer prospect to find such tonal qualities on what is undoubtedly, most definitely a folk album. Uilleann pipes and harmonium come together to create a cinematic soundscape that many Roadburners will feel right at home with. The album makes for an appropriate gateway for those attending Roadburn, regardless of which side you’re approaching from – a folk fan heading towards darker territories, or a heavy music fan lured by the promise of a genre steeped in history and countless traditional flourishes.

HILARY WOODS
Hilary Woods wrote her debut full length, Colt, alone – before before taking her recordings to Berlin to work with James Kelly (Wife, Altar of Plagues). The solitude is palpable, and listening to what she has made feels like a cautious invitation into a quiet place that she has created. Imagine a soft cocoon of sound, enveloping you as you step through into the netherworld of her making.

FÖLLAKZOID AND ATOM TM
Spearheading Chile’s vibrant psych scene, Föllakzoid will transport Roadburn 2020 on an all-encompassing voyage. Joined once again by German electronic artist and producer, Atom TM, the band will make their Roadburn debut, aiming to, “modulate the gravitational waves in order to alter the temporality perception and get sucked into the timeless space continuum,” as guitarist/singer Domingæ Garcia-Huidobro aptly puts it.

TORPOR
Rhetoric Of The Image showcases Torpor’s confidence; lengthy post-metal tracks smoulder whilst shorter, more experimental cuts punctuate the album. The three piece will expand a little for Roadburn in order to do justice to the full fifty one minutes that make up Rhetoric Of The Image as they perform it in full for us at Roadburn.

SUM OF R
The current incarnation of Sum of R already sees Reto teamed up with Jukka Rämänen (Dark Buddha Rising, Hexvessel, Waste Of Space Orchestra), which has allowed them to forge even more adventurous paths from their dark ambient/drone of yore, but now yet another figure from that particular Finnish scene will be adding his own very particular twist to the proceedings and giving them a new voice, quite literally, as it is none other than vocalist Marko Neuman (Dark Buddha Rising, Waste Of Space Orchestra, Convocation, Ural Umbo).

PH
Earlier this year, PH released Osiris Hayden, their second offering through Svart Records and fifth overall in their prolific decade together. Their latest work finds them embracing new reaches of the cosmic infinite, taking on electronic charge as they never have before and exploring the connection between organic and inorganic audio experiences.

MANY BLESSINGS
Those of you familiar with Ethan McCarthy will know him as the formidable frontman for Primitive Man. Under the banner of Many Blessings, Ethan performs a much less frenzied kind of music – and yet somehow it manages to be no less disturbing and spine-chilling. Many Blessings has seeped into our consciousness – a slow, creeping threat of sonic menace. Whilst the ferocity we are are perhaps more accustomed to is not present, the wordless missives are brooding and visceral.

EYE FLYS
After listening to their blistering debut album Context, and considering the fact that guitarist Spencer Hazard was already roped in for Roadburn 2020 as a member of one of our artists in residence, the wonderful Full Of Hell, how could we ever pass on Eye Flys? The Backslider rhythm section of Jake Smith – here on guitar and vocals – and Patrick Forrest plus Triac’s Kevin Bernsten complete the line-up.

ROADBURN 2020 TICKETS

Weekend tickets for Roadburn are on sale now (3-day tickets are sold out, 4-day tickets remain on sale). Single day tickets will be on sale on December 10. More information about tickets and accommodation options can be found HERE.

Already announced for Roadburn 2020 is: Emma Ruth Rundle and James Kent as curators, commissioned projects from James Kent & Johannes Persson, Jo Quail, and Vile Creature & Bismuth, the return of Julie Christmas, Red Sparowes, Russian Circles, Torche, Brutus, Bada, Dool, Health, Hide, She Past Away, and two Artists In Residence: Full of Hell and Lingua Ignota. Check the full line up HERE.

EUROPEAN FESTIVAL AWARD NOMINATION

Roadburn has been nominated in the best small festival category (less than 10,000 visitors) at the European Festival Awards 2019. Votes can be cast HERE. Votes and spreading the word are appreciated as it would be a huge honour for us to win such recognition.

https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

David Eugene Edwards, “Straw Foot”

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Om Touring in February / March with Wovenhand

Posted in Whathaveyou on November 14th, 2019 by JJ Koczan

om

I cannot stress enough how much you should own Om‘s BBC Radio 1 (review here). Yes, it’s a double 10-inch vinyl, and I’m perfectly willing to admit that that’s kind of a silly thing when it would’ve fit on a single 12-inch platter, but face it, you’re going to listen to the download anyway, so quitcherbitchin and get on board. I’m only trying to make your life better by telling you this.

Do I think it’s a coincidence that Om have announced tour dates the same week that bassist/vocalist Al Cisneros‘ other band — they’re called Sleep, you know — have announced a hiatus? I don’t know. Probably? They’ll have Wovenhand out with them though, as they did on a tour leading to Monolith on the Mesa earlier this year, so if you want to think of this as a fuller leg of that run, go for it. Om have toured pretty steadily over the time that Cisneros has been/was involved in Sleep again, so it’s not like it’s some sudden resurgence or anything.

Of course, the big question is when/if/whether there will be a new album out next year, and if this tour might preface or accompany or otherwise somehow relate to that possibility. I have no insight on the matter other than to say, “golly, that sure would be nice,” so yeah, no insight at all basically. Shrug.

Go see Om. And buy that goddamn live record.

Dates:

om tour poster

OM Live:
12/14/19 Pioneer Works Brooklyn NY
2/21/20 Mohawk Austin TX w/ Wovenhand
2/22/20 Gas Monkey Bar & Grill Dallas TX w/ Wovenhand
2/24/20 George’s Majestic Lounge Fayetteville AR w/ Wovenhand
2/25/20 Growlers Memphis TN w/ Wovenhand
2/26/20 Saturn Birmingham AL w/ Wovenhand
2/27/20 Terminal West Atlanta GA w/ Wovenhand
2/28/20 Grey Eagle Asheville NC w/ Wovenhand
2/29/20 Motorco Chapel Hill NC w/ Wovenhand
3/2/20 Black Cat Washington DC w/ Wovenhand
3/3/20 Underground Arts Philadelphia PA w/ Wovenhand
3/5/20 The Sinclair Cambridge MA w/ Wovenhand
3/6/20 Columbus Theatre Providence RI w/ Wovenhand
3/8/20 Spirit Hall w/ Wovenhand
3/9/20 Grog Shop Cleveland Heights OH w/ Wovenhand
3/11/20 Headliners Music Hall Louisville KY w/ Wovenhand
3/12/20 The Pyramid Scheme Grand Rapids MI w/ Wovenhand
3/13/20 Garfield Park Conservatory Chicago IL w/ Wovenhand
3/16/20 Fine Line Minneapolis MN w/ Wovenhand
3/17/20 Wooly’s Des Moines IA w/ Wovenhand
3/18/20 Slowdown Omaha NE w/ Wovenhand
3/19/20 The Bottleneck Lawrence ks w/ Wovenhand
3/20/20 89th Street Oklahoma City OK w/ Wovenhand
3/21/20 Sister Albuquerque NM w/ Wovenhand

OM lineup:
Al Cisneros
Emil Amos
Tyler Trotter

https://www.facebook.com/om.band
https://omband.bandcamp.com/
http://www.omvibratory.com/
https://www.dragcity.com/

Om, Live in Copenhagen, Denmark, July 31, 2019

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Nocturnal Convocation to Release Mors Omnia Solvit on Cursed Monk Records

Posted in Whathaveyou on November 14th, 2019 by JJ Koczan

‘Italian necro doom,’ huh? Yeah, I’ll check that out. Nocturnal Convocation aren’t quite what I’d expect though when it comes to actually listening. I was thinking standard fog-laced cultistry perhaps with a Paul Chain flourish, but actually hearing “Capitulum II,” it sure sounds a lot like black metal. Enough so that I went back and made sure I had clicked the right link. And looking at the art? Yeah, that kind of looks like it could be black metal. And the whole anonymous-band-unnamed-songs-releasing-on-the-darkest-night-of-the-year thing? Well, that could definitely be black metal too.

I think this one might just be black metal. At least in the one song, if not the full record. I don’t know what might be going on elsewhere with it as yet.

Where does the line draw between one style and another? What is to be gained by transgressing one genre for another? I’m nerdy for these questions, and I know not everyone is, but if you might be, it’s something to think about what you check out the song in the video below. Seems like the band might just be one guy, but whatever/whoever/however many, it’s pretty nasty stuff.

Dig:

nocturnal-convocation-Mors-Omnia-Solvit

Cursed Monk Records are thrilled to announce that we will be releasing Nocturnal Convocation’s debut album “Mors Omnia Solvit.”

This mysterious Italian Necro Doom band has entered a pact with one another to not disclose their photos, nor information about their members, nor even information about the lyrics of their songs. Their ritualistic necro doom speaks for itself.

Mors Omnia Solvit will be released on CD and DD during the Winter Solstice, December 21st, when night is at its longest.

You can check out a video for “Capitulum II” which is the first track to be released from the album, here.

“Mors Omnia Solvit” is available for preorder here: https://cursedmonk.bandcamp.com/album/mors-omnia-solvit

Tracklisting:
1. Capitulum I
2. Capitulum II
3. Capitulum III
4. Capitulum IV
5. Capitulum V
6. Capitulum VI

https://www.facebook.com/cursedmonk/
https://www.instagram.com/cursedmonkrecords/
https://cursedmonk.bandcamp.com/

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Deathwhite Premiere “Further From Salvation”; Grave Image out Jan. 31 on Season of Mist

Posted in audiObelisk, Whathaveyou on November 13th, 2019 by JJ Koczan

deathwhite

Stop me if you’ve heard this one before, but winter is coming. As I sit and write this in the middle of the pre-dawn night, it’s single-digits cold in what’s been hyperbolized as an Arctic deathfreeze or some such. The moon is full through the trees outside my window and the wind sounds biting and harsh even from the delusional comfort of indoors. It is going to be a long, dark several months ahead, and the melancholia of Deathwhite would seem to be ready for it. Following up their debut, For a Black Tomorrow (review here) — independently issued in 2017 and picked up early last year by Season of Mist — the anonymous Pittsburgh-based outfit will offer the bleak emotionalism of their second long-player, Grave Image, on Jan. 31, 2020.

“Further from Salvation” is the first audio to come from Grave Image, and despite the grimness of its atmosphere, I’m thrilled to host the premiere of it. With recording done in Pittsburgh and Florida and mastering in Sweden, it represents a range deathwhite grave imageof histories from the unheralded Midwestern death-doom pioneering of Novembers Doom to the Sunshine State’s sonic extremity — something that comes through in the drumming here as well — and of course the European legacy of depressive melodic heaviness, as expressed through bands like KatatoniaParadise LostAnathema and My Dying Bride. This sense of drama can be felt in “Further from Salvation” in the whispered vocals of the verse and the morose theme being conveyed, the loss of one’s name, the pursuit of knowledge under penalty of death, and as they did on their debut, Deathwhite bring it forth on “Further from Salvation” with conviction and aesthetic loyalty that is as genuine in its identity as in its homage.

I’ve yet to hear the entirety of Grave Image, but the band speaks to an added sense of severity in their presentation, and I think that is apparent in this track, which is one of a total 10 on the album, the stark and frigid artwork for which could hardly be more suited to the swaying and sad melodycraft and the sense of longing being conveyed.

Rather than prattle on, I’ll turn you over to the song itself and let the copious PR wire background do the rest of the talking while I listen through again and wait for the sun to come up, which it will sooner or later despite the current encompassing darkness.

Grave Image preorders are here: https://smarturl.it/DeathwhiteGraveImage

Enjoy the track:

Deathwhite, “Further from Salvation” official track premiere

Deathwhite on “Further from Salvation”:

“‘Further from Salvation’ was the first song we wrote for ‘Grave Image.’ It gave us the confidence and direction to move forward in a similar direction for the rest of the album, whereby we decided to place more emphasis on heaviness and melody. ‘Further from Salvation’ is also unique for its drum break in the middle portion of the song, something we are imminently proud of. The song itself is reflective of the regular back-and-forth of the human psyche, where inner peace and turmoil is sometimes a mirage of one’s own doing. There is, of course, no parallel to peace of mind, as difficult as it is to achieve.”

The fallible nature of mankind is reflected through its actions and words. Once an absolute, truth is now fluid, twisted and contorted to suit the often-short-sighted needs of those who now suffer the indignation of willful ignorance. Paired with the stench of hypocrisy and unrelenting depletion of the earth’s resources, and the state of the world could not appear graver. It is under this grey cloud that enigmatic dark metal collective DEATHWHITE created their second full-length studio album, Grave Image.

Grave Image was recorded during April and May 2019 at Cerebral Audio Productions with producer/engineer Shane Mayer; vocal tracking took place at Erik Rutan’s (Hate Eternal, Morbid Angel) Mana Recording under the supervision of engineer Art Paiz. The album was mastered by the incomparable Dan Swanö (Bloodbath, Edge of Sanity, Nightingale) at Unisound, and, as with the band’s previous two efforts, the artwork and design were handled by Jérôme Comentale, whose visuals are crucial to DEATHWHITE’s overall aesthetic.

Written over the span of 18 months, Grave Image is a largely heavier and more orchestrated body of work than its 2018 For a Black Tomorrow predecessor. The album is driven by clean, emotive vocals, an increasingly rare commodity in a metal scene so committed to harsher styles of singing. This embrace and execution of such vocals are one of the defining traits of the ten songs found therein, which also offer a wall of guitars flanked by a constant stream of melodies, the direct result of the band adding a second guitarist in 2018.

Since its 2012 formation, DEATHWHITE has remained committed to playing dark metal while remaining anonymous. The band is the utter representation of “the whole is greater than the sum of its parts” adage — its members are from disparate backgrounds and are once again spread out across the United States. However, DEATHWHITE remains a vehicle for its members to create new music and convey their unflinching sense of despair as the human race continues its rapid descent to the bottom.

“We consider ourselves to be quite privileged to have DEATHWHITE in our lives,” concludes the band. “With that in mind, Grave Image represents the months of hard work that went into its creation. It is our hope it will resonate long after we’ve outlived our usefulness. If nothing else, we hope it will find a home with those who share a similar frame of mind as us.”

‘Grave Image’ Track List:
1. Funeral Ground (05:05)
2. In Eclipse (04:46)
3. Further from Salvation (04:56)
4. Grave Image (04:50)
5. Among Us (04:11)
6. Words of Dead Men (03:56)
7. No Horizon (05:29)
8. Plague of Virtue (04:14)
9. A Servant (04:43)
10. Return to Silence (06:38)
Total Length: 48:48

Line-up: The band does not provide line-up information.

Deathwhite on Thee Facebooks

Deathwhite on Bandcamp

Deathwhite website

Season of Mist website

Season of Mist on Thee Facebooks

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Galactic Cross Announce Self-Titled Debut LP Release Show for Jan. 31

Posted in Whathaveyou on November 13th, 2019 by JJ Koczan

galactic cross

I’m not actually sure how far back the roots of Galactic Cross stretch, but I could’ve sworn I saw somewhere on the social medias that their first live appearance was like 30 years in the making? If that’s the case, then I have no doubt it will have proven more than enough time to get a setlist together. The three-piece with none other than Dave Sherman (EarthrideWeed is Weed, etc.) on vocals and bass will make this live debut on Jan. 31, 2020, at Atlas Brew House in Washington, D.C., on what seems to be an evening of Frederick, Maryland, exports, with Mangog (featuring Bert Hall, Jr., of Revelation, and of an always masterful hat) and Spiral Grave, which is the new band from former members of Iron Man and Virginia’s Lord.

And though Spiral Grave‘s debut is also expected out sometime next year, it’s Galactic Cross for whom the show will serve as the release gig, as their self-titled debut long-player sees its vinyl issue, also awaited. I’m interested to hear it, as some of the studio clips have been intriguing to say the least.

Here’s the info from the event page:

galactic cross show poster.jp

Galactic Cross Vinyl Release Party

Friday, January 31, 2020 at Atlas Brew Works
2052 West Virginia Avenue North East, Washington, D.C.

Please come out and help celebrate Galactic Cross, as they release their debut, self titled album, and take the stage with friends, and local doom favorites Spiral Grave and Mangog.

Galactic Cross put their own blood, sweat, and tears into the making of this vinyl, and the proof can be heard in the finished product. Special thanks goes out to Brad Divens for mastering the material, and giving his special twist, that allowed it to be become the gem it transformed into.

Dave Davidson will be running sound for the event, and we hope to see you there.

Set Times:
Mangog – 8:00 – 8:45
Spiral Grave – 9:00 – 10:00
Galactic Cross – 10:15 – 11:45

https://www.facebook.com/MangogOfficial/

https://www.facebook.com/SpiralGrave/

https://www.facebook.com/galacticcross/

There will be a $10 cover at the door, and Galactic Cross will have vinyl, and logo tees onhand at the event.

Galactic Cross is:
Tony Saunders – Drums
Brian Virts – Guitar
Dave Sherman – Bass/vocals

https://www.facebook.com/events/2227404090890196/
https://www.facebook.com/galacticcross/

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Psycho Las Vegas 2020 Announces Ulver, Mayhem, Elder, Ty Segall, Windhand, Kaelan Mikla, Mephistofeles and Blonde Redhead to Play

Posted in Whathaveyou on November 13th, 2019 by JJ Koczan

psycho las vegas 2020 logo

Psycho Las Vegas 2020 has begun the process of unveiling its lineup, and already it’s all-over-the-place in that precariously well-named kind of way. That is, Psycho, and, well, yeah. Familiar faces Elder and Windhand return, and Ulver, Blonde Redhead, Mayhem, Kaelan MiklaMephistofeles and Ty Segall and the Freedom Band will join on as well for a varied and already kinda overwhelming aesthetic reach that should be perfectly suited to the festival’s gonna-blow-minds mission and generally hallucinatory vibes. Like a mirage all the more so for the blurred vision of those in attendance. There’s a difference between drinking in the heat and drinking in heat. At Psycho, they do both.

Also they get stoned.

I got asked the other day if I was planning to write another book anytime soon. I said I wasn’t, but that’s not entirely true. I’d like to fly out to Psycho Las Vegas 2020, maybe a day early, eat a bunch of mushrooms in some stupidly-deluxe hotel room and gonzo my way through 20,000-odd words over the course of the four-day fest experience and then publish that in paperback. It would not be a common photos-and-words review. It might not be a review at all. But it would be something, and I think it would be fun to do, and an experience befitting the atmosphere for the fest itself. I haven’t made that pitch yet to Psycho. I’m not sure if they’d go for it.

Anyway, here’s the lineup announcement. Private bathrooms for the win:

PSYCHO LAS VEGAS 2020: First Round Of Artists Announced Including Ty Segall & The Freedom Band, Mayhem, Ulver, Windhand, Blonde Redhead, And More; Tickets On Sale Now!

America’s rock n’ roll bacchanal, PSYCHO LAS VEGAS, will return to Mandalay Bay Resort & Casino for a second consecutive year August 14th through August 16th 2020. Set to commence with a pre-party at Daylight Beach Club on August 13th, PSYCHO LAS VEGAS remains the premier rock festival destination offering fans one of the most unique and immersive festival formats in the world.

Now approaching its fifth year in the swirling neon decadence of Las Vegas, the resort-wide takeover will utilize four stages including the world-class Mandalay Bay Events Center, the iconic House Of Blues, Mandalay Bay Beach, and Rhythm & Riffs Lounge located at the center of the casino floor. With its signature mix of grit, grime, and grandeur, PSYCHO LAS VEGAS 2020 will continue to redefine America’s conception of what a music festival can be.

The curators of the event are pleased to unveil the first round of artists to grace the PSYCHO stages with California garage rock icons Ty Segall & The Freedom Band, New York alternative noise rock veterans Blonde Redhead, Virginia doom metal unit Windhand, and Massachusetts psyche metallers Elder (scheduled to play the pre-party), as well as Norwegian black metal legends Mayhem, long-running Norwegian dark ambient collective Ulver, Icelandic synth punk trio Kaelan Mikla, and Argentinian dark electric “mausoleum music” makers Mephistofeles.

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

PSYCHO LAS VEGAS offers several pricing tiers and payment plans starting with a $20 deposit. 3-Day GA Weekender passes start at $199 (excluding tax and fees). Limited VIP 3-Day High Roller passes – which sell out annually – are available for $499 (excluding tax and fees) and include:

— VIP access for all three days of the festival + entry to the Thursday pre-party
— VIP hotel and festival check-in at Mandalay Bay
— Dedicated lines for expedited entry to all stages of the festival
— Private viewing areas, seating, restrooms and bars at three stages of the festival
— Limited edition and exclusive merch item for 2020 High Rollers only

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

Meticulously curated, PSYCHO LAS VEGAS has gained worldwide recognition for consistently delivering lineups that grow increasingly diverse and eclectic with each passing year, the magnitude of which have yet to be seen in North America. From post-rock, to black metal, to world music and even electronica, PSYCHO’s wide-ranging allure has expanded ceaselessly since its inception, bringing together musicians and artists from seemingly immiscible corners of the musical world.

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Elder, Live at Psycho Smokeout 2019

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Kristonfest 2020 Adds Masters of Reality, Brant Bjork and MaidaVale to Complete Lineup

Posted in Whathaveyou on November 13th, 2019 by JJ Koczan

kristonfest 2020 logo

As will happen from time to time, the announcement info below was run through a major tech company’s translation matrix, so take the actual verbiage with a figurative grain of salt. The important thing to note is that there are five bands booked for Madrid’s Kristonfest 2020 all-dayer next May and not a clunker in the bunch. Truth. I haven’t seen Masters of Reality — something I’d hope to correct sooner or later — but I’ve seen the other four and they’re all awesome. MaidaVale, who’ll open the show, bring classic rock vibes straight out of tomorrow, and of course you don’t at all need me to extol the many virtues of Brant Bjork or C.O.C., and probably not Swans either, as I’m sure you’ve already heard their latest record and know it’s ridiculously good.

And if you’re still on the fence, I have the utmost faith Masters of Reality will be astounding. I’m keeping my fingers crossed for a new record from them around Springtime next year. Doing this and Desertfests means perhaps a tour, and a tour is rare enough to make me think a full-length is coming. Fingers crossed.

Here’s that info:

kristonfest 2020 poster

Kristonfest 2020 – May 9 – Madrid

Masters of reality (USA), Brant Bjork & Band (USA) and maidavale (Sweden) Join Swans (USA) and corrosion of conformity (USA) to complete the poster of the kristonfest 2020. Five Bands with a very marked style That will bring diversity and excellence to a new edition in the La Riviera room in Madrid.

The tickets, which are already available through the website of the festival www.kristonfest.com and in Escridiscos, will not vary their price, staying in the 45 € + Distribution Costs announced initially.

Formed in 1981 and led by legendary producer Chris Goss, Masters of reality is a very important band in the history of rock, as it clearly influenced many bands that were springing up in the state of California at the end of the ‘ 80 And principles of the ’90s, coming to create a musical movement with its own name. So much so that bands like kyuss, fu manchu, sleep, Nebula, yawning man, fatso jetson, etc… have openly declared their admiration for masters of reality.

The different stages of masters of reality have counted with relevant musicians, where ginger baker is featured (Cream, hawkwind, p.i.l.), Josh Homme (Kyuss, Queens of the stone age), Mark Lanegan (screaming trees), Dave catching (Queens of The Stone Age, Eagles of death metal, Mondo Generator, etc…. and where the combination of experimenting with hard-Rockers riffs and their tastes for the progressive rock of the ‘ 70 s let their hobby be revealed by King Crimson and Black Sabbath,… so much so the band took its name from the album that these last published in 1971, “Masters of reality”.

The letters of Chris Goss, who is considered the godfather of the whole desert-rock movement, are like reading the Bible of everything that surrounded the birth and development of a scene that was never supported by the great record labels, but that has managed to keep Live thanks to the passion of your followers.

The fourth confirmation is that of Brant Bjork & band, key name of the stoner-rock scene for being the drummer of the legendary kyuss and who has recently reissued one of his best albums, “Jalamanta” (1999). If To this we add that the great Sean Wheeler is part of the band is a news that makes us very excited, since Sean is a key piece of the desert scene for being the leader of throw rag and have collaborated in many projects next to Jesse Hughes, Josh Homme, Chris Goss, Mark Lanegan, etc….

The last confirmation is that of the Swedish MaidaVale, which shines like few in the skies of psychedelia-Rock and heavy-Blues of the last decade. Without a doubt, Mathilda Roth (voice), Sofia Ström (Guitar), Linn Jóhannesson (Bass) and Johanna Hansson (Drums) drink from the influences they left for history the decade of the ‘ 60 s, contributing to their repertoire A more direct, atmospheric and forceful sound.

His passage through festivals such as Sweden rock, desertfest, freak valley and red smoke festival has helped them to build the reputation of live, soulful and charismatic band, so get ready to be captivated by this quartet that has a lot to say.

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Brant Bjork, Live at Freak Valley 2019

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Kirk Windstein to Release First Solo Album Dream in Motion in January

Posted in Whathaveyou on November 12th, 2019 by JJ Koczan

Hey, I’m down for a Kirk Windstein record. Why the hell not? After 30-plus years of sludging it out in Crowbar, I’d say the dude has well earned the right to give it a shot. And the title-track for Windstein‘s Dream in Motion is streaming now and it sounds cool a little bit more mellow kind of way than Crowbar has been for the most part over their last couple records, which have veered more toward an aggressive modern metal sound, but what I really want to hear is The Man Himself taking on “Aqualung.” I love that record. And who the hell wouldn’t want to hear Windstein‘s voice telling that story? That’s an anchor for the record right there, but I’m intrigued at the whole thing as well, of course. If the title-track is anything to go by, what started as an impulse to do an acoustic record clearly became something much more complex.

The PR wire brings details and that video:

kirk windstein dream in motion

Crowbar’s Kirk Windstein to Release Debut Solo LP, ‘Dream in Motion’, January 24, 2020

Revered Southern Metal Progenitor Unveils Music Video for Highly-Anticipated LP’s Title Track; Album Art and Track Listing Revealed

Kirk Windstein, the highly respected sludge metal pioneer and unmistakable earthmoving bellow of Crowbar, stomps forward as a solo artist for the very first time. On January 24, 2020, Entertainment One (eOne) will proudly release ‘Dream in Motion’, Windstein’s singular debut and a recording that sees the Dark Lord of the Southern Riff stretch his creative wings and strengthen his indelible legacy.

A first taste of what Kirk’s solo debut holds in store can be experienced now as Windstein drops a video for the record’s title track. Directed by Justin Reich (Black Label Society, Royal Thunder), “Dream in Motion” makes its debut via Consequence of Sound/Heavy Consequence. Watch Kirk Windstein’s “Dream in Motion” video at this location.

Recorded in Windstein’s native Louisiana over a period of two years between tours and over holidays, ‘Dream in Motion’ is a powerfully moving recording that pulls from every corner of the riff king’s three-decade-plus career. The LP owns a lyrical depth, emotional weight, and musical muscle forged from the fires of thousands of worldwide live shows, a well-earned reputation for creating the melancholic melody that has become synonymous with New Orleans heavy metal, and a reflection on a life well-lived. Windstein’s solo foray is a heartfelt throwback to album-oriented-rock supremacy, eschewing the predictable acoustic record route for a more straight-ahead guitars approach, albeit one that’s no less soulful or meditative than Crowbar fans expect. Kirk handled all vocal duties, guitars, and bass on the album, with drums and effects by longtime producing partner and collaborator, Duane Simoneaux (Crowbar, Down, Exhorder).

The idea to record a solo album started out as, ‘I’m going to do an acoustic record,’ but that’s just so cliché, you know?” says Windstein. “Nothing against that, but It’s been done a million times. But I had been thinking about doing something a little more mellow for some time. It’s something I wanted to do, I needed to do. It’s another side of my songwriting, my personality. It’s another side of me. It’s something I did for myself. It’s not even that this isn’t heavy, because there are bits and pieces that are very heavy. But even the heaviest riff on this is something I couldn’t really do in Crowbar. If some Crowbar fans don’t like it, I’ll understand. But I hope people dig it.”

The end result is simply stunning. Single note guitar work, simple power chords, clean tones, thundering five string bass guitar, and standard tuning with nary a “drop” to be heard. “Dream in Motion,” which opens the record, is a barn burning rock n’ roll song with just a taste of aggressive attitude. “Hollow Dying Man” is all vibe, with huge melodies and a hardscrabble blue-collar authenticity. The record closes with a faithful rendition of one of Windstein’s most enduring favorites: “Aqualung,” the title track of Jethro Tull’s 1971 conceptual masterpiece.

Track listing:

1.) Dream In Motion
2.) Hollow Dying Man
3.) Once Again
4.) Enemy In Disguise
5.) The World You Know
6.) Toxic
7.) The Healing
8.) Necropolis
9.) The Ugly Truth
10.) Aqualung (Jethro Tull cover)

Pre-order ‘Dream in Motion’ at this location.

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Kirk Windstein, “Dream in Motion” official video

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