Seremonia Announce New Album Pahuuden Äänet out Sept. 30; Stream Closing Track

Posted in Whathaveyou on August 24th, 2016 by H.P. Taskmaster

seremonia

You think you’re weird and that’s adorable, but Seremonia are working on a completely different scale when it comes to the bizarre. The Finnish cult-psych troupe will issue their fourth long-player, Pahuuden Äänet, on Sept. 30 through respected purveyor Svart Records, and it just so happens that the label has preorders up now. Svart is also streaming the closing track of the album, “Uusi Aamu Sarastaa,” which you can hear below. It seems to shift the vibe somewhat from where the band was their last time out, on 2015’s Kristalliarkki (review here), but I would not at all expect any single song from a Seremonia record to speak for the entirety of the release at this point, and neither should you.

Still, as a sampling, it speaks to some of the darker spirit that the PR wire refers to in the info that follows, as well as the cover art, which you can see here:

seremonia pahuuden aanet

SEREMONIA set release date for new SVART album, reveal first track

Seremonia, Finland’s finest heavy psych outfit, travels to the outer limits and beyond with their fourth full-length album, Pahuuden äänet. Set for international release on September 30th via Svart Records, Pahuuden äänet (“Voices of evil” in English) boldly goes and explores previously unknown dark corners of the heavy psych universe.

It takes the lyrical story of Seremonia’s previous album, Kristalliarkki (“The Crystal Ark” in English), and shoots it across space and time into a feverish dystopian nightmare. This time, the apocalyptic visions have cosmic proportions, and lyrically, it’s the band’s gloomiest & doomiest album to date.

Musically, it’s even more diverse and adventurous than the band’s previous acid rock experiments. It’s Seremonia’s signature “’60s metal” sound, but the colossal doom-prog parts are more colossal and the passages of melancholic beauty more beautiful than ever before. There’s classic pop songwriting, spacey synthesizer freak-outs, dystopian dirges, victorious twin-lead guitars, out-of-control space-punk blasts, and plenty of glorious hard rock riffage to accompany the stories of cosmic horror.

And yes, Noora Federley’s vocal delivery is still blood-chillingly cool, Erno Taipale’s drumming still a pure force of nature, and the stringed instruments out-of-controlled by Teemu Markkula, Ville Pirinen, and Ilkka Vekka still make up an electric storm of fuzz. Here for yourself at Svart’s Soundcloud HERE with the new track “Uusi aamu sarastaa.”

Tracklisting for Seremonia’s Pahuuden äänet
1. Orjat
2. Sielun kuolema
3. Pahuuden äänet
4. Sä?hko?lintu
5. Ne ovat jo täällä
6. Me kutsumme sitaä
7. Riivatut
8. Kuoleman planeetta
9. Riudut ja kuolet
10. Uusi aamu sarastaa

Seremonia:
Noora Federley – vocals
Teemu Markkula – guitar
Ville Pirinen – guitar
Erno Taipale – drums, flute
Ilkka Vekka – bass

www.facebook.com/seremonia666
http://svartrecords.com/shoppe/home/3823-seremonia-pahuuden-aeaenet-lp.html
www.facebook.com/svartrecords
www.youtube.com/svartrecords
www.twitter.com/svartrecords

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Blowup Vol. 2: Complete Lineup Confirmed

Posted in Whathaveyou on August 24th, 2016 by H.P. Taskmaster

In October, just as an ultra-busy Fall festival season begins to wind down so everyone can go back and record new albums, Helsinki venue Korjaamo will play host to Blowup Vol. 2. With the likes of Conan, Monolord, Lucifer and native Finnish acts like Skepticism, Oranssi Pazuzu, Lord Vicar, Atomikylä, Albinö Rhino and Morbid Evils, the broad and often bizarre spectrum of the country’s heavy scene is well represented, and those selected from outside Finland’s borders show a keen curation process at work.

The fest is set for Oct. 14 and 15, and will also feature a live-scored cinematic showing of 1967’s banned documentary, Titicut Follies, about a patient in a mental hospital in Bridgewater, Massachusetts, which by amazing coincidence is the next town over from where I live. Go figure.

The final lineup and show info came down the PR wire:

blowup-vol-2-poster

Blowup Vol. 2

October 14-15
Korjaamo
Töölönkatu 51 a-b, 00250 Helsinki

BlowUp Vol. 2 is taking place 14 -15 October 2016 in Helsinki, Finland. The venue is Korjaamo Culture Factory, one of the largest independent art centres in the Nordic countries. Korjaamo was founded in an old tram depot in Töölö in 2004, and now hosts a concert venue as well as six smaller creative spaces for meetings and seminars plus movie theatre. The Vaunuhalli building is also home to Helsinki City Museum’s Tram Museum.

Blowup Vol. 2 also offers the cinematic art. Titicut Follies is directed by Frederick Wiseman documentary in 1967, which follows the lives of Massachusetts Bridgewater inmate in a mental hospital. Although the movie was awarded with freshly festivals in Germany and Italy, the United States, it crashed into censorship. Titicut Follies was shown to the public for the first time only in 1992. At Blowup Vol 2 it is presented in the early evening on Friday, 14 October.

Titicut Follies screen will be accompanied by Veli-Matti O. “Heap” Äijälän and Markku Leinonen, duo that made new music for the movie, which will necessarily be heard a second time.

Final line up for Blowup Vol. 2:

Friday 14.10.2016
Lucifer (UK)
Bastard Noise (US)
Oranssi Pazuzu (FIN)
Au-Dessus (LT)
Atomikylä (FIN)

Friday 14.10.2016
Film concert: Titicut Follies (Frederick Wiseman, 1967)
Score by Veli-Matti O. Äijälä & Markku Leinonen
http://www.zipporah.com/films/22
https://www.facebook.com/events/173514406381582/

Saturday 15.10.2016
Conan (UK)
Monolord (SWE)
Skepticism (FIN)
Lord Vicar (FIN)
Albinö Rhino & Morbid Evils (FIN) – Split Live Experience.

https://www.facebook.com/events/977786362259558/
https://www.tiketti.fi/Blowup-Festival-Vol-2-Korjaamo-Helsinki-lippuja/36753

Atomikylä, Keräily (2016)

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Mos Generator European Tour Dates Announced

Posted in Whathaveyou on August 24th, 2016 by H.P. Taskmaster

By the time they get over there, the bulk of the jam-packed European fall festival season will be over, and I can’t help but think that works to Mos Generator‘s advantage. True, they’ll play at Heavy Psych Sounds Fest 3 with a considerable lineup that also includes Fatso Jetson and others, but I’d imagine rockers in a lot of the cities listed below will be hurting for a band they haven’t already just seen three times in the span of weeks, and so Mos Generator seem poised to make a standout impression.

They go supporting their upcoming EP, The Firmament, on Stickman Records and their new album, Abyssinia (review here), on Listenable Records, on which the songs benefit from the overall energy that the band has been able to harness from emerging over the last couple years as such a hard-touring act. Part of that was guitarist/vocalist Tony Reed rebuilding the trio from the ground up, but that too was a measure of sheer drive on his part that has ultimately worked to spread their classic-style boogie and groove, as their delivery of same is nigh on irresistible for anyone who’s ever dug into some riffs.

Heavy Psych Sounds, which is presenting the tour, had previously announced the run, but posted the dates accordingly with a few still TBA:

mos generator tour-700

This will be insane !!

HEAVY PSYCH SOUNDS Records&Booking is proud to announce the European dates for ***Mos Generator*** tour

This will be supported by Black Bone from Netherland

New album Abyssinia is just been released on Listenable records

here the dates:
20.10.2016 IT Ravenna-Bronson*
21.10.2016 IT Torino-Blah Blah*
22.10.2016 IT Milano-Cox 18*
23.10.2016 IT Mantova-Hostaria*
24.10.2016 IT Bologna-Freak Out*
25.10.2016 IT Zerobranco-Altroquando*
26.10.2016 AT Salzburg-Rockhouse*
27.10.2016 IT Trieste tba*
28.10.2016 IT Parma-Mu/Hps fest Vol 3*
29.10.2016 DE Berlin-Cassiopeia*
30.10.2016 DE Radebeul-Barnyard Club*
31.10.2016 DE Hamburg tba*
01.11.2016 DE Munster-Rare Guitar Shop*
02.11.2016 DE Koln-Sonic Ballroom*
03.11.2016 DE Stuttgart-Keller Klub*
04.11.2016 CH Luzern-Bruch Bros*
05.11.2016 CH Winterthur-Gaswerk*
06.11.2016 DE Wiesbaden-Schlachthof*
07.11.2016 DE Mannheim-Tba*
08.11.2016 BE Bruxelles-Magasin 4*
09.11.2016 FR Nantes-La Scene Michelet
10.11.2016 FR Paris-Dr Feelgood Les Halles
11.11.2016 FR Lorient-Le Galion
12.11.2016 SP San Sebastian-Tba
13.11.2016 SP Zaragoza-Tba
14.11.2016 SP Gijon-Casino Acapulco
15.11.2016 PT Lisbon-Sabotage
16.11.2016 PT Porto-Cave 45
17.11.2016 SP Vigo-La Iguana Club
18.11.2016 SP Madrid-Tba
19.11.2016 SP Barcellona-Boveda
*date with Black Bone

https://www.facebook.com/MosGenerator/
http://heavyheadsuperstore.storenvy.com/
www.shop-listenable.net
www.heavypsychsounds.com

Mos Generator, Abyssinia (2016)

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Desertfest Belgium 2016: Graveyard Announced as Final Headliner; Purson, Moaning Cities and More Added

Posted in Whathaveyou on August 23rd, 2016 by H.P. Taskmaster

Goodness gracious. Desertfest Belgium 2016 continues to up its stakes. I don’t know if this is the final lineup announcement, but Graveyard would definitely seem to be the final of the three headliners — they join Red Fang and Goat in doing the honors — and the Swedish retro rock trailblazers top a whole list of new lineup additions, from native Belgian groups like Moaning Cities and Dorre to UK psychedelic classicists Purson. If this is the end of Desertfest Belgium’s lineup — if it’s actually complete at this point — it’s already an impressively packed bill, but I’m not at all convinced the fest doesn’t have more tricks up its sleeve. Guess we’ll see as we get closer to October.

From the PR wire:

desertfest belgium 2016 last poster

GRAVEYARD is the last headliner at DESERTFEST ANTWERP 2016

So here it is – the last headliner announcement! We’re relieved to finally reveal that the mighty GRAVEYARD will be headlining the 2016 edition of Desertfest Antwerp.
Joining them we have the last few names to complete the line-up: the proggy witchcraft of Purson, the equally mysterious Josefin Öhrn and the sludgers from Berlin, Earth Ship. We’re also proud to welcome Belgian sleaze legends La Muerte to our stage, as well as some Belgian heavy mainstays Toxic Shock and Moaning Cities. Finally, local young talent Black Mirrors and Dorre will get a chance to prove themselves on the Desertfest Stage.

Unfortunately, there’s also some bad news with the good: John Garcia has cancelled his European fall tour for personal reasons and will not be performing at the festival.

So now that’s it, get running for the earlybird priced tickets because in about a week, we will announce day tickets and prices will raise to regular!

GRAVEYARD

The unique psychedelic metal of Graveyard is rooted in the 70s heydays of Led Zep and Sabbath, but the success of Gothenburg’s hard rocking quartet lies in the timeless quality they bring to their riffage. We feel honoured and blessed that their steady climb through the Ranks of Rock’n’Roll now brings them to the Desertfest stage as a headliner.

PURSON

Rosalie Cunningham describes her band as “vaudeville carny psych”. Weaving together influences ranging from Cream to Deep Purple to Jethro Tull, Purson serves up a quasi-mystical pastiche of psychedelic wonder made up of fuzzed-out guitars and Wurlitzer organs. In 2016, the band released their sophomore outing, Desire’s Magic Theatre to much acclaim.

JOSEFIN ÖHRN

Josefin Öhrn and The Liberation combine a retro-chic pop sensibility with 60s psychedelia and krautrock, creating a heady mix that is all their own. The focal point is the enchanting Josefin, who radiates the aura of a lurking spirit, playfully coaxing the listener to embrace a deeper plane of consciousness.

EARTH SHIP

Behold the power of the riff in all shapes and sizes! It would be a serious understatement to simply lump Earth Ship in with the rest of the sludge rock genre. On their recent release ‘Hollowed’, these Berlins once more gracefully tackle the soft yet stronger dynamic of bands like Kylesa and Crowbar with morbid melodies that would make Alice In Chains proud.

LA MUERTE

Fuelled by vitriol, compared to such legendary gutter-dwelling sleaze-merchants as The Birthday Party, Foetus, and The Stooges, La Muerte has become a standard reference when it comes to Belgium‘s underground rock scene. Throughout the 80s and early 90s they released a string of cult-albums and EP’s which heavily resonated with those abandoned by love or devoid of hope.

MOANING CITIES

A psychedelic rock’n’roll band from Brussels blending blues roots, fuzz guitars and oriental psychedelia. Featuring a female powerduo on drums and bass, their sitar-driven groove comes into its own on the new upcoming album ‘D. Klein’.

TOXIC SHOCK

Belgian crossover thrash metal hardcore, influenced by the eighties Venice bands, Slayer, old Metallica and NYHC. Played their first show in 2011 with Black Breath, and since then played shows with Exodus, Cro-Mags, Power Trip, AF, Suicidal Tendencies, and many other trash legends.

BLACK MIRRORS

From Blues Garage Rock to Janis Joplin, with a melodic grace sustained through Qeens Of The Stone Age rythms, Black Mirrors seems to appear between shamanic evocations and spooky representations, in search of a tradition buried in the volcanic foldings of the earth.

DORRE

Dorre was born at the Rock Café in Leuven Belgium, serving up a cohesion of doom, noise, psychedelic rock, blues and stoner in long organic pieces.

https://www.facebook.com/desertfestbelgium/
https://twitter.com/desertfestBE
https://www.facebook.com/events/488174281372335/
http://www.desertfest.be/tickets

Graveyard, “Too Much is Not Enough” official video

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Høstsabbat 2016 Completes Lineup: Wobbler Added

Posted in Whathaveyou on August 23rd, 2016 by H.P. Taskmaster

With the addition of countrymen proggers Wobbler, the lineup for Høstsabbat 2016 next month in Oslo is complete. I’m very proud to say that I’ve been invited to attend the fest this year — in a write-about-it capacity, obviously — and the flight’s not booked yet, but I’m going to do everything in my power to get there, including get my camera repaired once again. It will be my first time in Norway and I’m already nervous and excited about it.

The lineup though is so completely insane — imagine seeing Siena Root and Conan and Jeremy Irons and the Ratgang Malibus on the same bill, MaidaVale about whom I keep hearing awesome things or goddamn Slomatics, whose new album is so good — that it would be harder not to be excited at the prospect of being there to witness it. Wobbler, again, the final addition to the roster, come from Oslo and play a lush, synth-infused prog that traces its roots back to 1999. They’ve got three records out, the latest of which is 2011’s Rites at Dawn, from which you can hear the track “In Orbit” below.

I’ve also included the full lineup for Høstsabbat 2016 — Bong, Mammoth Storm, Reptile Master and all — for your perusal. It looks like it’s going to be an awesome couple of days and if you’re going, I will hope to see you there.

Dig it:

wobbler hostsabbat 2016-700

With the announcement of Norwegian prog-legends Wobbler, the best active prog-band in the universe, Høstsabbat 2016 has completed its line-up.

We look forward to welcoming you at Vulkan Arena in September. More information coming soon.

Høstsabbat 2016
September 16 – September 17
Vulkan Arena
Vulkan 26, 0175 Oslo, Norway

Bong (UK)
Conan (UK)
Siena Root (SE)
Truckfighters (SE)
Slomatics (UK)
Cult Of Occult (FR)
Kollwitz (NO)
Mammoth Storm (SE)
Wobbler (NO)
Jeremy Irons & The Ratgang Malibus (SE)
Reptile Master (NO)
Wild Rocket (IRL)
Maida Vale (SE)
Day Of The Jackalope (NO)

http://www.ticketmaster.no/event/festivalpass-hstsabbat-2016-billetter/489339
https://www.facebook.com/events/685619441581239/
https://www.facebook.com/hostsabbat/

Wobbler, “In Orbit”

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Yawning Man Release Historical Graffiti LP

Posted in Whathaveyou on August 22nd, 2016 by H.P. Taskmaster

So uh, hey, there’s a new Yawning Man LP. It’s called Historical Graffiti and it’s out now vinyl-only through Lay Bare Recordings. The legendary desert rockers have stated their intentions toward a new record publicly in a variety of forms and with a variety of lineups, but Historical Graffiti is their first full-length outing since 2010’s Nomadic Pursuits, and its arrival coincides with the band’s upcoming European tour, set to kickoff on Sept. 1 with stops at Reverence Festival and Up in Smoke 2016, among others. The record comes as something of a surprise, as there wasn’t much lead-up –preorders, pre-release hype, etc. — at least that I encountered, but it seems to be out there now and available for purchase, so fucking a. Get on it while you can.

Band announcement, info from Burning World Records and tour dates follow:

yawning man historical graffiti

Yawning Man is proud to announce the release of our new album “HISTORICAL GRAFFITI” on Lay Bare Recordings!!!

Thank you to all our supporters that contributed to help us make this happen.

This unique and influential band from the Southern California desert has left their mark on bands such as Kyuss and Queens of the Stone Age, making them one of the defining forces in the desert rock scene for over 20 years both in the U.S. and in Europe. Pinning Yawning Man to a specific genre is difficult, letting the music speaks for itself has fans from all over the rock, indie, psych and alternative spectrum are discovering the passion and dark beauty in Yawning Man’s music.

Throughout the instrumental cinematic rock landscapes of Yawning Man, the post-Ventures, haunting melodies & composition of guitarist Gary Arce are constantly being stretched, up-ended and sent deep into dark Joy Division territory, by the weird chords and heavy bass grooves of Mario Lalli and drummer Bill Stinson. The result is the kind of brooding and thunderous atmosphere that draws you constantly inward.

In this very special recording session done during the bands 2015 South American tour while in Buenos Aires, Argentina. The band was invited to record for one evening at the world famous and legendary ION Studios.The session featured guest appearances by Argentinian tango musicians Sara Ryan on violin and Adolfo Trepiana on bandoneon accordion as well as Malene Arce (wife of Gary Arce) on the Mellotron.

An Argentinian newspaper once wrote that the “condensed history of the nations music“ was to be found behind Ion’s doors, and they were spot-on with this description. Some of the country’s brightest musical legends, such as Astor Piazzolla, have reacted like ions with other musicians, and the energy that was released during this process condensed in the form of numerous classic records.

As the largest and most legendary sound studio in Buenos Aires, Ion remains one of the most remarkable recording venues in the world. It’s energy is evident in the spontaneous edgy beauty created by the band in this collaboration of special artists in a very special place.

YAWNING MAN Live:
01.09.2016 London Borderline UK
02.09.2016 Sint Niklaas Villa Pace Festival BEL
03.09.2016 Rotterdam Baroeg NL
04.09.2016 Karlsruhe Alte Hackerei D
06.09.2016 San Sebastian Dabadaba SP
07.09.2016 Zaragoza La Ley Seca SP
08.09.2016 Gijon Casino Acapulco SP
09.09.2016 Valada Reverence Festival POR
10.09.2016 Madrid Taboo SP
11.09.2016 Barcelona Rocksound SP
13.09.2016 Torino Cafe Liber ITA
14.09.2016 Milano Lo Fi ITA
15.09.2016 Munich Feierwerk D
16.09.2016 Berlin Swampfest D
17.09.2016 Gdansk B 90 Club POL
18.09.2016 Warsaw Chmury POL
19.09.2016 Dresden Ost-Pol D
20.09.2016 Prague Klubovna CZR
21.09.2016 Budapest Duerer Kert HUN
22.09.2016 Vienna Arena A
24.09.2016 Siegen Vortex D
26.09.2016 Wiesbaden Schlachthof D
27.09.2016 Zuerich Rote Fabrik CH
28.09.2016 Innsbruck PMK A
01.10.2016 Pratteln Up In Smoke Festival SWI

http://burningworldrecords.com/item/historical-graffity-lp
https://www.facebook.com/yawningmanofficial/

Yawning Man, “Rock Formations” Live in Buenos Aires, 2015

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Magnus Pelander of Witchcraft to Release Solo LP on Nuclear Blast

Posted in Whathaveyou on August 22nd, 2016 by H.P. Taskmaster

Witchcraft spearhead Magnus Pelander released a solo EP, A Sinner’s Child, through Svart Records in 2010. As I recall, it was only four songs, but it didn’t need any more than that to showcase a folkish side that hadn’t shown up in Witchcraft at all since even their earliest going. Having dropped his first name to operate under the solo moniker of Pelander, he’ll release a full-length before the end of the year through Nuclear Blast, also now the label home of Witchcraft, who released their fifth album, Nucleus (review here), earlier in 2016.

Not that I’ve heard it or anything, but it’s got some pretty gorgeous moments in string arrangements atop a current of acoustic guitar, and I don’t know what Pelander‘s voice has ever sounded better. Not that I’ve heard it or anything.

From the PR wire:

pelander

PELANDER – WITCHCRAFT main man’s solo project signs to Nuclear Blast

We are happy to announce that WITCHCRAFT main man, Magnus Pelander’s solo project PELANDER has officially signed to Nuclear Blast Records.

After his latest journey with WITCHCRAFT, Nucleus, multi instrumentalist and lyricist extraordinaire, Magnus Pelander, returns to his solo career which without a doubt can be recognized as being tied to the cult doom/rock band, still exploring other paths and going full on acoustic.

Magnus Pelander comments: “At last my first solo album is done and soon to be released. I cannot believe this is true.”

Commented Nuclear Blast A&R representative Markus Jakob: “We’re thrilled to not only work with a gifted artist as Magnus on his main band but now also on his solo career. Both WITCHCRAFT and PELANDER have always stood for variety, artistic freedom and development which we’re more than happy to support. Prepare yourself for another deep and intense look into the mind and musical vision of a genius!”

Today, PELANDER also announces the as of yet untitled successor to 2010’s A Sinner’s Child EP to be released later this year. More details about Magnus Pelander’s second solo album will be revealed soon.

www.nuclearblast.de/pelander
https://www.facebook.com/nuclearblastusa/

Magnus Pelander, “Hope”

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Admiral Sir Cloudesley Shovell to Release Keep it Greasy Oct. 14

Posted in Whathaveyou on August 22nd, 2016 by H.P. Taskmaster

admiral-sir-cloudesley-shovell

As if the Admiral Sir Cloudesley Shovell would keep it any other way. The brash-n-boozy UK trio will issue their new album, Keep it Greasy, through Rise Above Records, and I don’t usually pull-quote press releases, but “Their songs haven’t washed in weeks” is just about the best description I’ve ever heard of what these guys do. Their latest full-length, Check ‘Em Before You Wreck ‘Em, came out in 2014, and one sincerely doubts their capacity for shenanigans has diminished in the interim. Keep it Greasy will be out Oct. 14, and not a moment too soon for a universe that continues to take itself way too fucking seriously.

Have at you from the PR wire:

admiral-sir-cloudesley-shovell-keep-it-greasy

ADMIRAL SIR CLOUDESLEY SHOVELL To Release Keep it Greasy! October 14th via Rise Above Records

There seems to be an endless horde of fresh-faced bands that proclaim to be resurrecting the spirit of rock n’ roll these days. They see themselves to grabbing the genre by the scruff of its neck and dragging it back to its supposed glory years. Yet, few bands can say they’ve lived the lifestyle quite like ADMIRAL SIR CLOUDESLEY SHOVELL. These working class grease rock bastards, fuelled by speed, cheap lager and roadside fry-ups, have the scars to prove their worth.

The thing is, The Shovell has never claimed to be the biggest or the best around and frankly they don’t care who is. There is no brash egotism at play here, just a rough-and-ready honesty which permeates in what these three guys do. Their songs haven’t washed in weeks, far too busy spinning crackling Budgie vinyls, knackered Motörhead live albums played at a sluggish RPM and snorting self-inflammatories to do anything hygienic. If you want your music dressed up to the nines like an American prom queen, look elsewhere.

Here’s a band proud to be the soundtrack to your weed smokin’, beer swiggin’ escapes from 2016’s dystopian shitstorm reality; one feverishly decorated with unrelenting commercialism, villainous politicians and godforsaken auto-tune. There may be thousands of musicians who can play their instruments better, write more intelligent and thought provoking music, but when you listen to rugged and guttural ‘tune in, drop out’ vibes of Keep It Greasy, none of that seems to matter.

Their approach to sound and texture makes this record feel like an undiscovered gem from 1971, time worn, warts n’ all. Its beauty is defined, rather than hindered by, its unkempt primalism. As a record too, it displays an improved sense of how to get your heart battering your rib cage – think rattling Geezer Butler bass, gravel-toned vocals and the freewheeling madness of Keith Moon. These new songs are using the tried and tested Shovell formula to find new ways of getting under your skin.

From the jolting opening sex-pest boogie of U Got Wot I Need to the sandpaper smooth, Zeppelin stomp of Tired N’ Wired – its lyrics straight from Lemmy’s freight train of thought – they make the last three decades crumble away. Longer tracks like Hairy Brain Part 2, Paid In Full and album closer Wrong are peppered with many of rock’s cornerstones – twisting harmonies, driving shuffle rhythms and whirling feedback – but never sound impressionistic. They simply absorb you, swallow you whole.
But this is no mere pastiche that cashes in on society’s occasional backwards-glancing, nostalgic tendencies. This is down-to-earth and real. Keep It Greasy documents the trials and tribulations these sleezeballs have been through while on the road and beyond.

It doesn’t parade itself as anything immaculate or ground-breaking – and we all know how tiresome such hyperbole infested press releases can be – but it is hellish fun. Stick it on at a neighbour-unfriendly volume and enjoy it for the sordid, fucked up time warp that it is and see for yourself.

Keep It Greasy! Track List:
1. U Got Wot I Need
2. Hairy Brain Part 2
3. Hawkline Monkster
4. Paid In Full
5. I’m Movin’
6. Potato Boy
7. Tired’N’Wired
8. Wrong

https://www.facebook.com/theshovell/
https://www.facebook.com/riseaboverecords
http://www.riseaboverecords.com/

Admiral Sir Cloudesley Shovell, Live at the Black Heart

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