Shadow Witch Sign to Argonauta; Under the Shadow of a Witch Due in 2019

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

It has not been all that long since Shadow Witch put out word their drummer search had ended with the acquisition of Connecticut-based Scott Wadowski. Actually, it was about a week and a half ago. In the time since, the Kingston, New York, dark heavy rockers have made public their alliance with Argonauta Records for the release of their next album, the more-than-self-titled Under the Shadow of a Witch, which will be issued next year. There hasn’t been a release date set that I’ve seen, but the band already has slots booked at Maryland Doom Fest, New England Stoner and Doom Fest and SX Stoner Jam at SXSW. On their own, that’d probably be enough to call it a good year, but no doubt there’s more to come as well.

Looking forward to the brew Shadow Witch cook up for their next record, and to seeing them again, first in Connecticut, then hopefully in Maryland as well if they’ll have me. They were awesome at MDDF this year.

From the PR wire:

shadow witch

SHADOW WITCH SIGNS WITH ARGONAUTA RECORDS!

New album coming in 2019!

In 2015, a crew of veteran musicians in Kingston, New York started to share the passion to create powerfully original music. SHADOW WITCH drew their musical influences from various directions, but their goals were simple: harness decades of experience into a cohesive, monstrous sound. While the velocity by which those goals were met is no surprise, the band has now signed a worldwide deal with Italy’s powerhouse label ARGONAUTA RECORDS!

“We are incredibly excited about the next album, and feel that the move to Argonauta Records is the great step forward SHADOW WITCH have been waiting for“, comments vocalist Earl Walker Lundy on the signing. “The music for our upcoming album UNDER THE SHADOW OF A WITCH pushes the band in new directions, that folks may be surprised by. It’s our bluesiest so far, and it’s also a deeply personal album for me. We’re proud of what we’ve written, and honored to be sharing it with the world through Gero and the Argonauta family!”

In August 2016, SHADOW WITCH released their first full-length album ‘Sun Killer’, to excellent reviews from the international heavy music community. The album is a diverse assemblage of songs pulling in doom, thrash, psychedelic and stoner metal, and they back it up with intense, explosive live shows to annihilate any listener hesitation.

While member resumes may have eased their footing inside the door of many venues, their future is unquestionably solid. SHADOW WITCH began a new chapter in their music history with the official release of their second full-length album ‘Disciples Of The Crow’ in December 2017.

Followed by the recent signing with Argonauta Records, SHADOW WITCH will make their return with an amazing new release filled with the band’s special mood, atmosphere, killer riffs and vocals. The songs are all that’s needed to raise you above the light, surround you in darkness, and bind your ears, hearts and mind as one. SHADOW WITCH will be coming for you in 2019, so stay tuned for more album news and first tunes to be unveiled soon!

SHADOW WITCH is:
Scott Wadowski – drums
David Pannullo – bass
Earl Lundy – voice / mellotron / loops
Jeremy Hall – guitars

LIVE:
3/14 2019 (US) SX Stoner Jam 2019 / Spiderhouse, Austin, TX
5/3-5 2019 (US) – New England Stoner And Doom Fest 2 / Altone’s Music Hall, Jewett City, CT
6/20-23 2019 (US) – Maryland Doom Fest 2019 / Cafe 611, Frederick, MD
with many more dates to follow soon!

www.facebook.com/shadowwitch.band
www.shadowwitch.bandcamp.com
www.argonautarecords.com

Shadow Witch, Disciples of the Crow (2017)

Tags: , , , , ,

Høstsabbat 2019: Belzebong Added to Lineup; Tickets on Sale Today

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

belzebong

Yeah, it’s been like three days since the last time I posted an update from Høstsabbat 2019. Maybe two days? Let me look… Oh shit, it was yesterday. Well, alright. Not my fault that as they come upon their ticket on-sale date, the Oslo-based fest is doling out bands at such a rate. And who the hell wants to risk falling behind? Certainly not me.

The latest to join next October’s shindig in the ol’ culturechurch is Belzebong, the Polish ultrastoner-sludge veterans whose new album, Light the Dankness (review here), has already seen them on tour in Europe. They’ll hit the US as well to participate in the Psycho Smokeout come April, and no doubt they’ll be on the road duly between the two events as well, giving the people what they want like you got to do when what the people want is dank riffing and crusty grooves.

At least we know from when Toner Low played this year that all the lights upstairs at the Kulturkirken Jakob can be turned green.

From the social medias:

hostsabbat 2019 belzebong

Please welcome BelzebonG back to Høstsabbat!

Since their last visit in 2015, the polish dudes have become a trademark of instrumental stoner doom in its purest form. Their recent album “Light The Dankness”, out October 2018 on Emetic Records, shows a band who is confident in their expression and at the top of their game, showing no sign of slowing down.. except for the actual tempo of the songs of course.

The sound of this amazing record is so rich, heavy and full of low end, it’s no surprise it went through the hands of Chris Fielding at Skyhammer Studio. It’s like joining Belzebong for a rehearsal, while your body is being encompassed by their riffs and you find yourself numb and lost in their hazy smoke. It’s glorious.

After touring Europe numerous times, playing Psycho Las Vegas, and even returning to the US for the first Psycho Smokeout next spring, we are stoked they’ll make a return to Høstsabbat.

We can’t wait for them to cast their green shadow over the Chapel stage at Høstsabbat 2019.

Hail the riff, hail Belzebong!

Tix for Høstsabbat Festival go live at 11:00 CET

MUSIC
Spotify: http://bit.ly/Belzespoti
Bandcamp: https://belzebong.bandcamp.com/

HØSTSABBAT 2019 SPOTIFY PLAYLIST
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Belzebong, Light the Dankness (2018)

Tags: , , , ,

Rivers of Gore to Release Self-Titled LP on Cursed Tongue Records

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

Mexico City riffbashers Rivers of Gore will release their 2018 self-titled debut through Cursed Tongue Records on vinyl next year. The album, originally comprised of three extended tracks for the digital version — which, hey, you can stream at the bottom of this post, and how about that — has been remastered for vinyl by ever-busy Mos Generator frontman Tony Reed, and with the middle track, “Glory and Punishment,” split into two parts, there’s still plenty of fuzzy ultra-heft to go around, while the guttural vocals of guitarist/vocalist Rolo Riemer echo out over top of the ensuing swirl. A depiction of harsh reality through harsh fantasy, Rivers of Gore‘s LP is not for the feint of heart among the converted. These are riffs for riffers.

The PR wire has the news of Cursed Tongue’s continual expansion. So to that:

rivers of gore (Photo by Ulises Reyes)

RIVERS OF GORE SIGNS TO CURSED TONGUE RECORDS FOR A WORLD WIDE RELEASE OF THEIR DEBUT ALBUM ‘RIVERS OF GORE’ DUE FOR SPRING 2019.

Cursed Tongue Records is happy to announce the signing of Mexican heavy psychedelic gore rockers Rivers Of Gore for a vinyl release of their critically acclaimed debut full length album spring 2019. On first laying ears to this Mexican outfit our faces instantly melted and our bones where grinded to dust. After the first shock of how terrifyingly great this fairly newly formed trio is, we soon gathered what was left of our shattered bodies and sat out to hook up with Rolo, Daniel and Samuel aka the three gringos behind Rivers Of Gore. Luckily the interest was mutual and a contractual basis in blood and bone powder was concocted.

Rivers of Gore, experienced veterans of the heavy underground music scene in Mexico City Samuel López (drums), Daniel García (bass) and Rolando Valseca (aka. Rolo Riemer, guitar/vocals), after being part of bands like Vinnum Sabbathi, Bloodwitch, Powertrip, respectively, now reunite with the purpose of making noises to reveal the images of the dark violent world we live and ‘describing reality through fantasy and epic sounds’.

The guys came together over a shared love of the almighty riff and soon discovered they had tapped into something a little special. Rivers Of Gore’s self titled album is a collection of truly memorable stoner flavored heavy rock with its roots sucking up nutrients from the pools of both doom and psych. Swirling guitar solo’s , growling bass and punishing percussion permeate each of the three songs that make up “Rivers of Gore”, with all three songs coated in low pitched and throaty vocal tones that tell evocative tales of anger, violence and bloodshed.

Only three songs but “River of Gore” will take you on an uncompromising, unswerving and unapologetic journey through the darker recesses of a world that we all try to deny is there but all have to deal with on a day to day basis.

Band statement:
“Reunited to enjoy some riffs and some jams, we started the concept of Rivers of Gore like trying to talk about the violence of life which is ineludible and so irony is the only way we have left to keep laughing in the face of death… so this is an album full of fantasy and perfect to listen to while you violently cut your enemies into little pieces with a heavy rotten axe… cheers all of you out there, thanx for listening… enjoy the trip…”

CTR-019: RIVERS OF GORE – ‘RIVERS OF GORE’, vinyl official release date: actual date TBA – March/April 2019

Rivers Of Gore is:
Samuel López – Drums
Daniel García – Bass
Rolando Valseca – Guitar and Vocals

All songs written and performed by Rivers Of Gore
Recorded and Mixed by Abraham Anell at Bong Records
Mastered for vinyl by Tony Reed at HeavyHead Rec.
Artwork by Zuriel Perikillo Lòpez, Dabitch and Valde Gutiérrez
Layout & design by Michael Andresakis

Track listing:

Side A
1. Abduction (The Message)
2. Glory and Punishment Pt. I

Side B
3. Glory and Punishment Pt. II
4. Shell Shock

https://www.facebook.com/riversofgoredoom
http://instagram.com/riversofgoredoom
https://riversofgore.bandcamp.com/releases
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords
https://www.instagram.com/cursedtonguerecords

Rivers of Gore, Rivers of Gore (2018)

Tags: , , , , ,

Roadburn 2019: Grails, Hexvessel, Uran, Lucy in Blue, Bismuth, Third Commissioned Project and More Added

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

roadburn 2019 banner

I mean. Look. Hey. You know. It’s, uh. Yeah.

Roadburn and I kind of hit this point every year — at least we have for the last decade. The lineup announcements come through, and after a while, I just don’t even know what to say about it anymore. “Hey, so, look’s like Roadburn‘s gonna be all things to all people again” doesn’t really cut it as far as editorial content goes.

Here’s a point I’ll make: I think if you look at the Roadburn 2019 lineup, with its three commissioned projects — the third of which is newly announced — two career-spanning headline slots from Sleep, bands from multiple corners of the globe, a couple label showcases thrown in for good measure, and more still to come, it’s pretty safe to say it’s the biggest, farthest-reaching Roadburn yet. And even that. Is something I say. Every friggin’ year.

Doesn’t mean it doesn’t apply. It’ll be nice to see Grails again, and I was hoping Hexvessel would get added when their new video showed up earlier this week. A little more Aaron Turner doesn’t hurt either.

The PR wire has the lot of it, and you’ll see below the gorgeous individual day posters by Maarten Donders.

Dig:

More names announced for Roadburn 2019 including third commissioned project

– Tomas Lindberg adds more names to The Burning Darkness including GRAILS and URAN
– HEXVESSEL to perform All Tree in full
– Dutch black metal to be showcased in commissioned project MAALSTROOM
– Aaron Turner, Will Brooks and Dennis Tyfus to unite as DOOLHOF

Roadburn’s artistic director, Walter Hoeijmakers comments:

“We’re thrilled that 4-day tickets have sold out this side of Christmas – with still some of the line up to announce! Don’t delay on day tickets as we hope that they too will go quickly. We are nearing the end of our announcements, but there is still a handful of bands to present in the new year.”

TOMAS LINDBERG’S THE BURNING DARKNESS

GRAILS

GRAILS are set to return to Roadburn Festival exactly ten years after they performed at Neurosis’ curated event, Beyond The Pale back in 2009. We’re thrilled to announce that they’ll be making a return to join us in Tilburg – once again as a result of an invitation from our curator.

FONTÄN

“The whole vibe of FONTÄN reeks of folky, trippy melancholia, in the most unsentimental way. This is something that could easily have been produced by Brian Eno in his prime.” says Lindberg of his choice.

THE EXORCIST GBG

One of three Gothenburg based bands in this latest announcement, Lindberg describes THE EXORCIST GBG as: “a mind and time bending electronic psych experience, with a serious funk dance groove, like the legendary Goblin on dangerous cult-ritual-inducing drugs.”

URAN

When Tomas Lindberg describes a band as Sweden’s best kept secret, it’s time to start paying attention. He comments of URAN: “Imagine the heaviest psych, in a street fight with the most hypnotizing Stooges riffs, with an electronic Kraut edge and a monstrous Hawkwind presence.”

HEXVESSEL

HEXVESSEL’s new album, All Tree, will be released in February and the sole track released at the time of writing gives a tantalising glimpse of what to expect. It’s considered, haunting and – quite honestly – downright beautiful.
Prepare yourselves for some pin-drop moments amongst some soul shaking sonic shifts: Hexvessel are back!

DOOLHOF

The component parts of DOOLHOF are Aaron Turner, Will Brooks and Dennis Tyfus. Musically and artistically these three men appear to be worlds apart but look a little deeper and it’s obvious there’s a streak of experimental vigour and curiosity that runs through them all – and in this case, unites them.

When the idea of a collaborative project was floated, Turner singled out Will Brooks early on. Brooks made his Roadburn debut with Dälek in 2017; one of the most talked about performances of that edition, Dälek were instrumental in expanding the scope of the festival. Tyfus is a Belgian audio/visual artist whose Ultra Eczema label has served as the nucleus for a vast and eclectic array of creative endeavours.

That its participants have named it DOOLHOF (Dutch for ‘maze’) leads our minds to bubble over with possibilities.

MAALSTROOM

The third and final commissioned piece for Roadburn 2019 is a collaboration between a seething mass of up and coming – not to mention, vitally important – Dutch black metal bands. The project is titled MAALSTROOM and will unite over a dozen musicians from Laster, Verwoed, Witte Wieven, Turia, Fluisteraars, Grey Aura, Terzij de Horde, Folteraar, Nefast – and more.

Roadburn has showcased slivers of this innovative and burgeoning scene in previous years, but never before has such a heavy and accomplished array of Dutch musicians gathered together under one banner.

Exclusively for Roadburn Festival, MAALSTROOM will compose and perform a piece that spans five movements, with an evolving line-up of performers embellishing an ambient backdrop. This is not merely a show, nor a ritual; it is a current to be dragged along by.

MAALSTROOM is possible thanks to the continued support of the City of Tilburg and Brabant C.

As well as participating in MAALSTROOM the following bands will perform their own sets at Roadburn Festival 2019:
LASTER
TERZIJ DE HORDE
WITTE WIEVEN
DODECAHEDRON
TURIA
NUSQUAMA

ALSO ANNOUNCED TODAY:
BISMUTH bring ethereal doom to Roadburn
COILGUNS are primed to deliver an ear pummelling
CROWHURST will bring a world of pain
CROWHURST & GNAW THEIR TONGUES unite in harsh noise
FAUNA evoke manifestations of nature and wilderness through the lens of black metal
FOTOCRIME will shed light on a darkened room
LUCY IN BLUE set off on a psychedelic prog quest to Roadburn
PHARMAKON will summon disconnecting ambience and caustic crescendos of industrial noise
THOR & FRIENDS to bring their warm, hypnotic songs to Roadburn
TWIN TEMPLE’s Satanic doo-wop will reign supreme
WRONG will deliver angular melody and abrasiveness

TICKETS:
Single day tickets will go on sale on tonight – Thursday, December 13 at 8pm CET/7pm GMT/ 2pm EST. 4-day tickets are SOLD OUT, 3-day tickets are still available in limited numbers.

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Hexvessel, “Old Tree” official video

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Mount Saturn Premiere “Salt”; Debut EP Kiss the Ring out Jan. 4

Posted in audiObelisk, Whathaveyou on December 13th, 2018 by JJ Koczan

mount saturn (Photo by Tommy Calderon)

Bellingham, Washington, heavy rockers Mount Saturn will release their debut EP, Kiss the Ring, on Jan. 4. The 25-minute four-tracker comes preceded only by the digital single “Dwell,” which also shows up as the leadoff cut on the forthcoming release and makes for a right-on seven-minute leadoff, the echoing vocals of Violet Vasquez following the riffs of Ray Blum on an outwardly-directed astral plane of reverb and grooving heft. Got that bass punch tho from Cody Barton and the drums of Tanner Scinocco, whose snare cuts through the tonal density surrounding in order to give ground to what otherwise would surely take flight, some double-kick coinciding with second-half squibblies in “Dwell” that, in another context and from another WA -state band, would be black metal. Mount Saturn are up to a different kind of business.

The nod is pervasive throughout Kiss the Ring, as the 4:12 shortest cut “Idol Hands” demonstrates despite a somewhat faster tempo and more rocking swing ahead of the brash Mount Saturn Kiss the Ringgarage intro to the penultimate “Salt.” The overarching feel of the release is very much in the debut EP vein, as Mount Saturn began their exploration just last year, but a drive toward aesthetic can be heard in the tracks all the same, whether it’s the already-noted cavernousness of Vasquez‘s voice throughout or the depth of Blum‘s guitar tone, which lends immediate character to the songs and is suited to the feeling of space as well as that of the earthier groove supported by Barton and Scinocco. “Salt” echoes through a slowdown to cut out before the closing title-track, which again leads off with Blum‘s guitar as the focal point — a task to which it stands up well. Barton‘s bass kicks in at around 40 seconds and is a thick, distinct presence, while Scinocco holds town a straightforward beat still portentous of change to come. They drop back to a more spacious progression to give Vasquez room in the mix and find a new balance between molten and solidified impulses. An all-out psychedelic finish would be a decent enough fit, but Mount Saturn don’t quite get there, opting instead to stick to the hook in “Kiss the Ring” and trade back and forth from that to a solo, capping with both.

It’s the band’s first outing, so take “Salt” with the appropriate grain if you need to in order to dive into the premiere below — which I’m thrilled to host — but if you can’t hear the potential in its run, then you’re missing out. Tracks were recorded by Erik Wallace. Again, it’s out Jan. 4.

Please enjoy:

Mount Saturn rises from the damp soil of the Pacific Northwest to forge a heavy sound that worships riffs, dabbles in psychedelia and takes no shit. Formed in 2017, the heavy quartet has had the pleasure of sharing a stage with some of the West Coast’s best, including Holy Grove, Castle, and Mos Generator.

‘Kiss the Ring’ is their debut EP, recorded at The Unknown in Anacortes, and engineered and mastered by Erik Wallace of Shibusa Sounds, which the band will self-release on January 4th, 2019.

Mount Saturn is:
Cody Barton on Bass
Ray Blum on Guitar
Violet Vasquez on Vox; and on this recording,
Tanner Scinocco on Drums

Mount Saturn on Thee Facebooks

Mount Saturn on Instagram

Mount Saturn on Bandcamp

Tags: , , , , ,

Mammoth Weed Wizard Bastard Set March 1 Release for Yn Ol I Annwn; Preorders up Now

Posted in Whathaveyou on December 13th, 2018 by JJ Koczan

mammoth weed wizard bastard

I don’t know if you heard it or not, but the split Mammoth Weed Wizard Bastard put out this year with Slomatics, titled Totems (review here), was unbelievably good. Likewise the band’s last long-player, 2017’s Y Proffwyd Dwyll (review here), which followed their 2015 debut, Noeth Ac Anoeth (review here), the goofy-named UK outfit growing more progressive and broader in their reach every time out. Though I’ve heard exactly none of it, I have accordingly high expectations for their next full-length, Yn Ol I Annwn, which is out March 1 and available to preorder now from New Heavy Sounds. The cover art and tracklisting have been posted and you’ll find them below, as per the preorder page at Cargo Records‘ distro site — which, not to tell you your business or anything, you just might want to visit.

They’ve also got a quickie teaser trailer for the record that you can see below, as per the social medias.

Have at you:

mammoth weed wizard bastard yn ol i annwn

MAMMOTH WEED WIZARD BASTARD ‘YN OL I ANNWN’ PRE-ORDER

Titled ‘Yn Ol I Annwn’, Welsh for Return To The Underworld’, it is the third part of the trilogy of albums that began with ‘Noeth Ac Anoeth’ in 2015 and 2017’s ‘Y Proffwyd Dwyll’.

The final phase of the band’s first intergalactic voyage if you will.

The eight songs that comprise this album see the band delve deeper into their collective influences, embracing full on space rock, atmospheric film soundtracks, melancholic acoustic interludes, psychedelia, cosmic moogs and percussion, moments of introspection and light … and of course, large helpings of doom. The fat riffs, big hooks and endless space grooves are all present and correct.

And once again Jessica Ball’s voice glides over it all, both sweet and melancholy, yet this time more assured. A myriad of stacked harmonies and layered vocals weave in and out of the tracks, adding an ‘other-worldly’ melodicism to the songs.

In fact the album as a whole, is very much a sonic journey into some cosmos on the edge of forever. Just turn off the lights, turn up the volume and be transported to dance at the end of time.

The band’s music has developed and been honed over the previous two records, but there is no doubt that they have distilled the essence of MWWB into this one. Previous comparisons to Windhand, Yob, Sleep. or whatever, are rendered completely redundant with ‘Yn Ol I Annwn’.

No one else is pushing the boundaries of heavy like MWWB.

Mammoth Weed Wizard Bastard sound like Mammoth Weed Wizard Bastard, full stop.

First pressing is a double vinyl in a gatefold sleeve with 2 colour variants.
Variant 1 in Green/Blue marbled vinyl.
Variant 2 in Amber and red disc vinyl.
Each variant includes is a free download of the entire album.
Main CD package is a 4 panel digipack with booklet

Vinyl Tracklisting:
Side A:
1. Tralfamadore
2. The Spaceships Of Ezekiel

Side B:
3. Fata Morgana
4. Du Bist Jetzt Nicht In Der Zukunft

Side C:
5. Yn Ol I Annwn
6. Katyusha

Side D:
7. The Majestic Clockwork
8. Five Days In The Abyss

CD Tracklisting:
1. Tralfamadore
2. The Spaceships Of Ezekiel
3. Fata Morgana
4. Du Bist Jetzt Nicht In Der Zukunft
5. Yn Ol I Annwn
6. Katyusha
7. The Majestic Clockwork
8. Five Days In The Abyss

MWWB are: Paul Michael Davies, Jessica Ball, Wes Leon, James Carrington, Stuart Sinclair.

Preorder: https://cargorecordsdirect.co.uk/products/mammoth-weed-wizard-bastard-yn-ol-i-annwyn

https://www.facebook.com/mammothweedwizardbastard/
https://mammothweedwizardbastard.bandcamp.com/
http://www.facebook.com/newheavysounds
https://newheavysounds.bandcamp.com/
http://www.newheavysounds.com/

Mammoth Weed Wizard Bastard & Slomatics, Totems (2018)

Tags: , , , , ,

Høstsabbat 2019: Stuck in Motion Added to Lineup

Posted in Whathaveyou on December 13th, 2018 by JJ Koczan

stuck in motion

Swedish heavy hippie rockers kind of quietly released one of 2018’s best debut albums in their June-issued self-titled debut. Hard to imagine some label won’t pick it up for another round of vinyl, but whether you hear it on a platter or through a bluetooth speaker from your phone, the thing absolutely oozes vibe. It’s in clear recognition of this that the three-piece were recently added to Roadburn 2019 (I wrote the announcement; info here), and the 2019 edition of Oslo-based Høstsabbat is following suit in bringing them to Norway next October. I do not for one second imagine they will be the last to do so.

The only question is whether they’ll be in the crypt or on the altar. I hope I get to find out.

The fest made the announcement thusly:

hostsabbat-2019-stuck-in-motion

It’s been a very busy week for everyone following Høstsabbat on SoMe, and we apologize if you feel we’re spamming your news feed. Sometimes things happen simultaneously, and you just gotta go with the flow.

If one word can describe our next announcement for Høstsabbat Festival, October 2019, it’s FLOW.

Once again, we’ve had our eyes peeled on Sweden, and once again, we’ve found pure gold.

Out of Enköping, Stuck in Motion’s debut album struck a nerve with us at Høstsabbat, and the self titled album released June this summer, has been playing on repeat for a great part of this fall. The craftsmanship is top shelf, and the whole album feels timeless in a modern, almost indescribable way. They utilize both their native language as well as English, and the vocals from Max Kinnbo and Adrian Noren floats like a velvet blanket on top of the bands gentle groove and lush sound. Stuck in Motion gives us psychedelic blues at its finest, and just like the weather outside today, it feels very refreshing, and makes you wanna dive right in.

We predict a blinding future for this three-piece, launching with their appearance at Roadburn Festival next spring. We are proud to invite Stuck in Motion at such an early stage, as we fell totally in love with their realm.

We surely think you will do to!

Catch Stuck in Motion for the first time in Norway at Høstsabbat October 4th- 5th, 2019, in Kulturkirken JAKOB.

Tickets out Friday at 11:00 CET!

HØSTSABBAT 2019 SPOTIFY PLAYLIST
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Stuck in Motion, Stuck in Motion (2018)

Tags: , , , ,

Via Vengeance Signs to Salt of the Earth Records

Posted in Whathaveyou on December 12th, 2018 by JJ Koczan

Easy to imagine that Shane Ocell makes a striking impression live with his one-man outfit Via Vengeance. Also the drummer/backing vocalist for Sorxe, Ocell positions himself behind a drum kit with a guitar and a microphone and is essentially a whole band. The slogan is: “All live. No loops.” So be it.

It is striking to watch. There’s a video at the bottom of this post you can check out. It’s not exactly recent, but I think it gets the point across. Ocell as Via Vengeance has signed to Salt of the Earth Records and will have a new album out reportedly next summer. At least he doesn’t have to wait for anyone else to show up at the studio.

There’s a secondary announcement being made here in that at least for this signing, Kyle Stratton, also of Atala, has joined onto the Salt of the Earth label team with head honcho Scott Harrington. Atala being based in Twentynine Palms, CA, it seems reasonable to assume Stratton is the connection to Ocell, who is in Phoenix, so maybe Stratton is working some West Coast A&R with Harrington, who is based in Connecticut where he also hosts the New England Stoner & Doom Fest. Interesting development either way and something to keep an eye on.

From the PR wire:

via vengeance

Via Vengeance – Salt of the Earth Records

SALT OF THE EARTH RECORDS is proud as all hell to welcome VIA VENGEANCE to the family.

The unrelenting Phoenix AZ based Sludge band known as VIA VENGEANCE was formed in 2006 by Shane Ocell with exploring the concept of being a one-man Sludge band being the ultimate mission… And he has been crushing solo ever since.

VIA VENGEANCE use no loops and Shane records all his tracks while playing both guitar and drums simultaneously. Combining both a finesse and a reckless audio abandon that must be heard, and felt to truly appreciate.

“We are excited to have him on the roster. Via Vengeance is completely honest. An original. A living breathing piece of art,” says Kyle Stratton (SALT OF THE EARTH RECORDS) “He is a one-man band, creating an amazing industrial sludge sound, something I have never heard before. I am beyond excited to welcome Shane.”

VIA VENGEANCE has toured the U.S. multiple times and is heading overseas to to tour in Holland and France this December. VIA VENGEANCE have destroyed stages with heavy hitters like Mastodon,Jesu, Big Business, The Bad Brains, Atala and countless others.

2019 will see VIA VENGEANCE back in the studio recording their SALT OF THE EARTH RECORDS debut with an eye towards Spring/Summer release.

Asked about VIA VENGEANCE, Scott Harrington (Salt Of The Earth Records) yelled this at me from a roof top…

“We are constantly looking for new artists that push their boundaries musically and creatively. Knowing how Via Vengeance pummel live crowds with Shane’s uniquely powerful sound and delivery…I can’t wait till sludge fans far and wide get to experience what this is all about. THIS is HEAVY.”

Bottom line, VIA VENGEANCE is coming for you. You have been warned. But you still won’t be ready.

https://www.facebook.com/viavengeance/
http://instagram.com/viavengeance
http://viavengeance.com/
www.facebook.com/SaltOfTheEarthRec
www.saltoftheearthrecords.com

Via Vengeance, “Lust Blood” live in Brooklyn, 2010

Tags: , , ,