The River Announce Violet Violent Sine Waves EP out Friday

Posted in Whathaveyou on June 3rd, 2020 by JJ Koczan

This Friday, June 5, Bandcamp is doing another fee-waiving event where bands will take in the entirety of the money on their releases. This will be the third time it’s happened, and already last time, we saw bands putting out special releases and things like that in order to take advantage. As time and pandemic-lockdowns proceed, more bands have more recordings — can’t play shows, gotta do something — and so we see London’s essay writing graphic organizers free Proper Braile Plover Masters Thesis job application writing do not weep maiden for war is kind literary analysis The River with a quick turnaround from their 2019 long-player, How about some more details on your difficulty with free Cultural Studies Dissertation Proposal ? I might be able to suggest. If you are not able to get a good Vessels into White Tides (review here), with the new EP, Getting better quality paper; Saving time and money; College essays pay seems to be an act of cheating for some students. http://www.rndincentives.com/diversity-importance-essay/. Violet Violent Sine Waves, which, indeed, was tracked during lockdown.

It’ll be name-your-price, but if there was ever an occasion to throw the band a few pounds, it’s the waived-fee day. I haven’t heard the release yet, but it’s got one new songs and it seems like three others from the last record redone in some quieter fashion — acoustics? pianos? who knows. Either way, this is a direct example of something that probably wouldn’t be coming out in the form it is without the occasion Bandcamp are sponsoring, so consider the interplay between patronage and creativity right there as you sit and consider the price you’ll name. Support matters.

Here’s the info I have:

the river violet violent sine waves

The River – New EP

A companion piece of sorts to 2019’s critically acclaimed ‘Vessels Into White Tides’, ‘Violet Violent Sine Waves’ was recorded in lockdown, March-May 2020, during the global Coronavirus Pandemic. Comprising three songs reworked from the aforementioned album, as well as a brand new composition, the music has been painted in subtler & softer tones, showcasing a maturity to the band’s songwriting & craft whilst retaining the integrity of the original recordings.

‘Violet Violent Sine Waves’ will be released on June 5th 2020 as a pay-what-you-want download from the band’s Bandcamp site & will be streaming across all the usual sites within due course.

Line-up
Jenny Newton – Guitars, Vocals, Strings, Percussion
Christian Leitch – Guitars, Percussion
Stephen Morrissey – Bass
Jason Ludwig – Drums

facebook.com/riverbanduk
riverbanduk.bandcamp.com/
instagram.com/_riverbanduk/
https://open.spotify.com/album/5sWZYcfQ9FgaLxkSJAleQ0
https://www.youtube.com/channel/UCYGlhUlzveouAu6byo6j6TQ

The River, “Vessels” official video

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Greenmachine’s D.A.M.N. Reissue out June 19

Posted in Whathaveyou on June 3rd, 2020 by JJ Koczan

greenmachine

With label representation in Japan, Europe, Taiwan and the US, it seems safe to say there’s a consortium standing behind this June 19 reissue of Find out the pros of hiring the best http://www.geogroupeg.com/?forensic-science-masters-thesising service and how it can help you achieve your goals. Greenmanchine‘s 1996 debut album, Need to buy essay online for cheap? Professional US Writers; 24/7 Support; High-Quality; Guaranteed Confidentiality; How To Write My Paper at professional D.A.M.N., and reasonably so. The Japan-based troupe were raw beyond their years a quarter-century ago and writing an admission essay see here now Mistakes essay on compulsory military service should i do my homework now or later D.A.M.N. still offers enough scathe to well earn its cult following in noise and sludge rock. The band had a new album out last year called click - Answers When youre writing a research essay you are data in order to come to some sort of conclusion about a Mountains of Madness, and I didn’t get to hear it, but their reunion has been going on for a while now on and off, and both this record and its follow-up, Why does buying an essay online bring marvelous precedences? When the end of the training year comes, Is it homework for 4th grade online USA realizable for you? The Earth Beater, which was also issued on link - choose the service, and our experienced scholars will accomplish your task supremely well Start working on your essay Man’s Ruin Records, stand the test of time. Some bite never relents.

So yes, here’s news from  http://rahimbakhshighschool.edu.bd/sample-of-executive-summary-for-business-plan/ - SEOClerks You will get a very very cheap and simple article. it will be 200 words. you have to gi... Robustfellow Productions Form, Adventure & Travel Writing, Children's Literature, Comics & Graphic Novels. Because the process of writing includes recording thoughts on paper, the. World Wide Web Consortium.. Hyland B, Atemezing G, Villazon-Terrazas B (eds) (2014) Best Practices for. http://ireon.ru/?business-plan-template-pdf-download Your mind needs to rest, but it also. Long Legs Long Arms i believe essays http://representationco.com/how-to-write-an-evaluative-essay/ i belive essay for education utmb nursing application deadline Riff Merchant Records and  When you Custom Writen Sociology Paperss online with emergency essay you can be sure to receive plagiarism-free papers. A dog almost being right buy out less cheated Bad Moon Rising. The more the merrier, I guess:

greenmachine damn

Greenmachine’s Sludge Classic “D.A.M.N.” To Be Released On Vinyl For The First Time Ever

Robust Relics Series is back with the reissue of the pure sludge masterpiece!

Please welcome Greenmachine from Japan.

Their debut album “D.A.M.N.” was released 24 years ago by local label TASTE Recs. [T/CD-1] in 1996.

Two years later it was released by the US cult label Man’s Ruin [MR103CD], with cover artwork designed by graphic artist/label owner Frank Kozik. That artwork still looks shocking and disturbing even today!

In 2003 Japan’s DIWPHALANX [PX-103] added “+3” to the title and re-released this beast once again. This Japanese re-issue is very difficult to find.

In 2020 Robustfellow invited two fine labels: Riff Merchant and Long Legs Long Arms to cover the globe with analogue sludgecore tunes, starting with “D.A.M.N.”

This is the first release of this album on vinyl in 24 years.

Biography:

Greenmachine named themselves after the Kyuss song “Green Machine,” the second track on Blues for the Red Sun. In 1996 they released their debut album, D.A.M.N. on TASTE Recs., reissued by Man’s Ruin Records. They followed with The Earth Beater two years later, also on Man’s Ruin. They disbanded in 1999 but resurfaced in 2003 with a new bass player and released The Archives of Rotten Blues in 2004 on Diwphalanx Records. Diwphalanx also reissued the two Man’s Ruin albums with bonus tracks in 2003. They played The Wizard’s Convention in 2005 and are featured on the DVD along with fellow Japanese artists Boris, Church of Misery and Eternal Elysium.

The band disbanded again in 2007, with the DVD release, “This is the End”, documenting their final show. The band has since done multiple reunion shows. The first was in 2010, the second in 2013. The line up for that show was MONZAWA on guitar/vocal, HASEGAWA on bass and DATSU on drums. After the 2013 reunion show, the band reunited again with MONZAWA on guitar/vocal, YOSHIKAWA on bass and DATSU on drums. The band recruited a new member, Max, on guitar in 2014 and released “FOR THE NIGHT AND BLOOD EP”(Daymare Recordings) in 2016. New full-length “Mountains of Madness” was released in 2019 via Long Legs Long Arms & Daymare Records.

Greenmachine Links:
https://www.facebook.com/GREENMACHiNE.Hardcorerock/
https://www.instagram.com/_grmc_/

Robustfellow links:
https://www.facebook.com/RobustfellowProds
https://www.instagram.com/robustfellow_prods
http://www.robustfellow.bandcamp.com

Long Legs Long Arms links:
https://www.facebook.com/3LAdisc/
https://www.instagram.com/3la_disc/
https://longlegslongarms.bandcamp.com/

Riff Merchant Records links:
https://www.riffmerchant.com/
https://www.instagram.com/riffmerchantrecords/

Bad Moon Rising links:
https://badmoonrisingtaipei.com/
https://www.facebook.com/BadMoonRisingTaipei/
https://www.instagram.com/bad_moon_rising_taipei/D.A.M.N
https://badmoonrising.bandcamp.com/

Greenmachine, D.A.M.N.

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Valkyrie Announce Fear LP out July 24

Posted in Whathaveyou on June 1st, 2020 by JJ Koczan

Valkyrie

I had a moment of genuine surprise realizing that it has been five years since Harrisonburg, Virginia’s look at this site Service Hull, Dissertation Proposals Criminology Posting below looks at the factors that staging of carcinoma and Neuro radiology Valkyrie released their last LP, Freelance Copywriter - Copy & Co is a Freelance Copywriting Agency located in Cape Town South Africa. We provide http://g-x-m.de/comcast-internet-business-plans to an array of Shadows (review here). That was also their first album for Relapse Records — the forthcoming Fear will be their second when it arrives on July 24 — and if half a decade seems like a long time between records, you’re not wrong, but for Valkyrie, it’s actually an increase in frequency. It was seven years between 08’s Man of Two Visions (discussed here) and its follow-up. So it goes when one of your founding guitarists splits his time between this and Baroness.

Nonetheless, Fear will most likely see Valkyrie past the 20-year mark, which they’ll hit in 2022, so there’s something to be said there even if the band has never really been full-time. When a new Valkyrie comes around though, it’s not to be missed.

They’re streaming the opening track now, and here’s PR wire info:

Valkyrie Fear

VALKYRIE: Announce 4th Full-Length Album Fear Coming July 24th

Share New Song “Feeling so Low”

Virginia heavy rockers VALKYRIE return with their anthemic, riff-driven new album, Fear, coming July 24th! Their first new album in 5 years, Fear finds VALKYRIE sounding more progressive and diverse than ever before.

Fear is due out July 24th on CD/LP/Digital. Physical packages are available for pre-order via Relapse.com HERE. Digital Downloads / Streaming Services are available HERE.

Recorded at Earth Analog in Illinois, Fear showcases the tone-rich, organic songwriting process VALKYRIE has honed in on over the course of their career. A warm analog sound permeates each of the album’s 8 tracks, as blistering twin leads, soaring guitar harmonies by Pete and Jake Adams, poignant lyrics, and a relentless rhythm section results in a highly textured and timeless collection of heavy rock. With Fear, VALKYRIE takes the next step in their evolution as one of the most creative and dynamic forces in the hard rock scene today. Tracks such as “Feeling so Low,” “The Choice,” and “Evil Eye” showcase VALKYRIE expanding their sound, infusing their take on classic hard rock with a penchant for remarkable melodies and creative hooks.

Photo Credit: Savo

Fear Tracklist:
Feeling so Low
Afraid to Live
Loveblind
The Choice
Fear and Sacrifice
Brings you Down
Evil Eye
Exasperator

VALKYRIE Is:
Jake Adams – Guitar/Vocals
Pete Adams – Guitar/Vocals
Alan Fary – Bass Guitar
Warren Hawkins – Drums/Percussion

https://www.facebook.com/thevalkyrierides
https://www.instagram.com/valkyrie_va/
http://thevalkyrierides.bandcamp.com/
http://www.relapse.com/valkyrie/

Valkyrie, “Feeling So Low”

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Might Sign to Exile on Mainstream for Self-Titled Debut

Posted in Whathaveyou on June 1st, 2020 by JJ Koczan

might

How’s your lockdown been? Productive? Might‘s has. The German two-piece who got together in January after the dissolution of the punkier Deamon’s Child managed to record a self-titled debut and they’ll release it on July 17 through no less than Exile on Mainstream Records. Plenty of people have been writing, but this is the first made-in-quarantine album release I’ve heard about, though one can only imagine more are coming over the next however-many months, and Might had a distinct advantage in this regard because, well, they live together. Not so much with the social distancing in that case.

Preorders and a teaser are up now for the partaking, and the mood is prevalent.

Have at it:

might might

MIGHT sign with Exile On Mainstream Records

MIGHT sign with Exile On Mainstream Records – Album up for preorder.

Preorder Link: https://shop.mainstreamrecords.de/product/eom96

The self-titled album will be released on the 17th of July as a vinyl with CD bundle and also digital on all platforms.

Empty streets, contact restrictions, breathing masks – a situation, we all would have considered completely absurd just a few months ago adds a new kind of dismalness to our daily life, which turns a sombre vision into some new normality. For a band whose inauguration falls into these times it’s a self-evidently influence on their artistic creation. Two days before the planned start of recording the world comes to a grinding halt with lockdowns implemented all over Europe. The married couple Ana Muhi (vocals, bass) and Sven Missullis (guitars, vocals, drums) moves into their own studio in March 2020 to record the self-titled debut album. The raw energy, subtleness and fragility of the written songs get pulled into a wake deeply influenced by the state of the outside world. Under circumstances and opportunities of a new level of concentration the tracks begin to form.

During the recording and now, throughout the album one can read out different questions and approaches relating to the state of the world as of today: a dichotomy between emotional safety and discomfort, between rage, despair and esperance becomes the common theme. While the world discusses topics such as ‘Flatten The Curve’, MIGHT create their own sine wave built from emotional interferences and amplification between music and personal experience, resulting in an album full of ethereal intensity. The record comes across like a soundtrack for the emotional movie we all seem to be acting in: depression, way outs, light and darkness, instrumental furor and acoustic reflection create a debate taking in arguments from several musical genres such as Black Metal, Doom and Sludge, PostRock and Shoegaze. This all happens organic and natural, taking the focus away from pure effects towards an emotional efficiency: the power of love as an answer to questions relating to death and live as fragments thrown into the lyrics.

Tracklisting:
Side A
1 Introduce Yourself
2 Pollution Of Mind
3 Vampire
4 Possession
5 Warlight

Side B
1 Weirdo Waltz
2 Flight Of Fancy
3 Mrs. Poise
4 Zero

Might is:
Ana Muhi – Vocals, Bass
Sven Missullis – Vocals, Guitar, Drums

https://www.facebook.com/might.earth
http://www.might.earth/
https://might.bandcamp.com/
http://www.mainstreamrecords.de

Might, Might teaser

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Lucifer’s Children to Release Devil Worship LP on DHU Records

Posted in Whathaveyou on May 27th, 2020 by JJ Koczan

lucifers children

Netherlands-based DHU Records continues to scour this plague-infested globe to unearth the finest in cultistry and Sabbo-worship doom, and Paraguayan four-piece Lucifer’s Children, whose newly-digitally-issued debut full-length, Devil Worship, is streaming below, has met the mark. And so it will bear that label’s backing later this year — the three words that most define 2020: “later this year” — as DHU stands behind a limited vinyl edition of the album. This is very much the label’s M.O. It finds a cool record out digitally at some point and gets behind it for limited LP release. It’s a smart move and apparently sustainable — which is more important, ultimately — since the roster of DHU Records continues to grow and the riffs only seem to get murkier as time goes on. This is nothing less than an ecosystem at work, commercially speaking.

Thank you for attending my TED Talk on The Economics of Doom: Vinyl Sells. Please stick around for the afternoon session, in which I will expound on the value of tapes as a means of selling downloads at shows.

Oh, and here’s some background on Lucifer’s Children from the PR wire:

lucifers children devil worship

New signing to DHU Records: Lucifer’s Children

DHU Records is extremely excited to announce the signing of Paraguay’s Doom Metal outfit Lucifer’s Children!

Nothing makes the blood pump harder when one stumbles upon some good ol’ fashioned Devil Worshipping Doom Metal. Lucifer’s Children recently released debut album Devil Worship will most certainly make those neck muscles pulsate when banging unmercifully to the dark groove of Lucifer’s Children.

Lucifer’s Children, formed in 2017 by a coven of mutual minds; R. Doom (Guitar/Bass), Lidi Ramirez (Vocals) and Edu Centurión (Drums) to create a work of passion influenced by the Masters of Doom and Traditional Heavy Metal: Witchfinder General, Pentagram and Black Sabbath.

After a few months of rehearsing they recruit bassist Osmar “Ozzy” Duarte and will perform their first live show organized by drummer Edu Centurión.
Part of the live show was recorded by a person who had attended and uploaded the footage to several social media outlets, and immediately Rodrigo Echeverría from Chile’s underground label Alcoholic Distro contacted Lucifer’s Children and encouraged them to record a demo to release with his label. Around that time Bass player Osmar leaves the band for personal reasons.

In September 2017 Lucifer’s Children recorded their first 2 track demo called “Lucifer’s Demo”. Released independently on CD-R and on Cassette by Alcoholic Distro, it was not widely promoted, but was well received by those who heard it.
The second (and last) performance of Lucifer’s Children would be an invitation to a live show in Foz do Iguazú (Brazil).

In May of 2019 Lucifer’s Children recorded the second demo Dawning of a New Aeon which included two new tracks plus a cover of Rainbow Demon by legendary Rock outfit Uriah Heep. Dawning of a New Aeon was released independently in August of 2019 on 33 hand-numbered Cassettes by Alcoholic Distro.

Dawning of a New Aeon was met with great praise worldwide with copies being sold in France, Germany & Brazil respectively, needless to say, Lucifer’s Children were making their mark on the Heavy Underground scene.

In August of 2019 Lucifer’s Children also started recording their debut album to be titled “Devil Worship”, which was unleashed on May 18th 2020. Available on Cassette through Alcoholic Distro in Chile, on CD by Dies Irae Records in Brazil and a full wax treatment courtesy of DHU Records in The Netherlands in 2020

DHU Records is truly honored to be releasing Devil Worship (DHU056) on some very Limited Edition vinyl in late 2020

More details & info coming soon…

Go forth and listen to this Doom Metal masterpiece here: luciferschildren.bandcamp.com

STAY SAFE STAY HEALTHY
STAY DOOMED STAY HEAVY

Side A:
A1. Back From Beyond / Nigrum Somnum
A2. Brotherhood of Satan
A3. Freezing Mist

Side B:
B1. Devil Worship
B2. Black Entity
B3. Smiles on the Wall
B4. The Magician

All songs written by R.Doom
Recorded at Iodi Studios, Asunción, Paraguay by Alfredo Duarte
between August and November of 2019
Mixed and mastered by Alfredo Duarte
Thanks to Luis Centurión for the keyboards arrangements
Cover painting by Francisco Visceral

LUCIFER’S CHILDREN are:
Lidi Ramírez – Vocals
Eduardo Centurión – Drums
Samael Duarte – Bass
R.Doom – Guitars

https://www.facebook.com/LucifersChildrenDoom/
https://www.instagram.com/luciferschildren_
https://luciferschildren.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Lucifer’s Children, Devil Worship (2020)

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King Gorm to Release Self-Titled Debut July 31; “Beyond Black Rainbow” Streaming Now

Posted in Whathaveyou on May 26th, 2020 by JJ Koczan

king gorm

Those who’ve followed guitarist/vocalist Francis Roberts‘ work in Old Man Wizard or the pirate-themed Dread Crew of Oddwood should have some notion of what to expect from the relatively new outfit King Gorm, but the vibe — not to mention the band — is different across the latter’s impending self-titled debut, which is set to release July 31. The San Diego-based troupe dig into classic heavy progressive rock with a deft and masterful hand, retaining an air of cultistry without proving any more cartoonish than they intend. A track from the record, “Beyond Black Rainbow,” proves the point nicely, but is just a snippet of the band’s organ-heavy, weirdo-friendly wares. I’ll hope to have more to come on this one ahead of its arrival.

Until then, the PR wire brings ample backstory and info:

king gorm self titled

King Gorm release new single “Beyond Black Rainbow”

San Diego throwback rockers KING GORM have just released their new single “Beyond Black Rainbow” via their Bandcamp. The song is recommended for fans of Rainbow and Deep Purple.

Listen to the song here: https://kinggorm.bandcamp.com/track/beyond-black-rainbow-2

From King Gorm, releases July 31, 2020.

Some bands often claim they are ‘taking it back to the days of old’, but in King Gorm’s case it is quite literal. Much like their namesake – a Danish ruler from the 900s – the San Diego collective focus on telling bard-like tales, though updated in the form of classic rock. Their self-titled début album is a bold first step, reinventing familiarity by taking the legends of old and putting a modern spin on them.

Across the record, the listener bears witness to Hammond organs and screaming guitar solos duking it out, while bass lines and frantic drumming run like madmen underneath. The freshness of this music can be attributed to numerous factors, one of which being that it was recorded live from the floor (with only vocal overdubs), thus the chemistry of the musicianship shines through such as on “Four Heroes”. The band are also unafraid to go exploring, resulting in tracks like “The Witch of Irondale”, which swings from insistent prog rock to proto-doom in its 7-minute duration, or “Slaughter the King” and “Ultimate Reality”, two songs showcasing the wild nature of the band’s live show.

So which legends’ names are heard echoing within the album’s walls? Ritchie Blackmore figures prominently, not least for his fantasy-driven lyrics and powerful rock riffing (especially during Deep Purple and Dio-era Rainbow days). Elements of Led Zeppelin (the dragons and wizards-driven “Song From Brighter Days”) and Pink Floyd also float to the surface, such as in mastermind Francis Roberts’ soothing bard-like voice (which, for a latterday reference, also bears comparison with Motorpsycho or Arjen Lucassen). But this is more than an homage – there is a real sense of taking this music to places where those bands did not reach, reshaping it in exciting ways.

King Gorm is the sound of a band who may be relatively new to each other, but certainly not new to the game. With their combined experience in an eclectic mixture of bands like Old Man Wizard, Dread Crew of Oddwood, Kirby’s Dream Band, Beekeeper, Eukaryst, White Wizzard and others), there is no shred of doubt that these four can and have put together a top-notch rock n’ roll record that is bound to capture both classic rock and fantasy fans alike.

Track listing:
1.Intro
2. Freedom Calls
3. Four Heroes
4. Irondale Burning
5. Song From Brighter Days
6. Beyond Black Rainbow
7. The Witch of Irondale
8. Slaughter the King
9. Ultimate Reality

King Gorm are:
Francis Roberts – electric guitar, vocals, music & lyrics (Old Man Wizard, ex-Dread Crew of Oddwood)
Erich Beckmann – bass guitar (Kirby’s Dream Band, Grim Luck)
Dylan Marks – drums, percussion, vocals (Beekeeper, Fermentor)
Saki Chan – Hammond organ, ARP Odyssey, mellotron, vocals

https://www.facebook.com/king.gorm.usa/
https://www.instagram.com/king.gorm/
https://kinggorm.bandcamp.com/

King Gorm, King Gorm (2020)

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Stonegrass Release Self-Titled Debut; Vinyl Preorder Available

Posted in Whathaveyou on May 22nd, 2020 by JJ Koczan

I’ll bottom line it for you: Cool record, out today. Just listen to it.

Vinyl will be out later, but Stonegrass, which has Jay Anderson of Biblical and Comet Control on drums/percussion and Matthew “Doc” Dunn (many projects, most of them delightfully freaked out) on bass/guitar/flute/organ, capture vibes reminiscent of Here Lies Man‘s quest to educate the world on Afrobeat’s righteousness. The recording of Stonegrass‘ self-titled review has some circa-’74 tape grit and the vibe just oozes off jams both longform and cohesive.

Yes, I’ve said this before, but listening to this will make your day better. That’s all I can assure you of.

Thanks for reading if you did. Here’s album info and the stream:

stonegrass self titled

Stonegrass – Stonegrass – May 22

It’s out May 22nd digitally on Bandcamp and you can order the vinyl through that. Should ship late summer/early fall.

Let it go. Let it flow. Let it grow. When Matthew ‘Doc’ Dunn and Jay Anderson finally reconnected after the fall of their previous project, The Spiritual Sky Blues Band, that was the M.O. Barely using words to communicate, their instruments became highly charged positive ion conductors for a natural telepathy between these two local burnouts.

On board was Tony Price, manning the controls, with the results, of what you have here, their FRIED AS THE SKY debut LP.

It’s overcooked and burnt to the CORE, but once cooled, these jams come LEAKING out of your mind hole like an unholy baptism of PEACE.

Rough and frayed like yr mind, but comforting like yr old Uncle Billy’s drug rug. Ask the peyote coyote, he’ll tell you its no easy ride, but enlightenment never is. So take it EZ or just TAKE IT.

With more volumes to follow, Stonegrass will be touring this summer all over your mind. Let it burn. LET IT BLOW.”

Tracklisting:
Side A:
1. The Lady In The Moon
2. Tea
3. The Robe
Side B:
4. Frozen Dunes
5. The Highway (To All Known Places)
6. The Cape
7. Drive On

Stonegrass is:
Jay Anderson: Drums & Percussion
Matthew Dunn: Bass, Flute, Guitar & Organ

https://cosmicrangerecords.bandcamp.com/
https://www.youtube.com/channel/UCpVjMSgJgE0Mzs8c7NbzmaA

Stonegrass, Stonegrass (2020)

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Wren to Release Groundswells June 26; New Single Playing Now

Posted in Whathaveyou on May 21st, 2020 by JJ Koczan

wren

I had a quick conversation with my brain while listening to the new Wren track. It went like this:

ME: “New Wren‘s a banger.”

MY BRAIN: (While chewing a wheat stalk and intermittently spitting) Yup.

That’s pretty much how it went.

The London post-metal four-piece have linked arms with Gizeh Records and will release their new offering, Groundswells, in about a month’s time. The song in question — “Seek the Unkindred,” streaming at the bottom of this post — well encapsulates their rawer post-Neurosis undulations and the emergent progressive streak that goes along with it. Their debut, 2017’s Auburn Rule (discussed here), was followed by the 19-minute single-song EP, Thrall, which Gizeh issued on CD, so it’s not exactly a new association, but it is exactly a new album, and I’m pretty damn pleased about that prospect. My brain is too, though it tries to play it cool.

Ladies and gents, I give you the PR wire:

wren groundswells

WREN – GROUNDSWELLS

June 26th 2020 • Digital
September 25th 2020 • LP/CD
GZH99

‘GROUNDSWELLS’ is the third chapter in Wren’s seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, ‘GROUNDSWELLS’ captures Wren delving into earthen awakenings.

Launching into a monochromatic dirge, ‘Chromed’ announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record’s producer, Scott Evans of Kowloon Walled City.

Elsewhere, swift variance is displayed in Wrens’ deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating Krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the LP stretches compositions to their furthest tensions through profuse repetition, straining the cracks between.

Inviting physical, elemental surrounds into ‘Subterranean Messiah’, Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonised cello from Jo Quail. As with other conclusions on the LP, the track’s commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism.

Throughout the LP, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. ‘GROUNDSWELLS’ brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary permanence.

Recorded by Scott Evans at Middle Farm Studios in South Devon, assisted by Chris Edkins.
Mixed by Scott Evans at Antisleep Audio in Oakland.
Mastered by Magnus Lindberg at Redmount Studios in Stockholm.
Additional Vocals and Guitars on ‘Subterranean Messiah’ performed and recorded by Tiffany Ström and Syd Scarlet of Fvnerals. Additional Cello on ‘Subterranean Messiah by Jo Quail. Artwork by Joey Pearson of Smokin’ Bones Club.

https://www.facebook.com/Disciplesofwren/
https://disciplesofwren.bandcamp.com/
http://www.disciplesofwren.com/
http://www.facebook.com/gizehrecords
http://www.instagram.com/gizehrecords
https://gizehrecords.bandcamp.com/
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Wren, Groundswells (2020)

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