Las Cruces Sign to Ripple Music

Posted in Whathaveyou on July 30th, 2014 by H.P. Taskmaster

Photo by somebody I don't know who.

My impression was that San Antonio doomers Las Cruces were going to be releasing their fourth album on Brainticket, but I apparently had it wrong. Happens daily, if not hourly. Anyway, a partnership with Ripple Music is a good fit, and it makes Las Cruces labelmates with their fellow Texans Mothership, and if that even slightly increases the odds that the two bands will hit the road together, say, in a Northeasterly direction, then I’m ready to mark it a win sight-unseen. Las Cruces‘ last record, 2010′s Dusk (review here), was a mean slugger that as I recall sat in the can for a while before being released, so it’s good to see the next one coming along with Ripple behind it.

Here’s how it all looks according to the PR wire, which seems to be choosing its press quotes well these days:

Like these dudes.

LAS CRUCES: Texan doom crew ink new contract with RIPPLE MUSIC

Burly, Texan doom rockers Las Cruces have signed to California’s Ripple Music for a world-wide onslaught of heavy rock. The group, who just completed a standout performance at the infamous Doom in June Festival, have already started writing and making demos and will enter an undisclosed studio this summer to record their Ripple Music debut and follow up to 2010′s Dusk, which The Obelisk hailed as “something not to be missed by loyal doomers.”

Hailing from San Antonio, Texas, Las Cruces has spent the past several years bludgeoning audiences with their doom-driven, precision sound. Originated in 1994 by George Trevino, their influences range from Venom, Zeppelin, Iron Maiden, Fates Warning to vintage Sabbath. Las Cruces has risen to the top of the South Texas metal heap and left its mark across the Lone Star State, with a resume that includes opening slots with such acts as Overkill, Nebula, Kyuss, Trouble, Spirit Caravan, Solitude Aeturnus, Cathedral, Monster Magnet, Rob Zombie, Bio-Hazard, Pissing Razors, King Diamond, Mercyful Fate, Eyehategod, Crowbar, Sixty Watt Shaman, Vader, Kreator., Atomic Bitchwax, Gates of Slumber, Lo Pan, Earthride, Pale Devine, Kamelot, Sour Vein, Weedeater and many others.

Shortly after forming, Las Cruces began touring the Texas scene, gaining widespread recognition and the interest of John Perez, guitarist of Solitude Aeturnus & owner of Brainticket Records, thus forging the Debut release, S.O.L. After a year of touring Texas and the Southern States, Las Cruces decided to re-enter the studio. Driven by the hunger and sharpness of old school metal along with the power melodies of 70s rock, Las Cruces released their skull-crushing follow-up, 1998′s Ringmaster. Las Cruces was invited to perform at the first-annual Stoner Hands of Doom Fest in August of 1999 and have been asked to perform regularly at many heavy rock festivals in North America ever since.

Over the years Las Cruces has gone through line-up changes and rumors of break-up. However, these things have not foiled the bands ideology. The band was honored to be featured in The Encyclopedia of Heavy Metal by author Daniel Bukszpan in 2003 as well as in the publication Rockdetector Music Presents: Stoner, Doom and Gothic Metal series published in 2003.

Described as “a journey into a parallel sonic universe of all that is heavy,” their songs are sprinkled mighty, bludgeoning riffs; barn-burning guitar work, and apocalyptic vocals that melt listener’s brains. Las Cruces is poised to begin the metal onslaught for the masses as they prepare to record their fourth full-length album.

“We are absolutely thrilled to partner with Ripple Music to unleash the fourth Las Cruces record upon the underground,” comments Trevino. “Many of our friends and contemporaries have passed through the ranks and we’re thrilled to march onward into the streets with them at our side.”

In addition to George Trevino on guitar, Las Cruces features Mando Tovar – Lead Guitar, Paul De Leon – Drums and vocals, and Jimmy Bell – Bass Guitar

https://www.facebook.com/pages/Las-Cruces/107675405929597
http://www.ripple-music.com/

Las Cruces, “Reverend Trask” Live

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The Atomic Bitchwax Start European Tour this Week

Posted in Whathaveyou on July 28th, 2014 by H.P. Taskmaster

Pros.

A lot has happened in the three years since NJ’s The Atomic Bitchwax made their triumphantly riffed return to Tee Pee Records with The Local Fuzz (review here), what with bassist/vocalist Chris Kosnik joining drummer Bob Pantella in Monster Magnet, sundry tours in Europe and so on, but they’re still (shit-)kicking, and this Thursday, they’ll start yet another European run in Berlin. The modus this time around seems to be fest appearances, and right on since the Bitchwax kill no matter what the setting might be. If you’re over there, look for them at Void Fest, Lake on Fire, Yellowstock and the others listed below.

No word on a new release from my beloved Garden State’s most powerful power trio, but the tour is presented by Sound of Liberation and if there’s a chance of a new song or two in the set, all the more reason to show up.

Dig:

Spock!

The Atomic Bitchwax’s summer tour : Kick-off on Thursday!! 23 dates in Austria, Belgium, Denmark, France, Germany, Luxembourg, Netherlands, Poland, Portugal & England! Do not miss them!

Check-out the dates right here :

31.07 (Ger) BERLIN – Jaegerklause
01.08 (Ger) BAD KOETZTING – Void Fest
02.08 (Ger) GOESSNITZ – Open Air Goessnitz
03.08 (Pol) WARSAW – Fonobar
04.08 (Pol) WROCLAW – Alive
05.08 (Ger) COTTBUS – La Casa
06.08 (Ger) KARLSRUHE – Alte Hackerei
07.08 (At) MILLSTATT – Bergwerk Sauzipf Warm Up
08.08 (At) WALDHAUSEN – Lake On Fire Festival
09.08 (Bel) GEEL – Yellowstock Festival
10.08 (Uk) LONDON – Borderline
11.08 (Fr) PARIS – Glazart
12.08 (Lux) LUXEMBOURG – Rorcas
13.08 (Ch) MARTIGNY – Palp Festival
14.08 (Ch) OLTEN – Coq d’Or
15.08 (Ger) HOHENSTEIN – Voice of Art Festival
16.08 (Por) MOLEDO – Sonic Blast Festival
18.08 (Ger) COLOGNE – Underground
19.08 (Nl) NIJMEGEN – Merleyn
20.08 (Ger) HAMBURG – Hafenklang
21.08 (Dk) COPENHAGEN – Loppen
22.08 (Ger) KIEL – Schaubude
23.08 (Ger) MANNHEIM – Psi Rock Festival

www.soundofliberation.com
https://www.facebook.com/pages/The-Atomic-Bitchwax/86002001659
http://teepeerecords.com/

The Atomic Bitchwax, Live at Roadburn 2011

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Here’s a Bio I Wrote for Lo-Pan’s Colossus

Posted in Whathaveyou on July 28th, 2014 by H.P. Taskmaster

Charmers. (Photo by Meghan Ralston)

I gotta say, of the several band bios I’ve been fortunate enough to be asked to write over the last couple years — for Neurosis, for Conan, for Wo Fat, etc. — the one below for Lo-Pan‘s upcoming fourth album, Colossus, was among the easiest. It required little flourish, as the band’s accomplishments since the release of 2011′s Salvador (review here) speak for themselves, and the record itself is so direct and driving, that to pepper the piece with a bunch of extra descriptors or grandiose language would immediately be overdoing it. And one doesn’t want to overdo it.

Last Friday evening, Lo-Pan announced they’d be supporting Black Cobra for a month on the road ahead of Colossus‘ Oct. 7 release on Small Stone, and you’ll find those dates under the bio below, which I’ll keep in PR wire blue even though it’s my byline, just for form’s sake:

On thee road.

Lo-Pan, Colossus bio:

Lo-Pan’s fourth album, Colossus, is named for the Colossus of Rhodes – a 96-foot statue constructed in 280 BC to mark a failed siege and the indomitable nature of the city of Rhodes itself. No surprise it’s the Columbus, Ohio, four-piece’s most personal album yet and a testament to their growth and survival, as a band and as human beings.

Three years on from their third record, Salvador, Lo-Pan have logged countless miles, crossing the country multiple times over on headlining tours and supporting the likes of Torche, High on Fire, KENmode, Whores, Fu Manchu and Weedeater. They’ve become one of the most ferocious live acts in American heavy rock, and Colossus stands tall to reap the rewards of their experience.

For the first time in nearly a decade together, Lo-Pan knew exactly what they wanted when they hit the studio. They’d road-tested songs like “Eastern Seas” and “Colossus” for over a year, and partnering with producer/engineer Andrew Schneider at his Translator Audio studio in Brooklyn just days after headlining Small Stone showcases in that city and Boston this March, they belted out songs that show just how much they’ve moved beyond their influences and arrived at their own sound – a style built on aggression without caricature, fuzz without cliché, melody without redundancy and their meanest groove to date.

Completed with a cover courtesy of Jason Alexander Byers (ex-Disengage, Black Black Black), Colossus will be supported by numerous tours including a full US stint this fall alongside fellow road dogs Black Cobra and much more to come. Like its namesake, Colossus was built in defiance of gods and men, and while Lo-Pan’s loudest statement has always been made on stage, the material they craft and the power with which they execute it on this album is bound to stand for years to come.

BLACK COBRA US Tour w/ Lo Pan:
8/28/2014 Club Red – Phoenix, AZ
8/29/2014 Sister – Albuquerque, NM
8/30/2014 Conservatory – Oklahoma City, OK
8/31/2014 Doublewide – Dallas, TX
9/02/2014 Red 7 – Austin, TX
9/03/2014 Fitzgeralds – Houston, TX
9/04/2014 Siberia – New Orleans, LA
9/05/2014 Handlebar – Pensacola, FL
9/06/2014 Orpheum – Tampa, FL
9/07/2014 Gramps – Miami, FL
9/08/2014 Back Booth – Orlando, FL
9/09/2014 529 – Atlanta, GA
9/10/2014 The Mothlight – Asheville, NC
9/11/2014 Chop Shop – Charlotte, NC
9/12/2014 Strange Matter – Richmond, VA
9/13/2014 The Pinch – Washington, DC
9/14/2014 Dusk – Providence, RI
9/15/2014 Nectars – Burlington, VT
9/16/2014 TT The Bears – Boston, MA
9/17/2014 Kung Fu Necktie – Philadelphia, PA
9/18/2014 Saint Vitus – New York, NY
9/19/2014 Lost Horizon – Syracuse, NY
9/20/2014 Bug Jar – Rochester, NY
9/22/2014 Howlers – Pittsburgh, PA
9/23/2014 Reggie’s – Chicago, IL
9/24/2014 7th St Entry – Minneapolis, MN
9/26/2014 Replay – Lawrence, KS
9/27/2014 Lost Lake Lounge – Denver, CO
9/28/2014 Burt’s Tiki Bar – Salt Lake City, UT
9/29/2014 Dive Bar – Las Vegas, NV
10/01/2014 The Garage – Ventura, CA
10/02/2014 New Parish – Oakland, CA

https://www.facebook.com/lopandemic
http://smallstone.com/

Lo-Pan, “Eastern Seas” Live at Ralph’s Diner

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Larman Clamor Reveal Details for Beetle Crown and Steel Wand

Posted in Whathaveyou on July 28th, 2014 by H.P. Taskmaster

Mr. Von Wieding.

It’s always fascinating to see what Alexander von Wieding has come up with next for his one-man project, Larman Clamor, now getting ready to issue the fifth outing under the moniker, Beetle Crown and Steel Wand. The Hamburg-based artist/musician continues to work at a speedy clip, and the latest full-length and third for Small Stone will also be the follow-up to 2013′s Alligator Heart (review here). One never knows quite where von Wieding might be headed at any given moment — the last offering stripped down some of the more elaborate arrangements of 2012′s Frogs (review here), but a pleasingly strange trip into swamp blues is almost assured, and like last year, the year before, and the year before that, a welcome journey whenever undertaken.

No solid release date as yet, but if Beetle Crown and Steel Wand gets out before the end of 2014, that would give von Wieding five releases in the four years, which even for a one-man show is an impressive pace.

Here’s the album info, hoisted from the Larman Clamor Thee Facebooks page:

Mr. Von Wieding's new album.

Friends of the Clamor, it is that time of the year again to announce a new album!

The musical journey continues with “Beetle Crown & Steel Wand”, Larman Clamor’s 5th album.

There is no fixed release date as of yet, but it will most likely be out on the mighty fine Small Stone Records this fall or near the end of 2014. Let the chips fall where they may and let the spirits speed my hands to get the artwork done.

In the meantime, here you all have a peek at the album cover and the tracklisting.

Feel free to spread the good news.

Larman Clamor – Beetle Crown & Steel Wand
1. Beetle Crown & Steel Wand
2. My Lil’ Ghost
3. Eggs In The Sand
4. Wilderness, Wilderness
5. We Shine Alright
6. Caravan Of Ghouls
7. Tangerine Nightfall
8. Alter Yer Ways
9. Bleak Heart’s Night Waltz
10. Drone Monger
11. Aurora Snarling
13. Her Majesty, The Mountain
13. She Was Born A Sorceress

Thanks for your support!

https://www.facebook.com/pages/Larman-Clamor/132397233457898
http://larmanclamor.bandcamp.com/
https://smallstone.bandcamp.com

Larman Clamor, Alligator Heart (2013)

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Hercyn and Thera Roya to Release All this Suffering is Not Enough Split CD

Posted in Whathaveyou on July 25th, 2014 by H.P. Taskmaster

All your suffering are belong to Hercyn and Thera Roya.

A heads up from my beloved Garden State in that Jersey City atmospheric black metallers Hercyn are about to issue a limited split CD with Brooklyn post-metallers Thera Roya. You might recall Hercyn released a 24-minute single-track EP last fall called Magda (review here), which they’ve since followed up with an acoustic version, and the allegiance between the two acts gets even more traction with the fact that Thera Roya used to be known as The Badeda Ladies, whom I was fortunate enough to see late in 2012 at The Grand Victory in Brooklyn (review here).

I’ll be interested to hear what kind of growth the moniker swap has brought that trio, and Hercyn have already proved themselves to be stylistically adventurous, so their inclusion on All this Suffering is Not Enough is one to look forward to as well. It’s out Aug. 5 and they’re playing a release show in Jersey on Aug. 2, should you happen to be in that part of the world:

Not listed is the Mothership Connection, the P-Funk, and the bomb.

Hercyn and Thera Roya releasing split CD

This spring, Jersey City’s epic black metal band Hercyn joined together with Brooklyn’s own gloomy doom band Thera Roya to record a a CD split entitled “All This Suffering Is Not Enough” on the DIY outfit Ouro Preto Productions.

The release finds both American bands contrasting Hercyn’s epic atmosphere and weaving black metal with Thera Roya’s gloomy and sorrowful doom / post-metal. Hercyn deliver Dusk and Dawn, a 14 minute sprawling black metal piece with sub-layers of synth and acoustic strings. Thera Roya’s side of the split features Gluttony, a 9 minute slowly thundering song drenched in emotion. Both bands have worked in private on the creation of the split. All production and recording was handled’s by Hercyn’s Tony Stanziano (ex-Annunaki, ex-Blood Feast). “All This Suffering Is Not Enough” follow’s Hercyn’s 2013 self-released 24 minute epic Magda (listen here) and Thera Roya’s self-titled (listen here).

The split will see an official summer release of August 5th in hand numbered CDs and will be highly limited to 333 total copies. Pre-orders will be announced shortly here.

In celebration of the split, both bands will share the same stage August 2nd at the Lamp Post in Hercyn’s hometown (382, 2nd street, Jersey City). The release show is free, music starts at 10pm. Opening the show is special guest, Bible Gun – a dramatic piano and saxophone duo from Montclair, New Jersey (listen here). Early copies of the split CD will be available for purchase at the show.

Follow Hercyn and Thera Roya on Facebook.

Hercyn, Magda (2013)

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American Heritage to Release Prolapse on Solar Flare Records

Posted in Whathaveyou on July 24th, 2014 by H.P. Taskmaster

I might’ve said one or two, but it’s a genuine surprise to realize three years have passed since the release of Sedentary (review here). That record was a vicious return from the Chicago outfit with Georgia roots, and three years between albums for them is down from the five it took to get to Sedentary, so actually that’s even less. I’d say that’s probably a good sign for American Heritage‘s future, as well as the fact that they have a permanent bassist, which they didn’t going into the last record, but apparently guitarist Adam Norden (interview here) has quit the band since Prolapse was recorded, so there might not be a future at all.

That’s how the PR wire has it, anyway. Nonetheless, the band is signed with Solar Flare Records and will have the album out in November:

Dudes.

AMERICAN HERITAGE To Issue Sixth Album Via Solar Flare Records This Autumn

Clermont-Ferrand, France-based Solar Flare Records proudly announces the signing of Chicago-based quartet, AMERICAN HERITAGE, for the release of the band’s recently completed sixth full-length album.

Since 1996, AMERICAN HERITAGE has relentlessly dispatched their ripping concoction of technical, mangled metal/hardcore backed with their cynical, lowbrow music and human relations, both on record and on the stage. Their self-titled 1998 debut EP released on The Rosewood Union was chased by the full-length, Why Everyone Gets Cancer, released in 1999 on the same label, and their Through The Age Of Quarrel And Into The Era Of Putting Up With It album released in 2001 by Troubleman Unlimited, and then the Bipolar album through Escape Artist in 2004. Two subsequent albums on Translation Loss followed — 2006′s Millenarian and 2011′s Sedentary, the latter released in Europe via Solar Flare Records — among EPs on Class-B Records, Delboy Records and more including split 7″ releases with Thee Plague Of Gentlemen, Mastodon and others. Their most recent Sedentary album, recorded while the lineup was void of a full-time bassist, included guest contributions on each track, involving their partners in crime, collectively hailing from Sulaco, Murder Construct, Exhumed, D.I.S., Fight Amp, Nachtmystium, Buried At Sea, Mastodon, Primate, Lioness, Sweet Cobra, Dark Fog, Plague Bringer, Black Cobra, The Swan King, Beak, Surachai and others. On the road, AMERICAN HERITAGE has toured and performed alongside the likes of Baroness, Black Cobra, Floor, Mastodon, Pelican, Burnt By The Sun, Misery Index, Coliseum, Dysrhythmia, Saviours, Origin and countless others.

Following the departure of original guitarist Andrei Cabanban back in 2002, through a continually revolving array of bassists, AMERICAN HERITAGE has been steadily comprised of drummer Mike Duffy, vocalist/guitarist Adam Norden and guitarist Scott Shellhamer, and for the past several years, completed by bassist Erik Bocek. This lineup raided SOMA Studios in March of this year with producer Sanford Parker, with additional recording by Che Arthur and Mike Lust, to record their sixth full-length, Prolapse. Once the caustic madness of the bruising album was recorded, Parker mixed the final product, the thirty-three minute album displaying some of the band’s most diverse material to date. After the recording of Prolapse, core member Adam Norden left the band, and after eighteen years of abuse and racket, this move makes it foreseeable that this will be the final album from AMERICAN HERITAGE.

Prolapse will be let out of the cage this November, on digital, CD and vinyl formats via Solar Flare Records, home to Pigs, Sofy Major, The Great Sabatini, Pord, Stuntman and other high-quality acts from the noisier end of the underground rock/metal community. A confirmed street date and additional release details will be announced in the coming weeks.

https://www.facebook.com/americanheritageband
http://americanheritage.bandcamp.com
http://www.twitter.com/fuckingheritage
http://solarflarerds.blogspot.com
http://facebook.com/solarflarerecords
http://solarflarerds.bigcartel.com

American Heritage, Sedentary (2011)

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The Glasspack Return, Ready New Album Moon Patrol

Posted in Whathaveyou on July 24th, 2014 by H.P. Taskmaster

As they were.

They’ve been on hiatus since releasing a split 7″ with Trophy Wives (review here), but Louisville heavy rockers The Glasspack have announced a return from hiatus to be marked by the release of their fifth album, Moon Patrol. Frontman “Dirty” Dave Johnson has spent the last couple years tearing it up with poli-punkers The Decline Effect, who released their self-titled debut last year (review here), and while The Glasspack have always had more than a dash of punk to their sound, Johnson says they’re moving more toward the open psychedelia of cuts like “Louisiana Strawberry” (video here) from 2007′s Dirty Women.

Seven years have passed since that album came out on Small Stone, so if nothing else, The Glasspack are definitely due. The plan is reportedly for Moon Patrol to be entirely instrumental. They’re eyeing a 2015 release, and don’t seem to be in any rush, so I wouldn’t be surprised if the plans changed somewhat along the way. But the good news is The Glasspack are back and looking to wreak havoc once more.

Get the full story below:

Thee logo.

THE GLASSPACK V: “MOON PATROL”

After nearly three years of hiatus, the Glasspack (formed 1999 in Louisville, Kentucky, USA) is active once again and finishing up writing their 5th full-length record.

The Glasspack’s last release was the “If You Don’t Have Anything Nice to Say…” single of 2010. This release was a one-off product for Noise Pollution Records of Louisville, split with Louisville band the Trophy Wives, and produced on orange 7-inch vinyl. Along with the vinyl came a free download card for unreleased Glasspack material which included part of the Glasspack’s sold-out headlining performance at the 2008 Roadburn Festival Afterburner in Tilburg, Holland in support of the Glasspack’s 2007 full-length release, “Dirty Women,” on Small Stone Records of Detroit.

The new Glasspack full-length record will likely be entitled “Moon Patrol.” It is also very likely to be all instrumental tracks with no vocals. Instead, the band wishes to focus on and emphasis sonic psychedelic exploration in heavy Glasspack fashion. It is no surprise looking back at prior Glasspack releases that bands such as Hawkwind, Chrome, Monster Magnet, and even Pink Floyd have played parts of inspiration for the band. Have a listen to Glasspack tracks “Jim Beam and Good Green,” “Louisiana Strawberry,” and “If You Don’t have Anything Nice to Say…” to get a feel of the possible direction the band is heading into now.

Johnson has stated that the record “will be less punk and a little slower than usual, but just as brutal and fuzzy. What will be different mostly is the complexity of the songs. We are looking to humble ourselves, the band, and others who listen with the sublime fear of psychedelia, not that happy hippy shit.”

The band has stated that the release will take some time, will be done right, and with 100% artistic direction in every way by the band members. The band has no potential record label in mind yet and is prepared to release the record itself if need be. There is even talk of it possibly being free. The bands believe release will be sometime in 2015. Most of the writing work is already finished.

In spring of this year while relocating in Louisville, Johnson retrieved his guitar equipment from storage, as well as the Glasspack’s extensive library (which has recently become part of the University of Louisville archives department). Johnson has stated, “I was moving all my stuff for the first time in a decade or two to under one roof. There was the Glasspack’s library and there was the old red bastard of an American Telecaster that a few years ago I sort of considered cursed. One day I was bored, picked up the Tele, and told myself ‘no Glasspack riffs,’ but that is exactly what came out. Only this time, the riffs were new and different. Most importantly, they were fun, powerful, and ‘Glasspack worthy.’ I told a couple friends that I would jam and all of a sudden, it seemed like everyone close to me wanted to do the Glasspack or hear new Glasspack. So, I started thinking.”

“Then, Nick Hall came over. He was the lead guitarist for the Glasspack before hiatus in 2010. He played lead guitar and synth keys on ‘If You Don’t Have Anything Nice to Say…” We jammed at my home and it was amazing. Nick is a trained musician and words cannot describe just how great he is. I had once tried to describe him as Frank Zappa, Robert Fripp, and Eddie Hazel rolled into one and though this is true in a sense, he is even more than that. He makes the Glasspack fun, complex, and fresh, and ten times more powerful. Just see the Noise Pollution single from 2010. After jamming, we decided it was time to act.”

“Before hiatus Nick and I had discussed my desire to one day make an instrumental space-rock record for the Glasspack. Nick had not forgotten and was all for bringing this idea to back to life. This idea had stemmed from the beginning of the Glasspack. I initially in 1999 had two ideas and band names: ‘the Glasspack’ and “Moon Patrol.” The Glasspack is the Glasspack, but the other was intended to be mutually exclusive from the idea of the Glasspack. It was to be a space rock band. I obviously went with the Glasspack. However, I now know that the only constant in this universe is change and that which is will one day become that which it is not, if it is to survive at all. It is inevitable. Therefore, the Glasspack is back, it will change, and change for the better because I will let it now. Moreover, there was always a hint of space-rock in the Glasspack anyway.”

The Glasspack will release more information on the upcoming album soon. The full band for the release is as follows:

“Dirty” Dave Johnson – vox, guitars (Decline Effect, Muddy Nasty River, and Dirty Bird)
Nicolas Hall – lead guitars, synth keys (Graffiti, Zach Longoria Project)
Rodney Roads – guitars, bass (The Hookers, Brothers of Conquest, Blade of the Ripper, and Purple Jesus)
Billy Lease – guitars, bass (Graffiti, Zach Longoria Project, and The Broken Spurs)
Mark Campbell – drums, percussions (Muddy Nasty River, Purple Jesus, Opposable Thumbs, and Strike City)

https://www.facebook.com/theGlasspack
http://www.youtube.com/user/theglasspack
http://theglasspackkentucky.blogspot.com/

The Glasspack, “If You Don’t Have Anything Nice to Say…”

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Red Fang Release Acoustic EP as Free Download

Posted in Whathaveyou on July 24th, 2014 by H.P. Taskmaster

These guys made a free thing!

I think maybe the corporate sponsors haven’t yet gotten the hang of naming releases. Yeah, I understand everybody’s gotta get their name and their brand in there, but at some point, someone should look at a title like TeamRock.com Presents an Absolute Music Bunker Session with Red Fang and realize that maybe, just maybe, it’s a bit on the long side. I guess if the tradeoff is it’s free, then a long title is probably a small enough hill to climb.

That cumbersomely-titled release is available now to snag via Bandcamp, and Red Fang – who are about to head back to Europe, like, tomorrow — also have a new video in the works. They’ve set a pretty high standard in that regard, and it’s always fun to see what they’ve come up with. Just to throw everyone for a loop, they should do a deadpan band-in-warehouse performance clip. Totally boring, totally straightfaced. No one’ll see it coming.

On second thought, that’s a terrible idea.

The PR wire:

This thing. It's free!

RED FANG: Release Free Acoustic EP; Shoot New Music Video

Band Launches UK/European Tour this Friday

In celebration of the band’s upcoming European Tour, Portland, OR’s huggable hard rock supervillains RED FANG have released a free acoustic EP via Metal Hammer, Bandcamp, Amazon MP3 and all streaming portals. The EP was recorded this past March in London as an Absolute Music Bunker session for TeamRock.com. The songs mark the first time the band recorded any acoustic interpretations of their material and the EP includes the original album versions of each track as well. A complete tracklisting is available below.

Additionally, the band recently shot a music video for their new song “The Meadows” from their Scion A/V 7” released in May. The video was directed by David Brodsky (Kylesa, Helmet, Municipal Waste) and will premiere shortly.

RED FANG are gearing up for another month long European tour including numerous festival appearances like Pukkelpop, Lowlands Festival and Reading and Leeds Festival. The shows kick off on July 25th at Rock Im Wald in Germany and end August 23rd at Leeds Festival in the UK. Upon their return, the group will be playing Bumbershoot Festival in Seattle, WA alongside Elvis Costello, Wu-Tang Clan, The Replacements and many others.

RED FANG have been making waves with their latest album,Whales and Leeches, recently performing their single “Blood Like Cream” on The Late Show With David Letterman and releasing another one of their signature, hilarious music videos directed by longtime collaborator Whitey McConnaughy for the same song.

Red Fang Tour Dates
Jul 25 Neuensee GER Rock Im Wald
Jul 26 Lichtenvoorde NL Zwarte Cross Festival
Jul 27 Saarbrücken GER Garage
Jul 28 Milan IT Magnolia
Jul 29 Rome IT Traffic
Jul 31 Viveiro ESP Resurrection Festival
Aug 01 Nantes FR Le Ferrailleur – SOLD OUT
Aug 02 Albi FR Xtreme Fest
Aug 03 Colmar FR Grillen
Aug 05 Giessen GER MUK
Aug 06 Augsburg GER Kantine
Aug 07 Jaromer CZ Brutal Assault
Aug 08 Waldhausen AUT Lake On Fire
Aug 09 Chemnitz GER Rock Im Betonwerk
Aug 10 Saint Maurice de Gourdans FR Sylak Open Air
Aug 12 Martigny CH Les Caves du Manoir
Aug 13 Martigny CH Les Caves du Manoir
Aug 14 Pisa IT Musica W Festival
Aug 15 Le Locle CH Rock Altitude
Aug 16 Hasselt BEL Pukkelpop
Aug 17 Biddinghuizen NL Lowlands Festival
Aug 19 Osnabrück GER Bastard Club
Aug 20 Bochum GER Matrix
Aug 21 Charleville Mezieres FR Cabaret Vert
Aug 22 Reading, UK Reading Festival
Aug 23 Leeds, UK Leeds Festival
Aug 31 Seattle WA Bumbershoot Festival – Fisher Green Stage

http://redfang.bandcamp.com/
https://www.facebook.com/redfangband
http://twitter.com/redfang

Red Fang, TeamRock.com Presents and Absolute Music Bunker Session with Red Fang (2014)

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Roadburn 2015 Curators Announced

Posted in Whathaveyou on July 23rd, 2014 by H.P. Taskmaster

Fucking a.

Here’s what I know: I know that between having Enslaved‘s Ivar Bjørnson and Wardruna‘s Einar Kvitrafn Selvik curating and having The Heads as artist-in-residence, Roadburn 2015 is going to make for one adventurous weekend. The craziest thing about it? It’ll totally work. It’ll be amazing. Don’t doubt it. At this point Roadburn‘s vibe is so dead-on that if, say, you want to have a day hand-picked by dudes in black and folk metal bands while off in a corner somewhere there’s a handful of British psych rockers jamming out, rest assured, the crowd’s gonna have no problem rolling with the spirit of the event. Further, it’s stuff like this that makes Roadburn what it is.

Looking forward particularly to seeing what Bjørnson adds to his curated day, since my understanding is he’s into heavy rock of various stripes, but special performances by both Enslaved and Wardruna as a part of the evening’s events is an excellent way to start while we wait for further announcements.

Dig it:

Also fucking a.

IVAR BJØRNSON OF ENSLAVED AND WARDRUNA’S EINAR KVITRAFN SELVIK TO CURATE ROADBURN FESTIVAL 2015

(Special shows by Enslaved and Wardruna)

We’re beyond thrilled to announce that Ivar Bjørnson of Enslaved and Wardruna’s Einar Kvitrafn Selvik will curate the 20th edition of Roadburn Festival, on Friday, April 10, 2015 at the 013 venue in Tilburg, The Netherlands.

As curators, both Ivar and Einar will personally select the bands for their curated Roadburn event, named ‘Houses of the Holistic’, and play special shows with Enslaved and Wardruna respectively as well.

The Norwegian pair, both former Roadburn performers, have played an important role in bringing together the past, present and future sounds of hard rock, progressive metal, and alternative scenes, which makes them the ideal choice to carry on the tradition that began in 2008 with David Tibet of Current 93, and continued with Neurosis, Tom G. Warrior, Sunn 0))), Voivod, Jus Oborn of Electric Wizard and Mikael Åkerfeldt of Opeth.

One of the most hard-hitting and progressive bands to come out of Norway, Enslaved has drawn other musical genres and artistic expressions into the realm of metal, while being recognized for merging tradition and modernity in a unique blend of rock, prog and black metal, earning them Spellemann Awards (Norwegian Grammys) for much acclaimed and groundbreaking albums such as ‘Isa’, ‘Ruun’, and ‘Vertebrae’ among others.

Enslaved’s performance, dubbed ‘House of Northern Gods’, will consist of a set list specially put together for ‘Houses of the Holistic’, featuring songs from the band’s entire catalogue that embody the Norse gods, with accompanying visuals created by revered Romanian artist, Costin Chioreanu. Be prepared for a surprise or two, or even more.

Ivar Bjørnson comments: “To say that my dream as a kid was to one day curate the Roadburn Festival would perhaps be to take it a tad too far – but it isn’t that far from the truth. There’s some ridiculously big shoes to fill, but luckily negative pressure, idea draught and performance anxiety aren’t something I’m into. It is my favourite festival in one of my favourite parts of the world; so this is nothing short of one the biggest honours I’ve been given! It is a privilege to undertake this challenge in twosome with Einar; an artist I truly feel in tune with artistically and philosophically – now it is all about hard work and dedication to ensure that the audience and the festival itself is given a Friday to enjoy, experience and remember. I for one can’t wait!”

Winning the award for Best Underground Band at the 2104 Metal Hammer Golden Gods Awards, Wardruna has taken Einar Kvitrafn Selvik’s musical visions out of the contemporary framework and back into the authentic sounds and instrumentation of ancient Northern Europe. Wardruna (featuring Gaahl and Lindy Fay Hella, alongside Einar) received rave reviews for their mesmerizing 2009 debut ‘Gap Var Ginnunga’ and equally exciting follow up, ‘Yggdrasil’, the first two albums in the planned ‘Runaljod’ trilogy that interprets the ancient runic alphabet of the Elder Futhark.

Wardruna’s special ‘Houses of the Holistic’ performance will definitely add another dimension to the kaleidoscope of styles and sounds associated with Roadburn.

“It is such a great honour for me; to be awarded the responsibility of carrying out the traditional role of the Roadburn curator”, says Einar Kvitrafn Selvik. “Doing it together with Ivar makes it even more special. Roadburn is in my opinion such a high-level music festival – all quality to the fingertips. It is also a festival where presenting high quality musical art is more important than anything else, such as genre distinctions and scene divisions. We will work hard to deliver a program that both explore territories one has come to expect at Roadburn, while at the same time continue to expand its boundaries into new sonic realms.”

While the two curators’ musical output differs instrumentally and stylistically, Bjørnson and Selvik have a common direction towards the primeval and undiluted, not only in their own artistic expressions but also in their taste for other music, which is ultimately what they wish to present at Roadburn 2015 during ‘Houses of the Holistic’. We look forward to this collaboration and cannot wait to see how both Ivar and Einar will expand Roadburn Festival‘s musical horizons as well as explore more familiar territory from new angles. We will definitely be in for some artistic surprises, and Norway’s Norse history, too!

Roadburn Festival 2015 (including The Heads as Artist In Residence) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

http://www.roadburn.com/
https://www.facebook.com/events/706789836026950/

Enslaved, “Thoughts Like Hammers” official video

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Hoverfest Adds Acid King, Danava and Wounded Giant to Lineup

Posted in Whathaveyou on July 23rd, 2014 by H.P. Taskmaster

King of Acid.

I mean, I suppose you could put on a heavy festival anywhere near the Western Seaboard and not have Acid King play, but I’m just not sure why you’d do such a thing. Hoverfest — the celebratory gathering to be perpetrated by Hovercraft Amplifiers in Portland, Oregon, next month — clearly feels the same way. The San Francisco trio have been added to the lineup along with Portland’s own Danava, who’ll be debuting a new lineup, and Wounded Giant, all three joining an already landmark gathering of YOB, Witch MountainMountain GodEight Bells and Holy Grove. Oh, and Billy Anderson‘s working the sound. God damn. Can you fucking imagine seeing Acid King with Billy Anderson doing the sound? Talk about seeing a band the way they’re meant to be seen. Yeah, so, here’s the dude who’s produced all their records — including the long-awaited new one, out early next year on Svart — fidgeting the dials for their stage show. Sign me up.

The final poster for the shindig, and the lineup and ticket info follows here, snagged ruthlessly from the clutches of the PR wire:

Danava gets billing over Acid King? Shenanigans.

DANAVA, ACID KING & WOUNDED GIANT added to Hoverfest; final lineup and poster revealed

We are proud to reveal the final lineup of HOVERFEST, happening on August 23rd, in the alleyway behind Cravedog in Portland, Oregon, at 12:00pm.

The final lineup is as follows:

YOB
DANAVA (FIRST live show with their new lineup)
ACID KING
WITCH MOUNTAIN
EIGHT BELLS
WOUNDED GIANT
HOLY GROVE
MOUNTAIN GOD

All sets will be mixed by Billy Anderson.

Tickets are $15 in advance can be found HERE.

Only 500 tickets will be sold.

On behalf of Hovercraft Amplifiers, we are thrilled to announce the first-annual Hoverfest, a festival of friends of and music created with Hovercraft amps, which will take place on August 23rd, 2014 in the blocked-off alleyway by Type Foundry Studios at 611 N. Tillamook St. in Portland, Oregon. Presales will be available in the coming weeks, but in the meantime, here is some info on this incredible event. The event is being graciously hosted by Cravedog Media, booked by Nanotear, sponsored by PBR, and the live music on the day of the show will be mixed by the legendary Billy Anderson. Presales will be available in the coming weeks.

Poster artwork by Liesl Meissner.

facebook.com/hoverfestpdx
facebook.com/events/1508809612663911
hovercraftamps.com
cravedog.com
nanotear.com
southerncrosspr.com
billyanderson.net

Acid King, Live in Scotland, June 2014

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He Whose Ox is Gored Announce West Coast Tour

Posted in Whathaveyou on July 23rd, 2014 by H.P. Taskmaster

Thee band.

Following a deluxe-style 10″ release through Caffe Vita Records, Seattle bombast rockers He Whose Ox is Gored have issued their 2014 Nightshade two-song EP on tape via Breathe Plastic Records. There are, as they put it, 20 copies available in the US out of a total 100 pressed, so if you want one, it’s probably a good idea to place the order soon.

With however many they’ve got left by the time Aug. 5 rolls around, He Whose Ox is Gored will hit the road to support both the vinyl and the tape, playing with an assortment of badasses along the way, including Black Mare, who also had a tape out on Breathe Plastic last year.

The PR wire offers background and dates:

Thee poster.

HE WHOSE OX IS GORED: Northwestern Doomgazers Plot West Coast Tour

Tuned down and turnt up, He Whose Ox is Gored has been blasting through the underground of Seattle since 2009. Combining technical guitar work and atmospheric synth over a pummeling rhythm section and doomed aggression, they create a uniquely cinematic soundscape that paints a world ready to thrash and burn. Bleeding Light Records will release the band’s upcoming Rumours EP digitally and on 7″ vinyl in a few months’ time. With an upcoming full-length brewing and a busy tour schedule this year, the OX’s dynamic doom is poised to take over. The Seattle quartet is comprised of Brian McClelland on guitar & vocals, Lisa Mungo on synths & vocals, Mike Sparks on bass & vocals, and drummer John O’Connell.

He Whose Ox is Gored is preparing to embark upon a series of West Coast live actions that will begin on August 5th in Portland and wrap up in Spokane. They’ll be sharing stages with the formidable likes of Chasma, Black Mare, Glaciers, and more, and will unveil new material from their myriad upcoming releases.

HE WHOSE OX IS GORED WEST COAST TOUR
8/5 Portland, OR @ East End w/ Muscle & Marrow and Chasma
8/6 San Francisco, CA @ SUBMission w/ Glaciers and Roland
8/7 Oakland, CA @ Eli’s w/ Hellbeard, Glaciers, and Druid
8/8 Los Angeles, CA @ Complex w/ Lightsystem, Glaare, and Black Mare
8/9 San Diego, CA @ Tower Bar w/ Deep Sea Thunder Beast and Bhorelord
8/10 Tuscon, AZ @ The District w/ Ocean Void
8/12 Albuquerque, NM @ Sister Bar w/ Bath House and Icelous
8/13 Denver, CO @ Bar Bar w/ Abrams
8/14 Salt Lake City, UT @ The Shred Shed w/ Stoic
8/15 Boise, ID @ The Shredder w/ Obstructed by the Sun and Swamp Shrine
8/16 Missoula, MT @ TBA
8/17 Spokane, WA @ Mootsie’s w/ Losing Skin and Rot Monger

https://www.facebook.com/hewhoseoxisgoredseattle/
http://hewhoseoxisgored.bandcamp.com
https://twitter.com/OxisGored
http://bleedinglightrecords.com/
https://www.facebook.com/bleedinglightrecords/
https://twitter.com/BleedingRecords

He Whose Ox is Gored, Nightshade EP (2014)

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Portugal’s Amplifest Announces Film Screenings; Lineup Additions Confirmed

Posted in Whathaveyou on July 22nd, 2014 by H.P. Taskmaster

Blah blah blah.

I’ll be honest. There are times when I post about all these badass European fests when I get frustrated, wondering when I might get to see Conan and Black Shape of Nexus and YOB and Wovenhand on the same bill in the US. But you know what the answer to that question is? Never. It’s never gonna happen. Talk to me all you want about the growing fest culture in the States — meaning there are like two that are sustainable over the long term — but we’re likely to win the World Cup before we’re able to make a show like this happen. Our healthcare sucks too and we’ve spent over a decade bankrupting ourselves fighting needless wars so that five or six dickbags can viciously profiteer therefrom. You take the good with the bad. At least we’ve got new Sleep.

I won’t get to Amplifest in Portugal, unfortunately, but if you’re in that part of the world at the beginning of October, consider yourself fortunate. The two-dayer has confirmed screenings for two Chelsea Wolfe films, and added Swans and others to its already considerable lineup.

Behold:

News news news.

AMPLIFEST: Chelsea Wolfe’s “Lone” and “March of the Gods” to be screened || Swans, Cult of Luna, Ben Frost & more confirmed

Amplifest is due to happen in Porto, Portugal, on the 4th and 5th of October. This year’s line-up features performances from Swans, Cult of Luna, Ben Frost, Conan, Pallbearer, Wolvserpent, Wovenhand, Pharmakon and more. Tickets on sale.

Chelsea Wolfe’s “Lone” and documentary on metal music in Botswana “March of the Gods” will be screening in Amplifest 2014, scheduled to the weekend of October 4th and 5th. With talks with the confirmed artists and exhibitions still to be announced, this year’s edition will also feature concerts and performances from artists as influential and important to modern art and music as Swans, Cult of Luna, Ben Frost, Marissa Nadler, Yob, Wovenhand, Wolvserpent, or Pharmakon, to name just a few.

“Lone” works as a cinematic counterpart of Chelsea Wolfe’s latest album “Pain is Beauty”, but it stands perfectly on its own as a beautiful and enthralling art piece. Crafted both by Wolfe herself and renowned director Mark Pellington, “Lone” brings to a visual dimension all the distinctive factors in Chelsea Wolfe’s music: beauty in darkness, innocence and violence. Following her memorably breathtaking show at last year’s Amplifest, we will again be delighted by Chelsea Wolfe’s art, this time on screen.

Heavy Metal music is, unquestionably, a product of western culture – but the anger that leads to such an extreme way of expression is universal. “March of the Gods”, directed by Raffaele Mosca, is a rockumentary that portrays the thriving Metal scene in Botswana, a sparsely populated, and mostly deserted, country in Southern Africa. With a focus on the story of Wurst, one of Botswana’s most popular metal bands, the film shows us how such an orthodox music style can blend with African traditions and create a microcosm full of passionate and peculiar characters.

Announced acts: Alhousseini Anivolla, Ben Frost, Black Shape of Nexus, Bosque, Conan, Cult of Luna, Hexis, Marissa Nadler, Pallbearer, Peter Brötzmann & Steve Noble, Pharmakon, Swans, Urfaust, VVOVNDS, ?, Wolvserpent, Wovenhand, Yob

Amplifest is more than a festival, it’s an experience. It is due to happen in Porto, Portugal, on the 4th and 5th of October. Tickets available at AMPLISTORE:
2-day passes: 65 euros
1-day pass: soon

http://www.amplificasom.com/
http://www.facebook.com/pages/Amplificasom/182459678459276
http://twitter.com/#!/amplificasom

Chelsea Wolfe, “Reins” Live at Amplifest 2013

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Nick Oliveri to Release Solo Debut Leave Me Alone

Posted in Whathaveyou on July 22nd, 2014 by H.P. Taskmaster

Though he’s had EPs and shorter releases out under his own name and built a catalog as principle songwriter in Mondo Generator, bassist/vocalist Nick Oliveri will issue Leave Me Alone as his debut solo full-length, in September through Schnitzel RecordsOliveri, who’s spent the better part of 2014 working with Bl’ast, also put in appearances with The Dwarves and John Garcia‘s solo outing, in addition to his own acoustic shows — a solo appearance at the UK’s Download Festival stands out — and sitting in with his former band, Queens of the Stone Age, for one of the stops on their tour.

How Leave Me Alone might be distinct from Mondo Generator in vibe or approach remains to be heard, but Oliveri‘s lined up a selection of killer guitarists — including Kyuss Lives! bandmate Bruno Fevery – to contribute, and he produced the album himself at Thunder Underground, which has more or less become the home of CA desert recording, so it seems like it’s going to be worth finding out.

From the PR wire:

Just heard Bl'ast canceled their tour.

Nick Oliveri (ex Kyuss, QOTSA) releasing hard n heavy solo debut

Many artists struggle to establish their musical identity; Nick Oliveri has forged his through a long career of hard work and full command over his craft and his music. His new album, LEAVE ME ALONE, is a powerfully captivating proof of his multi-talented personality. The new album is being released on Schnitzel Records worldwide in late September 2014.

Recorded at Thunder Underground Studios in Palm Springs, CA. Oliveri plays all the instruments on this recording, including drums, guitar, bass and vocals. It features guitar solos from some special guests though, namely Phil Campbell from MOTORHEAD, Dean Ween (a.k.a. Mickey Moist) from WEEN and MOISTBOYZ, Stephen Haas from MOISTBOYZ, Mike Pygmie from MONDO GENERATOR, Marc Diamond from THE DWARVES and Bruno Fevery from KYUSS LIVES! and VISTA CHINO. There’s also a guest vocal by Blag Dahlia from THE DWARVES.

Produced by Oliveri himself, recorded by Harper Hug and Trevor Whatever, and mixed by Mathias Schneeberger the album will be released on Schnitzel Records this September.

Schnitzel Records is home to Ween, Alain Johannes, Dean Fertita (Hello=Fire), Moistboyz and The Moons.

Oliveri will spend most of 2014 on the road. Playing both acoustic and with his new band, UNCONTROLLABLE. Nick will also be headlining the Acoustic Stage at this year’s Download Festival.

https://www.schnitzel.co.uk
https://www.facebook.com/schnitzelrecords
https://twitter.com/SchnitzelUK
http://instagram.com/schnitzel_records

Nick Oliveri, Live at the Black Heart, London, 2014

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Lae to Release Break the Clasp Debut LP

Posted in Whathaveyou on July 22nd, 2014 by H.P. Taskmaster

Totally necessary, I'm sure.

So you’ve got Lae, a post-punk/post-rock troupe from Montreal who were onto some cool stuff in their time in the ’90s — when they were called Lae-Tseu — but who never put an album out at the time. They get back together to record, and tap avant noise rock genius Steve Austin of Today is the Day to engineer, and then Austin winds up fronting the band as well. I fail to see how that’s not the absolute best-case scenario for all parties involved.

The resulting long-player – Lae‘s first, remember — will be out in the coming months on Battleground Records/The Compound. It seems like the material that comprises the album is stuff that the band had written during their first run, so it should be interesting to hear how it sounds both with a modern production and with Austin at the helm, whose work is both beyond time and utterly his own.

To the PR wire!

This is awesome.

LAE: Debut LP By Montreal Psychedelic Post-Rock Act To See Release Via The Compound/Battleground

Bringing a decade-and-a-half of silence to an end, Montreal-based quartet, LAE, is eager to release the band’s official debut full-length release, and the entire reincarnation of the band.

Performing under their original moniker, LAE-TSEU, the band evolved out of the mid-’90s post-rock/post-hardcore scene, seeking to distance themselves from the established conventions of rock music as well as the trappings of the various alternative subgenres. Not without irony, trace elements of many of those persist in their sound, itself a peculiarly familiar presence, as varied as it is satisfying. Nods to the likes of Three Mile Pilot, Swans, Sonic Youth, Unwound and Slint will surely not go unnoticed, but LAE’s total is far greater than the sum of its influences. Scathing, desperate and heartbreaking vocal sentiments set against richly layered backdrops, amplified and acoustic, melodic and deafening.

After earning a solid regional fanbase and foundation, the band was dissolved in 2001, without having released an official album. Their regional peer acts would go on to receive massive attention just after LAE’s premature and unexpected demise, and it would seem that the band had missed the boat completely as these other hometown acts entered the international spotlight. Yet, perhaps there is more than one boat…

Having reformed with a diehard goal of finally bringing their unfortunately unsung anthems to fruition with more passion and dedication than ever before, LAE excitedly returns to active duty with their impending debut full-length LP coming together for release in late 2014. In mid-2013, LAE’s current lineup — bassist, Ronald Jean-Gilles, drummer Serge Nakauchi Pelletier, and guitarists Stephane Desgroseilliers and Marc Lucas Ablasou — set out to record their debut LP, Break The Clasp, bringing their anthems from two decades ago to new life, completely re-envisioned with incredible musicianship and finesse. To capture these anthems with the appropriately beautiful yet tortured tones, the band sanctioned the talents of producer Steve Austin of Today Is The Day, flying him along with some major pieces of recording equipment from his Austin Enterprises out to Montreal for the recording sessions. Yet, once the recording sessions were underway,Austin instantly became intertwined in the recording process full-on, in the end supplying lead vocals to the entire Break The Clasp LP. An incredible array of musical experimentation seamlessly coalescing into a more than fifty-minute-long, mesmerizingly psychedelic yet anguished style of post-rock, LAE’s mammoth sound is unlike anything else one can imagine; incredibly beautiful yet inescapably depressing.

Late this year, Break The Clasp will finally see its long-awaited dawn through a collaborative release between DIY labels The Compound and Battleground Records, on all digital formats as well as deluxe digitpak CD and deluxe 2xLP formats. The otherworldly cover art crafted by LAE’s longtime cohort Sonny Kay is viewable HERE.

Stay tuned for the official street date as well as samples of the album and more to be released in the coming weeks. LAE will also take to the highways of North America in support of Break The Clasp before the end of the year as well.

http://laetseu.com
https://www.facebook.com/pages/LAE-Band/614579391922975
http://www.thecompoundrecs.com
http://www.facebook.com/thecompoundrecs
http://www.earsplitdistro.com
https://www.facebook.com/battlegroundrecords

Lae-Tseu, “A Chair in Hawaii”

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Inaugural Totem Psych Fest Canceled Due to Weather

Posted in Whathaveyou on July 21st, 2014 by H.P. Taskmaster

…And now, a bummer. The first annual Totem Psych Fest has been called off. It was set to take place this weekend at a castle in Rocca Sinibalda, Italy, which — since it’s also the highest point in the town — would only put it closer to the rainstorms that have been forecast for when it would be going on. An impressive lineup was culled together with Church of MiseryBlues Pills and Nik Turner as headliners and many other killer acts supporting, but it would seem it just wasn’t to be this year.

Heavy Psych Sounds and Black Rainbows‘ Gabriele Fiori, who might be his country’s single most passionate ambassador of heavy fuzz, organized the fest and put out word today that it was a no-go. Sympathies to him and to anyone who might’ve been looking forward to what was surely going to be a unique event.

Replacement shows for some of the headliners have been announced, and those details follow here:

Womp womp.

TOTEM PSYCH FEST CANCELLATION

Heavy rainfalls and lightning are expected in Rocca Sinibalda during the days of the Totem Psych Fest, expecially in the area of the Castle that is in the town’s highest part.

Local authorities responsible for security have therefore established requirements and limitations that make it impossible to perform the planned Event in the unique setting of the Castle.

We have no viable alternatives; with great regret, both for the quality of the event and for the great organizational effort we put in these months, we have to cancel the Totem Psych Fest.

Our disappointment is great, beacuse of the encouraging ticket pre-sales and the confidence of a resounding success of the Event.

We cannot but apologize for the inconvenience caused by the cancellation of the Festival, expecially for those who had planned their coming to Rocca Sinibalda.

All tickets will be refunded: those who have purchased through Ticketgate and Paypal circuits will be entitled to reimbursement from August 4th; those who bought the ticket physically in Rome will be refunded on Friday 25th and Saturday 26th of July at the AirportOne, Centocelle’s Airport, Rome.

We managed to bring 3 of the Festival headliners in Rome, AirportOne, Centocelle’s Airport.

Therefore TOTEM PSYCH FEST, in collaboration with INIT CLUB presents:

Friday, July 25th:
Blues Pills
Nik Turner (ex Hawkwind)

Saturday, July 26th:
Church of Misery + opening

https://www.facebook.com/totempsych.fest

Black Rainbows, Live at Sweet Leaf Festival 2014

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