Wren to Release Groundswells June 26; New Single Playing Now
I had a quick conversation with my brain while listening to the new Wren track. It went like this:
ME: “New Wren‘s a banger.”
MY BRAIN: (While chewing a wheat stalk and intermittently spitting) Yup.
That’s pretty much how it went.
The London post-metal four-piece have linked arms with Gizeh Records and will release their new offering, Groundswells, in about a month’s time. The song in question — “Seek the Unkindred,” streaming at the bottom of this post — well encapsulates their rawer post-Neurosis undulations and the emergent progressive streak that goes along with it. Their debut, 2017’s Auburn Rule (discussed here), was followed by the 19-minute single-song EP, Thrall, which Gizeh issued on CD, so it’s not exactly a new association, but it is exactly a new album, and I’m pretty damn pleased about that prospect. My brain is too, though it tries to play it cool.
Ladies and gents, I give you the PR wire:
WREN – GROUNDSWELLS
June 26th 2020 • Digital
September 25th 2020 • LP/CD
GZH99
‘GROUNDSWELLS’ is the third chapter in Wren’s seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, ‘GROUNDSWELLS’ captures Wren delving into earthen awakenings.
Launching into a monochromatic dirge, ‘Chromed’ announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record’s producer, Scott Evans of Kowloon Walled City.
Elsewhere, swift variance is displayed in Wrens’ deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating Krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the LP stretches compositions to their furthest tensions through profuse repetition, straining the cracks between.
Inviting physical, elemental surrounds into ‘Subterranean Messiah’, Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonised cello from Jo Quail. As with other conclusions on the LP, the track’s commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism.
Throughout the LP, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. ‘GROUNDSWELLS’ brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary permanence.
Recorded by Scott Evans at Middle Farm Studios in South Devon, assisted by Chris Edkins.
Mixed by Scott Evans at Antisleep Audio in Oakland.
Mastered by Magnus Lindberg at Redmount Studios in Stockholm.
Additional Vocals and Guitars on ‘Subterranean Messiah’ performed and recorded by Tiffany Ström and Syd Scarlet of Fvnerals. Additional Cello on ‘Subterranean Messiah by Jo Quail. Artwork by Joey Pearson of Smokin’ Bones Club.
https://www.facebook.com/Disciplesofwren/
https://disciplesofwren.bandcamp.com/
http://www.disciplesofwren.com/
http://www.facebook.com/gizehrecords
http://www.instagram.com/gizehrecords
https://gizehrecords.bandcamp.com/
http://www.gizehrecords.com/
If I remember rightly my initial impressions went something like:
gnarrr, churn churn, good trudging, good sound thing
Excited for the album.