Days of Rona: Luis Simões of Saturnia

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Luis Simões of Saturnia

Days of Rona: (Lisboa, Portugal)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

I was already editing and pre-mixing the new Saturnia album for a couple of months, so, as that is something I do on my own from home and there were no plans to play live at all, Saturnia’s daily routine hasn’t really changed radically.

There is a certain irony as this new record is an outdoors album, I recorded most of it in the countryside earlier on; actually some of it was recorded outside under the trees, but i’m now working in lockdown regime.

I’ve been in contact with André Silva (drums) and everyone else involved with Saturnia and so far everyone is okay.

What are the quarantine/isolation rules where you are?

Over here, in Portugal, the state of emergency has been officially declared; social isolation is the rule, you can go to the supermarket, bank, post office, pharmacy and walk the dog in the immediate area where you live in but you can’t move about in groups and if you are making a more serious movement you have to be ready to justify it.

The authorities aren’t being over aggressive with people but are acting firmly.

The paranoia meter is in the red, and although i haven’t seen them myself, there are places with drones warning people to stay home, a pure dystopian vibe that reminds me of Hawkwind’s Sonic attack, just disturbingly real.

How have you seen the virus affecting the community around you and in music?

This is a nasty blow for everybody in general, obviously from the health perspective; this is the kind of history book stuff you heard of of the influenza pandemic in the WWI period, but now it is immediate reality; everything is closed so the economy is suffering on all levels.

Music is moving even more online but sadly, there isn’t any life-supporting revenue in online music, so this whole situation is very negative and it’s going to knock a lot of people’s lives down, for sure.

Music and art in general are frequently seen as a luxury item, although it’s what is keeping people sane at home…

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Basically that Saturnia carries on doing its thing with the present time limitations, and so should everybody.

I want to urge everyone to be extremely careful, follow sanitary safety procedures and act with common sense, respect and responsibility so that we can all be here next year to listen to Saturnia’s new album and all albums old and new.

https://www.facebook.com/saturniamusic/
http://www.saturniamusic.com/
https://www.elektrohasch.de/

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