Here’s the Bio I Wrote for Worshipper’s Light in the Wire

Today marks the release date of Worshipper‘s second album, Light in the Wire (review here). Out on Tee Pee Records, it lands immediately following the return of the Boston four-piece from a European tour alongside labelmates The Skull that included stops at Desertfest in London and Berlin to follow-up on both bands’ appearance at the inaugural Desertfest NYC a few weeks back (review here).

The release will be celebrated tonight in Cambridge, MA, with a live in-store performance at Newbury Comics in Harvard Square. The retail outlet also has an exclusive color vinyl edition available that looks just lovely in the pictures that I’ve seen. I was fortunate enough to be asked when they were putting the promo package together to write the bio for the album, and I did so happily.

For the occasion of the release, here’s that bio I wrote, as it appears currently on their Bandcamp page:

worshipper light in the wire

Worshipper – Light in the Wire bio

Whatever frame you want to give it, Worshipper’s story is one of growth. What started four years ago with a couple digital singles has blossomed — yes, blossomed — into an expansive and individualized sound that’s like nothing else in heavy rock and roll. With patient and graceful songwriting, and thoughtful, detailed arrangements, the Boston-based four-piece bring something new to the hordes of those building altars to the capital ‘r’ Riff. Their second album, Light in the Wire, presents a progressive vision that’s not just about “oh hey we threw a keyboard on some guitar,” but instead bleeds into every melody, every smoothly-delivered rhythmic change, and every performance captured on the recording.

Worshipper’s first album, Shadow Hymns, came out in 2016 on Tee Pee, and they followed it with the 2017 covers EP Mirage Daze, a four-song jaunt exploring influences like Pink Floyd, The Who, Uriah Heep and doom rockers The Oath. That release gave new context to Shadow Hymns, and it informs Light in the Wire as well, though with the new LP, Worshipper are most recognizable as themselves.

Led by would-be-reluctant-were-it-not-for-all-that-pesky-stage-presence frontman John Brookhouse (guitar/vocals/synth), with Alejandro Necochea on lead guitar/synth, Bob Maloney on bass and backing vocals and Dave Jarvis on drums, Worshipper recorded Light in the Wire with Chris Johnson (also of Deafheaven, Summoner, etc.) at GodCity Studios and The Electric Bunker. Their intention to capture a sonic narrative has resulted in a fluidity tying the two sides of the album together even as individual pieces stand out with a sheen of classic heavy metal, rock, psychedelia and prog. At the center, always, is the crafting of the songs themselves, so that each verse isn’t simply a placeholder for the next hook, but a statement unto itself, and each solo drips soul rather than devolving into a needless showcase of wankery.

Light in the Wire not only sees Worshipper grow as songwriters and performers, but it expands the palette they’re working with to do that. A stage-born chemistry pervades their musical conversation, but even more, the confidence with which they take on darkness and light, weight and drift, brings into focus how faithworthy their sound has become. They may push farther still, but hearing Light in the Wire leaves no question of their realization.

-JJ Koczan

https://www.facebook.com/worshipperband/
https://www.instagram/worshipperband
https://worshipper.bandcamp.com/
http://teepeerecords.com

Worshipper, Light in the Wire (2019)

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