Deathchant Premiere “Hex”; Self-Titled Debut out Jan. 10

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Los Angeles four-piece Deathchant issue their self-titled debut on Jan. 10 through King Volume Records (LP) and Dune Altar (tape), and there’s some weird shit afoot. So, get this: Seven tracks/29 minutes. On the shorter end of an LP, but whatever. All the songs have one-word titles, so you’d think maybe pretty stripped down, right? And it’s Southern California, so you’d think maybe some boogie involved or some jams, right? Not really. Deathchant, led by guitarist/vocalist TJ Lemieux, make short work of expectation and offer a feedback-drenched take on darker heavy rock, so that even the strut of opener “Pessimist” can just absolutely collapse into biting noise at a moment’s notice — which it does — and then resume its course like nothing happened. There are “hey wait!” moments like that all over the album, and to add to that, Lemiuex‘s vocals are coated in reverb — he did similarly his band Child (who are not to be confused with the Australian blues rockers of the same name) — in such a way that in context of some of the severity surrounding feels like a tip of the hat to Wovenhand that immediately gives the songs a distinguishing element. There’s no shortage of groove to go around in “Pessimist” or elsewhere, and as the album unfolds with “Control” and “Ritual” — which as I understand it was going to be the title-track at one point — there is a linear character to the transitions that the noise-factor only helps further.

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Side A of the LP is those three songs: “Pessimist,” “Control” and “Ritual,” and the momentum factor isn’t to be understated. While Deathchant is short, and was recorded live obviously in an effort to capture an energetic vibe (easy to argue success there), the material doesn’t sound any more rushed than they want it to, and they’re in control the whole time of the thrust, which particularly as the drifting centerpiece “Eulogy” takes hold on side B and turns its wash over to the unbridled push of “Breathe,” “Hex” and closer “Trigger,” is key. Every song on the second half of the record is shorter than anything on the first, and it’s almost as though the band swapped out what would be the usual tack for an A/B long-player, putting the up-front rockers in back and the more ranging material up front, “Eulogy” notwithstanding. Either way, even at their most driving, in the forward pummel and tonal crush of “Breathe” or the chugga-shuffle of “Hex,” they hold firm to the atmosphere created by the earlier cuts, so that the most rocking of tracks is still imbued with a darker underlying spirit. As “Trigger” surges outward in go-go-go fashion before cutting to a closing minute-plus of eerie sampled noise and far-away guitar, the core blend of Deathchant‘s aesthetic is maintained — it is volatile, exciting and unpredictable. These are not words I use lightly.

Lemieux, who’s responsible for the songwriting and joined in the band by John Bolino, Colin Fahrner and George Camacho, also helped to mix the recording which was engineered by Stephen Schroeder (who also mastered it), has been and is involved in a number of projects, but Deathchant find their footing quickly on their self-titled, and potential abounds for further exploration, and the lean nature of Deathchant itself only furthers interest in how their ethic will develop over the longer term.

Want the short version? Cool track. Give it a listen:

Recorded live over a 2 day period at a secluded cabin in Big Bear, California. Mixed by TJ Lemieux and Stephen Schroeder. Engineered and Mastered by Stephen Schroeder. All Songs & words by TJ Lemieux. Copyright 2018 RAGWEED.

DEATHCHANT is the brainchild of TJ Lemieux (CHILD, Psychedelic speed freaks, Mainline ladies, Babylon) formed in 2018 in Los Angeles, CA. They have been dubbed Psychedelic rock, proto-metal, doom, stoner metal, noise-punk, hard rock, and everything in between, but if you ask them it’s “rock and roll with psychedelic influences.” Their imagery and sound seem to fluctuate rapidly between a peaceful meditative eastern-tinged message of unity and all out warcry with an underlying message of love and peace-through-violence.

Driven by Thomas (TJ) Lemieux’s brooding aesthetic and signature psychedelic guitar character, DEATHCHANT echoes through the darker side of Proto-metal and hard rock. Reflections of past endeavors from TJ Lemieux, John Bolino, Colin Fahrner, and George Camacho (Roast, psychedelic speed freaks, high rise, Babylon) cascade into an immersive wall of noise-induced heavy metal mania, equal parts paranoia and transcendental harmony. These four create a sound that is loud, massive, and about as melodic as a sonic assault of this magnitude can be. They resonate with wherever or whoever you are and deliver an excitingly raw and catchy brand of rock and roll. Ask a freak!!

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4 Responses to “Deathchant Premiere “Hex”; Self-Titled Debut out Jan. 10”

  1. […] only helps further.” Read more and hear “Hex,” courtesy of The Obelisk, at THIS LOCATION. Deathchant will be released on January 10th digitally and on vinyl via King Volume Records with […]

  2. […] advance of its release, The Obelisk is streaming first single, “Hex”, listen […]

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