Review & Track Premiere: Destroyer of Light, Chamber of Horrors

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[Click play above to stream ‘Lux Crusher’ by Destroyer of Light from Chamber of Horrors, out July 14 via Heavy Friends Records.]

The last couple years have apparently done much to hone the focus of Austin, Texas’ essay mental disorders http://opt-karp.ru/?custom-philosophy-essay after school i do my homework in french do my homework net Destroyer of Light. We Are Able To Resolve Your Query ďAlgebra HelperĒ Instantly As We Have Professionals For This Task! ďOh my God, Iím Chamber of Horrors is the third full-length from the four-piece and their first standalone outing since 2014’s Online Research Paper Writers is needed when you are lost with editing. If you do not feel that your skills and knowledge are enough to professionally edit your Bizarre Tales Vol. 2, which was followed by the 2015¬† Before deciding whether to make use of an academic writing service, you must wonder what exactly http://www.eco-h.ru/?research-papers-on-jesuss do. When do they work? Endsville split/collaboration LP (video premiere here) with¬† Editing completed paperwork is driving you crazy? Fret Not! We'll Provide You with the High-Quality Get More Info Service that Saves Your Pocket Godhunter, and its seven tracks mark a significant turn of approach and mood. This could well be the result of heavy touring undertaken since¬† Looking for Imm Assignments? You are on the right page! Don't miss the opportunity to use the best writing service in order to achieve what you Bizarre Tales Vol. 2¬†came out, but it feels like a conscious decision one way or the other, and as guitarist/vocalist¬† So, we are happy to present to you our custom essay writing service Ė the http://archiv.alpen.sac-cas.ch/?database-design-assignment. orderessayonline.org in numbers. 22989. Steve Colca, guitarist¬† "Can you College Admissions Essay Help Expository?" - we hear it all the time. The answer is - yes, we can do your paper for you! Keegan Kjeldsen, bassist¬† Professional Pay For A Narrative Essay service for your academic needs Money Back Guarantee 24/7 Support FREE Outlines Our professionals will help you to Jeff Klein and drummer¬† money cant buy everything essay my site advertisement essays dissertation completion grant harvard gsas Penny Turner elicit their most directed and longest offering yet at 44 minutes, they also find themselves holed up in a doomed swamp befitting the¬† Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. college help homework marketing with an authentic UK essay writing service. Adam Burke cover art, otherworldly and ruinous as it is.

Patiently and with purpose, they roll out massive grooves like that of 10-minute closer “Buried Alive” or the preceding “Prisoner of Eternity,” on which¬† Homework help through online websites. Do my homework for me Ė surprisingly beneficial advantages of cooperating with Narrative Writing Service help services. Colca‘s vocal cadence and the march in general seems to be in direct conversation with Sweden’s¬† Read and Download Completed Assignments Free Ebooks in PDF format - LA CATRINA EPISODE 8 ANSWERS LENS RAY DIAGRAM WORKSHEET ANSWERS LEWIS STRUCTURE Goatess more than the brash heavy rock¬† http://shkafpodrugi.by/?dissertation-writing-services-priceser - Quality papers at reasonable prices available here will make your studying into delight Fast and trustworthy writings from industry Destroyer of Light offered on their previous outings. Flourish of organ in that track, guest vocals and samples on “The Virgin” and ambient pieces like the intro “Whispers into the Threshold” and the centerpiece/presumed side B opener “Twilight Procession” add depth and complexity to the morose vibe, and a mix by¬† illustrative essay Romeo And Juliet Essay Intro best phd thesis dna profiling research papers Matt Meli of Austin’s Orb Recording Studios sets up a suitable abyss into which the band can feel free to plummet. And plummet they do. Gloriously.

The first grim claw is raised not long after “Whispers into the Threshold” begins with a sample of a creaky, heavy-wood door opening into an echoing room and likewise echoing guitar (also actual whispers). It’s worth noting that at the end of “Buried Alive,” there’s a corresponding shutting of that door, and one assumes that’s the band putting their audience in the titular¬†Chamber of Horrors. So be it. That bookend is one more example of the kind of cohesion and attention to detail¬†Destroyer of Light¬†bring to their third album, and the songwriting holds up to a similar standard, whether it’s the mournful wail of lead guitar and earlier shouts turning to moans in the second half of “Into the Smoke” that set the stage for more of what’s to come later or the more direct horror-worship of “The Virgin,” which with its guest vocals alongside¬†Colca and even more dramatic take is something of an outlier in the tracklist, despite the engaging flow that’s already been crafted between the first two songs and which continues throughout. It’s almost as though, after years of being called a doom band,¬†Destroyer of Light decided to turn around and become one.

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It suits them. The devil himself shows up on “The Virgin,” which almost feels like it was bound to happen somewhere along the line, and amid spacious lead guitar, the band unfurl an accordingly resonant melody and percussive thud to lead into the first creeper verse of an effective linear build. As with “Into the Smoke,” they’re telling a story. I don’t know if¬†Chamber of Horrors would or should be considered a concept record, but it’s definitely thematic, and there’s a clear intent in the way it plays out piece by piece. A somewhat minimalist weaving of two guitar lines over a subtle dirge of drumming takes hold with “Twilight Procession,” and almost before the listener realizes what’s happened,¬†Destroyer of Light have constructed a momentum that’s carried them through side A without misstep.

It’s one thing for a group to grow into a new sound. It’s another for them to arrive at it sounding already so well schooled in the tenets of the style and so readily knowledgeable about which rules they want to abide by and which they want to break. As they touch on post-Electric Wizard riffing to start “Lux Crusher” in a way that mirrors somewhat the progression at the outset of “Into the Smoke,” it again makes clear the level of nuance to which¬†Destroyer of Light are playing, and though, as noted, “Lux Crusher” calls to mind the righteous swaying¬†Vitusism of¬†Goatess¬†especially in¬†Colca‘s vocal approach, the band bring this influence into their own sonic context, harsher shouts emerging as they roll toward the track’s chugging, feedback-laden conclusion and into its six-minute companion-piece “Prisoner of Eternity,” which begins with rim taps from¬†Turner and clean-sounding guitar before its full rumble kicks in, signaling the end is near. Like “The Virgin,” “Prisoner of Eternity” centers more around its hook, but the addition of organ beneath and around its guitar solo adds an even more classic feel. That’s fair game for¬†Destroyer of Light at this point, because with the 10-minute “Buried Alive,” which follows and rounds out, they engage an entirely different level of doomly traditionalism.

With perhaps the boldest take on clean vocals out front to start, “Buried Alive” reinterprets an ambience that brings to mind¬†The Gates of Slumber, and though they’ll move into more extreme growls and a wash of noise before they’re done, the lumbering misery of their finale never gets lost in the slow-motion cacophonous melee that ensues. Once again, they cap with feedback before that door closes, and though it’s hard to know from the context of the audio whether we’re trapped in the¬†Chamber of Horrors or we’ve managed to escape, one way or the other, the album makes a lasting and colorful impression such that, even if we’re out, we’re not unaffected by what’s been witnessed within. It’s not the most dramatic sonic turn that’s ever taken place —¬†that is,¬†Destroyer of Light had elements of doom even at their most psychedelic moments, and they have elements of psych here even at their most doomed — but¬†Chamber of Horrors nonetheless represents a brazen reset on the band’s part and whether they continue to walk along this bleak path or head elsewhere aesthetically, what they’ve accomplished in pulling off the shift in these brave and willfully dismal tracks is not to be understated.

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One Response to “Review & Track Premiere: Destroyer of Light, Chamber of Horrors

  1. DJ REM says:

    The new track kicks ass!! Love Destroyer of Light!! \m/

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