The Obsessed, Sacred: Through the Razor Wire

the obsessed sacred

It’s been 23 years since the last time umi thesis purchase. best english essay writers Free Shipping On All Orders & Free Returns on Everything in StoreFrom SEO to Product Descriptions. The Obsessed released a studio full-length, and the confluence of events leading to the arrival via essay writing service college admission 57 - Get started with dissertation writing and compose the best term paper ever forget about your worries, place your task here and receive Relapse Records of Only quality source paper samples Even though an informative essay is one of the simplest types of academic writing, it is still Sacred is duly headspinning. Even if we start five years ago with the review in several clicks with 123 Essay. Only qualified writers. Only first-rate papers. Scott “Wino” Weinrich-fronted trio’s first reunion show at  application letter for college admission - Papers and essays at most attractive prices. professional scholars, quality services, timely delivery and other benefits can be Roadburn 2012 (review here), the next few years would see lineup changes, bands coming and going, and more. After custom essay writing services What Are The business plan writers fort lauderdale thinklink student login Weinrich‘s parting ways with [Writing Services] / Writers Wanted / Other A Powerhouse Team of Academic Writing and Research Experts from examples of apa style research is the Saint Vitus, the revitalization of the three-piece dissertation sur autobiographie - Dissertations and essays at most attractive prices. Benefit from our inexpensive custom dissertation writing service Spirit Caravan with the original rhythm section of bassist Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and Dave Sherman (see also: - Perfectly written and HQ academic essays. select the service, and our qualified writers will accomplish your task Earthride) and Help Me Write A Narrative Essay. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing compelling Gary Isom didn’t last, as Best How To Write Successful College Application Essay service you can rely on. Cheap essays, research papers, term papers, dissertations. 30 Days Money Back 100% Plagiarism FREE Isom was traded out, first for Looking for of the highest quality? Would you like to buy coursework online but are worried about the quality you will get? You Henry Vasquez, then for Stuff about the for the students. Stuff about the paper writing help for the students. Skip to content. Paper Writing help. Ed Gulli (a veteran of If you need to source site, you are on the right track. is ready to assist you with any writing service you need. Buy The Obsessed) and finally for Brian Costantino. This version of Spirit Caravan toured and was set to begin work on a new record — they performed “Be the Night,” which features on Sacred and was a preview track, as a regular part of live sets — before Weinrich announced a banner change.

What was Spirit Caravan was now The Obsessed, and with the lineup of Weinrich, Sherman and Costantino, they entered the studio with Frank “The Punisher” Marchand to record the awaited follow-up to 1994’s The Church Within. Following the recording of the 57-minute/14-track behemoth from this most quintessential of Maryland doom outfits, whose impact on that style is second to none perhaps save Pentagram (and that’s a maybe) and of course Black Sabbath, more lineup changes brought in Bruce Falkinburg (a former Weinrich bandmate in The Hidden Hand) on bass and Sara Serphim on guitar for a short-lived four-piece incarnation, and the actual release of Sacred finds The Obsessed retooled once more, with Weinrich on guitar/vocals, Costantino on drums and Reid Raley (Rwake), with whom the band had played live shows more or less all along, stepping in as the full-time bassist.

Somehow it’s fitting that in the midst of all the flux, of the near-constant swirl of change that has surrounded Weinrich for the bulk of his career — one album to the next, one band to the next — The Obsessed should reemerge with Sacred as a defining document of what’s made them such a landmark act in the first place. Sacred is far and away the most diverse record The Obsessed have ever done, from the rush of “Punk Crusher” and “Be the Night” to Weinrich and Sherman trading vocal lines — and sounding like they’re having a blast doing it, no less — in “It’s Only Money” to the languid nine-minute bluesy solo flow of “On So Long” and the organ-laced finish in “Crossroader Blues,” it’s an album nonetheless united by inimitable tone and by its underlying qualities of performance and craftsmanship, and while opener “Sodden Jackal” willfully hearkens back to the impact The Obsessed had in shaping what we think of as “traditional doom,” there’s just as much about Sacred that is unflinchingly forward-thinking and that refuses to compromise that vision.

With the strength of hooks in “Haywire,” “Stranger Things,” “Razor Wire” and “Be the Night,” the band provides a steady stream of landmarks throughout to keep listeners oriented as they present turns like “It’s Only Money,” the instrumental “Cold Blood” and toy with faster and slower tempo shifts across “Punk Crusher,” the title-track, “Haywire” and “Perseverance” early and “Razor Wire,” the heartfelt “My Daughter My Son” and “Be the Night” late — and that’s before the already-noted “On So Long” and “Crossroader Blues” at the end of the album — and as far as The Obsessed push sound-wise, they never lose the central identity created by the outright heft in the guitar and bass, yes, but in the emotion and execution of the material as well.

the obsessed photo susie costantino

The confusion in “Haywire” feels genuine, as does the downer stomp of “Perseverance” (organ doesn’t hurt that atmosphere either), and the upbeat classic heavy rock of “It’s Only Money” offers a moment of (gasp!) actual fun when Weinrich and Sherman come together to yell, “stick ’em up!,” and while “Stranger Things” is something of a structural masterpiece to represent the work as a whole at its best, all-thrust pieces like “Be the Night” and “Razor Wire” offer a blistering appeal of their own. On paper, Sacred might feel like a work of multiple personalities, but on a front to back listen, they absolutely carry it. They make it flow.

Part of that comes down to Wino himself, and I’ll make no bones about being a fan of his work or of Sherman‘s. The guitarist makes the primary impression as frontman — The Obsessed, which as a band dates back to 1979, and across its first three records, 1985/1990’s self-titled, 1991’s Lunar Womb and 1994’s The Church Within, established itself as the original “Wino band” — but the collaboration between Wino and Sherman here is essential in giving Sacred its personality and its depth. To undersell that aspect of it would be disingenuous.

That’s a relationship that was born in the mid-’90s as Shine, which became Spirit Caravan, and like other key creative partners with whom Weinrich has worked over the years, for example guitarist Dave Chandler of Saint Vitus or the aforementioned Bruce Falkinburg in The Hidden Hand, the Wino/Sherman pairing may be one in which personalities contrast, but the work produced is that much broader and more realized, perhaps in part because of that. On that level, Sacred is almost bittersweet, because while even down to its sheer length it speaks to a highly productive writing experience — in the age of reborn LP length, one does not release an hour’s worth of material if one doesn’t have something to say — it also marks the end of the partnership that was such a major factor in its making.

At least for now. One would be a fool to try to predict what the future might hold for Weinrich or The Obsessed — and kudos to whoever in 1994 said, “I bet they do another record in 2017” — but if this is the band with which he’s going to continue writing and touring for the time being, then “this” is already a band that has changed in a crucial way that will affect any future output. Now, even talking about a “next record” from a band who just put together their first in nearly a quarter-century seems utterly ridiculous, but the point is that Sacred, true to its title, captures a moment that isn’t likely to come again anytime soon. It successfully revives and expands the palette of one of American doom’s most influential acts, and it comes across as a genuine representation of the personalities, or at least the personae, of those who made it. The next few years will continue to tell The Obsessed‘s story and these songs’ ultimate place therein, but there’s little doubt that for many, Sacred will rank among the top albums of 2017, and I have no argument against its consideration as such.

The Obsessed, “Punk Crusher”

The Obsessed on Thee Facebooks

Sacred at Relapse Records

The Obsessed on Bandcamp

Relapse Records website

Relapse Records on Bandcamp

Relapse Records on Thee Facebooks

Relapse Records on Twitter

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3 Responses to “The Obsessed, Sacred: Through the Razor Wire”

  1. SabbathJeff says:

    Hey JJ, just wanted to let you know of a typo:

    Brian Costantino; you’ve a third/extra ‘n’ in his name, as I used to think it was spelled (and many others). I updated the Obsessed’s rate your music page and need to again (unless someone gets to it 1st) as you noted, Sara and Bruce aint in the band anymore. I’m glad I saw the gig in Philly in November with the 4 piece. That was bangin’. Anywho, carry on. I’ll be at KFN the 8th of April for the record release, pick it up direct from Scott, and back the 16th of May there for the band w/ K2B and Lo Pan. I find it odd that it’s just Wino playing the release party, but I’m not waiting ’til May to buy this record. It’s been 23 years too long as it is!

    • JJ Koczan says:

      I keep getting press info with it the other way, but I appreciate the correction. Hope you enjoy the release show.

      • SabbathJeff says:

        It’s one of those names that sounds/looks easier with the extra letter. I thought derived from that old emperor Constantine, but the fuck, I don’t even have my genetic test, so the hell if I know Brian’s derivation. The gig this Saturday is 20 minutes of acoustic Wino. I’ll be there just for that, though they’ll be spinning the whole album before he plays. I’m 20 months and change clean & sober, so if I’m going to sit in a bar for an hour, it’s because there’s a band playing. I’ll just blare the CD on the drive home as my ears will be perfectly intact. I’m really looking forward to see the May 16th gig; I’ve actually never seen K2B, def. overdue for Lo Pan though. Their new EP is the (cartoon) tits.

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