Landing Post “Morning Sun” Video

landing

Like the song it features, much of Landing‘s new video is impressionistic. Footage of vocalist Adrienne Snow reciting the lyrics is overlaid with a gently rolling tide, and elsewhere there are images of color and shapes that feel less geared toward telling a story than complementing the atmosphere of “Morning Sun” as a whole. There is, of course, plenty of atmosphere to complement. The Connecticut-based four-piece — Adrienne as well as Aaron SnowDaron Gardner and John Miller — issue their new album, Third Sight, June 17 via El Paraiso Records, and though it only comprises four tracks, it effectively creates its own world within those songs and invites the listener to engage with it.

Third Sight is my first exposure to the New Haven outfit, who’ve been around since 1998, but better late than never for the bright tones and immersive ambience they bring to this latest and by my count eighth full-length outing, which as previously noted, may be one of two out before the end of the year. If you haven’t had the chance to check them out yet, “Morning Sun” might take a runthrough or two to really sink in, since invariably the first time it’ll just hypnotize and leave you wondering where the last five minutes just went when it’s done, but it proves immediately worth repeat, steadfastly conscious listens.

Enjoy:

Landing, “Morning Sun” official video

Landing
Morning Sun
from the album Third Sight
LP + CD available June 17th, 2016 from El Paraiso Records
Directed by Aaron Snow
© 2016 Structure vs Chaos Music (SESAC)

Catalog number: EPR034
Formats: CD/DL/LP (transparent green vinyl limited to 750 copies, includes download card)
Release date: June 17, 2016
Distributed by: Cargo Records / Forced Exposure (US)

Connecticut’s Landing have specialized in a mild and rural kind of psychedelia for almost two decades. Recent releases have seen them closer to post-punk and shoegaze territory than ever, but Third Sight – recorded specifically for El Paraiso Records’ Impetus series – builds on the hallucinatory soundscapes of the band’s earliest days.

There’s a unique sense of motoric drift to these four long pieces, and an organic blend of rock instrumentation and analog electronics that brings to mind Eno’s best collaborations in the 1970s. But the group’s flair for fuzzy drones and new weirdsy commune-folk also betrays their affiliation with the experimental American east coast scene – playing shows with Bardo Pond, releasing a split EP with Windy & Carl, playing Terrastock a couple of times, among other things throughout their career.

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