Having recently had the pleasure of seeing Florida’s Holly Hunt live, their upcoming EP, Prometheus, will arrive all the more anticipated. The Miami-based duo of guitarist Gavin Perry and drummer Beatriz Monteavaro made their intent clear on their Year One debut, embroiled in a sonic demolition of big riffs and big stomp that hopefully continues its tide of destruction on the new release. I’m looking forward to checking it out.
Time and the PR wire shall tell:
Holly Hunt – Prometheus (Other Electricities/Sonic TITAN) Out April 29, 2014
Following their highly lauded full-length album Year One, Holly Hunt returns with a 3-song, 12’’ EP, Prometheus. Recorded by Jonathan Nuñez of Torche and mastered by New Alliance East, the record builds on the two-piece’s reputation for metal that’s crafted with the heaviest alloys, and a most magisterial patterning – the type that drones vehemently and drowns in the blues.
Drummer Beatriz Monteavaro (Floor, Cavity) and guitarist Gavin Perry have demonstrated themselves as a loud and lumbering giant of the Miami music scene. The visceral impact of sound – the raising heart rate, neck chills, the warmth spreading throughout your torso – this is Holly Hunt’s raison d’être. Prometheus manages to transmit an almost perfect rendering, delivering listeners to a heightened physical (and mental and spiritual) state. The record conjures the image of an approaching behemoth, striking paranoia and fear until the final, exhilarating sweep of humanity’s total destruction.
Where Year One established the bedrock of Holly Hunt’s punishing sound, Prometheus thunders with the clarity of a crack of lighting. It establishes a supremely balanced, critical distance between amp worship and riff devotion, rising and falling with ecstatic highs and sublime lows. And while Year One represented the genesis of the band’s existence; Prometheus stands as a churning, threatening hint of things to come.