This one is something special, and since the story Chris “Woody High” MacDermott is telling is so excellent, I don’t even want to spoil it with too much intro. Here, 30 years to the day, are Woody‘s memories of seeing Motörhead for the first time ever, July 31, 1983, at L’Amour in Brooklyn.
It certainly doesn’t feel like THIRTY FUCKIN’ YEARS ago that I first saw Motörhead, but the ticket stub clearly states 7/31/83. And not only was it my first time seeing my favorite band but it was also my first trip to the legendary metal club L’Amour in Brooklyn.
I have no idea how I heard about the show. Probably from one of L’Amour‘s radio ads. They’d loop the opening riff to Van Halen‘s “Mean Streets” as background music and an announcer would read off the list of upcoming shows — Twisted Sister, Johnny Winter, Saxon, etc., etc. Earlier in ’83, L’Amours opened a second location called L’Amours East in Elmhurst, Queens. A lot of bands would play both clubs on consecutive nights. But when Motörhead came to town they had to outdo everyone and play three nights in a row – - Friday, July 29, in Queens then Saturday and Sunday in Brooklyn. The Sunday show was going to be all-ages. (The Queens show was recorded for the King Biscuit Flower Hour radio show and later released on CD). I was 15 years old at the time with a fake ID acquired at the Postermat on 8th Street in Greenwich Village. It worked buying beer at Milk-N-Things in Pelham and Jack Daniels at the liquor store next to it, but I had no idea if it would get me into a Brooklyn nightclub. The drinking age was only 18 back then but I didn’t want to get shut down trying to see Motörhead. The Ticketron outlet in the New Rochelle mall must have been gone because I had to take a MetroNorth train into Manhattan to buy a ticket at the Grand Central location. I can still remember the thrill of buying that ticket. I had worked all morning on a Saturday at my job making trophies in the garage of my science teacher. We finished early that day and when he paid me I walked straight to the train station. I didn’t have time to go downtown to buy any records on this trip but I did pick up a Hustler magazine and a Foster’s oil can for the train ride home. Even just a 20-minute visit in NYC provided more thrills than a month up in Westchester County.
In June of ’83. Motörhead had released their latest album, Another Perfect Day. I just happened to be in Bleecker Bob’s the day that it came in. Man, I was fuckin’ stoked. I knew they had a new album coming but had no idea when I’d actually see it. There it was in the bins alongside a 12″ single for “I Got Mine.” Even though they were both expensive imports ($5.98 for the single alone!), I knew I might never see them again. The cover to Another Perfect Day really tripped me out. It looked like someone had the cover to Overkill painted on the back of their denim jacket in watercolors and then left it out in the rain. There was also a cool insert with lyrics on one side and a hilarious comic strip on the other. The band photo on the cover of the “I Got Mine” single was cool. They all looked completely hungover. Brian Robertson‘s designer jeans and silver jewelry looked a little silly but, hey, he was in Thin Lizzy and he looked better than he did on the cover of Fighting. I instantly loved the record. I thought it kicked ass from start to finish and I thought Brian‘s guitar playing was incredible. Totally different from Fast Eddie‘s but it still sounded like Motörhead. There was zero radio airplay and no one else at school had the record so I wasn’t influenced at all by other people’s opinions. Kerrang gave it a decent review but I didn’t give a shit what they had to say neithers.
Anyway, it was complete torture waiting for the end of July to roll around but eventually it was Sunday, July 31. My friend Wayne was supposed to go to the show with me but he made the mistake of telling his parents the truth and got shut down. I, of course, completely lied to my mother. Never in a million years would she go for it. The only reason she let me go to shows at Madison Square Garden was because I bought the tickets with the money I was earning. As long as I put a certain amount in the bank every week, my metal habit was barely tolerated. I had a big decision to make. Should I blow off Motörhead or travel to Brooklyn alone? There really was no choice. (I must mention that about a year later I had to bail out on Wayne for a Metallica show at L’Amour at the last minute. I’m still not over it.)
After an uneventful MetroNorth train ride into Grand Central I had to confront the reality of not knowing how the hell I was going to get to Brooklyn. Don Cherry asked the question “Where Is Brooklyn” on his classic Blue Note album in 1966. Here I was as a 15-year-old dipshit with a Motörhead ticket inside my velcro Motörhead wallet with the same problem. I asked the token booth clerk how to get to 62nd Street in Brooklyn and he told me to take the B train. After a few confused attempts, I finally found where to get on the B and I was on my way. The summer of ‘83 was the first time air conditioning was added to some subway cars. The one I was riding on definitely did not have any for the very long ride into Bensonhurst. When I finally got off the train I had no idea where the club was. I spotted a dude in a Twisted Sister shirt puffin’ on a joint so I asked him. Without exhaling (or offering me any) he just pointed down the street. As I turned the corner I saw a completely industrial block full of headbangers. I could hear someone blasting a Motörhead tape out of a parked car. People were hanging out and drinking beers. Every single person had on some kind of metal shirt and most had a denim vest with something painted on the back and covered in patches. There were lots of bullet belts, studs and spikes, too. I thought I was hot shit in my Motörhead shirt with an Iron Maiden button on it. Not so much.
Stepping inside L’Amour was unreal. The DJ was cranking some of the best metal I’d ever heard and a lot of it was brand new to me. I will never forget hearing Accept‘s “Fast As A Shark” for the first time there. The crowd was singing along to the “hi-dee-hi-doh-hi-da” intro and I had no idea what was going on when I heard a big needle scratch. When the furious double-bass drums kicked in I was completely floored. People were seriously losing their shit and headbanging like crazy. The first band hadn’t even played yet! It was also the first time I heard “Nuns Have No Fun” by Mercyful Fate. Everyone but me seemed to know the words. I didn’t even bother trying to ask anyone about where to get these records or which ones to buy. It was like I was trying to start a fire with two twigs and they had flame throwers. I had a lot of catching up to do. The DJ announced some upcoming shows, including one the following week by Raven and Metallica and people went completely berserk.
There were two opening acts. The first was The Poison Dollys, an all-female metal band. I’m pretty sure the second one was Cities. I don’t remember much about them because once Motörhead stormed the stage they were ancient history. There was no intro tape or anything. The DJ stopped playing records and everyone just started screaming “MOTÖRHEAD” at the top of their lungs. The first one out was Philthy behind the drums, followed by Lemmy and Robbo. There were only one or two people in front of me on Robbo‘s side of the stage. There were three Marshall stacks behind him. Lemmy had three more on the other side. Phil‘s drum set was huge. They started checking their instruments and it was significantly louder than Judas Priest and Iron Maiden at Madison Square Garden. That was a loud show. It was also louder than the Ramones show I saw in the front row of Iona College in New Rochelle the year before which was also loud as hell. Holy shit, this was gonna be awesome.
After screaming something into the mic about today’s show being for the young, Lemmy fired up the bassline to “Back at the Funny Farm,” the opening song on Another Perfect Day. When the band came in the noise was tremendous. You could see everyone sort of lean back for a second. Me and everybody else were banging their heads ferociously. This was at least a year before “moshing” became a regular thing at metal shows and it was glorious. The whooooshing sound of your noggin’ rockin’ only added to the deafening cacophony of Motörhead at full bore. It was no big deal if the dude behind you or next to you rested an arm on your shoulder to steady himself from time to time. The sound was so powerful it could knock you off balance. No worries. There were a few skinheads and punkers around, too but there were no hassles at all. I miss those days.
Most of the set were songs from Another Perfect Day — “Marching off to War,” “Tales of Glory,” “One Track Mind,” etc. They only played a few older songs like “America” and “Iron Horse.” No “Ace of Spaces,” “Bomber” or “Overkill.” I was dying to hear those songs but didn’t really care what they played as long as it was fast and loud. Robbo used some kind of fancy guitar synthesizer on the song “Another Perfect Day” to replicate the stuff he did on the album. I was totally blown away seeing a guitarist that great up close. I was also impressed he could rock that hard wearing satin shorts and a mesh tank top. The club was hot as hell and Robbo kept a bucket of water nearby and he’d splash himself in between songs. He wouldn’t take off his guitar or anything. I thought he’d electrocute himself. He would also duck behind his amps pretty regularly for a second and come back sniffing like crazy. It was obvious all three of them were jacked up to the max. I thought it was so cool how blatant they were about everything. Philthy had a big rotating fan behind him. He had horrible B.O. and it was just getting blasted into the crowd on top of the soundwaves. Lemmy had on a black t-shirt with the sleeves cut off, jeans, bullet belt and white boots. Earlier that day while waiting to get into the club I saw Lemmy come out of the backstage area and cross the street to get on the bus in the same outfit except for flip flops and cut off denim shorts. Bullet belt included.
When the show was over I was basically in a metal daze. I couldn’t hear a fuckin’ thing and my mouth must have been hanging open. It took almost three hours to get home but it was worth it. The next morning my ears were ringing very loudly. I loved the sound. I was amazed that they continued to ring for EIGHT MORE DAYS. After seeing Motörhead at L’Amour life was never the same.
Motörhead, Live at L’Amour East, Brooklyn, July 29, 1983
Tags: Another Perfect Day, Brooklyn, Motörhead, Motörhead Another Perfect Day, New York, Spine of Overkill