Prepare to be underwhelmed…
About two weeks ago, I took part with a slew of other alt-weekly journo types in a conference call with Ozzy Osbourne about the new Black Sabbath album, 13 (review here). It was an hour long and there were I think 20 or so writers involved. Everyone, I was told, would get to ask at least one question.
I had never done a conference call before, and the idea seemed lame, but it was my only chance to get even a smattering of phone time with Ozzy and not-at-all-blown-away-by-13 though I was, I wasn’t going to miss probably the only chance I’d ever have to ask him anything, let alone something about the process of making this album after talking about it for so long.
Before calling in to the weird phone chat thing — like a partyline of people who’ve made terrible life choices — I made a list of questions to pick from should I be lucky enough to actually get a word in. All my questions were among the first asked, and not by me. By the time it was finally my turn to ask something, I had nothing left and had to come up with one on the fly.
So, after being a Sabbath fan for more than half my life and finally getting an opportunity to speak to Ozzy Osbourne himself (a man who has clearly had no shortage of media training), here’s how it went down — my question and a follow-up:
I just wanted to ask you a little bit about the sort of reception to the new material live. Obviously, there’s Sabbath’s catalog of classics, but in terms of mixing new songs in and the shows you’ve already done…
Ozzy Osbourne: So we recently went to New Zealand, Australia, and Japan, and we did a couple of the new songs. We said they’re all new. God, you’d think it had been released as a single or a first track off album, and so that – I remember when we played two shows in Auckland, New Zealand.
The first night they didn’t really respond much to it. The second night they’re all singing the lyrics with me. I’m going, I can’t even remember them that good. I mean, it’s good for us as well to do new stuff, because you know, we’re all tuned into “Iron Man,” “War Pigs,” “Paranoid,” and all of the old classics, but instead, it gives us as a band something refreshing to put into the show, and so I’m just glad that people have bought into the new songs.
You mentioned before the songs being in sort of a middle range you could bring live. How much of a consideration when you guys were writing the album was doing the songs live?
Ozzy Osbourne: Well, after keeping the people waiting for as long as we did, I certainly — I can still get the range, but I can’t do it onstage. Maybe one gig I can do it onstage, but then it’d be every other night, I mean, my voice gets tired you know? And so I personally specifically went in the studio and kept it a little comfortable range that I could do onstage, you know.
On the other end of the line from one of heavy metal’s true gods and I’m left asking about… playing the new songs live. As if he doesn’t shout, “Here’s one off the new album!” and everyone goes to get a beer in time to be back for “Into the Void.” I’d call it a bummer if it wasn’t so much better than nothing.
I didn’t attempt to dial in for another round, but didn’t hang up either, and just listened to the rest of the hour as other writers from around the country took turns flattering and lobbing softballs. The first question had been about Bill Ward and that got shut down pretty quickly to more or less set the tone. By the end of it, charismatic though Osbourne is and though — as with the record — I’d expected no more than I got, I had gone back to checking my email.
And there you have it.