Buried Treasure: Tales of Armageddon in Boston

Similar to my thinking in going to the Six Organs of Admittance show last Friday, it seemed to me that if I’m going to be living up that way in the next year, I better get used to buying records in Boston. I’d been to Armageddon Shop there before, and I’ve visited the Providence store as well, but a return trip seemed warranted and The Patient Mrs. gave the all-clear, so off to Harvard Square we went.

Like a lot of places, Armageddon seems to be phasing out CDs in favor of donating the room to vinyl, which at this point I can’t even argue with. New records are coming out only on LP and CDs have lost preference to either end of the extreme — i.e. vinyl or digital, or both. Even as someone who would still rather have a CD than a record, I can understand the appeal. So it makes sense. It’s good business. And in the meantime, they still have a whole wall and then some dedicated to mostly used compact discs and I was happy to peruse the space once again while the crew put on the flute-laden tones of the last Blood Ceremony full-length.

I wound up with two discs for my effort, not really on the cheap but not exactly off it either. For $9.99, I got Black Spirit‘s Black Spirit and for $6.99, Endless Skies by Ashbury. The former is an Italian band and an album I posted about earlier this year, full of post-kraut progressive indulgences but not really off-putting or lacking unifying melody. The latter — and I’ll say this honestly — I bought because the art was badass. I looked at the wizard holding up his hand to gather the clouds about the village below, saw that it was a Vintage/Rockadrome reissue and decided there was no way to lose. A safe bet I was comfortable making.

Of the two, Black Spirit‘s album is the older. It came out in 1978, was their only release, and even this Ohrwaschl version is light on info. You get the lineup and the tracklist (inside the liner in what looks like a direct replica of the vinyl sleeve) and that’s pretty much it. The cover art — also righteous, but in a different way than Ashbury — appears twice, on the jewel case and the outside panels of the liner notes, and even under the CD tray as well, not to mention on the CD itself. It’s a lot of purple to live up to, but the music on the album’s five tracks gets driven home with a bluesy feel and some lightly accented vocals, and 12-minute closer “Old Times” is high-grade classic heavy rock that maybe could’ve come out five or six years earlier and been a hit, but I guess was a little behind the times for ’78.

Same applies to Ashbury, come to think of it, except with the Arizona duo they’re playing a kind of proto-metal that, by the time Endless Skies was released in 1983, the genre had moved past. “Vengeance” has a kind of metal-ness to its riff, but a song like “Take Your Love Away” is more Blue Öyster Cult than Judas Priest. Nothing against it, since the guitar playing is ace, the tracks groove and the whole thing has a vibe worthy of its wizard cover, and considering the side-of-the-van-worthiness of that wizard, that’s saying something. To imagine though that the mid-’70s arena melodies of “Madman” came out the same year as the first Slayer record makes it even more fascinating. In any case, I lucked out.

It wasn’t the biggest haul I’ve ever pulled in, not the stack of discs I sometimes come away with, but for the quality of what I got, I’d hardly call it a loss. Two albums that happen to share in being out of place for what they were doing at the time, the math actually works out pretty well. There was never any doubt, but I’m more or less certain that whenever I end up living there, it won’t be the end of my record buying habit. Good to know. If you’re so inclined, check out Armageddon Shop’s website here.

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6 Responses to “Buried Treasure: Tales of Armageddon in Boston”

  1. Jay says:

    That Ashbury record is one of my all-time favorite albums at this point. Every song is a keeper, and I love how it goes from doom-y metal (“Vengeance,” and the second half of the title track), to ethereal folk/country/hard rock (“Madman,” “Mystery Man”), to southern rock guitar jams (can’t think of the instrumental’s title at this moment). Good find JJ!

  2. Bill Goodman says:

    Black Spirit was a steal at that price. The cheapest I found it online is $17.

  3. goAt says:

    No word of a lie dude-I had that VERY copy of BLACK SPIRIT in my hands there a month ago, got some decent vibes from holding it, but passed on it (never heard of them, but the cover IS righteous). I already had a stack of shit in my arms, and cash is tight! Glad it found a good home! Ha!

  4. Jay says:

    Oh, wow! Thanks for the tip JJ, I’ll be on the lookout for that because I’m pretty obsessed with this band which leads to the next part of my thought. I have their hard to find 2nd record, “Something Funny Goin’ On…” It’s got a few moments, and a small fraction of the vibe…but the songwriting and recording (where’s the drums? hello?) is a far cry from “Endless Skies.” If it wasn’t Ashbury I’d probably consider it a pass, but there’s a few moments where the vocals and guitars hit that old magic…just spotty songwriting and very weak recording keeps it from being a classic. I wonder if this demo is going to be everything post-Endless Skies, which will probably include a large smattering of stuff from the 2nd album, and demos that have been circulating their website. Guess I’ll find out, when I buy out!

  5. Jay says:

    Nevermind what I said…guess it’s 3 brand new, never before heard tracks. Cool! Def. on deck.

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