With goats on their brains and fuzz in their pedals, North Carolinian witch rocking foursome Bloody Hammers issued their self-titled debut on vinyl just this past Friday, Nov. 23. Soulseller Records, whose capable hands recently steered Groan‘s The Divine Right of Kings toward the public, provided their stamp of association, and the band, who previously sold out the CD version and all US-based LPs, once more rode their undeniable hooks to devil-worshiping glory.
Wavy logo font? Penta-goat head? Purple and black? They’ve got all the superficial trappings of post-Electric Wizard cult metal, and some of their fuzz bears that out, but the overarching thickness of “The Last Legion of Sorrow” and the nigh-on-gothic drama in bassist Anders Manga‘s vocals reminds more of an American-styled Uncle Acid and the Deadbeats, andBloody Hammers’ pop sensibilities seal the deal in that regard. Their debut strikes an odd balance, not quite placed in one camp or another, and as the penultimate track, “Souls on Fire” most excellently shows their roundabout route to individuality.
A Sabbathian cadence (think “Under the Sun” in the verse) and mounting tension of drum stomp give way to organ-led melodic sweetness, the vocals high in the mix and slightly blown out, but winding up with swagger enough to deliver the rousing titular chorus. Aside from being among Bloody Hammers‘ most memorable cuts, “Souls on Fire” is also among the band’s best blends of the varying sides of their sound. It’s my pleasure to be able to stream the song today, and you’ll find it on the player below, followed by links to where you can get the album.
Here is the Music Player. You need to installl flash player to show this cool thing!
Tags: Bloody Hammers, Bloody Hammers self-titled, Charlotte, North Carolina, Soulseller Records