Of all the discs I picked up on my recent excursion to the Middled West, in stores or at merch tables, none so far (and I had about 15 hours in the car to listen) has made the same kind of impression as the three-song Demo 2012 by Indianapolis doomers Apostle of Solitude. Perhaps it was seeing two out of three of the tracks live first and their having made such an impression that way and then following that up with the CD, but whatever it is, that was some of the best cash I spent on the whole trip, and don’t tell The Patient Mrs., but I spent a bit.
Somewhere in the depths of rural Michigan, as I put on “Blackest of Times,” I recognized the song immediately. If you ever wanted to know what kind of impact low end at its best can have on trad doom, listen to when “Iron” Bob Fouts kicks in on the leadoff cut on Demo 2012. Together with drummer Corey Webb, Fouts promulgates an insistence of groove that’s both classic and definitively modern in its style, and at the same time, the integration of guitarist/vocalist Steve Janiak alongside Chuck Brown has both pushed Brown more to the fore as a singer and presented an avenue by which the melodic complexity of the band can develop.
To wit, “Die Vicar Die,” a song that’s as catchy as anything in Apostle of Solitude‘s still-budding catalog — yes, even “The Messenger” or “Hunter Sick Rapture” — also finds room in its near eight minutes for a ranging instrumental break that lets Brown and Janiak explore guitar interplay no less lyrical than ultra-fitting and ultra-doomed early verse lines like, “How could a righteous god/Forgive a monster like me,” simultaneously expanding on the galloping riff-led finish of “Blackest of Times.” Demo closer “Good Riddance” is the shortest of the three tracks at 5:59, and also built around a strong chorus, a chugging riff straight out of classic metal driving home the growth of the band without sounding like a put-on or over the top.
“Good Riddance” cuts off right at the end — that’s how it is on my disc, from which these tracks were directly ripped — and it’s important to keep in mind that Demo 2012 is just that; a demo. The performances are live-sounding and I don’t think it’s mastered, but from where I sit it gives an excellent impression of where the band is headed for their next full-length.
Check it out right here:
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For more on Apostle of Solitude, you can see the interview I did with Brown following the release of their second full-length and Profound Lore debut, 2010’s Last Sunrise, also reviewed here. Or you can just hit them up on Thee Facebooks. Either way. Special thanks to the band for the permission to feature the songs.Tags: Apostle of Solitude, Eyes Like Snow, Indiana, Indianapolis, Profound Lore