What to Look Forward to in 2012, Pt. 1: The Sure Bets

I’m a sucker for consistency, so I’m going to keep this to the same kind of format as last year’s 2011 preview — real low key, real stuff I’m actually looking forward to being released. It’s not about what band is the biggest, or who has the most hype, but about who’s kicking what ass and how much it’s happening. Pretty simple parameters we’re working with here.

If you don’t recall last year and didn’t already click that link in the paragraph above out of curiosity, here’s how it works: I take five records I”ve heard and five I haven’t, and over the course of two days, we get a list of 10 albums reportedly to come in 2012 (these things don’t always work out, as we’ll get into more tomorrow with Colour Haze) that hopefully most people can agree with or at least be only mildly outraged at.

Today, it’s the sure bets. These are records that’ll see release early this year that I’ve already heard and can vouch for. I haven’t reviewed all of them yet, but I will, so consider this a precursor to that if you want. They’re not in any order but that in which they occurred to me to write down. In any case, here goes:

Snail, Terminus: Their 2009 reunion album, Blood, has stood the test of the going-on-three years since its release on MeteorCity, and the four-piece are set to follow it up this year with Terminus, an album that hopefully doesn’t live up to its name in being their last. The songwriting, which made for ultra-memorable tracks on Blood, is just as epic here, and each cut seems to have a personality of its own while still flowing together as a whole. What you really need to know about it — it’s heavy as hell. I wouldn’t be surprised to see myself typing about it again come list time this December.

Orange Goblin, A Eulogy for the Damned: Another foreboding album title, this seventh full-length from the London doomers (review here) finds them embracing the anthemic on “The Filthy and the Few” and going full-on spooky for “The Fog.” It’s a mature album, and maybe a little too clean in terms of production, but these guys never fail to deliver, and A Eulogy for the Damned can only add to the increase in profile the last couple years has seen for Orange Goblin. When it comes down to it, they’re one of the best live acts in doom, so they can’t lose in bringing this material to the stage.

Dwellers, Good Morning Harakiri: Iota, the prior outfit of Dwellers guitarist/vocalist Joey Toscano, found a small but loyal cult when they released Tales on Small Stone in 2008. I’d expect no different for Dwellers, which teams Toscano with the rhythm section of SubRosa‘s last album, bassist Dave Jones and drummer Zach Hatsis. The album balances bluesy riffs and spacey ambience with terrifying ease, saving expansive jamming for its two side-closers while bolstering a classic songwriting feel elsewhere. A great mix and a welcome return from Toscano. Full review here.

Corrosion of Conformity, Corrosion of Conformity: I’ve got this slated to be reviewed tomorrow, and next week I’ll have my Q&A with bassist/vocalist Mike Dean posted, so between that, the live review Monday, and the announcement of their headlining tour, it’s an awful lot of C.O.C. around here lately. Can’t say they didn’t earn it. Their upcoming self-titled seems to distill about 30 years of growth into 11 high-quality tracks that not only recall the trio’s Animosity-era glory days, but push them further into places they’ve never gone before. It’s a fascinating and surprising album on a lot of levels, and I think once people have a chance to hear it, they’re going to really embrace what the band is doing.

Black Pyramid, II: A song from this went up just yesterday, so I admit, it’s on my mind lately, but the second LP from Massachusetts trio Black Pyramid is one of early 2012’s highlights for sure. If you don’t believe me, you can get it yourself ahead of its release date from MeteorCity at All That is Heavy, and when you do, I think you’ll find that it’s the melodies making the songs as epic as the riffs and the tales of battles and conquests. As the final statement from this incarnation of the band, it’s also the strongest work they’ve done yet.

There’s more, obviously. No matter how much you do, there’s always more. Records from The Devil’s Blood (which had its Euro release last year but will be out in North America this month), Infernal Overdrive (review here) and Sun Gods in Exile come to mind as being particularly killer, and in the “heard some already” category, the field expands to include the likes of Blood of the Sun, Pagan Altar, Stubb, Crippled Black Phoenix and others as well, so it already looks like it’s going to be a busy year.

The real challenge though is going to be narrowing tomorrow’s speculation picks down to just five. Not sure I’m going to be able to do it, but I’ll try my best.

Stick around — more tomorrow!

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2 Responses to “What to Look Forward to in 2012, Pt. 1: The Sure Bets”

  1. Hard to call it a “sure shot”, but my money’s on Ortega’s next release. YAHTZEE!

    http://ortegaband.bandcamp.com/album/a-flame-never-rises-on-its-own

  2. Fastnbulbous says:

    Deepspacepilots! Can’t wait for Ufomammut – Oro: Opus Primum. Apr release date is way too long from now.

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